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JEAN BAPTISTE CLESINGER (FRENCH, 1814-1883)... ÀÓÊÖÈÎÍÍÎÑÊÓËÜÏÒÓÐÍÎÅ

Ïîíåäåëüíèê, 12 Ôåâðàëÿ 2018 ã. 10:22 + â öèòàòíèê
Öèòàòà ñîîáùåíèÿ Alexandra-Victoria Jean Baptiste Clesinger (French, 1814-1883)... ÀóêöèîííîÑêóëüïòóðíîå

 

ÀóêöèîííîÑêóëüïòóðíîå èç ìðàìîðà, áðîíçû ñ êîðè÷íåâîé ïàòèíîé è òåððàêîòû

Íàâåäèòå êóðñîð, ÷òîáû óâèäåòü íàçâàíèå
ZINGARA, DANSEUSE NAPOLITAINE.Les Trois Graces (The Three Graces).BACCHANTE SUR LE BOUC MARIN (BACCHANTE ON A SEA-GOAT)

CLÉOPÂTRE MOURANTE (THE DYING CLEOPATRA)
SAPPHO

Dancer with Tambourine

ALLEGORY OF ROME , 1860.

2011_NYR_02473_0105_000(a_french_patinated_bronze_figure_of_sappho_cast_from_a_model_by_jean-b)

Danseuse au tambourin ou Zingara.



FRENCH PATINATED BRONZE FIGURE OF SAPPHO.

La Charmeuse

Àðèaäíà íà ïàíòåðå.



Bronze Sculpture of Sappho, J.

Sapho, le dernier chant.

RECLINING NUDES WITH DOG.

Sapho au rocher de Leucade.

Jeune Fille a la Coquille (Girl with a Shell).

2011_PAR_01003_0601_000(groupe_en_bronze_representant_diane_au_repos_dapres_un_modele_de_jean-)

Cléopâtre devant César.

FEMME ORIENTALE, 1858

Diane au repos, 1860.

Faune et bacchante

CLEOPATRA.

Flore accroupie, 1875.

Cléopâtre mourante

PAIR OF BUSTS OF A SPRING AND AUTUMN.

PAIR OF BUSTS OF A SPRING AND AUTUMN.

PAIR OF BUSTS OF A SPRING AND AUTUMN.

La Romaine Transtéverine.

Cléopâtre (Cleopatra) , Circa 1850-1875

LA FIANCÉE.



Buste de bacchante aux roses, 1857.

Buste de bacchante aux roses, 1857.

Bust of Pandora. silvered bronze

Ariadne.

ÁÞÑÒ ÕÐÈÑÒÀ, 1867

La Rieuse napolitaine no 1 (The laughing Neapolitan girl no 1) and Le Rieur napolitain no 1 (The laughing Neapolitan boy no 1), 1866.

La reine de Saba.

Le Sommeil, 1866



Puys ou La Pêcheuse de Vignots, 1874.

The Fates after the antique.

The Fates after the antique.

The Fates after the antique.

Bronze Gypsy Dancer

CLEOPATRE MOURANT.

2017_CKS_14227_0529_000(jeanbaptiste_clesinger_combat_de_taureaux_romains).

Le Christ en croix, 1869.

Suzanne surprise (Susannah surprised).

Charlotte Corday.

Alabaster sculpture of a classical maiden with discus in her hand and dressed with a serviette.


Auguste_Clésinger_Nadar (379x543, 73Kb)
Æàí-Áàòèñò Îãþñò Êëåçèíãåð (Êëåçèíæå) (ôð. Auguste Clésinger; 22 îêòÿáðÿ 1814, Áåçàíñîí — 5 ÿíâàðÿ 1883, Ïàðèæ) — ôðàíöóçñêèé ñêóëüïòîð è õóäîæíèê.
Ýâòåðïà, ìóçà ëèðè÷åñêîé ïîýçèè è ìóçûêè íà íàäãðîáíîì ïàìÿòíèêå Øîïåíà íà êëàäáèùå Ïåð-Ëàøåç â Ïàðèæå (1850)
Ðîäèëñÿ â ñåìüå Æîðæà-Ôèëèïïà Êëåçèíãåðà, ó êîòîðîãî ïîëó÷èë ïåðâûå óðîêè â èñêóññòâå. Âïåðâûå âûñòàâèëñÿ â Ïàðèæñêîì ñàëîíå â 1843 ãîäó, â ïîñëåäíèé ðàç âûñòàâèëñÿ òàì â 1864 ã.
 1847 ã., ýêñïîíèðóåìàÿ â ñàëîíå åãî ñêóëüïòóðà «Æåíùèíà, óæàëåííàÿ çìå¸é», ìîäåëüþ äëÿ êîòîðîé ïîñëóæèëà Àïîëëîíèÿ Ñàáàòüå, èçâåñòíàÿ õóäîæíèöà, ñîäåðæàíêà, õîçÿéêà ëèòåðàòóðíîãî ñàëîíà, ñòàëà ñåíñàöèåé ó ïàðèæñêîé ïóáëèêè è âûçâàëà ñêàíäàë ñ ýðîòè÷åñêèì óêëîíîì. Àïïîëîíèþ Ñàáàòüå ïîñåùàëè Ãþãî, Íåðâàëü, Ñåíò-Á¸â, Áàðáå ä’Îðåâèëüè, Ìþññå, Ãîòüå, Ôëîáåð, Äþìà, Ýäìîí Ãîíêóð (îí äàë åé ïðîçâèùå Ïðåçèäåíòøà, ïðèâèâøååñÿ ïîòîì â ýòîì êðóãó), Áåðëèîç, Ìàíå, Äîðå, Æàëàáåð è äðóãèå. Êðàñîòó ñêóëüïòóðû âûñîêî îöåíèë Ãîòüå.

Æåíùèíà, Æåíùèíà, óæàëåííàÿ çìå¸é, 1847, ìðàìîð, Ìóçåé Îðñå.jpg
Æåíùèíà, Æåíùèíà, óæàëåííàÿ çìå¸é, 1847, ìðàìîð, Ìóçåé Îðñå

Îãþñò, ñòàâøèé ìîäíûì ñêóëüïòîðîì, ñîçäàë áþñòû àêòðèñû Ý. Ðàøåëü, Òåîôèëÿ Ãîòüå, ñêóëüïòóðó Ëóèçû Ñàâîéñêîé (íûíå óñòàíîâëåíà â Ëþêñåìáóðãñêîì ñàäó â öåíòðå Ïàðèæà)

Ëóèçà Ñàâîéñêàÿ, Ëþêñåìáóðãñêèé ñàä.jpg

Õîðîøî èçâåñòíûé ëþáîâíèê Æîðæ Ñàíä, ïîçæå ñîáëàçíèâøèé äî÷ü ïèñàòåëüíèöû Ñîëàíæ, ÷òî ïðèâåëî ê ëèøåíèþ íàñëåäñòâà äî÷åðè. Ñîëàíæ â 1847 ã. âûøëà çàìóæ çà ñêóëüïòîðà. Ñîëàíæ è Îãþñò áûëè äðóçüÿìè Ôðåäåðèêà Øîïåíà, êîòîðûé âûñòóïàë èõ çàùèòíèêîì è ïîêðîâèòåëåì.

Çà ôèíàíñîâóþ ïîìîùü ñåìüå Ñîëàíæ è Îãþñòà Æîðæ Ñàíä îáèäåëàñü íà Øîïåíà, ÷òî ñòàëî îäíîé èç ïðè÷èí ðàçðûâà ìåæäó íèìè ïîñëå âîñüìè ëåò äðóæáû. Ýòî òàêæå ñïîñîáñòâîâàëî ñìåðòè êîìïîçèòîðà è ïðèíåñëî ñêàíäàëüíóþ èçâåñòíîñòü ñêóëüïòîðó.

imgonline-com-ua-2to1-F1ihKTUkBDzqevRd.jpg
Î. Êëåçèíãåð, æåíà Ñîëàíæ è äî÷ü Æàííà

 1849 ãîäó ó ñóïðóãîâ ðîäèëàñü äî÷ü, Æàííà, ïî ïðîçâèùó Íèíè, êîòîðàÿ óìåðëà â 1855 ãîäó, âñêîðå ïîñëå ðàçâîäà å¸ ðîäèòåëåé.

Ïîñëå ñìåðòè Ôðåäåðèêà Øîïåíà â îêòÿáðå 1849 ã., ñêóëüïòîð ñíÿë ïîñìåðòíóþ ìàñêó è ñëåïîê ðóêè êîìïîçèòîðà. Êðîìå òîãî, â 1850 ãîäó îí ñîçäàë èç áåëîãî ìðàìîðà ñòàòóþ Ýâòåðïû, ìóçû ëèðè÷åñêîé ïîýçèè è ìóçûêè äëÿ íàäãðîáíûé ïàìÿòíèêà Øîïåíà íà êëàäáèùå Ïåð-Ëàøåç â Ïàðèæå.

Íà âåðøèíå ãðîáíèöû Ôðåäåðèêà Øîïåíà ìðàìîðíàÿ ñòàòóÿ ñ èçîáðàæåíèåì Euterpe , ìóçû Ìóçûêè..jpg

Îäíîé èç ïàññèé Îãþñòà Êëåçèíãåðà áûëà äàìà ïîëóñâåòà Áåðòà äå Êóðüåð, ïîñëóæèâøàÿ ìîäåëüþ äëÿ åãî áþñòà Ìàðèàííû, óñòàíîâëåííîì âî ôðàíöóçñêîì Ñåíàòå è äëÿ ñòàòóè Ôðàíöóçñêîé Ðåñïóáëèêè íà Âñåìèðíîé âûñòàâêå 1878 ãîäà. Ïîñëå ñìåðòè ñêóëüïòîðà Áåðòå äîñòàëîñü ñîëèäíîå íàñëåäñòâî ñêóëüïòîðà.
Ó Æàí Áàòèñòà Êëåçèíãåðà áûëî íåñêîëüêî ãàëåðåéíûõ è ìóçåéíûõ âûñòàâîê, â òîì ÷èñëå â ãàëåðåå Ýíí Áàððî. Íà àóêöèîíàõ áûëî ïðîäàíî ìíîãî ïðîèçâåäåíèé õóäîæíèêà

Î. Êëåçèíãåð — àâòîð íåñêîëüêèõ ñòàòóé, âûïîëíåííûõ â íàòóðàëüíóþ âåëè÷èíó, äëÿ áîêîâûõ ïðèäåëîâ öåðêâè Église de la Madeleine â Áåçàíñîíå.

Ïîãðåáåíèå.jpg
Ïüåòà.jpg
Âîñêðåñåíèå Èèñóñà Õðèñòà.jpg
Ïüåòà â ×àñîâíå äóø ÷èñòèëèùà - öåðêîâü Ñåí-Ñóëüïèöå - Ïàðèæ, Ôðàíöèÿ.jpg
Ëåäà è ëåáåäü, ìóçåé Ïèêàðäèÿ, Àìüåí.jpg
Ëåäà è ëåáåäü, ìóçåé Ïèêàðäèÿ, Àìüåí
Rien !! (Íè÷åãî!) , Îêîëî 1875
Rien!! (Íè÷åãî!), Îêîëî 1875
 

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