ÀÄÐÈÀÍ ÂÀÍ ÑÒÀËÁÅÌÒ (ADRIAEN VAN STALBEMT, 1580-1662, FLANDERS) - ÔËÀÌÀÍÄÑÊÈÉ ÕÓÄÎÆÍÈÊ ÇÎËÎÒÎÃÎ ÂÅÊÀ. \1\ |

Àäðèàí âàí Ñòàëáåìò (Adriaan or Adriaen van Stalbemt, 1580-1662) – ôëàìàíäñêèé õóäîæíèê Çîëîòîãî âåêà. Ñîãëàñíî Õîóáðàêåíó îí áûë óñïåøíûì õóäîæíèêîì-ïåéçàæèñòîì, îæèâëÿâøèì ñâîè ïåéçàæè ôèãóðàìè ëþäåé è æèâîòíûõ.

Ðå÷íîé ïåéçàæ ñ êðåñòüÿíàìè
(River Landscape with Peasants)
35 õ 46_ìåäü, ìàñëî
Ñòîêãîëüì, Íàöèîíàëüíûé ìóçåé


Ïåéçàæ ñ ïàñòóõàìè è àááàòñòâîì âäàëè
(A landscape with shepherds and their flock and an abbey in the background)
65.5 õ 91_õ.,ì.
×àñòíîå ñîáðàíèå

Ðîäèòåëè Àäðèàíà âàí Ñòàëáåìòà áûëè ïðîòåñòàíòàìè. Àäðèàí ïðîâåë ñâîþ þíîñòü â Ìèääåëáóðãå, ãäå åãî ñåìüÿ íàøëà óáåæèùå ïîñëå ïàäåíèÿ Àíòâåðïåíà (1585 ã.) è ãäå îí, âåðîÿòíî, ïîëó÷èë îáðàçîâàíèå.  1609 ã. Ñòàëáåìò âåðíóëñÿ â Àíòâåðïåí, ãäå â òîì æå ãîäó ñòàë ìàñòåðîì ãèëüäèè Ñâÿòîãî Ëóêè, ó íåãî áûëî òðè ó÷åíèêà.

Íàïàäåíèå èñïàíñêèõ ñîëäàò íà ôëàìàíäñêóþ äåðåâíþ
(Attack on a Flemish village by Spanish soldiers)
53.3 x 73.7_ä.,ì.
×àñòíîå ñîáðàíèå


Ñåëüñêèé ïðàçäíèê
(Village Fair)
îê.1645_68.2 õ 106.3_ä.,ì.
Ôðàíêôóðò, Øòåäåëåâñêèé èíñòèòóò


Ñåëüñêèé ïðàçäíèê (äåòàëü)
(Village Fair)
îê.1645_68.2 õ 106.3_ä.,ì.
Ôðàíêôóðò, Øòåäåëåâñêèé èíñòèòóò


Ñåëüñêèé ïðàçäíèê (äåòàëü)
(Village Fair)
îê.1645_68.2 õ 106.3_ä.,ì.
Ôðàíêôóðò, Øòåäåëåâñêèé èíñòèòóò

 1633-34 ãã. îí ïðîâåë äåñÿòü ìåñÿöåâ â Àíãëèè ïðè äâîðå êîðîëÿ Êàðëà I, ãäå, ñðåäè ïðî÷èõ ðàáîò, íàïèñàë äâà âèäà Ãðèíâè÷à (íàïðèìåð, View of Greenwich with King Charles I, Queen Henrietta Maria and the Court , Brit. Royal Col.).

Âèä íà Ãðèíâè÷ ñ Êàðëîì I, êîðîëåâîé Ãåíðèåòòîé Ìàðèåé è ïðèäâîðíûìè
(View of Greenwich with King Charles I, Queen Henrietta Maria and the Court)
îê.1632_83.5 õ 107_õ.,ì.
Àíãëèÿ, Êîðîëåâñêàÿ êîëëåêöèÿ


Ïàðêîâûé ïåéçàæ ñ äâîðöîì
(Park landscape with palace)
îê.1630_121 õ 188_õ.,ì.
×àñòíîå ñîáðàíèå


Câÿòîå ñåìåéñòâî ñ þíûì èîàííîì Êðåñòèòåëåì â ïåéçàæå
(The Holy Family with the Infant Saint John the Baptist in a landscape)
86 õ 114_õ.,ì.
×àñòíîå ñîáðàíèå


Ñóñàííà è ñòàðöû
(Susanna and the Elders)
59.5 õ 79 ìåäü, ìàñëî
×àñòíîå ñîáðàíèå

Ñòàëáåìò áûë äðóæåí ñ ñýðîì Àíòîíèñîì âàí Äåéêîì, êîòîðûé íàïèñàë åãî ïîðòðåò â ÷èñëå Òðèäöàòè ñåìè ïîðòðåòîâ ñàìûõ âûäàþùèõñÿ ëþäåé ñâîåãî âðåìåíè, âûïîëíåííûõ â òåõíèêå ãðèçàéëÿ. Êðîìå ïåéçàæåé, îí ïèñàë ðåëèãèîçíûå, ìèôîëîãè÷åñêèå è àëëåãîðè÷åñêèå ñöåíû è áûë ãðàâåðîì. Åãî òâîð÷åñòâî ïîêàçûâàåò áîëüøîå ñòèëèñòè÷åñêîå ðàçíîîáðàçèå, íî èç-çà íåáîëüøîãî ÷èñëà äàòèðîâàííûõ ðàáîò, èõ ìîæíî ñ òðóäîì êàòàëîãèçèðîâàòü â õðîíîëîãè÷åñêîì ïîðÿäêå.

Ñóñàííà è ñòàðöû (äåòàëü)
(Susanna and the Elders)
ìåäü, ìàñëî_59.5 õ 79
×àñòíîå ñîáðàíèå


Ïåéçàæ ñ êðåñòüÿíàìè, ðàáîòàþùèìè â ïîëå
(Landscape with farmers working in the fields)
20 x 26.5_ìåäü, ìàñëî
×àñòíîå ñîáðàíèå


Îòäûõ íà ïóòè â Åãèïåò
(Rest on the Flight into Egypt)
îê.1605_60 õ 87_ä.,ì.
×àñòíîå ñîáðàíèå

Õîóáðàêåí ïèøåò, ÷òî Ñòàëáåìò âñå åùå çàíèìàëñÿ æèâîïèñüþ â âîçðàñòå 80 ëåò. Óìåð îí â âîçðàñòå 82 ëåò â 1662 ãîäó, âåðîÿòíî, â Àíòâåðïåíå.

(èëè Èåðîíèì Ôðàíêåí Ìëàäøèé)
Íàóêè è èñêóññòâà
(The Sciences and Arts)
89.9 õ 117_ä.,ì.
Ìàäðèä, Ìóçåé Ïðàäî


(èëè Èåðîíèì Ôðàíêåí Ìëàäøèé)
Íàóêè è èñêóññòâà (äåòàëü)
(The Sciences and Arts)
89.9 õ 117_ä.,ì.
Ìàäðèä, Ìóçåé Ïðàäî


(èëè Èåðîíèì Ôðàíêåí Ìëàäøèé)
Íàóêè è èñêóññòâà (äåòàëü)
(The Sciences and Arts)
89.9 õ 117_ä.,ì.
Ìàäðèä, Ìóçåé Ïðàäî


(èëè Èåðîíèì Ôðàíêåí Ìëàäøèé)
Íàóêè è èñêóññòâà (äåòàëü)
(The Sciences and Arts)
89.9 õ 117_ä.,ì.
Ìàäðèä, Ìóçåé Ïðàäî


(èëè Èåðîíèì Ôðàíêåí Ìëàäøèé)
Íàóêè è èñêóññòâà (äåòàëü)
(The Sciences and Arts)
89.9 õ 117_ä.,ì.
Ìàäðèä, Ìóçåé Ïðàäî


Adriaen van Stalbemt, Antwerpen 1580 - 1662
Landscape with River

![]()
Adriaen van Stalbemt (1580–1662)
Paysage
1650
Wallraf-Richartz-Museum


Òîâèÿ è àíãåë
(Tobias and the Angel)
28 õ 40_ìåäü, ìàñëî
×àñòíîå ñîáðàíèå


Adriaen van Stalbemt (1580–1662)
The feast of the Gods
between 1595 and 1662
oil on canvas
51.5 cm (20.3 in). Width: 70.3 cm (27.7 in).
Notes At Sotheby's on 6 July 2006 in London, lot 118


Îæèâëåííàÿ äåðåâåíñêàÿ óëèöà
(A village street animee)
52,5 x 80_ä.,ì.
×àñòíîå ñîáðàíèå


Îðôåé î÷àðîâûâàåò æèâîòíûõ
(Orpheus enchanting the animals)
18 õ 32_ä.,ì.
×àñòíîå ñîáðàíèå


Ðàéñêèé ñàä ñ ñîçäàíèåì Àäàìà è Åâû è èñêóøåíèåì
(The Eden with Creation Adam and Eve and Temptation)
59 x 94,2_ä.,ì.
×àñòíîå ñîáðàíèå

![]()
workshop of Adriaen van Stalbemt (1580–1662)
after Adam Elsheimer (1578–1610)
The Banquet of the Gods
oil on panel
38.3 × 69.8 cm (15.1 × 27.5 in)


Ëåñíîé ïåéçàæ ñ ïóòåøåñòâåííèêàìè è äåðåâíåé
(A wooded landscape with travellers on a track by a village)
13.3 õ 17.5_ä.,ì.
×àñòíîå ñîáðàíèå


Ïîêëîíåíèå ïàñòóõîâ
(Adoration of the Shepherds)
1621_44 õ 74_ä.,ì.
×àñòíîå ñîáðàíèå


Ïðîïîâåäü Õðèñòà íà Ãàëèëåéñêîì ìîðå
(Christ preaching at the Sea of Galilee)
52.7 õ 84.6_ä.,ì.
×àñòíîå ñîáðàíèå


Ëåñíîé ïåéçàæ ñ ïóòåøåñòâåííèêàìè è äåðåâíåé
(A wooded river landscape with a village and travellers)
70 õ 92_ä.,ì.
×àñòíîå ñîáðàíèå


Ëåñíîé ïåéçàæ ñ ïóòåøåñòâåííèêàìè è äåðåâíåé (äåòàëü)
(A wooded river landscape with a village and travellers)
70 õ 92_ä.,ì.
×àñòíîå ñîáðàíèå


Adriaen van Stalbemt (1580–1662)
Vertumnus and Pomona in a landscape
between 1610 and 1662
oil on copper
26.5 cm (10.4 in). Width: 39.2 cm (15.4 in).
Notes At Berge et Associes, 10 June 2013, Paris, Lot 38


Adriaen van Stalbemt (1580-1662)
A village square with urban visitors, 1614


Adriaen van Stalbemt (1580-1662)
A village square with urban visitors, 1614


Adriaen van Stalbemt (1580–1662)
A classical landscape with nymphs bathing in a grotto
between 1610 and 1662
oil on panel
: 53.7 cm (21.1 in). Width: 63.3 cm (24.9 in).
Notes At Christie's, 9 November 2010, Amsterdam, Lot 38


Adriaen van Stalbemt
I castello nel mare
1620-50 ca. (anversa)

![]()
Adriaen van Stalbemt (1580–1662)
Protectors of the Young Artist
between 1610 and 1662
oil on panel
27.5 cm (10.8 in). Width: 50.6 cm (19.9 in).
Current location
Museum of Fine Arts (Budapest)


Adriaen van Stalbemt (1580–1662)
Allegorical composition with offering scene.
1610s
oil on panel
26.5 × 57 cm (10.4 × 22.4 in)
National Museum in Warsaw (MNW)


Adriaen van Stalbemt (1580–1662)
Isabella Francken (fl. 1600–1650)
Bearing of the Cross with St. Veronica and ancient ruins.
first quarter of 17th century
oil on oak
68 × 103 cm (26.8 × 40.6 in)
Current location
National Museum in Warsaw (MNW)


(ñîâì ñ Ïèòåðîì Áðåéãåëåì Ìë)
Òðèóìô Äàâèäà íàä Ãîëèàôîì
(The triumph of David over Goliath)
1618-1619_88 x 216_ä.,ì.
Ìàäðèä, ìóçåé Ïðàäî


(ñîâì ñ Ïèòåðîì Áðåéãåëåì Ìë)
Òðèóìô Äàâèäà íàä Ãîëèàôîì (äåòàëü)
(The triumph of David over Goliath)
1618-1619_88 x 216_ä.,ì.
Ìàäðèä, ìóçåé Ïðàäî


(ñîâì ñ Ïèòåðîì Áðåéãåëåì Ìë)
Òðèóìô Äàâèäà íàä Ãîëèàôîì (äåòàëü)
(The triumph of David over Goliath)
1618-1619_88 x 216_ä.,ì.
Ìàäðèä, ìóçåé Ïðàäî


Adriaen van Stalbemt
&
Jan Breughel the Elder
"Interior of a Picture Gallery (Allegory of Painting)"


Adriaen van Stalbemt
&
Jan Breughel the Elder
"Interior of a Picture Gallery (Allegory of Painting)"
(detail)


Adriaen van Stalbemt
&
Jan Breughel the Elder
"Interior of a Picture Gallery (Allegory of Painting)"
(detail)


Ñåðèÿ ñîîáùåíèé "Àðõèòåêòóðíûé, êëàññè÷åñêèé ïåéçàæ \4\":
×àñòü 1 - Òîìàñ Õåðåìàíñ (Thomas Heeremans, 1641-1694, Flemish) - Ðîñêîøíûé ãîëëàíäñêèé ïåéçàæ \1\
×àñòü 2 - Òîìàñ Õåðåìàíñ (Thomas Heeremans, 1641-1694, Flemish) - Ðî
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