-Ðóáðèêè


ÌÎÅ ÈÍÒÅÐÂÜÞ ×ÅØÑÊÎÌÓ ÌÓÇÛÊÀËÜÍÎÌÓ ÏÎÐÒÀËÓ RUMZINE

Âîñêðåñåíüå, 10 Äåêàáðÿ 2017 ã. 22:08 + â öèòàòíèê
Öèòàòà ñîîáùåíèÿ KROMIADI

Ìîå èíòåðâüþ ÷åøñêîìó ìóçûêàëüíîìó ïîðòàëó rumzine



12 (249x197, 22Kb)
×åøñêèé ìóçûêàëüíûé ïîðòàë http://rumzine.com íå òàê äàâíî âçÿë èíòåðâüþ ó ãðóïïû Everlasting (ó äâóõ àâòîðîâ ãðóïïû: Äìèòðèÿ Àðõèïîâà è Äìèòðèÿ Áåëÿåâà - ìåíÿ, ñîáñòâåííî). Ïîëíûé âàðèàíò èíòåðâüþ ìîæíî ïîñìîòðåòü çäåñü:
http://rumzine.com/everlasting
Çäåñü ìîæíî ïðîñëóøàòü àëüáîì:
http://everlasting1.bandcamp.com/
Çäåñü ìîæíî åãî ñêà÷àòü:
http://rusfolder.com/38437899


Ïðèâåäó çäåñü àíãëèéñêèé è ðóññêèé âàðèàíòû ñâîèõ îòâåòîâ:
Hello EVERLASTING, how are you? How did this project started and how did you guys formed as a band?
Hello. It all started with my search for the musicians with whom I could work to create a doom metal band. Starting from 2003 I was looking for the musicians, creating various bands that wouldn’t last long because they didn’t want to play the music of this style. In 2005 I got acquainted with Dmitriy Arkhipov (composer music Everlasting), and a couple of years late, in 2007 we have launched a band and started rehearsals.

Äîáðîãî âðåìåíè ñóòîê. Âñå íà÷èíàëîñü ñ ïîèñêîâ ìóçûêàíòîâ, ñ êîòîðûìè ÿ ìîã áû ñîçäàòü ñâîþ ãðóïïó, èãðàþùóþ doom metal. Ñ 2003 ãîäà ÿ èñêàë òàêèõ ìóçûêàíòîâ, áûëî íåñêîëüêî êîëëåêòèâîâ, êîòîðûå áûñòðî ðàñïàäàëèñü èç-çà íåæåëàíèÿ èãðàòü ïîäîáíûé ñòèëü ìóçûêè.  2005 ãîäó ÿ ïîçíàêîìèëñÿ ñ Äìèòðèåì Àðõèïîâûì (îñíîâíûì àâòîðîì ìóçûêè Everlasting), à ÷óòü ïîçæå, â 2007 ãîäó - ìû ñòàëè ðåïåòèðîâàòü, ñîçäàâ íàøó ìóçûêàëüíóþ ãðóïïó.

As your band EVERLASTING is not that known in Czech Republic, could you please introduce it and its music to the readers a bit? No need for biography though, just in basic terms... :-)
Our music first of all brings out our deep emotions and feelings. We are not trying to copy anybody, however we follow our idea of this music style that we have developed through listening to the classics of this genre.

Íàøà ìóçûêà íåñåò â ñåáå ïðåæäå âñåãî íàøè âíóòðåííèå ýìîöèè, ãëóáèííûå ÷óâñòâà. Ìû íå ñòðåìèìñÿ áûòü íà êîãî-òî ïîõîæèìè, îäíàêî ïðèäåðæèâàåìñÿ òåõ ïðåäñòàâëåíèé î ìóçûêå, êîòîðûå âîñïðèíÿëè, ñëóøàÿ êëàññèêîâ æàíðà.

Let's have a look now at the new album "March Of Time“. How would you introduce it to the fans, what would you point out for them?
This is our first album in 7 years. In this album we have included everything that we have brought to completion so far. Of course, there are many unfinished compositions, but they will become a part of our other projects. Our music is certainly quite far from we are aiming at, but I hope that the listeners would find it interesting. It will be especially pleasant for us, if everyone will be able to find something new for them.

Ýòî íàø ïåðâûé àëüáîì çà 7 ëåò.  íåì ìû ïîñòàðàëèñü âûðàçèòü âñå òî, ÷òî çà ýòè ãîäû ñìîãëè äîâåñòè äî çàâåðøåíèÿ. Êîíå÷íî, îñòàëîñü ìíîãî íåçàêîí÷åííûõ âåùåé, íî îíè âîéäóò â äðóãèå ïðîåêòû. Êîíå÷íî, íàøà ìóçûêà åùå äàëåêà îò òîãî, ê ÷åìó ìû ñòðåìèìñÿ, íî ÿ íàäåþñü, ÷òî ñëóøàòåëè íàéäóò åå èíòåðåñíîé. È îñîáåííî áóäåò ïðèÿòíî, åñëè êàæäûé èç ñëóøàòåëåé áóäåò íàõîäèòü â íåé ÷òî-òî íîâîå äëÿ ñåáÿ.

How much of your time did it take to come up with the ideas, compose and record „March Of Time“? What was the main source of inspiration for the album?
The concept of the album was suggested by myself. Together with Dmitry we have been working out how to put it forward. The album was compiled from the material that we have created through all these years, plus some compositions were created right before its recording. Further, I was developing its artwork, keeping it simple, natural and laconic, thanks to the inspiration that mainly came from the glorious Russian nature of the wooded plains in the Don region.

Êîíöåïöèþ àëüáîìà ïðåäëîæèë è ïðèäóìàë ÿ, ìû âìåñòå ñ Äìèòðèåì ïîòîì óæå îáìûñëèâàëè äàëüíåéøóþ åå ðåàëèçàöèþ. Àëüáîì áûë ñîáðàí èç ÷àñòè ñîçäàííîãî ìàòåðèàëà çà ýòè ãîäû + ÷òî-òî áûëî ñäåëàíî ïåðåä ñàìîé åãî çàïèñüþ. Äàëåå ÿ âåë ðàáîòó íàä ñîçäàíèåì îáðàçîâ îôîðìëåíèÿ àëüáîìà, îñòàíîâèâøèñü íà ïðîñòîòå, åñòåñòâåííîñòè è ëàêîíè÷íîñòè. Çà âäîõíîâåíèå õîòåë áû îòäåëüíî ïîáëàãîäàðèòü ïðåêðàñíåéøóþ ðóññêóþ ïðèðîäó äîíñêèõ ëåñîñòåïåé.

Could you please also tell us something about the lyrics of the new album? Are they anyhow connected, is there some kind of concept behind them?
The album has kept a certain lyrics style. I have been writing the song lyrics for quite a long time already, and this album contains some of my old songs. My personal perception of the doom metal is first of all connected to the feelings of light sadness, regeneration and the catharsis. I always pay lots of attention to the meaning of the lyrics. The March of Time is an ode to the inexorability of time and its surreal nature, an ode to the triumph of the inviolability of the course of history. The realism that is tranformed into the monolith of feelings that everyone is familiar with, but not everyone is able to acknowledge. Only the wholeharted acceptance of the fact that every minute brings us closer to death may allow one to overcome the fear of death. You know, I have spent some time being a consultant on the psychological telephone helpline for people with suicidal thoughts. Helping these people is a very special job – before you start asking direct questions about the possibility of a suicide it is impossible to have a open dialogue to talk about other options. Our life as well as any dialogue requires awareness, which is not possible to reach without having overcome the fear of death.
Each song in this album bears certain tone which complements the previous one and continues its meaning, because the main motive of the lyrics is the philosophical reflection on the purposes, personal choices and the human destiny.

Àëüáîì âûäåðæàí â îïðåäåëåííîé ñòèëèñòèêå è â îòíîøåíèè ëèðèêè. Òåêñòû ïåñåí ÿ ïèøó äîñòàòî÷íî äàâíî è â àëüáîì âîøëè íå òîëüêî ñâåæèå ïðîèçâåäåíèÿ. Äëÿ ìåíÿ doom metal ñîïðÿæåí ïðåæäå âñåãî ñ ÷óâñòâàìè ñâåòëîé ãðóñòè, ïåðåðîæäåíèÿ, êàòàðñèñà. ß âñåãäà îáðàùàþ ñåðüåçíîå âíèìàíèå íà ñìûñë òåêñòîâ ïåñåí. Ìàðø âðåìåíè» – ýòî îäà íåóìîëèìîñòè è íàäìèðíîñòè âðåìåíè, òîðæåñòâó íåçûáëåìîñòè õîäà èñòîðèè. Ðåàëèçì, ïåðåðîæäåííûé â ìîíîëèò òàêèõ ÷óâñòâ, êîòîðûå çíàêîìû êàæäîìó èç íàñ, íî íå êàæäûé ïðè ýòîì ìîæåò ñàì ñåáå â èõ ñîïåðåæèâàíèè ïðèçíàòüñÿ. Òîëüêî ÷åñòíî ïðèçíàâøèñü ñàìîìó ñåáå â òîì, ÷òî êàæäàÿ ìèíóòà âåäåò ê ñìåðòè, ÷åëîâåê ìîæåò ïîìî÷ü ñåáå èçáåæàòü ñòðàõà ñìåðòè. Çíàåòå, ÿ íåêîòîðîå âðåìÿ êîíñóëüòèðîâàë íà òåëåôîíå äîâåðèÿ ñóèöèäåíòîâ. Ñ íèìè îñîáàÿ ðàáîòà – ïîêà òû íå çàäàøü åìó êîíêðåòíî âîïðîñ î åãî âîçìîæíîì ñóèöèäå – íå áóäåò íèêàêîé êîíêðåòèêè, íå áóäåò äèàëîãà, íå áóäåò äàëüíåéøèõ âîçìîæíîñòåé. Äëÿ äèàëîãà, à òåì áîëåå – äëÿ æèçíè – íóæíà îñîçíàííîñòü. À áåç ïðåîäîëåíèÿ ñòðàõà ñìåðòè åå íå áóäåò.
Êàæäàÿ ïåñíÿ íåñåò â ñåáå îïðåäåëåííûé õàðàêòåð, äîïîëíÿÿ ïðåäûäóùóþ è ïðîäîëæàÿ åå ñìûñë, ïîñêîëüêó îñíîâíàÿ òåìà ëèðèêè – ýòî ôèëîñîôñêèå ðàçìûøëåíèÿ î öåëÿõ, ëè÷íîñòíûõ âûáîðàõ, ïðåäíàçíà÷åíèè ÷åëîâåêà.

What is your opinion on Christianity and other religions? Does the members of EVERLASTING?
I have to say, I do not support any kind of ideology in music. Writing music is a freely floating creative process, and so I do not see any point in submitting it to any specific views or keeping it locked up in the requirements of any particular set up. This is why I find the concepts like «Christian metal» really absurd. But I am a believer and I do regularly participate in the Orthodox Church services. Speaking about the religion as a whole… Generally, it is a very complicated issue and it is hard to express it in a couple of sentences. Religious feelings to a great extent form our cultural identity. That is why a sincere religious sentiment is very dear to me, and do not want to exchange it for any attributes of the modern “mass-media consciousness”.

Ñêàæó ñðàçó – ÿ ïðîòèâ èäåîëîãèè â ìóçûêå. Ìóçûêà – ýòî ñâîáîäíûé òâîð÷åñêèé ïðîöåññ è ïîòîìó ÿ íå âèæó ñìûñëà ïîä÷èíÿòü åå êàêèì-ëèáî âîççðåíèÿì è ñäåðæèâàòü â ðàìêàõ òðåáîâàíèé êàêîé-ëèáî ñèñòåìû. Ïî ýòîé ïðè÷èíå äëÿ ìåíÿ àáñóðäíû òàêèå ïîíÿòèÿ, êàê «õðèñòèàíñêèé ìåòàëë» èëè ÷òî-òî ïîäîáíîå â ýòîì äóõå. Íî ÿ ÷åëîâåê âåðóþùèé è ðåãóëÿðíî ó÷àñòâóþ â áîãîñëóæåíèÿõ Ïðàâîñëàâíîé Öåðêâè. Åñëè ãîâîðèòü î ðåëèãèè â öåëîì, òî… Âîîáùå, ýòî î÷åíü ñåðüåçíûé âîïðîñ è â äâóõ ñòðîêàõ î íåì ñëîæíî ÷òî-òî ñêàçàòü. Ðåëèãèîçíîå ÷óâñòâî âî ìíîãîì ôîðìèðóåò êóëüòóðíóþ èäåíòè÷íîñòü. È ïîòîìó ìíå áëèçêî èñêðåííåå ðåëèãèîçíîå ÷óâñòâî, êîòîðîå ÿ íå ñîáèðàþñü ìåíÿòü íà êàêèå-ëèáî àòðèáóòû ñîâðåìåííîãî «ìàññîâîãî ìåäèà ñîçíàíèÿ».

If you had enough money to shoot a video, how would the clip look like?
It is very hard to put music into the visual braces. This is the reason why I do not watch video clips, I prefer concert videos instead. Let everybody find in our music the world that is close to them in spirit. I am for the freedom of creativity.

Ìóçûêó âîîáùå ñëîæíî ïîìåñòèòü â âèçóàëüíûå ñêðåïû. Ïî ýòîé ïðè÷èíå äàâíî íå ñìîòðþ êëèïû, ïðåäïî÷èòàÿ êîíöåðòíûå âèäåî. Ïóñòü êàæäûé ïðåäñòàâëÿåò â íàøåé ìóçûêå òîò ìèð, êîòîðûé åìó ïî äóõó. ß çà ñâîáîäó òâîð÷åñòâà.

Is there anything, what really hamper you on this world and what would you unmake, if it is in your strenght? What relation do you have to today´s society and values?
As for me, nothing hampers me. To a great extent it all depends on the family that come from, where you have been brought up. Society is only a background that surrounds you in life. Whether you cave in to its pressure or not – depends on you. That’s why family values are so important to me as well as everything else I have acquired in myself with my personal life experience. Of course, I do not like it when the governments of many European states try to do everything possible to intrude into the internal life of the family and to change it according to the commercial interests of the modern world. But it can only be changes on a personal level. Switch off the TV, stop buying things that get imposed on you, stop doing things that others urge you to do. I am against the globalization, against being a colourless mass. But I don’t deny its usefulness – think about the internet, or the possibilities to travel the world. But everything should be in balance. One should not renounce things that differ them from others.

Ìíå ëè÷íî – íè÷åãî íå ïðåïÿòñòâóåò. Î÷åíü ìíîãîå çàâèñèò îò òîé ñåìüè, â êîòîðîé òû âûðîñ è áûë âîñïèòàí. Îáùåñòâî – ýòî óæå òîò ôîí, êîòîðûé òåáÿ îêðóæàåò ïîñëå. Ïðîãíåøüñÿ òû ïîä íåãî èëè íåò – ýòî óæå çàâèñèò îò òåáÿ. Ïîòîìó äëÿ ìåíÿ âàæíåå âñåãî ñåìåéíûå öåííîñòè è òî, ÷òî íàæèë â ñåáå áëàãîäàðÿ ñîáñòâåííîìó îïûòó. Êîíå÷íî æå, ìíå íå íðàâèòñÿ æåëàíèå ïðàâèòåëüñòâ ìíîãèõ åâðîïåéñêèõ ãîñóäàðñòâ âñÿ÷åñêè ïîâëèÿòü íà âíóòðåííþþ æèçíü ñåìüè è èçìåíèòü åå óêëàä â óãîäó òåïåðü óæå ìèðîâûì êîììåð÷åñêèì èíòåðåñàì. Íî ýòî ìîæåò èçìåíèòü òîëüêî êàæäûé â îòäåëüíîñòè. Âûêëþ÷è òåëåâèçîð, ïåðåñòàíü ïîêóïàòü òî, ÷òî òåáå íàâÿçûâàþò è äåëàòü òî, ê ÷åìó ïðèçûâàþò. ß ïðîòèâ áåñöâåòíîé ìàññû, ïðîòèâ ãëîáàëèçàöèè. Îäíàêî ÿ íå îòðèöàþ åå ïîëüçû – òîò æå èíòåðíåò, òå æå âîçìîæíîñòè ïóòåøåñòâèé ïî ìèðó. Îäíàêî âñå äîëæíî áûòü â ìåðó, íåëüçÿ îòêàçûâàòüñÿ îò òîãî, ÷òî òåáÿ îòëè÷àåò îò äðóãèõ.

Are bands in Russia in good relations and which bands would you recommend for us?
I’d like to recommend such Russian bands as Ekklesiast, Amber Tears, Neutral, Wine From Tears, Omela, Majdanek Waltz, Orgia Pravednikov.

Õîòåë áû ïîðåêîìåíäîâàòü ñëåäóþùèå îòå÷åñòâåííûå êîëëåêòèâû: Ekklesiast, Amber Tears, Neutral, Wine From Tears, Omela, Majdanek Waltz, Orgia Pravednikov.

What about you and concerts? That really interests me because I can´t imagine so atmospheric and specific music on the platform. Do you manage to keep the original musics feel?
Our music is very atmospheric, it is hard to convey it on the concert in the same way as on the album. But I am optimistic about it – large part of it depends on the experience, frequency of performing.

Íàøà ìóçûêà î÷åíü àòìîñôåðíà è ïîòîìó åå ñëîæíî ïåðåäàòü íà êîíöåðòå ïî÷òè òàê æå, êàê íà çàïèñè àëüáîìà. Íî ÿ îïòèìèñòè÷åñêè ñìîòðþ íà ýòè îáñòîÿòåëüñòâà – ìíîãîå çàâèñèò îò îïûòà, îò ÷àñòîòû âûñòóïëåíèé.

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