Ðîäèëñÿ îäèí èç ñàìûõ âëèÿòåëüíûõ õóäîæíèêîâ XX â. - Ïàáëî Ïèêàññî
Öþðèõ - Ïåðâàÿ ðåòðîñïåêòèâà â ìèðå Pablo Picasso (1881-1973) ñîñòîÿëàñü â 1932 ã. Èñïàíñêèé õóäîæíèê ëè÷íî îáóñòðîèë âûñòàâêó, ïîêàçàííóþ ñ ñåíòÿáðÿ ïî íîÿáðü â Kunsthaus Zurich.  òå âðåìåíà åùå íèêîãäà íå ñëûõàëè î òîì, ÷òîáû õóäîæíèê, à íå äèðåêòîð, ñàì ðåøàë êàêèå ðàáîòû ïîêàçàòü â ìóçåå è ýòîò ôàêò áûë ñàì ïî ñåáå ðåâîëþöèåé. è â ýòîì áûë âåñü õóäîæíèê. Ïóáëèêà ïðèíÿëà ñ áîëüøèì èíòåðåñîì ñóáúåêòèâíûé âçãëÿä, êîòîðûé ýòîò õóäîæíèê-àâàíãàðäèñò ïîêàçûâàë ñâîè äàëåêî íå êëàññè÷åñêèå ïðîèçâåäåíèÿ. Ïðåññà ñëåäîâàëà ïî ïÿòàì õóäîæíèêà, ïðèáûâøåãî çà 5 äíåé äî âûñòàâêè ñî ñâîèìè æåíîé è ñûíîì. Îäíàêî, î÷åíü äàæå íåìíîãèå áûëè ñïîñîáíû ïðèçíàòü ãåíèé 50-ëåòíåãî õóäîæíèêà.  ãàçåòå «Die Neue Zurcher Zeitung», èçâåñòíûé ïñèõîëîã è ïñèõîòåðàïåâò C.G. Jung áåçàïåëÿöèîííî íàçâàë õóäîæíèêà øèçîôðåíèêîì.
×òîáû îñâîáîäèòü ìåñòî äëÿ 200 ðàáîò õóäëæíèêà - 65 èç êîòîðûõ ïðèíàäëåæàëè åìó ñàìîìó - âûíåñëè âñþ ïîñòîÿííóþ ýêñïîçèöèþ Êóíñòõàóñà. Ñàìè õóäîæíèêè, ñðåäè êîòîðûõ áûë è Oskar Schlemmer áûëè ïîðàæåíû ðåêîðäó, ïîñòàâëåííîìó çà 9 íåäåëü - 34'000 ïîñåòèòåëÿ. È íåñìîòðÿ íà òî, ÷òî çàòðàòû ïî îðãàíèçàöèè âûñòàâêè çíà÷èòåëüíî ïðåâûñèëè ïîñòóïëåíèÿ Êóíñòõàóñ âñå æå ñìîã ïðèîáðåñòè ó Ïèêàññî åãî êàðòèíó «Guitare sur un gueridon» (1915).
2010 ã íàïîìèíàåò ðåòðîñïåêòèâó 1932 ã. Kunsthaus , îòìå÷àþùèé â òå÷åíèå ýòîãî ãîäà ñâîå 100-ëåòèå èçâåñòåí òåì, ÷òî îòêðûò àâàíãàðäèñòêèì òå÷åíèÿì. Ýòèì ÷åñòâîâàíèåì êîìèññàðû âûñòàâêè Tobia Bezzola è Simonette Fraquelli ðèñóþò èñòîðèþ ðîæäåíèÿ ïåðâîé ìåæäóíàðîäíîé âûñòàâêè Ïèêàññî è ïîêàçûâàþò åãî âëèÿíèå íà ôàêò ïðèíÿòèÿ ñàìîãî àâòîðà âñåìèðíî èçâåñòíîãî ñ òåõ ïîð. 70 ëó÷øèõ ðàáîò è îêîëî òðèäöàòè ðèñóíêîâ ñîáðàíû â áîëüøîé çàëå ýêñïîçèöèè: çäåñü âûñòàâëåíû ïðîèçâåäåíèÿ èç Museum of Modern Art , è èç Metropolitan Museum; New York, èç Tate Modern ; Londres, èç Museo Thyssen-Bornemisza, Madrid, è åùå ìíîæåñòâà äðóãèõ. Âûñòàâëåíû ðàáîòû ðåäêèå, èç ÷àñòíûõ êîëëåêöèé Åâðîïû è ìèðà. Èñòîðè÷åñêèé êîíòåêñò è âûáîð ïðîèçâåäåíèé äåëàþò ýòó äîðîãîñòîÿùóþ âûñòàâêó óíèêàëüíûì êóëüòóðíûì ñîáûòèåì.
In 2010 Picasso's first retrospective will be revived. As it celebrates its centenary in 2010, the Kunsthaus Zurich presents itself as an institution that was open to avant-garde movements early on. With his homage to the 1932 exhibition, curators Tobia Bezzola and Simenotte Fraquelli evoke the background of the world's first comprehensive Picasso museum show, and demonstrate its influence on the reception of the now world-famous artist. Over 70 masterpieces will be assembled in the main exhibition room, works on loan from New York's Museum of Modern Art and Metropolitan Museum, London's Tate Modern, and the Museo Thyssen-Bornemisza in Madrid, among other places, while private collectors in Europe and elsewhere are to lend rarely shown works of their own. The historical significance of this expensive and logistically complex exhibition, together with its selection of individual pieces, makes it a one-of-a-kind event, on show exclusively in Zurich.
Pablo Picasso, Gustave Coquiot, 1901. Huile sur toile, 100 x 81 cm. Centre Pompidou, Paris,
Pablo Picasso, At the Circus, 1905. Drypoint copperplate etching on paper, 22.1 x 14 cm. Kunsthaus Zürich, Collection of Prints and Drawings
Pablo Picasso, Girl in a Chemise, ca 1905. Oil on canvas, 72.7 x 60 cm. Tate, London, Bequeathed by C. Frank Stoop 1933
Pablo Picasso, Woman with Blue Veil, 1923Oil on canvas, 110 x 81 cmLos Angeles County Museum of Art
Pablo Picasso,, Head of a Sleeping Woman (Study for Nude with Drapery), 1907. Oil on canvas, 61,4 x 47,6 cm. The Museum of Modern Art, Estate of John Hay Whitney
Pablo Picasso, Man with a Clarinette, 1911/12. Oil on canvas, 106 x 69 cm. Museo Thyssen-Bornemisza, Madrid
Picasso â Kunsthaus Zurich, ñ 15 îêòÿáðÿ 2010 ïî 30 ÿíâàðÿ 2011.