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Ñðåäà, 14 Ìàÿ 2014 ã. 17:01 + â öèòàòíèê
Öèòàòà ñîîáùåíèÿ Åëà2012 Âèíñåíò Âèëëåì Âàí Ãîã (1853-1890)




Âèíñåíò Âàí Ãîã. Ôîòî 1889 ãîäà

Òðàãè÷åñêàÿ æèçíü Âèíñåíòà Âàí Ãîãà ñåãîäíÿ ïîïóëÿðíà êàê êàêàÿ-òî ñâÿùåííàÿ ëåãåíäà, êîòîðàÿ, êàæåòñÿ, íóæíà ëþäÿì áîëüøå, ÷åì ñèÿíèå åãî çâåçä è ïîäñîëíóõîâ. Ãîëîäíîå, ïî÷òè íèùåíñêîå ñóùåñòâîâàíèå, ïîëíîå îäèíî÷åñòâà è ïðåçðåíèÿ îêðóæàþùèõ, îáåðíóëîñü óæå âñåìèðíûì àæèîòàæåì è èíòåðåñîì â 20 âåêå. Çà ñâîþ æèçíü Âàí Ãîã ïðîäàë ëèøü îäíó êàðòèíó ("Êðàñíûå âèíîãðàäíèêè â Àðëå"), à ðîâíî ÷åðåç ñòî ëåò íà àóêöèîíå Êðèñòè â Íüþ-Éîðêå åãî "Ïîðòðåò äîêòîðà Ãàøå" áûë êóïëåí çà 82,5 ìèëëèîíà äîëëàðîâ (ðåêîðä ñðåäè æèâîïèñíûõ ïðîèçâåäåíèé). Íà ôîíå ýòîãî íåçäîðîâîãî ïîêëîíåíèÿ òåðÿåòñÿ îáëèê ñàìîãî õóäîæíèêà, ìîãó÷åãî è ðàíèìîãî îäíîâðåìåííî, îêîí÷èâøåãî ñâîé äðàìàòè÷åñêèé ïóòü íà çåìëå îò÷àÿíèåì è ñàìîóáèéñòâîì. Âàí Ãîã ïðîæèë âñåãî 37 ëåò, èç êîòîðûõ ëèøü ïîñëåäíèå ñåìü ñ íåáîëüøèì áûëè ïîñâÿùåíû æèâîïèñè. Îäíàêî åãî òâîð÷åñêîå íàñëåäèå ïîðàçèòåëüíî. Ýòî îêîëî òûñÿ÷è ðèñóíêîâ è ïî÷òè ñòîëüêî æå êàðòèí, ñîçäàííûõ â ðåçóëüòàòå âóëêàíè÷åñêèõ òâîð÷åñêèõ èçâåðæåíèé, êîãäà â òå÷åíèè äîëãèõ íåäåëü Âàí Ãîã ïèñàë ïî îäíîé-äâå êàðòèíû åæåäíåâíî. Âàí Ãîã ñòàë ïîñëåäíèì èñòèííî âåëèêèì õóäîæíèêîì â èñòîðèè, íåäîñÿãàåìûì ïðèìåðîì äëÿ äðóãèõ, ñàìîîòâåðæåííîå è ãåðîè÷åñêîå èñêóññòâî êîòîðîãî, ñëîâíî ôàêåë, ñëîâíî ðàäóãà, ñèÿåò òåïåðü íàä ÷åëîâå÷åñòâîì. Åãî êàðòèíû ýòî ïîòðÿñàþùèé, ïîëíûé ëþáâè è ñòðàäàíèÿ äèàëîã - ñ ñàìèì ñîáîé, ñ áîãîì, ñ ìèðîì...


The Red Vineyards in Arles, 1888
Êðàñíûå âèíîãðàäíèêè â Àðëå, Àðëü, íîÿáðü, 1888.
Õîëñò, ìàñëî, 73õ93.
Ãîñóäàðñòâåííûé Ìóçåé èçîáðàçèòåëüíûõ èñêóññòâ èìåíè À.Ñ.Ïóøêèíà, Ìîñêâà


Portrait of Dr Gachet, 1890 01
Ïîðòðåò äîêòîðà Ãàøå. Àðëü, èþíü, 1890.
Õîëñò, ìàñëî, 73õ60.
×àñòíîå ñîáðàíèå



Âèíñåíò Âèëëåì Âàí Ãîã (íèäåðë. Vincent Willem van Gogh, 30 ìàðòà 1853, Ãðîò-Çþíäåðò, îêîëî Áðåäû, Íèäåðëàíäû — 29 èþëÿ 1890, Îâåð-ñþð-Óàç, Ôðàíöèÿ) — ãîëëàíäñêèé õóäîæíèê, ïðåäñòàâèòåëü ïîñòèìïðåññèîíèçìà. Ïðîéäÿ äîëãèé è òÿæåëûé ïóòü â ïîèñêàõ ñàìîîïðåäåëåíèÿ (áûë êîìèññèîíåðîì â òîðãîâîé ôèðìå, ó÷èòåëåì è ïðîïîâåäíèêîì), Âàí Ãîã ñòàë îäíèì èç âåëè÷àéøèõ õóäîæíèêîâ-ïîñòèìïðåññèîíèñòîâ. Åãî ìîæíî ñ÷èòàòü ñàìîó÷êîé, òàê êàê ó÷èëñÿ æèâîïèñè, êîïèðóÿ êàðòèíû ñòàðûõ ìàñòåðîâ.  ïåðèîä æèçíè â Íèäåðëàíäàõ Âàí Ãîã ïèñàë ïåéçàæè, à òàêæå êàðòèíû, ïîñâÿùåííûå òðóäó è áûòó êðåñòüÿí è ðàáî÷èõ, êîòîðûõ íàáëþäàë âîêðóã.


A House Magros, 1879


A Digger, 1881


An Old Man Putting Dry Rice on the Hearth, 1881


Beach at Scheveningen in Stormy Weather, 1882


Back Garden of Sien's Mother's House, the Hague, 1882


Bulb Fields, 1883


Farmhouses among Trees, 1883


Behind the Hedges, 1884


Avenue of Poplars at Sunset, 1884


Ditch, 1884

 30-ëåòíåì âîçðàñòå Âàí Ãîã íà÷èíàåò çàíèìàòüñÿ æèâîïèñüþ ñîçäà¸ò îáøèðíóþ ñåðèþ êàðòèí è ýòþäîâ, âûïîëíåííûõ â ò¸ìíûõ, ìðà÷íûõ òîíàõ è ïðîíèêíóòûõ ãîðÿ÷èì ñî÷óâñòâèåì ê ïðîñòûì ëþäÿì.


Peasant Woman with Dark Hood, 1885.
"Êðåñòüÿíêà", 1885,
Ãîñóäàðñòâåííûé óçåé Êð¸ëëåð-Ìþëëåð, Îòòåðëî


The Potato Eaters, 1885 01
Åäîêè êàðòîôåëÿ, 1885,
ôîíä Âèíñåíò Âèëëåì Âàí Ãîãà ,
Àìñòåðäàì.


Backyards of Old Houses in Antwerp in the Snow, 1885


Autumn Landscape with Four Trees, 1885


Basket of Potatoes, 1885


Cottage and Woman with Goat, 1885


Cottage with Decrepit Barn and Stooping Woman, 1885


 1886 ã. îí ïåðååçæàåò â Ïàðèæ, ãäå îòêðûâàåò äëÿ ñåáÿ ìèð èìïðåññèîíèçìà. Ïîä âïå÷àòëåíèåì æèâîïèñè èìïðåññèîíèñòîâ è ÿïîíñêîé ãðàâþðû èçìåíèëàñü ìàíåðà õóäîæíèêà: ïîÿâèëèñü èíòåíñèâíàÿ öâåòîâàÿ ãàììà è õàðàêòåðíûé äëÿ ïîçäíåãî Âàí Ãîãà øèðîêèé è ýíåðãè÷íûé ìàçîê.


Bowl with Peonies and Roses, 1886


Terrace of a Cafe on Montmartre (La Guinguette), 1886


Flowerpot with Cineraria, 1886


Basket of Pansies on a Table, 1886


Montmartre - Terrace and Observation Deck at the Moulin de Blute-Fin, 1886


Sloping Path in Montmartre, 1886


Basket of Carnations and Zinnias, 1886


Le Moulin de Blute Fin, 1886

 1888 ã. îí ïåðååõàë íà þã Ôðàíöèè, â ìåñòå÷êî Àðëü. Ýòî áûë ñàìûé ïëîäîòâîðíûé ïåðèîä òâîð÷åñòâà õóäîæíèêà. Çà ñâîþ æèçíü Âèíñåíò Âàí Ãîã íàðèñîâàë áîëåå 800 êàðòèí è 700 ðèñóíêîâ â ñàìûõ ðàçíûõ æàíðàõ, îäíàêî ÿð÷å âñåãî åãî òàëàíò ïðîÿâèëñÿ â ïåéçàæå: èìåííî â íåì íàõîäèë âûõîä åãî õîëåðè÷åñêèé âçðûâíîé òåìïåðàìåíò.  ïîäâèæíî íåðâíîé æèâîïèñíîé ôàêòóðå åãî êàðòèí îòðàçèëîñü äóøåâíîå ñîñòîÿíèå õóäîæíèêà: îí ñòðàäàë ïñèõè÷åñêîé áîëåçíüþ, êîòîðàÿ â èòîãå ïðèâåëà åãî ê ñàìîóáèéñòâó. Òâîð÷åñòâî Âèíñåíòà Âàí Ãîãà áûëî îöåíåíî ïî äîñòîèíñòâó ëèøü ïîñëå åãî ñìåðòè.


È â ëþáîì ñëó÷àå, åãî ïðîèçâåäåíèÿ ãîâîðÿò êóäà áîëüøå, íåæåëè ëþáûå ñëîâà î íèõ.


Bathing Float on the Seine at Asnieres, 1887


The Avenue in Argenson Park at Asnieres, 1887


Agostina Sagatori Sitting in the Cafe du Tambourin, 1887


Banks of the Seine with the Pont de Clichy in the Spring, 1887


Boulevard de Clichy, 1887


Bridges across the Seine at Asnieres, 1887


Along the Seine, 1887



Chestnut Tree in Blossom, 1887


Entrance to the Park at Voyer-d'Argenson in Asnieres, 1887
Âõîä â ïàðê íà Voyer-d'Argenson â Àíüåð, 1887


Crown Imperials in a Ñopper Vase, 1887


Exterior of a Restaurant at Asnieres, 1887


Fishing in the Spring, Pont de Clichy, 1887


The Seine with the Pont de la Grande Jette, 1887



Corner of Voyer d'Argenson Park at Asnieres, 1887

1888
Êëþ÷åâîé ìîìåíò â æèçíè Âàí Ãîãà. Óñòàâ îò øóìíîãî è ñóåòëèâîãî Ïàðèæà, Âèíñåíò îòïðàâëÿåòñÿ íà þã, â ãîðîäîê Àðëü. Ïîíà÷àëó õîëîäíàÿ çèìà íå äàâàëà Âèíñåíòó ðàáîòàòü, íî íàñòóïèâøàÿ âñêîðå âåñíà äàëà åìó, íàêîíåö, âîçìîæíîñòü ïèñàòü ïîòðÿñàþùèå öâåòóùèå ïåéçàæè Ïðîâàíñà ñ åãî ãîëóáûì íåáîì è ãîðÿ÷èì ñîëíöåì. Îí ïîñåëèëñÿ â çíàìåíèòîì «Æåëòîì äîìå», â êîòîðîì îí ñîáèðàëñÿ ðàáîòàòü, è ãäå îí íàäåÿëñÿ îðãàíèçîâàòü â áóäóùåì ñîîáùåñòâî õóäîæíèêîâ. Âñå ýòî âðåìÿ Âèíñåíò ïðîâåë êðàéíå ïðîäóêòèâíî, íàïèñàâ ìíîæåñòâî ïåéçàæåé, ìîðñêèõ âèäîâ â Ñàí-Ìàðè-äå-ëà-Ìåð, à òàêæå áîëüøèíñòâî ñâîèõ çíàìåíèòûõ ïîðòðåòîâ (âêëþ÷àÿ ñåðèþ ïîðòðåòîâ ïî÷òàëüîíà Æîçåôà Ðóëåíà è åãî ñåìüþ).


Vincent`s House in Arles (The Yellow House), 1888


Portrait of Joseph Roulin, 1888

Íà ïðîòÿæåíèè âñåãî ãîäà Âèíñåíò ïðîäîëæàë ðàáîòàòü, ñîçäàâ ìíîãèå èç ñâîèõ ëó÷øèõ ðàáîò. Ïîìèìî ýòîãî, îí ñ íåòåðïåíèåì îæèäàë ïðèåçäà ñâîåãî äðóãà, õóäîæíèêà Ïîëÿ Ãîãåíà, êîòîðûé, êàê è îí, ìå÷òàë î ñîçäàíèè ñîäðóæåñòâà ñâîáîäíûõ õóäîæíèêîâ. Íàêîíåö, â îêòÿáðå 1888 ãîäà, Ãîãåí ïîÿâèëñÿ â Àðëå è ïîñåëèëñÿ ñ íèì â «Æåëòîì äîìå». Ýòî âðåìÿ ñòàëî íåîáû÷àéíî ïëîäîòâîðíûì äëÿ îáîèõ, íåñìîòðÿ íà èõ ÷àñòûå è íåïðåêðàùàþùèåñÿ ñïîðû îá èñêóññòâå è îáî âñåì îñòàëüíîì íà ñâåòå. Ïëîõàÿ çèìíÿÿ ïîãîäà ÷àñòî íå äàâàëà èì ðàáîòàòü, âûíóæäàÿ èõ îñòàâàòüñÿ äîìà è âñå áîëüøå è áîëüøå ñïîðèòü. Èõ íàïðÿæåííûå îòíîøåíèÿ ïðîäîëæàëèñü äî 23-ãî äåêàáðÿ, êîãäà â ïûëó îäíîãî èç ñïîðîâ Âèíñåíò, ÿêîáû, ïûòàëñÿ íàïàñòü íà Ãîãåíà ñ áðèòâîé. Îñòàâøèñü â îäèíî÷åñòâå, Âèíñåíò îòðåçàë ñåáå ëåçâèåì ìî÷êó óõà, è, çàâåðíóâ åå â ãàçåòó, îòíåñ îäíîé èç ìåñòíûõ ïðîñòèòóòîê â áîðäåëå. Âïîñëåäñòâèè îí ïîïàë â áîëüíèöó, à ñïóñòÿ íåêîòîðîå âðåìÿ â Àðëü èç Ïàðèæà ïðèáûë Òåî.  ïîñëåäíåå âðåìÿ íåêîòîðûå èññëåäîâàòåëè óòâåðæäàþò, ÷òî Âàí Ãîã íå îòðåçàë ñåáå óõî - ýòî ñäåëàë Ãîãåí, êîòîðûé òàêèì îáðàçîì ïûòàëñÿ îõëàäèòü Âèíñåíòà âî âðåìÿ èõ ïûëêèõ è ñòðàñòíûõ ñïîðîâ.


Self Portrait with Bandaged Ear and Pipe, 1889
Àâòîïîðòðåò ñ ïåðåâÿçàííûì óõîì è òðóáêîé, 1889


Vincent's Bedroom in Arles, 1888
Ñïàëüíÿ Âàí Ãîãà â Àðëå. Àðëü, 1889.
Õîëñò, ìàñëî, 57õ74.
Ìóçåé ä'Îðñý, Ïàðèæ, Ôðàíöèÿ



The Red Vineyards in Arles, 1888
Êðàñíûå âèíîãðàäíèêè â Àðëå, Àðëü, íîÿáðü, 1888.
Õîëñò, ìàñëî, 73õ93.
Ãîñóäàðñòâåííûé Ìóçåé èçîáðàçèòåëüíûõ èñêóññòâ èìåíè À.Ñ.Ïóøêèíà, Ìîñêâà


Sower with Setting Sun (after Millet), 1888
Ñåÿòåëü íà çàêàòå ñîëíöà, 1888.
Õîëñò, ìàñëî, 64õ80.
Ãîñóäàðñòâåííûé Ìóçåé Êðåëëåð-Ìþëëåðà, Îòòåðëî


A Pair of Lovers, Arles, 1888 (Sotheby`s version)




Apricot Tree in Bloom, 1888




Almond Tree in Blossom, 1888


Avenue of Plane Trees near Arles Station, 1888



Farmhouses in a Wheat Field Near Arles, 1888


Flowering Garden, 1888


Farmhouse in a Wheat Field, 1888


Boats at Saintes-Maries, 1888


Blossoming Almond Branch in a Glass with a Book, 1888


Farmhouse in Provence, 1888


Blossoming Almond Branch in a Glass, 1888


Breton Women (after Emile Bernard), 1888


Haystacks in Provence, 1888
Ñòîãà â Ïðîâàíñå, Àðëü, èþíü, 1888.
Õîëñò, ìàñëî, 73õ93.
Êðîëëåð-Ìþëëåð Ìóçåé, Îòòåðëî


Coal Barges, 1888


The Cafe Terrace on the Place de Forum in Arles at Night, 1888
Òåðàññà íî÷íîãî êàôå Ïëåéñ äó Ôîðóì â Àðëå. Àðëü, ñåíòÿáðü 1888. Õîëñò, ìàñëî, 81õ66.
Ìóçåé Êðîëëåð-Ìîëëåð, Îòòåðëî


Fishing Boats at Sea, 1888


Fishing Boats on the Beach at Les Saintes-Maries-de-la-Mer, 1888


The Old Mill, 1888
Ñòàðàÿ ìåëüíèöà, 1888. Õîëñò, ìàñëî, 65õ54.
Õóäîæåñòâåííàÿ Ãàëåðåÿ Àëüáåðòà Êíîêñà, Áóôôàëî, Íüþ-Éîðê


Starry Night over the Rhone, 1888
Çâåçäíàÿ íî÷ü íàä Ðîíîé. Àðëü, ñåíòÿáðü 1888.
Õîëñò, ìàñëî, 73õ92.
Ïàðèæ, Ìóçåé ä'Îðñý, Ôðàíöèÿ

1889
 íîâîì ãîäó Âèíñåíò íà÷àë ïîïðàâëÿòüñÿ, è ñåäüìîãî ÿíâàðÿ îí ïîêèíóë áîëüíèöó â Àðëå. Íî íà ïðîòÿæåíèè íåñêîëüêèõ ìåñÿöåâ åãî ñîñòîÿíèå åùå îñòàâëÿëî æåëàòü ìíîãî ëó÷øåãî. Èíîãäà îí áûë ñïîêîåí è âìåíÿåì, èíîãäà ñòðàäàë îò ïðèïàäêîâ è ãàëëþöèíàöèé. Îí ïûòàëñÿ ïðîäîëæàòü ðàáîòàòü â ñâîåì «Æåëòîì äîìèêå», íî ïîñòîÿííûå òîñêà è ïåðåïàäû íàñòðîåíèÿ ïðèâåëè åãî ìûñëè î íåîáõîäèìîñòè ïñèõèàòðè÷åñêîãî ëå÷åíèÿ. Ñ ïîìîùüþ Òåî îí ïåðåáðàëñÿ â ïñèõèàòðè÷åñêóþ ëå÷åáíèöó Ñåí-Ïîë-äå-Ìàñîë, áëèçè Ñåí-Ðåìè-äå-Ïðîâàíñ.


Vincent`s House in Arles (The Yellow House), 1888


Ward in the Hospital at Arles, 1889


Ãîä ïðîõîäèë ïîä çíàêîì ïîñòîÿííûõ èçìåíåíèé â ïñèõè÷åñêîì ñîñòîÿíèè Âèíñåíòà. Êîãäà ýòî áûëî âîçìîæíî, îí ðàáîòàë çà ïðåäåëàìè êëèíèêè.  ýòîò ïåðèîä áûëà ñîçäàíà ñåðèÿ êàðòèí ñ îëèâàìè è êèïàðèñàìè. Èíîãäà ïðèïàäêè çàñòàâàëè åãî íà ïðèðîäå, è òîãäà åãî íàõîäèëè áåç ÷óâñòâ ãäå-íèáóäü â ïîëå. Ïîñëå ýòîãî Âèíñåíò ïðîäîëæàë ðàáîòàòü â ñòåíàõ áîëüíèöû, ðèñóÿ êàðòèíû íà îñíîâå ðàáîò ëþáèìûõ èì õóäîæíèêîâ (â ïåðâóþ î÷åðåäü, Ìèëëå è Äåëàêðóà).

Ïî èðîíèè ñóäüáû, èìåííî â òîò ìîìåíò, êîãäà ïñèõè÷åñêîå ñîñòîÿíèå Âèíñåíòà ñòàëî êðàéíå òÿæåëûì, ê íåìó, íàêîíåö, ñòàëî ïðèõîäèòü ïðèçíàíèå â óçêîì êðóãó öåíèòåëåé ñîâðåìåííîé æèâîïèñè. Åãî êàðòèíû «Çâåçäíàÿ íî÷ü íàä Ðîíîé» è «Èðèñû» áûëè ïðåäñòàâëåíû â Ñàëîíå Íåçàâèñèìûõ â ñåíòÿáðå 1889 ãîäà.


The Iris, 1889


Landscape with House and Ploughman, 1889
Ïåéçàæ ñ äîìîì è ïàõàðåì. Îêòÿáðü 1889.
Õîëñò, ìàñëî, 33õ41.
Ãîñóäàðñòâåííûé Ýðìèòàæ, Ñàíêò-Ïåòåðáóðã

À â íîÿáðå òîãî æå ãîäà Îêòàâ Ìàóñ, ñåêðåòàðü Áåëüãèéñêîé õóäîæåñòâåííîé ãðóïïû, ïðåäëîæèë åìó âûñòàâèòü øåñòü ðàáîò â èõ ãàëåðåå. Âèíñåíò ïûòàåòñÿ âíîâü ðàáîòàòü íà îòêðûòîì âîçäóõå, íî âñêîðå ñ íèì ïðîèñõîäèò îäèí èç ñàìûõ ñèëüíûõ ïðèïàäêîâ, âî âðåìÿ êîòîðîãî îí âíîâü ïûòàëñÿ îòðàâèòüñÿ.


Starry Night, 1889
Çâåçäíàÿ íî÷ü, 1889. Õîëñò, ìàñëî, 73õ92.
Ìóçåé ñîâðåìåííîãî èñêóññòâà, Íüþ-Éîðê


Avenue with Flowering Chestnut Trees at Arles, 1889


Clumps of Grass, 1889


Crab on It`s Back, 1889


Evening - The End of the Day (after Millet), 1889
Âå÷åð - Êîíåö äíÿ (ïîñëå Ìèëëå), 1889


Field with Poppies, 1889


Flowers in a Vase, 1889


Evening - The Watch (after Millet), 1889
Âå÷åð - ÷àñû (ïîñëå Ìèëëå), 1889.


Entrance to a Quarry near Saint-Remy, 1889.jpg
Âõîä â êàðüåð îêîëî Ñåí-Ðåìè, 1889


Evening Landscape with Rising Moon, 1889


Blossoming Acacia Branches, 1890


Enclosed Field with Ploughman, 1889


Enclosed Field with Rising Sun, 1889

Öèôðîâàÿ ðåïðîäóêöèÿ íàõîäèòñÿ â èíòåðíåò-ìóçåå Gallerix.ru
Âàçà ñ äâåíàäöàòüþ ïîäñîëíóõàìè. Àðëü, ÿíâàðü, 1889.
Õîëñò, ìàñëî, 92õ73.
Ôèëàäåëüôèÿ. Ôèëàäåëüôèéñêèé Ìóçåé èçîáðàçèòåëüíûõ èñêóññòâ, ÑØÀ


Wheat Field with Cypresses at the Haude Galline near Eygalieres, 1889 01
Ïøåíè÷íîå ïîëå ñ êèïàðèñîì, èþíü 1889.
Õîëñò, ìàñëî, 73õ94.
×àñòíîå ñîáðàíèå

1890
Ýòîò ãîä, ïîñëåäíèé â æèçíè õóäîæíèêà, êàê è ïðåäûäóùèé, íà÷àëñÿ íå òîëüêî ñî ìíîæåñòâà óëó÷øåíèé ñîñòîÿíèÿ çäîðîâüÿ Âèíñåíòà, íî è ñ ïîñëåäóþùèìè íåèçìåííûìè ïðèïàäêàìè. Êàê è ðàíåå, îí ðàáîòàë, êîãäà ìîã, è ïî ìåðå òîãî, êàê åãî æèçíü íåèçáåæíî êàòèëàñü ê ñâîåìó êîíöó, åãî ðàáîòû ïîëó÷àëè âñå áîëüøå è áîëüøå ïðèçíàíèÿ.

31-ãî ÿíâàðÿ æåíà Òåî, Äæî, ðîäèëà ìàëü÷èêà, êîòîðîãî íàçâàëè Âèíñåíòîì. Ïîñëå íåñêîëüêèõ ñåðüåçíûõ ïðèñòóïîâ â ôåâðàëå Òåî ïåðåäàë Âèíñåíòà ïîä íàáëþäåíèå äîêòîðà Ïîëà Ãàøå. Ïîä îïåêîé äîêòîðà Âèíñåíòó ñòàëî çíà÷èòåëüíî ëó÷øå, è âñêîðå îí ïîÿâèëñÿ â Ïàðèæå, âåñüìà çäîðîâûì è êðåïêèì.

 ìàå Âèíñåíò ïåðåáðàëñÿ â ãîðîäîê Îâåð, ðàñïîëîæåííûé ê ñåâåðó-çàïàäó îò Ïàðèæà, ãäå ïðîäîëæèë æèòü ïîä íàáëþäåíèåì äîêòîðà Ãàøå. Çäåñü Âèíñåíò èñïûòàë ñâîé ïîñëåäíèé âñïëåñê òâîð÷åñêîé àêòèâíîñòè – ðàáîòàÿ ñ íåâåðîÿòíîé ýíåðãèåé, îí íàïèñàë áîëåå 80 êàðòèí â ïîñëåäíèå äâà ìåñÿöà æèçíè. Âèíñåíò ñæèãàë ñåáÿ â îãíå ñâîåãî òâîð÷åñòâà, íå æàëåÿ ñåáÿ è äóìàÿ ëèøü î ñîëíöå è çâåçäàõ.

Èþíü: Âèíñåíò ïðîäîëæàåò ðàáîòàòü, íà îäíîì äûõàíèè ñîçäàâàÿ ñâîè ëó÷øèå ïðîèçâåäåíèÿ. Åãî ôèçè÷åñêîå è ïñèõè÷åñêîå ñîñòîÿíèå íåâåðîÿòíî óëó÷øèëîñü, è äîêòîð Ãàøå ñ÷èòàåò, ÷òî îí ïîëíîñòüþ âîññòàíîâèëñÿ. Âèíñåíò ïðîâîäèò ñâîè ñàìûå ñ÷àñòëèâûå äíè ðÿäîì ñ äîêòîðîì, Òåî, Äæî è èõ ìàëûøîì.

Èþëü:  òî âðåìÿ êàê äåëà Âèíñåíòà ïîøëè â ãîðó, äåëà åãî áðàòà Òåî ðåçêî óõóäøèëèñü. Ó íåãî íà÷àëèñü ôèíàíñîâûå òðóäíîñòè, âäîáàâîê, çàáîëåë åãî ñûí. Âèíñåíò íàâåñòèë åãî 6-ãî èþëÿ, è áûë êðàéíå óäðó÷åí åãî ñîñòîÿíèåì. Îí ïûòàëñÿ ïðîäîëæàòü ñâîþ ðàáîòó, îäíàêî òåïåðü â åãî ïñèõè÷åñêîì ñîñòîÿíèè ïðîèçîøåë îêîí÷àòåëüíûé ñðûâ, âîçìîæíî, ñâÿçàííûé ñ åãî îòíîøåíèåì ê ñåáå êàê ê îáóçå äëÿ Òåî è åãî ñåìüè, è êàê ê ïðè÷èíå åãî ôèíàíñîâîãî êðèçèñà è ïðî÷èõ ïðîáëåì áðàòà.

27-ãî èþëÿ Âèíñåíò âûøåë íà ïðîãóëêó è, óéäÿ â ïîëå, âûñòðåëèë â ñåáÿ èç ïèñòîëåòà. Îí ñóìåë âåðíóòüñÿ äîìîé ïîçäíî âå÷åðîì, íèêîìó íå ñêàçàâ î ñëó÷èâøåìñÿ. Ðàíåíûé Âèíñåíò áûë íàéäåí â ñâîåé ïîñòåëè, ïîñëå ÷åãî áûë âûçâàí äîêòîð. Èçúÿòü ïóëþ íå óäàëîñü. Âñêîðå Òåî áûë èçâåùåí î ïðîèñøåäøåì.Ïîñëåäíèå ÷àñû æèçíè Âèíñåíòà áûëè ïîäîáíû äâóì ïîñëåäíèì ãîäàì åãî æèçíè. Èíîãäà îí ïðèõîäèë â ñåáÿ, èíîãäà çàáûâàëñÿ âíîâü. Îñòàâøååñÿ âðåìÿ äî ñìåðòè Âèíñåíò ñèäåë íà ñâîåé ïîñòåëè è êóðèë òðóáêó. Ðÿäîì ñèäåë Òåî. Îí îáíÿë ãîëîâó Âèíñåíòà ñâîèìè ðóêàìè. Âèíñåíò ñêàçàë: “ß õîòåë áû óìåðåòü òàê”.

Âèíñåíò óìåð ðàíî óòðîì ñëåäóþùåãî äíÿ, 29 èþëÿ 1890 ãîäà. Äëÿ ïîõîðîí áûëî âûáðàíî ìåñòî íåïîäàëåêó îò äîìà, à ìîãèëà Âèíñåíòà áûëà ïîêðûòà äâåíàäöàòüþ ïîäñîëíóõàìè, êîòîðûå îí òàê ãîðÿ÷î ëþáèë. Âàí Ãîãà íå ñòàëî, è ñ åãî ñìåðòüþ ðîæäàëàñü ëåãåíäà – ëåãåíäà î Âàí Ãîãå.



Blossoming Chestnut Branches, 1890
Öâåòóùèé Êàøòàí



Branches with Almond Blossom, 1890
Öâåòóùàÿ âåòêà ìèíäàëÿ. Ñàí-Ðåìè, ìàðò 1890. Õîëñò, ìàñëî, 77õ92.
Ìóçåé Âàí Ãîãà, Àìñòåðäàì


Butterflies and Poppies, 1890


Chestnut Trees in Bloom, 1890


Road with Cypress and Star, 1890
Ïåéçàæ ñ äîðîãîé, êèïàðèñîì è çâåçäîé, 1890.
Õîëñò, ìàñëî, 92õ73.
Ìóçåé Êðîëëåð-Ìþëëåð, Îòòåðëî


Chestnut Trees in Blossom, 1890


Child with an Orange, 1890


Cottages and Cypresses Reminiscence of the North, 1890
Äà÷è è Êèïàðèñû Âîñïîìèíàíèå î Ñåâåðå, 1890


Cypresses and Two Women, 1890


Daubigny's Garden, 1890 01


Daubigny's Garden, 1890 03


Village Street and Steps in Auvers with Figures, 1890
Äåðåâåíñêàÿ óëèöà ñ ôèãóðàìè íà ëåñòíèöå, 1890.
Õîëñò, ìàñëî, 50õ72.
Õóäîæåñòâåííûé Ìóçåé Ñåíò-Ëóèñà, Ìèññóðè


Farmhouse with Two Figures, 1890


First Steps (after Millet), 1890


Garden in Auvers, 1890


Wheat Field with Crows, 1890
Ïîëå ïøåíèöû ïîä ãðîçîâûì íåáîì, 1890.
Õîëñò, ìàñëî, 51õ100.
Ìóçåé Âèíñåíòà Âàí Ãîãà, Àìñòåðäàì, Ãîëëàíäèÿ


Village Street in Auvers, 1890
Äåðåâåíñêàÿ óëèöà â Îâåðå, 1890.
Õîëñò, ìàñëî, 73õ92.
Õóäîæåñòâåííûé Ìóçåé, Õåëüñèíêè


Sorrowful Old Man, 1890
Ãîðþþùèé ñòàðèê. Ñàí-Ðåìè, ìàé-èþíü, 1890.
Õîëñò, ìàñëî, 81õ65.
Ìóçåé Êðîëëåð-Ìþëëåð, Îòòåðëî

"Ìåíÿ áîëüøå íå ìó÷àò ñîìíåíèÿ, ÿ áåç êîëåáàíèé áåðóñü çà ðàáîòó, è ìîÿ óâåðåííîñòü â ñåáå âñå áîëüøå âîçðàñòàåò. Êàêàÿ çäåñü ïðèðîäà!.. Èòàê, òåïåðü ó ìåíÿ òðè êàðòèíû, èçîáðàæàþùèå ñàä, ÷òî íàïðîòèâ ìîåãî äîìà; çàòåì äâà «Êàôå» è «Ïîäñîëíå÷íèêè», ïîðòðåò Áîøà è ìîé àâòîïîðòðåò; çàòåì êðàñíîå ñîëíöå íàä çàâîäîì, ãðóç÷èêè ïåñêà, ñòàðàÿ ìåëüíèöà. Êàê âèäèøü, äàæå åñëè îñòàâèòü â ñòîðîíå îñòàëüíûå ýòþäû, ðàáîòà ïðîäåëàíà íåìàëàÿ. Çàòî ó ìåíÿ ñåãîäíÿ îêîí÷àòåëüíî èññÿêëè êðàñêè, õîëñò è äåíüãè. Ïîñëåäíÿÿ ìîÿ êàðòèíà, íàïèñàííàÿ ñ ïîìîùüþ ïîñëåäíèõ òþáèêîâ êðàñêè íà ïîñëåäíåì êóñêå õîëñòà, - çåëåíûé, êàê è ïîëàãàåòñÿ, ñàä - ñäåëàíà îäíèì ÷èñòûì çåëåíûì öâåòîì ñ íåáîëüøîé ïðèáàâêîé ïðóññêîé çåëåíè è æåëòîãî õðîìà." (Âèíñåíò Âàí Ãîã)


Self Portrait with Pipe, 1886




http://gallerix.ru/album/Vincent-Van-Gogh
http://vangogh-world.ru/
http://www.artfrance.ru/art/v/vangog/main.htm



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