ÀÄÐÈÀÍ ÈÇÅÍÁÐÀÍÄÒ (ADRIAEN ISENBRANDT, CA. 1485-1551, FLEMISH PAINTER), DETAILS \2\ |

Àäðèàí Èçåíáðàíò (íèäåðë. Adriaen Isenbrant, Isenbrandt, (îê 1490, Áðþããå — èþëü 1551, òàì æå) — íèäåðëàíäñêèé õóäîæíèê, ïðåäñòàâèòåëü Ñåâåðíîãî Âîçðîæäåíèÿ.

Circle of Adriaen Isenbrandt
THE VIRGIN AND CHILD (detail)
oil on panel
25 by 20 cm

Adriaen Isenbrandt (circa 1485–1551)
German: Die Vermählung der Heiligen Katharina
16th century
oil on panel
Alte Pinakothek

Adriaen Isenbrandt (circa 1485–1551)
German: Die Vermählung der Heiligen Katharina (detail)
16th century
oil on panel
Alte Pinakothek

Adriaen Isenbrandt (circa 1485–1551)
German: Die Vermählung der Heiligen Katharina (detail)
16th century
oil on panel
Alte Pinakothek

Adriaen Isenbrandt (circa 1485–1551)
German: Die Vermählung der Heiligen Katharina (detail)
16th century
oil on panel
Alte Pinakothek


Òðèïòèõ Ïîêëîíåíèå âîëõâîâ
(Triptych of the Adoration of the Magi)
öåíòð 73 õ 47.5, ñòâîðêè 73 õ 20.5 ä.,ì.
×àñòíîå ñîáðàíèå


Òðèïòèõ Ïîêëîíåíèå âîëõâîâ
(Triptych of the Adoration of the Magi) äåòàëü
öåíòð 73 õ 47.5, ñòâîðêè 73 õ 20.5 ä.,ì.
×àñòíîå ñîáðàíèå


Òðèïòèõ Ïîêëîíåíèå âîëõâîâ
(Triptych of the Adoration of the Magi) äåòàëü
öåíòð 73 õ 47.5, ñòâîðêè 73 õ 20.5 ä.,ì.
×àñòíîå ñîáðàíèå


Òðèïòèõ Ïîêëîíåíèå âîëõâîâ
(Triptych of the Adoration of the Magi) äåòàëü
öåíòð 73 õ 47.5, ñòâîðêè 73 õ 20.5 ä.,ì.
×àñòíîå ñîáðàíèå


Òðèïòèõ Ïîêëîíåíèå âîëõâîâ
(Triptych of the Adoration of the Magi) äåòàëü
öåíòð 73 õ 47.5, ñòâîðêè 73 õ 20.5 ä.,ì.
×àñòíîå ñîáðàíèå


Ñâÿòûå è äîíàòîðû
(Saints and Donors)
73.5 x 23.5 ä.,ì.
Áóýíîñ-Àéðåñ, Íàöèîíàëüíûé ìóçåé èçîáðàçèòåëüíîãî èñêóññòâà


Adriaen Isenbrandt (circa 1485–1551)
Triptych
first half of 16th century
oil on oak panel
Height: 64 cm (25.2 in). Width: 49 cm (19.3 in). (central panel)
Groeningemuseum


Îïëàêèâàíèå Õðèñòà
(Lamentation over the dead Christ)
54,5 x 40 ä.,ì.
Ìàäðèä, Ìóçåé Ïðàäî


Ðàñïÿòèå
(The Crucifixion)
ä.,ì.
Ôèëàäåëüôèÿ, Õóäîæåñòâåííûé ìóçåé


Òðèïòèõ Æèçíü Áîãîìàòåðè (îòêðûò)
(The Life of the Virgin) ëåâàÿ ñòâîðêà Ïîêëîíåíèå âîëõâîâ
(The adoration of the Magi)
1521 (ïîñëå) 27.3 x 8.9_ä.,ì.
Íüþ-Éîðê, Ìåòðîïîëèòåí


Òðèïòèõ Æèçíü Áîãîìàòåðè (çàêðûò)
(The Life of the Virgin)
Áëàãîâåùåíèå + Âñòðå÷à Ìàðèè è Åëèçàâåòû
1521 (ïîñëå) ä.,ì.
Íüþ-Éîðê, Ìåòðîïîëèòåí


Manner of Adriaen Isenbrandt
TWO FIGURES HOLDING SYMBOLS OF THE PASSION
Quantity: 2
a pair, both oil on panel
each: 25 by 7 3/4 in.; 63.5 by 19.8 cm.


Manner of Adriaen Isenbrandt
TWO FIGURES HOLDING SYMBOLS OF THE PASSION
Quantity: 2
a pair, both oil on panel
each: 25 by 7 3/4 in.; 63.5 by 19.8 cm.


Manner of Adriaen Isenbrandt
TWO FIGURES HOLDING SYMBOLS OF THE PASSION
Quantity: 2
a pair, both oil on panel
each: 25 by 7 3/4 in.; 63.5 by 19.8 cm.

Adriaen isenbrandt,
valva destra di dittico con la vergine dei sette dolori, dalla chiesa di notre-dame a bruges


Adriaen isenbrandt,
valva destra di dittico con la vergine dei sette dolori, dalla chiesa di notre-dame a bruges


Adriaen isenbrandt,
valva destra di dittico con la vergine dei sette dolori, dalla chiesa di notre-dame a bruges


Adriaen isenbrandt,
valva destra di dittico con la vergine dei sette dolori, dalla chiesa di notre-dame a bruges

Adriaen isenbrandt,
valva destra di dittico con la vergine dei sette dolori, dalla chiesa di notre-dame a bruges

Adriaen isenbrandt,
valva destra di dittico con la vergine dei sette dolori, dalla chiesa di notre-dame a bruges

Adriaen isenbrandt,
valva destra di dittico con la vergine dei sette dolori, dalla chiesa di notre-dame a bruges

Adriaen isenbrandt,
valva destra di dittico con la vergine dei sette dolori, dalla chiesa di notre-dame a bruges

Adriaen isenbrandt,
valva destra di dittico con la vergine dei sette dolori, dalla chiesa di notre-dame a bruges

Adriaen isenbrandt,
valva destra di dittico con la vergine dei sette dolori, dalla chiesa di notre-dame a bruges

Adriaen Isenbrandt (circa 1485–1551)
Landscape with The Rest on The Flight into Egypt
1551
Galleria Franchetti, Ca' d'Oro, Venice

Adriaen Isenbrandt (circa 1485–1551)
Landscape with The Rest on The Flight into Egypt
detail
by 1551
Galleria Franchetti, Ca' d'Oro, Venice

Adriaen Isenbrandt (circa 1485–1551)
Landscape with The Rest on The Flight into Egypt
detail
by 1551
Galleria Franchetti, Ca' d'Oro, Venice

Adriaen Isenbrandt (circa 1485–1551)
Rechterluik van een diptiek Onze-Lieve-Vrouw der Zeven Weeën
1490-1551s
Royal Museums of Fine Arts of Belgium

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Adriaen Isenbrandt (circa 1485–1551)
Rechterluik van een diptiek Onze-Lieve-Vrouw der Zeven Weeën (detail)
1490-1551s
Royal Museums of Fine Arts of Belgium

Adriaen Isenbrandt (circa 1485–1551)
Rechterluik van een diptiek Onze-Lieve-Vrouw der Zeven Weeën (detail)
1490-1551s
Royal Museums of Fine Arts of Belgium

Adriaen Isenbrandt (circa 1485–1551)
Rechterluik van een diptiek Onze-Lieve-Vrouw der Zeven Weeën (detail)
1490-1551s
Royal Museums of Fine Arts of Belgium

Adriaen Isenbrandt (circa 1485–1551)
Rechterluik van een diptiek Onze-Lieve-Vrouw der Zeven Weeën (detail)
1490-1551s
Royal Museums of Fine Arts of Belgium

Adriaen Isenbrandt (circa 1485–1551)
The crucification, archangel Michael, St Andrew and St Franzciscus Assisi
wood panel
127 x 81 cm


Adriaen Isenbrandt (circa 1485–1551)
Portrait of a Woman
1520s
Medium tempera on wood
44 × 32 cm (17.3 × 12.6 in)
National Museum in Warsaw (MNW)

Adriaen Isenbrandt (circa 1485–1551)
or
Jacob van Utrecht (fl. 1506-1525)
Kreuzigungsaltar
circa 1525
Kirche von Nødebo, Dänemark (Nord-Seeland).
Der Altar kam 1746 aus Helsingör in diese Kirche.

Adriaen Isenbrandt (circa 1485–1551)
or
Jacob van Utrecht (fl. 1506-1525)
Kreuzigungsaltar
circa 1525
Kirche von Nødebo, Dänemark (Nord-Seeland).
Der Altar kam 1746 aus Helsingör in diese Kirche.


Circle of Adriaen Isenbrandt
THE VIRGIN AND CHILD
oil on panel
25 by 20 cm

Adriaen Isenbrandt (circa 1485–1551)
Our Lady of the Seven Sorrows
between 1518 and 1535
panel
Church of Our Lady, Bruges

Adriaen Isenbrandt (circa 1485–1551)
Our Lady of the Seven Sorrows
between 1518 and 1535
panel
Church of Our Lady, Bruges

Adriaen Isenbrandt (circa 1485–1551)
Our Lady of the Seven Sorrows
between 1518 and 1535
panel
Church of Our Lady, Bruges

Adriaen Isenbrandt (circa 1485–1551)
Our Lady of the Seven Sorrows
between 1518 and 1535
panel
Church of Our Lady, Bruges
Adriaen Isenbrandt
(detail)
Êîëëåêöèÿ æèâîïèñè *Àäðèàí Èçåíáðàíäò*
Ñåðèÿ ñîîáùåíèé "æèâîïèñü ñòàðûõ ìàñòåðîâ \5\":
×àñòü 1 - Ëóêàñ Êðàíàõ Ñòàðøèé (Lucas Cranach the Elder, 1472-1553, German artist) \6\
×àñòü 2 - Ðîæäåñòâåíñêîå... Àâå, Ìàðèÿ! | Madonna and angels (details) \9\
...
×àñòü 43 - Beautiful details by Master of the Parrot (Ìàñòåð ïîïóãàÿ, ðàáîòàë â Àíòâåðïåíå ìåæäó 1520-1550), ìàñòåðñêàÿ è ïîñëåäîâàòåëè \2\
×àñòü 44 - Íèäåðëàíäñêèé õóäîæíèê Ñåâåðíîãî Âîçðîæäåíèÿ Àäðèàí Èçåíáðàíäò (Adriaen Isenbrandt, ca. 1485-1551, Flemish), åãî ìàñòåðñêàÿ, êðóã è ïîñëåäîâàòåëè \1\
×àñòü 45 - Àäðèàí Èçåíáðàíäò (Adriaen Isenbrandt, ca. 1485-1551, Flemish painter), details \2\
| Ðóáðèêè: | Æèâîïèñü/Æèâîïèñü Ñòàðûå ìàñòåðà 2 |
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