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-Lace.14-18 ()

, 01 2015 . 19:47 +

 http://www.liveinternet.ru/users/oksgurbanova/post355073934/
-Lace.14-18
Lace ensemble
Place of origin:England (made)
Devon (probably, made)
Date:ca. 1635 (made)


-Lace.14-18

-Lace.14-18

Place of origin: : Vienna (made) ()
Date: : 1879 (designed) 1879 ( )

-Lace.14-18

-Lace.14-18

Place of origin: : Belgium (made) ()
Date: : 1630s (made) 1630- ()


-Lace.14-18
mid 17th century (made) 17-




---------------- -------------------

-Lace.14-18
Detail from a painting of The Marquise d'Aigurandes by F. Drouais, 1759

-Lace.14-18

Sophie Philippine Elisabeth Justine de France, dite Madame Sophie (1734-1782)
Year 1748(1748)
Technique Oil on canvas
Mus?e national du Ch?teau et des Trianons

-Lace.14-18
Russian Grand princess Catharina Aleksejevna 16 years old (future Catherine II of Russia, called the Great)
german painter Georg Christoph Grooth
State Hermitage Museum, St-Peterburg, Russia
Date 1745(1745)


Jean-Marc Nattier (1685(1685)–1766(1766))
Victoire Louise Marie Th?r?se de France, dite Madame Victoire (1733-1799)
Year 1748(1748) Mus?e national du Ch?teau et des Trianons


Jean-Marc Nattier (1685(1685)–1766(1766))
Louise-Marie de France, dite Madame Louise (1737-1787)
Year 1748

-Lace.14-18
DROUAIS, Fran?ois-Hubert
Madame de Pompadour
1763-64
Oil on canvas, 217 x 157 cm
National Gallery, London


-Lace.14-18
Alexander Roslin (1718(1718)–1793(1793))
John Jennings Esq., his Brother and Sister-in-Law
Year 1769

-Lace.14-18
Half length portrait of a lady.

------------------------ ----------------------


-Lace.14-18
, 1630c,
------------------------------------------------
-------------------------------
-Lace.14-18
Portrait of Louis XIV
Date 1661(1661)
Author Charles Le Brun

-Lace.14-18
After David Paton
Date
1698 (c.)
Robert Earle of Roxburgh
-Lace.14-18

Brussels bobbin lace cravat possibly made for Louis XIV

-Lace.14-18
lace, 1660s, Italian; Raised needle Venetian

-Lace.14-18
Cravat. . 1720s

-Lace.14-18
, , 1660-1680, ,


----------
-Lace.14-18
Gustavus III of Sweden
Date 1777(1777)
Alexander Roslin (1718(1718)–1793(1793))


-Lace.14-18
The Emperor Francis?,the Empress Maria Theresa and their children in 1756 (detail)

Date 1756(1756)

Source The original is located at Mus?es Trianon

Author Martin Van Mytens


-Lace.14-18
William Gore. Miniatures.
Date circa 1752
Author Christian Friedrich Zincke


BELLE, Alexis-Simon
Portrait of Louis XV
-
Oil on canvas, 116 x
-------------------------------- -------------

-Lace.14-18
, , , .
England (made) ()
Date: : 1640-1670 (made) 1640-1670


-------------------------------------------------------------

-Lace.14-18
, 1620-1640,
-Lace.14-18
, 1620-1640,

-Lace.14-18
, , , 1685-1700, ,


-Lace.14-18
, 1690-1680- ,
-Lace.14-18
, 1690-1680- ,

-Lace.14-18
early 17th century (made) 17 ()
Cutwork and needle lace Cutwork
-Lace.14-18
early 17th century (made) 17 ()
Cutwork and needle lace Cutwork

-Lace.14-18
()
Date: : 1620-1640

-Lace.14-18
, 1886. Poor Clares,
-Lace.14-18
- .

-Lace.14-18
Biblia
-Lace.14-18
Biblia , , 1886
-Lace.14-18
This is a piece of Irish needle lace. It has a distinctive flat style and an 18th-century pattern, although it actually dates from about 1886.
-Lace.14-18
Border
Unknown
ca. 1886

-Lace.14-18
Set of flounces-
Place of origin:Bayeux (made)
Date:1867 (made)

---------------------
-Lace.14-18

England (made)
second half 19th century (made) 19

-Lace.14-18
England (made)
Date: : second half 19th century (made) 19

-Lace.14-18
This set of bed hangings was made for the marriage in 1875 of Queen Natalie, the daughter of a Russian colonel, to Milan IV, King of Serbia.

----------------------------------------------------------


XVI .

. ( ). , , . : , , , .
, – . , , , : 10 15 !

,, , , 3-4 . , 10 . .

-Lace.14-18

Burano Lace School
ca. 1880 C.

, 1872. The Venetian lagoon froze and the communities dependent on fishing were badly affected. , . The school revived the skill that had made Venice the major producer of needle lace in the 16th and 17th centuries. , 16- 17- . 

Flounce
Place of origin:Burano (made)
Date:1880s (made)





The market for all qualities of lace grew in the mid 19th century. 19 . Handmade lace was a status symbol that demonstrated wealth and position. , . In the 1850s and 1860s people began to spend large quantities on luxury lace as they had done in the 18th century. 1850 1860 , 18 . Silk lace and embroidered nets were fashionable in the early years of the 19th century. 19- . Manufacturers made great efforts to improve and expand the industry to meet demand. . By the mid 1840s, Brussels was again the leading centre for fashion lace. 1840- . Handmade net remained fashionable until the 1850s, when this piece was made. 

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