( SOTHEBY'S) \14\ |
Michele Marieschi
VENICE 1710 - 1743
Ponte di Rialto
18th century
Michele Marieschi
VENICE 1710 - 1743
Ponte di Rialto (detail)
18th century
Michele Marieschi
VENICE 1710 - 1743
Ponte di Rialto (detail)
18th century
Charles-François Grenier de Lacroix, called Lacroix de Marseille
MARSEILLE CIRCA 1700 - 1782 BERLIN
A MEDITERRANEAN PORT WITH TURBANED FIGURES BENEATH A ROMAN ARCH, A MAN-O'-WAR AT ANCHOR BEYOND
Charles-François Grenier de Lacroix, called Lacroix de Marseille
MARSEILLE CIRCA 1700 - 1782 BERLIN
A MEDITERRANEAN PORT WITH FISHERMEN BY THE SHORE AND HAULING NETS
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Apollonio Facchinetti, called Domenichini, formerly known as the Master of the Langmatt Foundation Views
VENICE 1715-1757
VENICE, A VIEW OF SAN GEREMIA AND THE ENTRANCE TO THE CANNAREGIO
oil on canvas
11 3/4 by 17 3/4 in.; 29.7 by 45.2 cm.
Francis Moltino
BRITISH 1818 - 1874
CLASSICAL RIVER LANDSCAPE, WITH FIGURES ON THE STEPS BELOW A TEMPLE, EMBARKING BOATS
signed lower left: Moltino
oil on canvas
76 x 127 cm.; 29 7/8 x 50 in.
Salomon van Ruysdael
NAARDEN 1600/3 - 1670 HAARLEM
RIVER LANDSCAPE WITH FISHERMEN AND CATTLE, THE GROTE KERK OF ALKMAAR BEYOND
signed and dated lower left: SVRuysdael 1664 (SVR in ligature)
oil on panel
19 7/8 by 27 1/4 in.; 50.5 by 69.2 cm.
Apollonio Facchinetti, called Domenichini, formerly known as the Master of the Langmatt Foundation Views
VENICE 1715-1757
VENICE, A VIEW OF SAN GEREMIA AND THE ENTRANCE TO THE CANNAREGIO (detail)
oil on canvas
11 3/4 by 17 3/4 in.; 29.7 by 45.2 cm.
Jean-Joseph-Xavier Bidauld
CARPENTRAS 1758 - 1846 MONTMORENCY
THE AUGUSTUS BRIDGE OVER THE RIVER NERA, NEAR THE CITY OF NARNI, ITALY
signed, inscribed and dated lower left: Bidauld Roma 1790
oil on canvas
39 5/8 by 54 3/8 in.; 100.5 by 138.5 cm.
French School, 18th Century
THE CAVE OF NEPTUNE AT TIVOLI
oil on panel
9 1/4 by 12 1/4 in.; 23.5 by 31.3 cm.
Thomas Luny
ST. EWE, CORNWALL 1759 - 1837 LONDON
THE BOMBARDMENT OF ALGIERS, 27 AUGUST 1816
oil on canvas
39 3/4 by 50 in.; 101 by 127 cm.
Carlo Bonavia
ACTIVE IN NAPLES DURING THE SECOND HALF OF THE 18TH CENTURY
A STORM OFF A ROCKY COAST
oil on canvas
31 3/4 by 56 7/8 in.; 80.7 by 144.5 cm.
Francesco Guardi
VENICE 1712 - 1793
VENICE, A VIEW OF THE PIAZZETTA LOOKING SOUTH WITH THE PALAZZO DUCALE
signed lower left, beneath the standard-bearer: F.co Guardi
oil on canvas
18 1/8 by 25 3/4 in.; 47 by 65.4 cm.
After Salvator Rosa
ITALIANATE RIVER LANDSCAPE WITH APOLLO AND THE CUMAEAN SIBYL
oil on canvas
77.7 x 103.5 cm.; 30 1/4 x 40 3/4 in.
Circle of Claude-Joseph Vernet
A MEDITERRANEAN HARBOR SCENE WITH FIGURES ON THE SHORE, AND FISHERMEN LAUNCHING A BOAT
bears signature lower center: C.J. Vernet
oil on canvas
9 3/4 by 12 3/4 in.; 24.7 by 32.5 cm.
Carlo Bonavia
ACTIVE IN NAPLES DURING THE SECOND HALF OF THE 18TH CENTURY
VIEW OF A HARBOR AT DAWN, WITH FISHERMEN ALONG THE PORT IN THE FOREGROUND
dated lower right on the barrel: 1754
oil on canvas
29 by 65 3/4 in.; 73.7 by 167 cm.
Carlo Bonavia
ACTIVE IN NAPLES DURING THE SECOND HALF OF THE 18TH CENTURY
VIEW OF A HARBOR AT DAWN, WITH FISHERMEN ALONG THE PORT IN THE FOREGROUND (detail)
dated lower right on the barrel: 1754
oil on canvas
29 by 65 3/4 in.; 73.7 by 167 cm.
Apollonio Facchinetti, called Domenichini, formerly known as the Master of the Langmatt Foundation Views
VENICE 1715-1757
VENICE, A VIEW OF SAN GEREMIA AND THE ENTRANCE TO THE CANNAREGIO
oil on canvas
Pierre-Antoine Demachy
PARIS 1723- 1807
TWO FANTASTICAL ARCHITECTURAL STUDIES WITH FIGURES
Quantity: 2
both signed lower left: Demachy
a pair, both oil on canvas
each: 21 1/2 x 28 5/8 in.; 54.5 x 72.7 cm.
Pierre-Antoine Demachy
PARIS 1723- 1807
TWO FANTASTICAL ARCHITECTURAL STUDIES WITH FIGURES
Quantity: 2
both signed lower left: Demachy
a pair, both oil on canvas
each: 21 1/2 x 28 5/8 in.; 54.5 x 72.7 cm.
Apollonio Facchinetti, called Domenichini, formerly known as the Master of the Langmatt Foundation Views
VENICE 1715-1757
VENICE, A VIEW OF THE GRAND CANAL TOWARDS THE RIALTO BRIDGE
oil on canvas
43 1/4 by 63 in.; 110 by 160 cm.
Anthonie de Lorme
TOURNAI CIRCA 1610 - 1673 ROTTERDAM
THE INTERIOR OF A RENAISSANCE-STYLE CHURCH
signed and dated lower left: A. de Lorme 163(?)2
oil on panel
35 by 49 in.; 89 by 125 cm.
Follower of Ludolf Backhuysen
DUTCH MEN O'WAR AND SMALLER CRAFT AT A PORT NEAR AMSTERDAM
oil on canvas
25 1/2 by 31 3/4 in.; 64.7 by 80.7 cm.
Circle of Adam Frans van der Meulen
A VIEW OF THE CHÂTEAU DE VINCENNES WITH LOUIS XIV PREPARING TO LEAVE FOR THE HUNT
oil on canvas
44 1/2 by 59 1/4 in.; 113 by 150.5 cm.
Circle of Adam Frans van der Meulen
A VIEW OF THE CHÂTEAU DE VINCENNES WITH LOUIS XIV PREPARING TO LEAVE FOR THE HUNT
oil on canvas
44 1/2 by 59 1/4 in.; 113 by 150.5 cm.
Giuseppe Canella
VERONA 1788 - 1847 FLORENCE
VENICE, A VIEW OF PIAZZA SAN MARCO FROM PIAZZETTA DEI LEONCINI
oil on canvas, unlined
9 by 12 7/8 in.; 22.7 by 32.7 cm.
Hans Jordaens III
ANTWERP CIRCA 1595 - 1643
ENTRY INTO NOAH'S ARK
oil on panel, unframed
30 1/4 by 51 5/8 in.; 76.8 by 131.1 cm.
Henriette Gudin
1825 - 1876
FRENCH
FOUR COASTAL LANDSCAPES
all signed H. Gudin lower left
all oil on panel
each 14 by 21cm., 5½ by 8in. (4)
Henriette Gudin
1825 - 1876
FRENCH
FOUR COASTAL LANDSCAPES
all signed H. Gudin lower left
all oil on panel
each 14 by 21cm., 5½ by 8in. (4)
Henriette Gudin
1825 - 1876
FRENCH
FOUR COASTAL LANDSCAPES
all signed H. Gudin lower left
all oil on panel
each 14 by 21cm., 5½ by 8in. (4)
Henriette Gudin
1825 - 1876
FRENCH
FOUR COASTAL LANDSCAPES
all signed H. Gudin lower left
all oil on panel
each 14 by 21cm., 5½ by 8in. (4)
Octavius Thomas Clark
1850-1921
A TRAVELLER WITH HORSE AND CART IN A RURAL LANDSCAPE
signed l.l.: OTClark
oil on canvas
51.5 by 76.5cm., 20½ by 30½in.
Octavius Thomas Clark
1850-1921
A TRAVELLER WITH HORSE AND CART IN A RURAL LANDSCAPE
signed l.l.: OTClark
oil on canvas
51.5 by 76.5cm., 20½ by 30½in.
Follower of Giovanni Battista Cimaroli
TRAVELLERS AT A BLACKSMITH
oil on canvas
89.9 x 142.5 cm.; 35 3/8 x 56 1/8 in.
Follower of Giovanni Battista Cimaroli
TRAVELLERS AT A BLACKSMITH
oil on canvas
89.9 x 142.5 cm.; 35 3/8 x 56 1/8 in.
Pieter Neefs the Elder
ANTWERP 1578 (?) - 1656/61
THE INTERIOR OF A GOTHIC CHURCH
oil on copper
6 7/8 by 5 5/8 in.; 17.5 by 14.3 cm.
Follower of Willem van de Velde the Younger
AN ENGLISH SHIP IN A GALE ATTEMPTING TO LIE-TO
oil on canvas
29 7/8 by 24 7/8 in.; 75.9 by 63.1 cm.
Karel Dujardin
AMSTERDAM 1626 - 1678 VENICE
AN ITALIANATE LANDSCAPE WITH TWO PEASANTS AND HORSES NEAR RUINS
signed and dated lower right: K. du Jardin / 166?
oil on canvas
17 1/8 by 15 1/2 in.; 43.5 by 39.4 cm.
Giovanni Antonio Canal, called Canaletto
VENICE 1697 - 1768
VENICE, A VIEW OF THE EQUESTRIAN MONUMENT TO BARTOLOMEO COLLEONI AND THE CHURCH OF SANTI GIOVANNI E PAOLO
oil on canvas
16 1/4 by 13 1/4 in.; 41.4 by 33.7 cm.
Emanuel de Witte
ALKMAAR CIRCA 1617 - 1691/2 AMSTERDAM
INTERIOR OF A CATHOLIC CHURCH
signed indistinctly on the bench lower left
oil on panel
16 1/8 by 12 3/4 in.; 41 by 32.4 cm., with a 1 cm. addition along the bottom
Abraham Blommaert
CIRCA 1626-1693 AMSTERDAM
HILLY LANDSCAPE WITH FIGURES BY A RIVER
signed lower left: A Blommaert
oil on canvas
21 5/8 by 17 1/8 in.; 54.9 by 43.5 cm.
Follower of Hubert Robert
THE WATER JET
Quantity: 2
a pair, both oil on canvas
each: 140 x 96 cm.
Follower of Hubert Robert
THE FOUNTAIN
Quantity: 2
a pair, both oil on canvas
55 1/8 x 37 3/4 in.
Filippo Carcano
1840 - 1914
ITALIAN
THE DUOMO, MILAN
bears signature lower right; inscribed and dated 1874 on the stretcher
oil on canvas
130 by 82cm., 51 by 32in.
", \3\":
1 - XVII-XIX .
2 - William Tomkins (17301792, England) - The visit to Painshill Grotto in 1772.
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39 - (Sebastian Vrancx, 1573-1647, Flemish) \2\
40 - (Sebastian Vrancx, 1573-1647, Flemish) \3\
41 - ( Sotheby's) \14\
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