Ñ ÊÀÆÄÛÌ ØÀÃÎÌ ÐÀÑÏÓÑÊÀÅÒÑß ÖÂÅÒÎÊ ËÎÒÎÑÀ. ÂÜÅÒÍÀÌÑÊÈÉ ÕÓÄÎÆÍÈÊ ÍÃÓÅÍ ÊÓÎÊ ÇÓÍÃ ( ÐÎÄ. 1959 ) |
Ìûñëè òûñÿ÷àìè äîðîã âîçâðàùàþòñÿ êî ìíå.
ß èäó è ìåäèòèðóþ è äóøà ìîÿ ñïîêîéíà.
Ñ êàæäûì øàãîì ïîäíèìàåòñÿ ëåãêèé âåòåðîê,
Ñ êàæäûì øàãîì ðàñïóñêàåòñÿ öâåòîê ëîòîñà.
Òõèòü Íÿò Õàíü (ð.1926)

Ëåòíèé þãî-âîñòî÷íûé âåòåð
â ïîëäåíü íå äàñò ïðîõëàäû.
Äåâóøêå, óòîìëåííîé çíîåì,
çäåñü îòäîõíóòü — îòðàäà.
Ñïèò îíà â æàðêèõ îáúÿòèÿõ ãðåç,
ãðåáåíü áàìáóêîâûé â ãóùå âîëîñ.
Íèæå öâåòóùèõ õîëìèêîâ ñïóùåí
ðîçîâûé êðàé íàðÿäà.
Òàì, íà õîëìàõ, ÷òî ãëÿäÿò â íåáåñà,
íå èñïàðèëàñü åùå ðîñà,
È åñòü åùå â Ïåðñèêîâîé äîëèíå
ïîòîêó ðå÷íîìó ïðåãðàäà...
Æðåö äîáðîäåòåëè ðîò ðàñêðûë:
íàäî á óéòè, íî óéòè íåò ñèë.
Òàê îí è òîï÷åòñÿ ïðåä êðàñîòîþ,
íå îòðûâàÿ âçãëÿäà...
Õî-ñóàí-Õûîíã (1770-?)




Âåñíà


Äåíü è íî÷ü




Î÷àðîâàíèå



Áàð-æåíùèíà


Íîñòàëüãèÿ


Ãîäîâùèíà

Äåâóøêè-êðàñîòêè


Çàñëîíêà


×èñòàÿ êðàñîòà

Î÷àðîâàíèå ñòàðèíû


http://arttunnel.wordpress.com/2014/01/25/nguyen-quoc-dung-artits/
http://www.video4viet.com/news/2012/02/02/Nguyen.Quoc.Dung.mang.Giot.xuan.Ha.Noi.den.Sai.Gon.html
http://giaocam.saigonline.com/TranhMainN/TranhMainNListingNguyenQuocDungNhoConGaiHaNoiXua.php
http://thegioif5.com/hoa-sy-nguyen-quoc-dung-toi-se-tang-tranh-cho-nguoi-mau/
http://www.baomoi.com/Giot-Xuan-mang-huong-vi-Thu-Do-vao-Nam/52/7820889.epi
| Ðóáðèêè: | Æèâîïèñü |
| Êîììåíòèðîâàòü | « Ïðåä. çàïèñü — Ê äíåâíèêó — Ñëåä. çàïèñü » | Ñòðàíèöû: [1] [Íîâûå] |