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Öèòàòà ñîîáùåíèÿ Alexandra-Victoria Õóäîæíèêè/ñêóëüïòîðû Carrier-Belleuse: Îòåö Albert-Ernest (French, 1824-1887)... ÀóêöèîííîÑêóëüïòóðíîÌðàìîðíîå (1)

 

Íàâåäèòå êóðñîð, ÷òîáû óâèäåòü íàçâàíèå

Îòåö Albert-Ernest (1824-1887) ÀóêöèîííîÑêóëüïòóðíîå (áðîíçà è òåððàêî́òà) - çäåñü

Ñûíîâüÿ Pierre Gerard (1851-1933) è Louis Robert (1848-1913) - çäåñü

LA CONFIDENCE (ÑÅÊÐÅÒ)

Albert-Ernest_Carrier-Belleuse_par_Carjat_BNF_Gallica (249x400, 18Kb)Àëüáǻð-Ýðíǻñò Êàððüå-Áåëë¸ç (ôð. Albert-Ernest Carrier-Belleuse; 12 èþíÿ 1824 — 4 èþíÿ 1887) — ôðàíöóçñêèé ñêóëüïòîð, ó÷åíèê Äàâèäà Àíæåðñêîãî. Îôèöåð îðäåíà Ïî÷¸òíîãî ëåãèîíà. Ó÷èòåëü Îãþñòà Ðîäåíà, ñ êîòîðûì ïîçäíåå ïîññîðèëñÿ.
 åãî ïðîèçâåäåíèÿõ ôîðìû ôèãóð íåðåäêî ÷åðåñ÷óð ðîñêîøíû è ëèøåíû íàñòîÿùåé æèçíè, íî åãî êîìïîçèöèÿ êðàñèâà, êîêåòëèâî-ìèëà è â ïåðåäà÷å äâèæåíèé æèâîïèñíà. Îäíà èç ñàìûõ ñëàáûõ åãî ðàáîò — «Àíãåëèêà, ïðèêîâàííàÿ ê ñêàëå» (èç «Íåèñòîâîãî Ðîëàíäà» Àðèîñòî, 1866). Ñòàòóÿ Áîãîðîäèöû ñ Ìëàäåíöåì, èñïîëíåííàÿ èì äëÿ ïàðèæñêîé öåðêâè Ñåí-Âåíñàí-äå-Ïîëü â 1867, ãðåøèò òåàòðàëüíîñòüþ. Åãî «Ïîêèíóòàÿ Ïñèõåÿ» ïðåëåñòíà, íåñìîòðÿ íà ñâîþ æåìàííîñòü, à «Äðåìëþùàÿ Ãåáà, îñåíåííàÿ îðëîì Çåâñà», ëó÷øàÿ èç âñåõ åãî âåùåé (íàõîäèòñÿ â Ëþêñåìáóðãñêîé ãàëåðåå â Ïàðèæå), ìîæåò áûòü íàçâàíà äàæå øåäåâðîì â ñâî¸ì ðîäå. Çàìå÷àòåëüíû òàêæå åãî êàðèàòèäû íà ôàñàäå çäàíèÿ Ïàðèæñêîãî êîììåð÷åñêîãî ñóäà, òåððàêîòîâàÿ ãðóïïà «Ïîöåëóé», íåñêîëüêî ñêóëüïòóð â öåðêâè Ñåíò-Îãþñòåí è ãèïñîâàÿ ñòàòóÿ Ìîëüåðà. Èì âûëåïëåíî ìíîãî ñõîæèõ è âûðàçèòåëüíûõ ïîðòðåòíûõ áþñòîâ, â òîì ÷èñëå Äåëàêðóà, Òüåðà, Ðåíàíà.
ANGÉLIQUE (ANGELICA CHAINED TO A ROCK)
13c934a4-0a24-4d16-8b32-86c9a9c5a42b_570 (321x570, 113Kb) Ñ 1864 ïî 1870 ãîä ìîëîäîé Ðîäåí ðàáîòàë â ìàñòåðñêîé Êàððüå-Áåëë¸çà. Ñ íà÷àëîì ôðàíêî-ïðóññêîé âîéíû Ðîäåí áûë ïðèçâàí â äåéñòâóþùóþ àðìèþ, íî âñêîðå êîìèññîâàí èç-çà ïëîõîãî çðåíèÿ. Êàððüå-Áåëë¸ç, êîòîðûé ïåðååõàë â Áåëüãèþ è ïîëó÷èë êðóïíûé çàêàç íà îôîðìëåíèå çäàíèÿ áðþññåëüñêîé Áèðæè, ïðåäëîæèë Ðîäåíó ðàáîòó, è òîò òîæå ïåðååõàë â Áðþññåëü.
 Áðþññåëå Ðîäåí ñîçäàë íåñêîëüêî ñêóëüïòóð äëÿ ÷àñòíûõ äîìîâ, äëÿ çäàíèÿ áèðæè è áîêîâûå ôèãóðû äëÿ ïàìÿòíèêà áóðãîìèñòðó Ëîîñó â ïàðêå ä’Àíâåðñ. Ïîñëå ðàáî÷åãî äíÿ Ðîäåí èçãîòàâëèâàë äëÿ Êàððüå-Áåëë¸ç ñòàòóýòêè, êîòîðûå òîò ïîä ñâîèì èìåíåì îòëèâàë â áðîíçå è âûñòàâëÿë íà ïðîäàæó. Îäíàæäû Ðîäåí ïîäïèñàë îäíó ñòàòóýòêó ñîáñòâåííûì èìåíåì è ïðåäëîæèë ïîñðåäíèêó â îáõîä Êàððüå-Áåëë¸çà. Êîãäà îá ýòîì óçíàë Êàððüå-Áåëë¸ç, îí ñðàçó óâîëèë Ðîäåíà. Ïî îêîí÷àíèè ôðàíêî-ïðóññêîé âîéíû Êàððüå-Áåëë¸ç âåðíóëñÿ âî Ôðàíöèþ, è åãî íåçàêîí÷åííóþ ðàáîòó ïî êîíòðàêòó ïðèíÿë ñêóëüïòîð Àíòóàí-Æîçåô âàí Ðàñáóðã, êîòîðûé ñíîâà íàíÿë Ðîäåíà ñâîèì ïîìîùíèêîì.
Ñûíîâüÿ Albert-Ernest Carrier-Belleuse, Pierre Gerard (French, 1851-1933) è Louis Robert (French, 1848-1913) ñòàëè õóäîæíèêàìè, à ñòàðøèé Louis Robert áûë åù¸ è ñêóëüïòîðîì. Ìíîãèå ðàáîòû (îêîëî 2 òûñÿ÷) õóäîæíèêà áûëè ïðîäàíû íà àóêöèîíå, â òîì ÷èñëå ñêóëüïòóðà âûøå 'ANGÉLIQUE (ANGELICA CHAINED TO A ROCK)' ïðèîáðåòåíà íà Sotheby's London 'European Sculpture & Works of Art' â 2005 çà $724,915.
ALLEGORY OF LOVE , 1868.

a Woman with a Garland of Flowers.

JEUNE FEMME TENANT DEUX COLOMBES.

LA CONFIDENCE (ÑÅÊÐÅÒ)





LE RETOUR DE LA CHASSE , Circa 1884-1893

PSYCHE ABANDONED

WOMAN READING, 1874.

ENFANTS À LA SOURCE.







A PAIR OF SÈVRES PORCELAIN BUSTS OF LA REVE AND LE SOMEIL.

BUST OF OMPHALE

7cc77cf87f5e24579a156b5100da54ef.jpg

Nymph and Satyr2.jpg

Psyché abandonnée (Musée des Beaux-Arts de Marseille)

Musée des Beaux-Arts de Marseille

Musée des Beaux-Arts de Marseille
GROUP OF A BACCHANTE AND PUTTO.
Bust of a Maiden.
 

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