Öèòàòà ñîîáùåíèÿ Galyshenka
Ïîðòðåòíàÿ ìèíèàòþðà (÷àñòü 2).
Ïîðòðåòíàÿ ìèíèàòþðà (÷àñòü 1)
Ïåðèîä îò XVIII äî ïåðâîé ïîëîâèíû XIX âåêà — âðåìÿ ðàñöâåòà ïîðòðåòíîé ìèíèàòþðû.
 òåõíèêå ìèíèàòþðû ðàáîòàëè ìíîãèå êðóïíûå õóäîæíèêè. Ñàìûå ïðîñëàâëåííûå àíãëèéñêèå ìàñòåðà âòîðîé ïîëîâèíû XVI — íà÷àëà XVII âåêà — Íèêîëàñ Õèëëèàðä è åãî ó÷åíèê Èñààê Îëèâåð.
Îñíîâîé äëÿ ïîðòðåòíûõ ìèíèàòþð ñëóæàò ñëîíîâàÿ êîñòü, áóìàãà, ïåðãàìåíò.  íåêîòîðûõ ñëó÷àÿõ — ìåòàëë (ìåäü, öèíê èëè çîëîòî). Âñòðå÷àþòñÿ îáðàçöû, âûïîëíåííûå íà ïåðëàìóòðå.  ñåðåäèíå XVIII âåêà âîøëè â óïîòðåáëåíèå î÷åíü òîíêèå êîñòÿíûå ïëàñòèíû, òîëùèíîé 0,3—1 ìì. Ïîä ïîëóïðîçðà÷íóþ êîñòü ÷àñòî ïîäêëàäûâàëàñü ñåðåáðÿíàÿ èëè çîëîòàÿ ôîëüãà, ÷òî óñèëèâàëî ñâåòîñèëó êðàñîê.
Â. Ë. Áîðîâèêîâñêèé äëÿ ñâîèõ ìèíèàòþðíûõ ïîðòðåòîâ â êà÷åñòâå îñíîâû íåðåäêî èñïîëüçîâàë æåñòü è ïèñàë ìàñëÿíûìè êðàñêàìè.
×ðåçâû÷àéíî ñëîæíàÿ òåõíîëîãèÿ ðîñïèñè ïî ýìàëè è òðåáóåò íàëè÷èÿ ñïåöèàëüíîãî îáîðóäîâàíèÿ. Èçîáðåòåíèå îñîáûõ êðàñîê, ñïîñîáíûõ âûäåðæàòü âûñîêóþ òåìïåðàòóðó îáæèãà, ñâÿçûâàþò ñ èìåíåì ôðàíöóçñêîãî õóäîæíèêà è þâåëèðà Æàíà Òóíåíà. Ñ èõ ïîÿâëåíèåì â åâðîïåéñêîé æèâîïèñè ïîëó÷èëî ðàçâèòèå òîíêîå è èçÿùíîå èñêóññòâî õóäîæåñòâåííîé ðîñïèñè ïî ýìàëè (â Ðîññèè å¸ íàçûâàëè ôèíèôòüþ). Ìèíèàòþðà íà ýìàëè áûëà äîñòóïíà ëèøü èçáðàííûì ñëîÿì âûñøåãî îáùåñòâà, è ïîòîìó êðóã çàêàç÷èêîâ òàêèõ ïîðòðåòîâ áûë âåñüìà îãðàíè÷åí. Ìèíèàòþðà íà êîñòè áûëà çíà÷èòåëüíî áîëåå ë¸ãêîé â èñïîëíåíèè, òðåáîâàëà ìåíüøèõ âðåìåííû́õ çàòðàò è, ñëåäîâàòåëüíî, áûëà íàìíîãî áîëåå äåø¸âîé.
Ê ñåðåäèíå XVIII âåêà ìèíèàòþðíàÿ æèâîïèñü äîñòèãëà íåáûâàëîé ïîïóëÿðíîñòè, èçäàâàëèñü ðóêîâîäñòâà è ïîñîáèÿ â ïîìîùü æåëàþùèì îñâîèòü ýòîò ðîä èñêóññòâà. Îäíî èç ïîñîáèé áûëî ïåðåâåäåíî ñ íåìåöêîãî è èçäàíî â Ìîñêâå â 1765 ã. ïîä íàçâàíèåì «Îñíîâàòåëüíîå è ÿñíîå íàñòàâëåíèå â ìèíèàòþðíîé æèâîïèñè, ïîñðåäñòâîì êîòîðîãî ìîæíî ñåìó èñêóññòâó âåñüìà ëåãêî è áåç ó÷èòåëÿ îáó÷èòüñÿ». Áûëè èçäàíû è ôðàíöóçñêèå ñïðàâî÷íèêè ïî èñêóññòâó ìèíèàòþðû.
Äëÿ õóäîæíèêîâ-ëþáèòåëåé â ïðîäàæå èìåëèñü íàáîðû äëÿ ðèñîâàíèÿ, êóäà âõîäèëè ãîòîâûå ïëàñòèíêè èç ñëîíîâîé êîñòè (èëè îñíîâà èç êàðòîíà), êðàñêè è êèñòè. Íåêîòîðûå õóäîæíèêè-ëþáèòåëè ñî âðåìåíåì ñòàíîâèëèñü íàñòîÿùèìè ïðîôåññèîíàëàìè è ïåðâîêëàññíûìè ìàñòåðàìè è ïðèîáðåòàëè èçâåñòíîñòü, êàê, íàïðèìåð, Êñàâüå äå Ìåñòð.
 Ðîññèè â ñâÿçè ñ áîëüøîé ïîïóëÿðíîñòüþ æàíðà ïðè ïåòåðáóðãñêîé Èìïåðàòîðñêîé Àêàäåìèè õóäîæåñòâ â 1779 ãîäó áûë îòêðûò êëàññ ìèíèàòþðíîé æèâîïèñè, ãäå îáó÷àëè è «ôèíèôòÿíîìó èñêóññòâó».  1820-õ ãîäàõ â êëàññå ïðåïîäàâàëàñü «ìèíèàòþðà áîëüøàÿ è ìàëàÿ, ìàñëÿíûìè è âîäÿíûìè êðàñêàìè, à òàêæå íà ôèíèôòè».
Ñ ïîÿâëåíèåì äàãåððîòèïèè è ðàñïðîñòðàíåíèåì ôîòîãðàôèè ïîðòðåòíàÿ ìèíèàòþðà, êàê æàíð çíà÷èòåëüíî áîëåå òðóäî¸ìêèé è äîðîãîñòîÿùèé, ïðàêòè÷åñêè óòðàòèëà áûëîå çíà÷åíèå. Ñåé÷àñ ìèíèàòþðíûå ïîðòðåòû êèñòè ñîâðåìåííûõ ìàñòåðîâ, âûïîëíåííûå ìàñëîì íà îñíîâå èç ïåðëàìóòðà èëè ïàïüå-ìàøå, ìîæíî âñòðåòèòü ñðåäè ïðîèçâåäåíèé ìàñòåðîâ Ôåäîñêèíî.

Miniature portrait of Zinaida Yusupova by Vasily Zuyev. (Ìèíãèàòþðíûé ïîðòðåò Êíÿãèíè Çèíàèäû Þñóïîâîé Âàñèëèÿ Çóåâà è Ê. Ôàáåðæå)

Maria Theresa of Naples and Sicily (Ìàðèÿ Òåðåçà Íåàïîëÿ è Ñèöèëèè)

miniature portrait

Attr. to Joseph Krafft, Portrait of Henriette Rottmann, 1820

British School, Dickinsons (early 20th century) Miniature Portrait of a Gentleman, wearing gray coat and blue tie, signature at left edge "Dickinsons", watercolor on ivory, 3-7/8 x 2-7/8 in.; original 14 kt. rose gold locket frame,
Áðèòàíñêàÿ Øêîëà, Dickinsons (â íà÷àëå 20-ãî âåêà) Ìèíèàòþðíûé Ïîðòðåò Äæåíòëüìåíà, íîñÿ ñåðîå ïàëüòî è ñèíèé ãàëñòóê, ïîäïèñü íà ëåâîì êðàþ "Dickinsons", àêâàðåëü íà ñëîíîâîé êîñòè, 3-7/8 x 2-7/8 äþéìîâ.; îðèãèíàëüíûå 14 êò ïîâûñèëèñü çîëîòàÿ ðàìà ìåäàëüîíà

*Mabel Edwards (1884-1956)PORTRAIT OF A WOMAN, BU

Lover’s Eyes Lover’s eyes are hand-painted portraits on ivory which were popular in England between the 1780s and 1830s. The history of this jewelry style is as juicy as the paintings are gorgeous. Since romantic love didn’t typically exist within the confines of a marriage at this point in history, affairs were pretty common. So how would you show your loyalty to your lover? By wearing a sentimental portrait of an unidentifiable part of their person, of course.
Âëþáëåííûå ãëàçà, ãëàçà ëþáÿùåãî - ðàñêðàøåííûå âðó÷íóþ ïîðòðåòû íà ñëîíîâîé êîñòè, êîòîðûå áûëè ïîïóëÿðíû â Àíãëèè ìåæäó 1780-ìè è 1830-ìè. Èñòîðèÿ ýòîãî þâåëèðíîãî ñòèëÿ ñòîëü ÿðêàÿ, êàê âåëèêîëåïíû ýòè êàðòèíû.
Òàê êàê ðîìàíòè÷åñêàÿ ëþáîâü, êàê ïðàâèëî, íå ñóùåñòâîâàëà â ïðåäåëàõ ãðàíèö áðàêà â ýòîì ïåðèîäå èñòîðèè, êàê Âû ïîêàçàëè áû ñâîþ ëîÿëüíîñòü Âàøåìó âîçëþáëåííîìó? Íîñÿ ñåíòèìåíòàëüíûé ïîðòðåò íåèäåíòèôèöèðóåìîé ÷àñòè èõ ëè÷íîñòè, êîíå÷íî.

French portrait miniature c. 1835 in 18K enameled case with woven hair bracelet
Ôðàíöóçñêàÿ ìèíèàòþðà ïîðòðåòà c. 1835 â 18K ñ ñîòêàííûì áðàñëåòîì èç âîëîñ.

Antique Porcelain Hand Painted Brooch from baycitiesantiques on Ruby Lane
Ñòàðèííûé Ôàðôîð Ðàñêðàøåííàÿ âðó÷íóþ Áðîøêà îò baycitiesantiques íà Ðóáè-Ëåéí

Unknown woman, Oliver Isaac, 1609

French Victorian gold and enamel locket with diamonds

1700-1750 Agate snuff box with inset miniature of Robert Darcy, 4th Earl of Holdernesse (1718-1778), the interior with miniature of an unknown man, previously identified as the Duke of Schomberg.
1700-1750 êîðîáîê ïîíþøêè Àãàòà ñ ìèíèàòþðîé âñòàâêè Ðîáåðòà Äàðñè, 4-ãî Ãðàôà Holdernesse (1718-1778), èíòåðüåðà ñ ìèíèàòþðîé íåèçâåñòíîãî ÷åëîâåêà, ðàíåå èäåíòèôèöèðîâàííîãî êàê Ãåðöîã Øåìáåðãà.

Miniature Hand painting on Ivory by lesjardinsdeleanor on Etsy

Miniature French painting of Queen Anne Boleyn.

Lady in mourning

19thC Antique Miniature Porcelain Portrait Painting Aesthetic Velvet Frame

Êîðîëåâà Âèêòîðèÿ

The 9 children of Victoria and Albert: Princess Victoria, Prince Albert (later King Edward VII), Princess Alice, Prince Alfred, Princess Helena, Princess Louise, Prince Arthur, Prince Leopold, and Princess Beatrice
9 äåòåé Âèêòîðèè è Àëüáåðòà: ïðèíöåññà Âèêòîðèÿ, ïðèíö Àëüáåðò (ïîçæå êîðîëü Ýäóàðä VII), ïðèíöåññà Ýëèñ, ïðèíö Àëüôðåä, ïðèíöåññà Õåëåíà, ïðèíöåññà Ëóèçà, ïðèíö Àðòóð, ïðèíö Ëåîïîëüä è ïðèíöåññà Áåàòðèñ

Princess Alice Maud Mary (25 April 1843--14 December 1878). The third child and second daughter of Queen Victoria and Prince Albert. Alice's main claim to fame is being the mother of Alexandra, the last Czarina of Russia. She also has the morbid distinction of being the first of Victoria's children to die, passing away on the same date as her father. Alice was a carrier of hemophilia.
Ïðèíöåññà Ýëèñ Ìîä Ìýðè (25 àïðåëÿ 1843 - 14 äåêàáðÿ 1878). Òðåòèé ðåáåíîê è âòîðàÿ äî÷ü Êîðîëåâû Âèêòîðèè è ïðèíöà Àëüáåðòà. Ãëàâíîå â èçâåñòíîñòè Ýëèñ - îíà ìàòü Àëåêñàíäðû, ïîñëåäíåé Öàðèöû Ðîññèè. Ó íåå òàêæå åñòü áîëåçíåííîå ðàçëè÷èå òîãî, ÷òîáû áûòü ïåðâûì èç äåòåé Âèêòîðèè, ÷òîáû óìåðåòü, ñêîí÷àâøèñü â òó æå ñàìóþ äàòó êàê åå îòåö. Ýëèñ áûëà íîñèòåëüíèöåé ãåìîôèëèè.

English School, Portrait of a girl, ca.1810

This portrait miniature commemorates the death of three young “Napoleonides”, a title given to the decendents of Napoleon Bonaparte. They are most likely the children of Bonaparte’s sister, Elisa (1777-1820). Elisa had five children but sadly, only two lived to adulthood. (from Things Gone By)
Ýòà ìèíèàòþðà ïîðòðåòà îçíàìåíîâûâàåò ñìåðòü òðåõ ìîëîäûõ “Napoleonides”, íàçâàíèå, äàííîå decendents Íàïîëåîíà Áîíàïàðòà. Îíè íàèáîëåå âåðîÿòíû äåòè ñåñòðû Áîíàïàðòà, Ýëèçû (1777-1820). Ó Ýëèçû áûëî ïÿòü äåòåé, íî ê ñîæàëåíèþ, òîëüêî äâà æèëè ê âçðîñëîé æèçíè. (îò Ïðîøåäøèõ Âåùåé)

George Engleheart (1750-1829) Portrait of Mrs Boulton 1812 Watercolour on ivory Unusual to see a lady in glasses, especially in portrait.

Charlotte's first glimpse of the Duke of Marchbourne, her unknown fiance, comes from a miniature painting like this one, framed in brilliants (faux diamonds.) Portrait of an Unknown Man by John Smart, c 1770.
Ïåðâûé ïðîáëåñê Øàðëîòòû Ãåðöîãà Marchbourne, åå íåèçâåñòíîãî æåíèõà, ïðèáûâàåò èç ìèíèàòþðû êàê ýòîò, ñîçäàííûé â áðèëëèàíòàõ (ïîääåëüíûå àëìàçû.) Ïîðòðåò Íåèçâåñòíîãî ×åëîâåêà Äæîíîì Ñìàðòîì, c 1770.

A Private Portrait Miniature Collection: 19th Century Miniatures 1851-1900

Antique German Porcelain Plaque Depicting a Portrait of a Young Girl

Victorian Shreve & Co Diamond Halo Pendant Brooch Platinum & 14K Gold 1897
Ïëàòèíà áðîøêè êóëîíà îðåîëà àëìàçà Victorian Shreve & Co & 14K çîëîòî 1897

"A Young Officer" by Andrew Pilmer (1790) at the Fitzwilliam Museum, Cambridge

Madison

Ennion Williams, 1776, by Charles Wilson Peale

Frances Johnston, 1776, by Charles Wilson Peale

Léonard LIMOSIN: Portrait of the Connétable de Montmorency. ca. 1556

'An Indian Prince', by John Smart - Watercolour on ivory 1788 - Fitzwilliam Museum

John Smart, Miss Mary Tadman, 1809

Stephen Thorn George Augustus Baker Sr. (1760–after 1830) Date: 1818

Miniature on ivory attributed to John Wood Dodge (Nashville, 1807-1893). Glen Leven Estate

Hand Painted Porcelain Brooch / Pin - 19th Century

Hand painted portrait miniature on ivory. Circa 1760.

Early American miniature on ivory of child in red dress holding flowers

A Charming Portrait Miniature of a Young Boy dressed as a Soldier, Circa 1810

Charles-Pierre Cior, Portrait of a little girl in white dress with lace trim, ca.1810

"Boy with a House of Cards" by François Hubert Drouais (date unknown) at the Metropolitan Museum of Art, New York - The image of a child building a house of cards is not an uncommon one in the 18th century. It was not just popular as a genre painting subject, but carried a moral message: the instability of a house of cards represented the transience and uncertainty of life, and in the hands of a child in a time when child immortality was fairly high, that becomes a very poignant message.
"Ìàëü÷èê ñ Êàðòî÷íûì äîìèêîì" Ôðàíñóà Þáåðîì Äðóå (íåèçâåñòíàÿ äàòà) â Ìóçåå èñêóññòâ Ìåòðîïîëèòåí, Íüþ-Éîðê - èçîáðàæåíèå ðåáåíêà, ñòðîÿùåãî êàðòî÷íûé äîìèê, íå ÿâëÿåòñÿ íåîáû÷íûì â 18-ì âåêå. Ýòî íå áûëî ïðîñòî ïîïóëÿðíî êàê ïðåäìåò æàíðîâîé æèâîïèñè, íî è íåñëî ìîðàëüíîå ñîîáùåíèå: íåñòàáèëüíîñòü êàðòî÷íîãî äîìèêà ïðåäñòàâëÿëà áûñòðîòå÷íîñòü è íåóâåðåííîñòü â æèçíè, è â ðóêàõ ðåáåíêà âî âðåìÿ, êîãäà äåòñêàÿ ñìåðòíîñòü áûëà äîâîëüíî âûñîêà, áûëî àêòóàëüíî

Portrait d'un homme et de son fils

Unknown boy titled 'Smiles' Signed and dated 1921
Íåèçâåñòíûé ìàëü÷èê íàçâàíî 'Óëûáêè' Ïîäïèñàííûé è äàòèðîâàííûé 1921

Miniature Portrait of four children and their dog

Winifred Marion Heath painted by her father and artist,Henry Charles Heath (1829-1898) ( I LOVE this little girl!) (äî÷ü õóäîæíèêà Henry Charles Heath)

François Théodore Rochard (French, 1798-1858) Portrait Miniature of a Gentleman With Red Hair, wearing a black coat and within a landscape, signed verso "F. Rochard/pinxt/1833",

Antique Gold and Enamel Portrait Miniature Pendant and Chain, 19th century

Antique French Enamel Portrait Miniature Mourning Pendant, 18k and Seed Pearls, Original Etui Photo credit: Antiques & Uncommon Treasure

A Private Portrait Miniature Collection: 19th Century Miniatures 1851-1900

19th-Century Porcelain Miniature Painting

1862. Signed and Dated. Cecile Villeneuve. Emma Marie DePolignac. Children were often dressed in coral to protect them from evil.

A Private Portrait Miniature Collection: 19th Century Miniatures 1851-1900

A Private Portrait Miniature Collection

A Private Portrait Miniature Collection


18th Century Miniature Portrait. Young Lady at a Desk circa 1790

18th century | Portrait miniature of a young boy, wearing a black coat, white shirt

Miniature Portrait of Four Sisters New England circa 1840.

Lady Elizabeth Berkeley d. 1828 Maker: Humphry, Ozias (miniaturist; British artist, 1742-1810) miniature (painting) Date: 1770 (circa) Technique: (watercolour)

Joseph Carl Stieler (1781 – 1858) Miniature portrait on

Äæîðäæèàíà Êàâåíäèø, ãåðöîãèíÿ Äåâîíøèðñêàÿ,(Georgiana Cavendish, Duchess of Devonshire; 7 èþíÿ 1757 — 30 ìàðòà 1806)
Äæîðäæèàíà Êàâåíäèø, ãåðöîãèíÿ Äåâîíøèðñêàÿ,(Georgiana Cavendish, Duchess of Devonshire; 7 èþíÿ 1757 — 30 ìàðòà 1806)


Ðèòò, Àâãóñòèí Õðèñòèàí - Ïîðòðåò êíÿçÿ Èâàíà Èâàíîâè÷à Áàðèíñêîãî.

ÍÀÃÐÓÄÍÛÅ ÇÍÀÊÈ
Çîëîòî, ñåðåáðî, ýìàëü, àëìàçû 8 õ 4,5 ñì Íà÷àëî XVIII âåêà
Íàãðóäíûå çíàêè ñ ìèíèàòþðîé Ïåòðà I ÿâëÿëèñü ëè÷íûìè ïîæàëîâàíèÿìè öàðÿ è ñ÷èòàëèñü âûñøåé íàãðàäîé çà çàñëóãè ïåðåä ãîñóäàðñòâîì.

ÁÐÀÑËÅÒ ñ ïîðòðåòîì Àëåêñàíäðà I ïîä ïëîñêèì àëìàçîì
Ýòî ñàìûé êðóïíûé èç ïîðòðåòíûõ àëìàçîâ, êîòîðûå êîãäà-ëèáî èñïîëüçîâàëèñü â ìèðå. Êàìåíü ðåäêîé êðàñîòû è ÷èñòîòû.

Îáðàìëåííûé æåì÷óãîì ìèíèàòþðíûé ïîðòðåò èìïåðàòðèöû Ìàðèè Ôåäîðîâíû ðàáîòû Èîãàííåñà Çåíãðàôà. Êðàñíàÿ ýìàëåâàÿ ðàìêà â ôîðìå ñåðäöà âûïîëíåíà â ñëîæíîé òåõíèêå ãèëüîø. Èäåÿ – Ôàáåðæå, ìàñòåð – Ìèõàèë Ïåðõèí. Ýòîò ïîðòðåò Ìàðèÿ Ôåäîðîâíà ïîäàðèëà ñâîåé ðîäíîé ñåñòðå Òèðå, ãåðöîãèíå Êàìáåðëåíäñêîé íà Ðîæäåñòâî 1905 ãîäà.

Òàáàêåðêà Ôàáåðæå ñ èçîáðàæåíèåì ìèíèàòþðíîãî ïîðòðåòà Íèêîëàÿ II íà àóêöèîíå Sotheby's â Ëîíäîíå, Àíãëèÿ, 26 íîÿáðÿ 2010 ãîäà.

×. Ó. Ïèë. Õóäîæíèê çà ðàáîòîé (ïîðòðåò áðàòà — Äæåéìñà Ïèëà). 1795

Antique Portrait Miniature
https://ru.wiki2.org/wiki/Ìèíèàòþðèñò