Tainted_Child все записи автора Entertainment weekly скинули в сеть свои размышления по поводу ТВ-шоу, которые, слишком "зажились на этом свете" или же попросту утратили драйв, бывший в них поначалу. Ниже представлены 15 таких сериалов (с комментариями составителей списка) - "TV Shows You're Breaking Up With". (с) ru_serial

Очень странно, но в список не попали ни "Сверхестественное", ни LOST. Cледуйте за Мистером Картофелем)


Dear HEROES, I'm sorry, I really am, but we're breaking up. It's not me...it's you. I was willing to give you another chance even after those two horrendous seasons, but after what you did to me on Monday night, we can no longer even be friends. Don't call me, don't write me, even in the unlikely case of you getting interesting again. We're through. You can keep the kids; I'm taking my dignity. I'm sorry you're so poorly written, I really am, but this is goodbye

I wanted to like DOLLHOUSE, but just can't bring myself to do so. It's either not dark enough or too lighthearted for it's subject matter, I can't determine which

THE OFFICE. The same characters doing the same stuff, again and again and again. We get it already, Michael Scott is a buffoon. There hasn't been a single addition to the cast since Ed Helms, at least not one I've noticed — Idris Elba's guest stint doesn't count, as he was only there for a few weeks and wasn't even that interesting. There has been some great writing in the past, and some very funny gags, but now it's running on vapors. Of course, that probably means it'll be on for five more years, but it'll be without me. Adios, Office! You were fun once.

I've divorced GOSSIP GIRL, which so far I have not missed at all — lost interest in the characters and the storylines.

BONES. Just...ugh. Booth suddenly has a brain tumor? And he halluncinates a relationship with Brennan? Brennan suddenly wants a kid? Sweets is everywhere? No, thanks.

HOUSE. It's not because I don't enjoy the show, I just enjoy the other shows in that timeslot more. Plus, it's not like there isn't a constant stream of House repeats. I mean, it's all pretty much the same episode every time, isn't it?

ONE TREE HILL. Loved it for six seasons, but for the first time, during this season's premiere, I found myself actually hating the show. Probably because Lucas and Peyton aren't back, or because I've finally realized that the acting is awful. Either way, I'm sad to see it go, but I've finally let go of One Tree Hill.

I'm giving up on 90210, I think. I watched it all last season and I'm just not into it. However, there's nothing else to watch on Tuesday nights, so I may still catch a few eps.

I broke up with GLEE. The show was too needy and I kept finding myself throwing up a little in my mouth every time I watched.

PRIVATE PRACTICE — I only watched it because I loved Grey's so much and now I'm pretty much equally unexcited to see the premieres of both. Plus, I prefer Project Runway and Real Housewives.

FRINGE. Not because of a lack of quality, but because the idiots at Fox decided to put it in the most competitive time slot on TV. I need The Office and 30 Rock for my comedy fix, and I'm more dedicated to and involved in Supernatural than I was able to get to with Fringe. Put it on any other night of the week, and I'd still be watching.

I dropped MAD MEN this year. I tried, I really did. I get the slow burn type dramas — I love Big Love and Breaking Bad — but I was just so bored to tears with Mad Men.

CSI: MIAMI has finally gotten the boot. When it reached the point that I could predict exactly when the sunglasses were going on, I realized it was time to move on. Fortunately, Nathan Fillion and the cast of Castle gave me a better option for Mondays at 10.

GHOST WHISPERER. Jim dies, comes back, it's not Jim, yes it is but he doesn't know it, now he knows, Melinda is pregnant, whose kid is it…. Leave the soap dramas to One Life to Live. They do it better.

I'm breaking up with SMALLVILLE. Its last season finale was a complete retcon and a boring travesty. This season, it doesn't help that they're destroying the heart of the show, the Chlark relationship