Left, Moore's depiction of Londoners sheltering in the Tube during the Blitz . Right, dead German soldiers at the Battle of Cambrai in 1917, in which Moore fought. The significance of his time there is said to have been underrated.

 

 

In his thirties, the establishment's favourite sculptor was exploring erotically charged emotions and a rebellious streak, a new exhibition reveals. Andy McSmith reports

 

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