-Ïîäïèñêà ïî e-mail

 


Õóäîæíèê Federico Beltran Masses (1885-1949)

Ïîíåäåëüíèê, 03 Ìàðòà 2014 ã. 23:24 + â öèòàòíèê
Öèòàòà ñîîáùåíèÿ ovenca Îíà ìåíÿ âëåêëà... Õóäîæíèê Federico Beltran Masses (1885-1949)

 

Noche-Galante-Federico-Beltran-Masses (667x492, 237Kb)
Ñïîêîéíîé íî÷è, Ãàëàíòå

Ïàêî äå Ëóñèÿ - Íåæíîñòü

 

ÀÍÈÒÀ

ß áûë æåëàíåí åé. Îíà ìåíÿ âëåêëà,

Èñïàíêà ñòðîéíàÿ ñ ãîðÿùèìè ãëàçàìè.

Äàëåêèì çàðåâîì æèëà íî÷íàÿ ìãëà,

Ëþáîâü íåâíÿòíûìè øåïòàëà ãîëîñàìè.

Ñîçâó÷üåì ñëîâ ñâîèõ îíà ìåíÿ çàæãëà,

Èñïàíêà ñìóãëàÿ ñ ãëóáîêèìè ãëàçàìè.

Àëüêîâ ðàçäâèíóëñÿ âîçäóøíî-êðóæåâíîé.

Îíà íå ñòàëà ìíå øåïòàòü: «Ïóñòè... Íå íàäî.

Íå äåâå Ñåâåðà, íå íèìôå ëåäÿíîé

Òâåðäèë ÿ âêðàä÷èâî: «Anita! Adorada!» *

Òèãðèöà æàäíàÿ äðîæàëà ïðåäî ìíîé, —

È êðîìå ãëàç åå ìíå íè÷åãî íå íàäî.

Êîíñòàíòèí Áàëüìîíò

* Îáîæàåìàÿ

Capture (368x465, 363Kb)Ïîëà Íåãðè


183231-b719c-67794358-m750x740-u43a9f (580x674, 253Kb)
Ïîëà Íåãðè è Ðóäîëüôî Âàëåíòèíî

Federico Beltrán Masses - Tutt'Art@ (638x329, 192Kb)
Àëëåãîðèÿ "Êàðìåí", 1916

Portrait of Elegant Woman, 1918 (615x600, 262Kb)
Ïîðòðåò ýëåãàíòíîé æåíùèíû, 1918

Femme dans un châle espagnol 1925 - workman.tumblr.com (648x361, 193Kb)
Æåíùèíà â èñïàíñêîì ïëàòêå, 1925

art_01_05102012-1 (2) (587x700, 316Kb)

Federico Armando Beltrán Masses - Tutt'Art@ (6) (640x551, 185Kb)

Ecole å (600x568, 305Kb)
Ñîí Åâû

la maja maldita (2) (700x481, 327Kb)
La Maja Maldita

federico_beltran-masses_ (579x558, 304Kb)
Ãðàíàäà, 1929

Pierrot malade 1929- web.me.com (610x527, 314Kb)
Ïüåðî ó Êîëàìáèíû, 1929

ÌÓÇÛ ÍÀ Ãâàäàëêâèâèð (600x389, 196Kb)
Ìóçû íà Ãâàäàëêâèâèð

Federico Armando Beltrán Masses - Tutt'Art@ (17) (635x533, 228Kb)
Ìèññ Äæîàí Êðîóôîðä, 1932

Ìîëüáà, 1916 (597x700, 463Kb)
Ìîëüáà, 1916

1280px-Federico_Beltrán_Masses_-_Nude_-_Google_Art_Project (700x451, 339Kb)
Îáíàæåííàÿ

libroviejoymas.com (540x427, 336Kb)

Federico Armando Beltrán Masses - Tutt'Art@ (21) (639x543, 353Kb)
Ñàëîìåÿ

art_01_05102012-1 (5) (554x700, 306Kb)

SetWidth600-274 (600x588, 363Kb)
Àíòèãóà Ãðàíàäà, 1919

Ñàëîìå , 1932 (525x657, 403Kb)
Ñàëîìåÿ, 1932

LA MAJA ÌÀÐÊÈÇÀ, 1915 (600x531, 342Kb)
LA MAJA ÌÀÐÊÈÇÀ, 1915

Federico Armando Beltrán Masses - Tutt'Art@ (1) (552x700, 329Kb)

Federico Beltrán-Masses (1885-1949) - Beltran Masses (8) (694x700, 481Kb)
Ðóáèí, 1929

!934 (499x700, 377Kb)
Èñïàíñêàÿ êðàñîòà

Federico Beltrán-Masses (1885-1949) - Beltran Masses (12) (640x464, 156Kb)
Ëåäè Michelham

Ïîðòðåò ýëåãàíòíîé æåíùèíû (600x683, 223Kb)
Ýëåãàíòíûé ïîðòðåò

La Mirabella, 1914. (690x472, 210Kb)
Ìèðàáåëëà, 1914

Óëèòêà (499x700, 351Kb)

Marion Davies Monumental Painting (700x501, 423Kb)
Marion Davies, Monumental Painting

Ïîðòðåò Áàëåòû Russe òàíöîð Àëèñèÿ Íèêèòèíà , 1929. (504x700, 276Kb)
Ïîðòðåò ðóññêîé òàíöîâùèöû Àëèñèè Íèêèòèíîé, 1929

Hora-Azul-Federico-Beltran-Masses (668x492, 201Kb)
Ñèíåå âðåìÿ

ìàäàì. Âåëëèíãòîí Êó, 1934 (508x700, 255Kb)
Ìàäàì Âåëëèíãòîí Êó, 1934

Federico Armando Beltrán Masses - Tutt'Art@ (7) (1) (693x657, 459Kb)
Âçûâàÿ ê Ëàêøìè

Lady-Antony-Rothschild-as-an-Egyptian-Princess (480x559, 228Kb)
Ëåäè Ýíòîíè Ðîòøèëüä êàê åãèïåòñêàÿ ïðèíöåññà

183231-ca617-67794403-m750x740-u11e3f (617x600, 311Kb)
Ñèíÿÿ æåíùèíà (Æåíùèíà â ãîëóáîì)

La Condesa äå Ìîíòãîìåðè, ìàäàì Bonnardel , 1934 (471x700, 307Kb)
Ìàäàì Bonnardel, ãðàôèíÿ Ìîíòãîìåðè, 1934

 

--- (160x160, 9Kb) Ôåäåðèêî Áåëüòðàí Ìàññåñ áûë âåëèêîëåïíûé êîëîðèñò è âèäíûé ïðåäñòàâèòåëü äâèæåíèÿ àð-äåêî, îäèí èç ïåðâûõ â Èñïàíèè. Êðèòèêè òîãî âðåìåíè ïðåäñòàâëÿëè åãî èñêóññòâî, êàê " ïðàçäíèê ÿçû÷åñòâà è èçûñêàííûé èíòåëëåêòóàëèçì".

Õóäîæíèê ðèñîâàë ñåêñóàëüíûõ æåíùèí â øèêàðíûõ ïëàòüÿõ â ÿðêèõ ñî÷íûõ èíòåðüåðàõ, óêðàøåííûõ øåëêîì è äðàãîöåííûìè êàìíÿìè, âîçðîæäàÿ âåëèêîëåïèå âåíåöèàíñêîé èëè âèçàíòèéñêîé ïûøíîñòè. Õóäîæíèê èçîáðàæàë çíàìåíèòîñòåé ñî âñåõ óãîëêîâ ìèðà - êîðîëÿ Èñïàíèè Àëüôîíñî ÕØ, ïðàâèòåëåé Èíäèè, êîðîëÿ Àíãëèè Ãåîðã VI è ïåðñèäñêîãî øàõà, ãåðöîãîâ è ïðèíöåññ èç ðàçíûõ ñòðàí ìèðà, ìèëëèîíåðà Ðîòøèëüäà è èäîëà ýêðàíà Ïîëó Íåãðè. Òàêæå Ðóäîëüôà Âàëåíòèíî, ñ êîòîðûì îíè âïåðâûå âñòðåòèëèñü â 1924 ãîäó â Íüþ-Éîðêå, ãäåõóäîæíèê áûë íà âûñòàâêå â ãàëåðåå Wildenstein.

Õóäîæíèê ñäåëàë íåñêîëüêî õîëñòîâ Âàëåíòèíî è åãî æåíû Íàòàøè â èñïàíñêîì êîñòþìå. Âàëåíòèíî îðãàíèçîâàë âûñòàâêó è ïðèåì äëÿ õóäîæíèêà â Ambassador Hotel, ãäå ïðèíÿëà ó÷àñòèå ýëèòà Ãîëëèâóäà, âêëþ÷àÿ ×àðëè ×àïëèíà, Ìýðè Ïèêôîðä, Äóãëàñ Ôýðáåíêñ, Ãëîðèè Ñâåíñîí.

Federico Beltrán Masses ðîäèëñÿ íà Êóáå â 1885 ãîäó, ó÷èëñÿ ó õóäîæíèêà Õîàêèíà Ñîðîëüè â Øêîëå èçÿùíûõ èñêóññòâ â Áàðñåëîíå, à çàòåì â Ìàäðèäå è Ïàðèæå, ãäå îí æèë ìíîãî ëåò. Ôåäåðèêî Áåëüòðàí Ìàññåñ áûë èçáðàí ÷ëåíîì èñïàíñêèõ è ôðàíöóçñêèõ àêàäåìèé èñêóññòâ è êîðïîðàöèé, âûñòàâëÿë ñâîè ðàáîòû â ãëàâíûõ åâðîïåéñêèõ è àìåðèêàíñêèõ ñòîëèöàõ. Íà ïîñëåäíåì ýòàïå ñâîåé æèçíè, Ôåäåðèêî Áåëüòðàí Ìàññåñ âîçâðàòèëñÿ â Èñïàíèþ, ãäå â íîÿáðå 1948 ãîäà ïðîøëà âûñòàâêà åãî ðàáîò. Îí ñêîí÷àëñÿ â 1949 ãîäó â Áàðñåëîíå.

 

 

http://www.artistsandart.org/2010/09/spanish-art-deco-artist-federico.html
http://www.colta.ru/articles/specials/261
http://art-magique.blogspot.ru/2011/06/federico-beltran-masses.html
http://bestin.ua/culture/art/2668/
http://www.luxsure.fr/2012/10/07/blue-nights-and-libertine-legends-federico-beltran-masses-retrospective-at-stair-sainty-gallery/
http://maherartgallery.blogspot.ru/2012/06/federico-beltran-masses-1885-1949.html
http://artodyssey1.blogspot.ru/2013/05/federico-beltran-masses-1885-1949.html
http://www.pinterest.com/pin/229824387207897123/
http://www.europeanpaintings.com/paintings/beltran-masses-federico/

 

 

 

Ðóáðèêè:  Æèâîïèñü
Ìåòêè:  

 

Äîáàâèòü êîììåíòàðèé:
Òåêñò êîììåíòàðèÿ: ñìàéëèêè

Ïðîâåðêà îðôîãðàôèè: (íàéòè îøèáêè)

Ïðèêðåïèòü êàðòèíêó:

 Ïåðåâîäèòü URL â ññûëêó
 Ïîäïèñàòüñÿ íà êîììåíòàðèè
 Ïîäïèñàòü êàðòèíêó