360° panorama by Kolesnikov Sergey.
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http://www.360cities.net/image/-zoo-museum-moscow

360° panorama by bibouroku tabito.
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http://www.360cities.net/image/cherry-blossoms-sumpu-jo-castle-park-2021

360° panorama by Santiago Ribas - 360portugal.
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http://www.360cities.net/image/monatery-of-tibaes-general-abbots-gallery-braga-portugal

360° panorama by Santiago Ribas - 360portugal.
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The current church, built at the place of the old Romanesque church, was erected between 1628 and 1661, still following the mannerist conception. It features Latin cross plant, large nave with heavy dome of stonework, three side chapels on each side and two altars in the transept. But if in the first moment the decorative program followed the mannerist grammar, still visible in the altarpiece of the Chapel of Santa Gertrudes, shortly and little the baroque language, in its different proposals, the rococo and even the neoclassic will settle occupying chapels, altables, organ, pulpits, sanets, frames, doors and windows, grills, banks and shelves granting privileged field of expression at the golden carving but not forgetting and, on the contrary, articulating it magnificently with the sculpture, where the remarkable work Frei Cipriano da Cruz, furniture, goldsmith and textiles. The filling composed mainly by a rickety decoration of golden carving, drawn and sambled by Manuel Alvares, Andr'e Soares and Frei Jos'e de Santo Ant'onio Vilaca. Tib~aes is the result of extensive reconstruction and expansion campaigns in the seventeenth century in the case of the Late Church Church, and in the eighteenth century, with new important remodels in all edifications, in a mixed language between the Baroque and the Rocaille. The monastery is now composed of four main parts: Church (1628-61), adjacent monastery, ruins and fence. On the side of the Gospel, the Baptistery and Chapels of Santo Amaro, Santa Ida and Santa Gertrudes; On the side of the Epistula, the chapels of the Lord of Piedade, Santa Ana or Desterro, Santa Lutgarda and the Most Holy or Descent of the Cross.

http://www.360cities.net/image/monastery-of-tibaes-nave-stgertrude-chapel-descent-of-the-cross-braga-portugal

360° panorama by Santiago Ribas - 360portugal.
Click the image to open the interactive version.

The current church, built at the place of the old Romanesque church, was erected between 1628 and 1661, still following the mannerist conception. It features Latin cross plant, large nave with heavy dome of stonework, three side chapels on each side and two altars in the transept. But if in the first moment the decorative program followed the mannerist grammar, still visible in the altarpiece of the Chapel of Santa Gertrudes, shortly and little the baroque language, in its different proposals, the rococo and even the neoclassic will settle occupying chapels, altables, organ, pulpits, sanets, frames, doors and windows, grills, banks and shelves granting privileged field of expression at the golden carving but not forgetting and, on the contrary, articulating it magnificently with the sculpture, where the remarkable work Frei Cipriano da Cruz, furniture, goldsmith and textiles. The filling composed mainly by a rickety decoration of golden carving, drawn and sambled by Manuel Alvares, Andr'e Soares and Frei Jos'e de Santo Ant'onio Vilaca. Tib~aes is the result of extensive reconstruction and expansion campaigns in the seventeenth century in the case of the Late Church Church, and in the eighteenth century, with new important remodels in all edifications, in a mixed language between the Baroque and the Rocaille. The monastery is now composed of four main parts: Church (1628-61), adjacent monastery, ruins and fence. On the side of the Gospel, the Baptistery and Chapels of Santo Amaro, Santa Ida and Santa Gertrudes; On the side of the Epistula, the chapels of the Lord of Piedade, Santa Ana or Desterro, Santa Lutgarda and the Most Holy or Descent of the Cross.

http://www.360cities.net/image/monastery-of-tibaes-nave-baptistery-braga-portugal

360° panorama by Santiago Ribas - 360portugal.
Click the image to open the interactive version.

The current church, built at the place of the old Romanesque church, was erected between 1628 and 1661, still following the mannerist conception. It features Latin cross plant, large nave with heavy dome of stonework, three side chapels on each side and two altars in the transept. But if in the first moment the decorative program followed the mannerist grammar, still visible in the altarpiece of the Chapel of Santa Gertrudes, shortly and little the baroque language, in its different proposals, the rococo and even the neoclassic will settle occupying chapels, altables, organ, pulpits, sanets, frames, doors and windows, grills, banks and shelves granting privileged field of expression at the golden carving but not forgetting and, on the contrary, articulating it magnificently with the sculpture, where the remarkable work Frei Cipriano da Cruz, furniture, goldsmith and textiles. The filling composed mainly by a rickety decoration of golden carving, drawn and sambled by Manuel Alvares, Andr'e Soares and Frei Jos'e de Santo Ant'onio Vilaca. Tib~aes is the result of extensive reconstruction and expansion campaigns in the seventeenth century in the case of the Late Church Church, and in the eighteenth century, with new important remodels in all edifications, in a mixed language between the Baroque and the Rocaille. The monastery is now composed of four main parts: Church (1628-61), adjacent monastery, ruins and fence. On the side of the Gospel, the Baptistery and Chapels of Santo Amaro, Santa Ida and Santa Gertrudes; On the side of the Epistula, the chapels of the Lord of Piedade, Santa Ana or Desterro, Santa Lutgarda and the Most Holy or Descent of the Cross.

http://www.360cities.net/image/monastery-of-tibaes-nave-centre-braga-portugal

360° panorama by Santiago Ribas - 360portugal.
Click the image to open the interactive version.

Cemetery cloister. Space that, as the name indicates, was also a place of burial of the monastic community, along with its side chapels and the Church itself. Built in the first half of the seventeenth century, on parts of the monastery building, presents tosses of Tuscany Arcaria, ceiling in wood coffins, a granite fountain plowed from 1757, eight flower beds and mutilated Pombalino tiles of 1770. in its wing South, strongly ruined by the Great Fire which, in 1894, destroyed the Annex Cloister of the Cafeteria, last the worked carried in granite from the cloister, invocation to S. Mauro and N. Sra, drawn in Rococo style by Frei Jos'e de Santo Ant'onio Vilaca, between 1761 and 1764.

http://www.360cities.net/image/monastery-of-tibaes-cemetery-cloister-garden-braga-portugal

360° panorama by Santiago Ribas - 360portugal.
Click the image to open the interactive version.

Cemetery cloister. Space that, as the name indicates, was also a place of burial of the monastic community, along with its side chapels and the Church itself. Built in the first half of the seventeenth century, on parts of the monastery building, presents tosses of Tuscany Arcaria, ceiling in wood coffins, a granite fountain plowed from 1757, eight flower beds and mutilated Pombalino tiles of 1770. in its wing South, strongly ruined by the Great Fire which, in 1894, destroyed the Annex Cloister of the Cafeteria, last the worked carried in granite from the cloister, invocation to S. Mauro and N. Sra, drawn in Rococo style by Frei Jos'e de Santo Ant'onio Vilaca, between 1761 and 1764.

http://www.360cities.net/image/monastery-of-tibaes-cemetery-cloister-braga-portugal

360° panorama by Santiago Ribas - 360portugal.
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Collateral retables of gold carving dedicated to Our Lady of the Rosary (Gospel) and St. John the Evangelist (Epistle)

http://www.360cities.net/image/monastery-of-tibaes-collateral-retables-stjohn-the-evangelist-braga-portugal

360° panorama by Santiago Ribas - 360portugal.
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The choir served for the recitation of the typically monastic hours, as were the matinas, the laudes and the minor hours. The monks, necessarily using the neckula, entered on his knees and, in the cadheral, remained long hours in liturgical corner, following the large books illuminated, placed on the coral shelf, and that were the Bibles, antifonarians, gradual and salteries. Standing alone for the recitation of the psalms and during the readings, they found some comfort with the support in the "mercy" and great stimulus in the example of the lives of S. Bento and Santa scholasticism, represented in the eight large pictures of the choir walls .   The choir is thus essentially occupied by the chain. Built between 1666-1668 and attributed to Ant'onio de Andrade, it is plant in U and has two rows, with the back in the highest plane. The chairs, with carved decoration, are taken in the underside and have, on the bottom side, small mishles, the mercies, with the form of fantasy masks of human faces, satyrs and animals. The plants, which constitute the most artistic part of the cadheral, are upholstered, golden and polychrome and their imaginary speaks to Benedictine figures and facts. Separated from each other by pilasters with gemway sculptures sporting foliage bullfights are a testimony of the magnificent proto-baroque hoist that has been produced in the Monastery of Tib~aes and that rivals with the eightocentist black sticks and golden bronzes, with the crucified Christ oratory From Frei Jos'e de Santo Ant'onio Vilaca and with the organ of Mestre Francisco Ant'onio Solha, with box "scratched" by Frei Jos'e de Santo Ant'onio Vilaca.

http://www.360cities.net/image/monastery-of-tibaes-choir-braga-portugal

360° panorama by Ricardo Pi.
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The Almonacid de la Cuba Dam was a Roman gravity dam in Almonacid de la Cuba, Zaragoza province, Aragon, Spain, dating to the 1st century AD

http://www.360cities.net/image/almonacid-de-la-cuba-dam-1st-century-ad

360° panorama by Patricia M"uller.
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Schiefbahn St Bernhard High School Buildings of the St. Bernhard Highschool with the cone roof of the snow chapel and the old villa Oetker. Schiefbahn Gymnasium St. Bernhard Geb"aude des Gymnasiums mit der Schneekapelle und der alten Oetker-Villa.

http://www.360cities.net/image/willich-schiefbahn-st-bernhard-high-school

360° panorama by Kurt Dirnberger.
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http://www.360cities.net/image/arete-de-pre-fleuri-pointe-de-bellevue-iv

360° panorama by Kurt Dirnberger.
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http://www.360cities.net/image/arete-de-pre-fleuri-pointe-de-bellevue-iii

360° panorama by Kurt Dirnberger.
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http://www.360cities.net/image/arete-de-pre-fleuri-pointe-de-bellevue-ii

360° panorama by Kurt Dirnberger.
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http://www.360cities.net/image/arete-de-pre-fleuri-pointe-de-bellevue-i

360° panorama by Maxim Ritus.
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http://www.360cities.net/image/kamyanets-podilskyi-view-of-the-old-town-from-the-canyon-centre-18-ukraine

360° panorama by Maxim Ritus.
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http://www.360cities.net/image/kamyanets-podilskyi-view-of-the-old-town-from-the-canyon-centre-17-ukraine

360° panorama by Maxim Ritus.
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http://www.360cities.net/image/kamyanets-podilskyi-view-of-the-old-town-from-the-canyon-centre-16-ukraine

360° panorama by Maxim Ritus.
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http://www.360cities.net/image/kamyanets-podilskyi-view-of-the-old-town-from-the-canyon-centre-15-ukraine