ß ëåïëþ èç ïëàñòèëèíà , Ïëàñòèëèí íåæíåé, ÷åì ãëèíà - ìèð Èðìû Ãðþíõîëüö |

ß ëåïëþ èç ïëàñòèëèíà -
Ïëàñòèëèí íåæíåé, ÷åì ãëèíà -
ß ëåïëþ èç ïëàñòèëèíà
Êóêîë, êëîóíîâ, ñîáàê.

Åñëè êóêëà âûéäåò ïëîõî,
Íàçîâó å¸ Äóð¸õà,
Åñëè êëîóí âûéäåò ïëîõî,
Íàçîâó åãî Äóðàê.

Ïîäîøëè êî ìíå äâà áðàòà,
Ïîäîøëè è ãîâîðÿò:
Ðàçâå êóêëà âèíîâàòà,
Ðàçâå êëîóí âèíîâàò?

Òû èõ ëåïèøü ãðóáîâàòî,
Òû èõ ëþáèøü ìàëîâàòî,
Òû ñàìà è âèíîâàòà,
À íèêòî íå âèíîâàò,
À íèêòî íå âèíîâàò.

ß ëåïëþ èç ïëàñòèëèíà,
À ñàìà âçäûõàþ òÿæêî.
ß ëåïëþ èç ïëàñòèëèíà,
Ïðèãîâàðèâàþ òàê:
Åñëè êóêëà âûéäåò ïëîõî,
Íàçîâó å¸ Áåäíÿæêà,
Åñëè êëîóí âûéäåò ïëîõî,
Íàçîâó åãî Áåäíÿê.
Åñëè êëîóí âûéäåò ïëîõî,
Íàçîâó åãî Áåäíÿê.
Ìàòâååâà Íîâåëëà









Äóìàþ, âñå ìû ïîìíèì ïëàñòèëèíîâûå ìóëüòèêè, êîòîðûå òàê ÷àñòî â äåòñòâå ïîÿâëÿëèñü íà íàøèõ ýêðàíàõ. Äëÿ ñîçäàíèÿ òàêèõ âîò ìóëüòèêîâ íåîáõîäèìî èçãîòîâèòü ìíîæåñòâî ïëàñòèëèíîâûõ ôèãóðîê è ïëàñòèëèíîâûõ äåêîðàöèé, ÷òîáû ïîòîì ïðèâåñòè âñå ýòî â äåéñòâèå. Òâîð÷åñòâî õóäîæíèöû Èðìû Ãðþíõîëüö íàïîìèíàåò çàñòûâøèå êàäðû èç òàêèõ âîò ïëàñòèëèíîâûõ ìóëüòôèëüìîâ.














Graphic designer and illustrator Irma Gruenholz toiled away in Madrid as an ad agency art director before shifting gears and launching a freelance career in illustration. While she’s perfectly capable working with pencils and paints, it was her decision to work in 3D that really set things in motion. Gruenholz painstakingly builds each illustration with hand-sculpted modelling clay before lighting and photographing it, giving each piece a beautiful sense of depth. Lately her work has been popping up in books, magazines, and advertisements around the world and you can see more on Facebook and over on Behance. If this tickled your brain, you might also dig Shintaro Ohata.

| Ðóáðèêè: | Ýòî èíòåðåñíî! Ðóêîäåëèå |
| Êîììåíòèðîâàòü | « Ïðåä. çàïèñü — Ê äíåâíèêó — Ñëåä. çàïèñü » | Ñòðàíèöû: [1] [Íîâûå] |