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Ñóïåðõèò íà âñå âðåìåíà. Queen «The Show Must Go On»

Ñóááîòà, 07 Ìàðòà 2015 ã. 00:07 + â öèòàòíèê
Öèòàòà ñîîáùåíèÿ Dmitry_Shvarts Ñóïåðõèò íà âñå âðåìåíà. Queen «The Show Must Go On»


Ïîñëåäíèì ñòóäèéíûì àëüáîìîì Queen, èçäàííûì ïðè æèçíè Ôðåääè Ìåðêüþðè, ñòàë “Innuendo”. Âî âðåìÿ ðàáîòû íàä íèì çäîðîâüå ñîëèñòà ãðóïïû, áîëüíîãî ÑÏÈÄîì, ñòðåìèòåëüíî óõóäøàëîñü, è îí ïîíèìàë, ÷òî æèòü åìó îñòàëîñü íåäîëãî. Âîçìîæíî, èìåííî ïðåä÷óâñòâèå ñêîðîé ñìåðòè ïîçâîëèëî åìó òàê ïðîíèêíîâåííî èñïîëíèòü ïåñíþ “Show Must Go On” («Øîó äîëæíî ïðîäîëæàòüñÿ»), êîòîðîé çàâåðøàåòñÿ “Innuendo”.

Ýòà êîìïîçèöèÿ íà÷àëàñü ñ ïîñëåäîâàòåëüíîñòè àêêîðäîâ, êîòîðóþ ñî÷èíèëè Ðîäæåð Òýéëîð è Äæîí Äèêîí. Îñíîâíóþ ÷àñòü òåêñòà íàïèñàë Áðàéàí Ìýé, õîòÿ Ôðåääè Ìåðêüþðè òàêæå ïðèíèìàë ó÷àñòèå â ýòîì ïðîöåññå. Âîò êàê îïèñàë èñòîðèþ ñîçäàíèÿ ïåñíè Ìýé:

“The Show Must Go On” ïîÿâèëàñü ïîñëå òîãî, êàê Ðîäæåð è Äæîí ñûãðàëè ïîñëåäîâàòåëüíîñòü, è ÿ íà÷àë íàä íåé ðàáîòàòü.  ñàìîì íà÷àëå ýòî áûëà ëèøü ïîñëåäîâàòåëüíîñòü àêêîðäîâ, íî ó ìåíÿ ïîÿâèëîñü ñòðàííîå îùóùåíèå, ÷òî îíà ìîæåò ñòàòü ÷åì-òî âàæíûì. Ìåíÿ îõâàòèëà íàñòîÿùàÿ ñòðàñòü, ïîýòîìó ÿ ïîøåë è óñåðäíî âçÿëñÿ çà íåå. Ìû ñåëè ñ Ôðåääè, ðåøèëè, êàêîé äîëæíà áûòü òåìà, è íàïèñàëè ïåðâûé êóïëåò. Ó ýòîé ïåñíè äëèííàÿ èñòîðèÿ, íî ÿ âñåãäà ÷óâñòâîâàë, ÷òî îíà áóäåò âàæíîé, ïîòîìó ÷òî ìû èìåëè äåëî ñ òåì, î ÷åì òîãäà áûëî òÿæåëî ãîâîðèòü, íî â ìèðå ìóçûêè òû ìîã ýòî ñäåëàòü.

Áðàéàí Ìýé, 1994

Âî âðåìÿ çàïèñè “The Show Must Go On” Ìåðêüþðè ÷óâñòâîâàë ñåáÿ íàñòîëüêî ïëîõî, ÷òî Áðàéàí Ìýé çàñîìíåâàëñÿ, ÷òî îí ñïîñîáåí íàäëåæàùèì îáðàçîì ñïåòü ïåñíþ.  îòâåò Ôðåääè, âûïèâ ðþìêó âîäêè, ÿêîáû ñêàçàë: «ß, áë…, ñäåëàþ ýòî, äîðîãóøà», — ïîñëå ÷åãî ñ ïåðâîé ïîïûòêè áëåñòÿùå èñïîëíèë âîêàëüíóþ ïàðòèþ.

Âñïîìèíàÿ îá ýòîì, Áðàéàí Ìýé ñêàçàë ñëåäóþùåå: «…îí ïîøåë è ïðèêîí÷èë åå, áóêâàëüíî ðàçîðâàë ïåñíþ â êëî÷üÿ».

Òåêñò êîìïîçèöèè ñîäåðæèò ìíîãî ôèãóðàëüíûõ âûðàæåíèé, èç-çà ÷åãî ñìûñë ìíîãèõ ñòðî÷åê ìîæíî òîëêîâàòü ïî-ðàçíîìó. Êàê ïðàâèëî, ìåëîìàíû, êîòîðûì èçâåñòíà èñòîðèÿ ïåñíè “The Show Must Go On”, óâåðåíû, ÷òî Ôðåääè ñïåë î ëè÷íûõ ñòðàäàíèÿõ.

“The Show Must Go On” íå èçäàâàëàñü ñèíãëîì èç àëüáîìà “Innuendo”. Ýòî ïðîèçîøëî ëèøü â êîíöå 1991 ãîäà, ÷åðåç íåñêîëüêî íåäåëü ïîñëå ñìåðòè Ìåðêüþðè, êîãäà ãðóïïà ðåøèëà âûïóñòèòü ïîäáîðêó ëó÷øèõ êîìïîçèöèé “Greatest Hits II”.

Ñîñòîÿíèå çäîðîâüÿ Ìåðêüþðè íå ïîçâîëÿëî ñíèìàòü íîâîå âèäåî íà “The Show Must Go On”, ïîýòîìó ðîëèê âêëþ÷àåò â ñåáÿ îòðûâêè èç ðàçëè÷íûõ êëèïîâ ãðóïïû Queen, ñíÿòûõ äëÿ äðóãèõ ïåñåí.



Èíòåðåñíûå ôàêòû

  •  àëüáîì “Greatest Hits III” ãðóïïû Queen âêëþ÷åí âàðèàíò ïåñíè “The Show Must Go On” ñ âîêàëîì Ýëòîíà Äæîíà.
  • Î÷åíü íåîáû÷íàÿ âåðñèÿ “The Show Must Go On” çâó÷èò â ôèëüìå «Ìóëåí Ðóæ» ðåæèññåðà Áàçà Ëóðìàíà.
  •  2005 ãîäó òåëåêàíàë Music Choice çàäàë áîëåå ñîðîêà ïÿòè òûñÿ÷àì åâðîïåéöåâ âîïðîñ, êàêóþ ïåñíþ îíè õîòåëè áû ïðîèãðàòü íà ñîáñòâåííûõ ïîõîðîíàõ. Ñî çíà÷èòåëüíûì îòðûâîì ïîáåäèëà “The Show Must Go On”.
Òåêñò ïåñíè
“The Show Must Go On”
Ïåðåâîä ïåñíè
“The Show Must Go On”
Empty spaces — what are we living for?
Abandoned places — I guess we know the score
On and on
Does anybody know what we are looking for?
Another hero — another mindless crime
Behind the curtain, in the pantomime
Hold the line!
Does anybody want to take it anymore?
Ïóñòûå ìåñòà – ðàäè ÷åãî ìû æèâåì?
Ïîêèíóòûå ìåñòà – äóìàþ, ìû çíàåì ñ÷åò
Åùå è åùå
Çíàåò ëè êòî-íèáóäü, ÷òî ìû èùåì?
Åùå îäèí ãåðîé – åùå îäíî áåññìûñëåííîå ïðåñòóïëåíèå
Çà êóëèñàìè, â ïàíòîìèìå
Äåðæàòü ñòðîé!
Íåóæåëè êòî-òî õî÷åò òåðïåòü ýòî åùå?
The show must go on!
The show must go on!
Inside my heart is breaking,
My make-up may be flaking,
But my smile, still, stays on!
Øîó äîëæíî ïðîäîëæàòüñÿ!
Øîó äîëæíî ïðîäîëæàòüñÿ!
Ìîå ñåðäöå ðàçðûâàåòñÿ íà ÷àñòè,
Ìîé ãðèì ìîæåò îñûïàòüñÿ,
Íî óëûáêà íå ñõîäèò ñ ëèöà!
Whatever happens, I’ll leave it all to chance
Another heartache — another failed romance
On and on
Does anybody know what we are living for?
I guess I’m learning
I must be warmer now
I’ll soon be turning, round the corner now
Outside the dawn is breaking,
But inside in the dark I’m aching to be free!
×òîáû íè ñëó÷èëîñü, ÿ âñå îñòàâëþ íà ìèëîñòü ôîðòóíû
Åùå îäíà äóøåâíàÿ áîëü – åùå îäèí íåóäàâøèéñÿ ðîìàí
Åùå è åùå
Çíàåò ëè êòî-íèáóäü, ðàäè ÷åãî ìû æèâåì?
Äóìàþ, ÿ óçíàþ
Òåïåðü ÿ äîëæåí áûòü áîëåå íåæíûì
Âñêîðå ÿ ñâåðíó çà óãîë
Ñíàðóæè íà÷èòàåò ñâåòàòü,
Íî âíóòðè òåìíî, è ÿ ñòðàñòíî ïûòàþñü îñâîáîäèòüñÿ
The show must go on!
The show must go on!
Ooh! Inside my heart is breaking!
My make-up may be flaking
But my smile still stays on!
Øîó äîëæíî ïðîäîëæàòüñÿ!
Øîó äîëæíî ïðîäîëæàòüñÿ!
Ìîå ñåðäöå ðàçðûâàåòñÿ íà ÷àñòè,
Ìîé ãðèì ìîæåò îñûïàòüñÿ,
Íî óëûáêà íå ñõîäèò ñ ëèöà!
My soul is painted like the wings of butterflies
Fairy tales of yesterday, will grow but never die
I can fly, my friends!
Ìîÿ äóøà îêðàøåíà ïîäîáíî êðûëüÿì áàáî÷êè
Ñêàçêè â÷åðàøíåãî äíÿ áóäóò ðàñòè, íî íèêîãäà íå óìðóò
ß ìîãó ëåòàòü, äðóçüÿ!
The show must go on!
The show must go on!
I’ll face it with a grin!
I’m never giving in!
On with the show!
Øîó äîëæíî ïðîäîëæàòüñÿ!
Øîó äîëæíî ïðîäîëæàòüñÿ!
ß ïðèìó åãî ñ óõìûëêîé!
ß íèêîãäà íå ñäàþñü!
Ïðîäîëæàþ ó÷àñòâîâàòü â øîó!

Öèòàòà î ïåñíå

  • «Äëÿ ìåíÿ íàèáîëåå àâòîáèîãðàôè÷åñêîé ñòðîêîé ÿâëÿåòñÿ: “Ìîé ãðèì ìîæåò îñûïàòüñÿ, íî óëûáêà íå ñõîäèò ñ ëèöà”. Ýòî áûëà ïðàâäà. Êàê áû ïëîõî íè ÷óâñòâîâàë ñåáÿ Ôðåääè, îí íèêîãäà íè íà êîãî íå âîð÷àë è íå èñêàë ñî÷óâñòâèÿ. Ýòî áûëà åãî áîðüáà, à íå êîãî-òî äðóãîãî, è îí âñåãäà äåðæàëñÿ ìîëîäöîì, õîòÿ åìó ñòàíîâèëîñü âñå õóæå».

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