ÒÈÖÈÀÍ (TÈÖÈÀÍ ÂÅ×ÅËËÈÎ, TIZIANO VECELLIO, CA.1488-1576, ITALIAN) - ÐÅËÈÃÈÎÇÍÀß È ÌÈÔÎËÎÃÈ×ÅÑÊÀß ÆÈÂÎÏÈÑÜ \6\ |


Ìàäîííà ñ Ìëàäåíöåì
(Madonna and Child)
îê. 1540_37.5 x 31
Ìàäðèä, Ìóçåé Òèññåí-Áîðíåìèñû


Èñêóøåíèå Õðèñòà
(The Temptation of Christ)
îê. 1516-1525_89.9 x 69.7
Ìèííåàïîëèñ, Èíñòèòóò èñêóññòâ


Ìàäîííà ñ Ìëàäåíöåì íà çàêàòå
(Madonna and Child in an Evening Landscape)
1562-1565_174 x 133
Ìþíõåí, Ñòàðàÿ ïèíàêîòåêà


(Àâòîðñòâî Òèöèàíà ïîä âîïðîñîì)
Ìàäîííà ñ Ìëàäåíöåì è Èîàííîì Êðåñòèòåëåì
(Madonna and Child with St. John the Baptist)
97.2 x 81.9_Ïàñàäåíà, Ìóçåé Íîðòîíà Ñàéìîíà


Àëëåãîðèÿ áðàêà
(Allegory of Marriage)
îê. 1530_123 x 107
Ëóâð, Ïàðèæ


Áëàãîâåùåíèå
(The Annunciation)
1557_280 õ 193.5
Íåàïîëü, Ìóçåé è ãàëåðåÿ Êàïîäèìîíòå


Ìàäîííà ñ Ìëàäåíöåì è Ìàðèåé Ìàãäàëèíîé
(Madonna and Child with Mary Magdalene)
1560-å_ 98 õ 82_õ.,ì
Ñàíêò-Ïåòåðáóðã, Ýðìèòàæ


Ñâÿòîé Ñåáàñòüÿí
(Saint Sebastian)
îê. 1530_190 x 96
×àñòíîå ñîáðàíèå


Ìàäîííà-Ìëåêîïèòàòåëüíèöà
(The Virgin suckling the Infant Christ)
1565-1575_76.3 õ 63.5_õ.,ì.
Ëîíäîí, Íàöèîíàëüíàÿ ãàëåðåÿ


(Àâòîðñòâî Òèöèàíà ïîä âîïðîñîì)
Àðõàíãåë Ðàôàèë è Òîâèÿ
(Archangel Raphael and Tobias)
1530_Ìàäîííà-äåëü-Îðòî, Âåíåöèÿ


Ìàäîííà Àëüäîáðàíäèíè
(The Virgin and Child with the Infant Saint John and a Female Saint or Donor ('The Aldobrandini Madonna')
îê.1532_100.5 õ 142.2_õ.,ì.
Ëîíäîí, Íàöèîíàëüíàÿ ãàëåðåÿ


Óæèí â Ýììàóñå
(The Supper at Emmaus)
îê. 1535-1540_169 x 244
Ïàðèæ, Ëóâð


Ìàäîííà ñ Ìëàäåíöåì, Èîàííîì Êðåñòèòåëåì è Äàðèòåëåì
(Madonna and Child, St John the Baptist and Donor)
1513-1514
Ìþíõåí, Ñòàðàÿ ïèíàêîòåêà


Ìàðñ, Âåíåðà è Àìóð
(Mars, Venus and Amor)
îê.1530_110.8 x 128.5_õ.,ì.
Âåíà, Ìóçåé èñòîðèè èñêóññòâ


Ìàäîííà ñ Ìëàäåíöåì, Èîàííîì Êðåñòèòåëåì è íåèçâåñòíûì ñâÿòûì
(Madonna and Child with St. John the Baptist and an Unidentified Saint)
îê. 1517-1520_62.7 x 93
Ýäèíáóðã, Íàöèîíàëüíàÿ ãàëåðåÿ Øîòëàíäèè


Ïîêëîíåíèå Âåíåðå
(The Worship to Venus)
1518-1519_172 x 175_õ.,ì.
Ìàäðèä, Ìóçåé Ïðàäî.


Òðè âîçðàñòà ÷åëîâåêà
(The Three Ages of Man)
îê. 1512_94 õ 151.4_õ. íà ä.,ì.
×àñòíîå ñîáðàíèå


Òðè âîçðàñòà ÷åëîâåêà_äåòàëü
(The Three Ages of Man)
îê. 1512_94 õ 151.4_õ. íà ä.,ì.
×àñòíîå ñîáðàíèå


Êàþùàÿñÿ Ìàðèÿ Ìàãäàëèíà
(The Penitent Mary Magdalen)
1540-1546_125.6 õ 94.7_õ.,ì.
×àñòíîå ñîáðàíèå


Êóïèäîí ñ êîëåñîì ôîðòóíû
(Cupid with the Wheel of Fortune)
îê.1520_66 x 55.3_õ.,ì.
Âàøèíãòîí, Íàöèîíàëüíàÿ ãàëåðåÿ


Êàþùàÿñÿ Ìàðèÿ Ìàãäàëèíà
(The Penitent Mary Magdalen)
1560_119 õ 98_õ.,ì
Ñàíêò-Ïåòåðáóðã, Ýðìèòàæ

Òèöèàí (Òèöèàíî Âå÷åëëèî)
Îòäûõ íà ïóòè â Åãèïåò
1508-09. 46x61
×àñòíàÿ êîëëåêöèÿ


Âàêõàíàëèÿ
(The Bacchanal of the Andrians)
1523-1526_175 x 193
Ïðàäî, Ìóçåé Ìàäðèä


Âàêõàíàëèÿ_äåòàëü
(The Bacchanal of the Andrians)
1523-1526_175 x 193
Ïðàäî, Ìóçåé Ìàäðèä


Ìàäîííà ñ êðîëèêîì
(Madonna of the Rabbit)
îê. 1530_71 x 85
Ïàðèæ, Ëóâð


Ïîõèùåíèå Åâðîïû
(The Rape of Europa)
1560-1562_178 x 205_õ.,ì.
Áîñòîí, Ìóçåé Èçàáåëëû Ñòþàðò Ãàðäíåð


Ïðåîáðàæåíèå Ãîñïîäíå
(Transfiguration)
îê. 1560_240 x 240
Âåíåöèÿ, Öåðêîâü Ñàí-Ñàëüâàäîð

ìàñòåðñêàÿ Òèöèàíà
Ìàäîííà ñ Ìëàäåíöåì, Èîàíí Êðåñòèòåëü è ñâÿòàÿ Öåöèëèÿ
1540-60. 72x105
Àìáðîçèàíñêàÿ ïèíàêîòåêà, Ìèëàí (Pinacoteca Ambrosiana, Milano).


Áåãñòâî â Åãèïåò
(Flight into Egypt)
îê.1508_206 õ 336_õ.,ì.
Ñàíêò-Ïåòåðáóðã, Ýðìèòàæ


Ëåæàùàÿ Âåíåðà è äâà ñàòèðà
(Venus lying and two satyrs)
105 õ 194_õ.,ì.
×àñòíîå ñîáðàíèå


Ìàäîííà ñ Ìëàäåíöåì
(Madonna and Child, Bache Madonna)
îê. 1508_45.7 x 55.9
Íüþ-Éîðê, Ìóçåé Ìåòðîïîëèòåí


(ñîâì ñ ìàñòåðñêîé)
Ìàëü÷èê ñ ïòè÷êîé
(A Boy with a Bird)
âîçìîæíî 1520-å_34.8 õ 48.9_õ.,ì.
Ëîíäîí, Íàöèîíàëüíàÿ ãàëåðåÿ

Òèöèàí (Òèöèàíî Âå÷åëëèî)
Èäèëëèÿ - Ìàòü ñ ðåáåíêîì è àëåáàðäùèêîì â ïåéçàæå
1505-10. 46x44
Ìóçåé èñêóññòâ Ôîãã Ãàðâàðäñêîãî óíèâåðñèòåòà, Êåìáðèäæ
(Fogg Art Museum, Harvard University, Cambridge).


Áëàãîâåùåíèå
(The Annunciation)
1535_166 õ 266
Ñêóîëà Ñàí-Ðîêêî, Âåíåöèÿ

Òèöèàí (Òèöèàíî Âå÷åëëèî)
Sapientia (Ìóäðîñòü)
îê1564. 179x189.
Áèáëèîòåêà Ìàð÷èàíà (Íàöèîíàëüíàÿ áèáëèîòåêà ñâ. Ìàðêà)

Ñåðèÿ ñîîáùåíèé "æèâîïèñü ñòàðûõ ìàñòåðîâ \6\":
×àñòü 1 - Ôðàíö âàí Ìèðèñ Ñòàðøèé (Frans van Mieris the Elder, 1635 — 1681, Flemish) - ãîëëàíäñêèé õóäîæíèê Çîëîòîãî âåêà \2\
×àñòü 2 - Íåìåöêèé õóäîæíèê Áåðíõàðä Øòðèãåëü (Bernhard Strigel, 1460–1528, German) - Ïîðòðåòíàÿ ãàëåðåÿ (details) \1\
...
×àñòü 47 - Òèöèàí (Tèöèàí Âå÷åëëèî, Tiziano Vecellio, ca.1488-1576, Italian) - Ðåëèãèîçíàÿ è ìèôîëîãè÷åñêàÿ æèâîïèñü \4\
×àñòü 48 - Òèöèàí (Tèöèàí Âå÷åëëèî, Tiziano Vecellio, ca.1488-1576, Italian) - Ðåëèãèîçíàÿ è ìèôîëîãè÷åñêàÿ æèâîïèñü \5\
×àñòü 49 - Òèöèàí (Tèöèàí Âå÷åëëèî, Tiziano Vecellio, ca.1488-1576, Italian) - Ðåëèãèîçíàÿ è ìèôîëîãè÷åñêàÿ æèâîïèñü \6\
| Ðóáðèêè: | Æèâîïèñü/Æèâîïèñü Ñòàðûõ Ìàñòåðîâ |
| Êîììåíòèðîâàòü | « Ïðåä. çàïèñü — Ê äíåâíèêó — Ñëåä. çàïèñü » | Ñòðàíèöû: [1] [Íîâûå] |