ËÈÖÀ ÏÐÅÊÐÀÑÍÛÅ ×ÅÐÒÛ...| DETAILS OF PAINTING (FACE AND EYES) /4/ |



Peter Paul Rubens (1577–1640)
Õåëåíà Ôîðìåíò


Emile Vernon (French, 1872 - 1919)


Ïàëüìåööàíî, Ìàðêî (îê1459-îê1539)
Íåñåíèå êðåñòà
1503. 60x49


Ôóêå, Æàí (îê1420-1477-81)
Ýòüåí Øåâàëüå ñî ñâÿòûì Ñòåôàíîì


Vasily Tropinin
The Lacemaker

David Wahler *Vespera*

Madeleine-Jeanne Lemaire, née Coll
LES ARCS 1845 - 1928 PARIS
YOUNG WOMAN WITH A LITTLE DOG ;
SIGNED LOWER LEFT MADELEINE LEMAIRE


Sandro Botticelli (c. 1445–1510):
Madonna of the Pomegranate (detail)
[Madonna della Melagrana],
c. 1487, (detail), tempera on panel, 143.5 x 143.5 cm,
Galleria degli Uffizi, Florence, Italy


Äæîðäàíî, Ëóêà (1634-1705)
Àðõàíãåë Ìèõàèë


Ôóêå, Æàí (îê1420-1477-81)
Ýòüåí Øåâàëüå ñî ñâÿòûì Ñòåôàíîì
1454-56. 96x88


Ïëàòöåð, Èîãàíí Ãåîðã (1704-1761)
Âåñåëàÿ êîìïàíèÿ íà òåððàñå


Íåìåöêèé æèâîïèñåö 18 âåêà
Ãðå÷àíêà ñ ìóçûêàëüíûì èíñòðóìåíòîì (detail)


Workshop of Joachim Patinir DINANT (?) OR BOUVIGNES
CIRCA 1480 - BEFORE 5 OCTOBER 1524 ANTWERP
VIRGIN AND CHILD SEATED BEFORE AN EXTENSIVE LANDSCAPE
oil on panel


Albert Edelfelt, 1854-1905
Ìîëîäàÿ æåíùèíà ñ âååðîì (detail)


Attribué à Otto Venius
LEYDE 1556 - 1629 BRUXELLES
LA SAINTE FAMILLE
ATTRIBUTED TO OTTO VENIUS ; THE HOLY FAMILY ; OIL ON PANEL


Paulus Moreelse
Portrait of a Middle-Aged Man


Tilly Kettle (1735 - 1786)
Ýëèíîð Ôðýíñèñ Ãðàíò


Ïëàòöåð, Èîãàíí Ãåîðã (1704-1761)
Âåñåëàÿ êîìïàíèÿ íà òåððàñå


Paulus Moreelse


Peter Paul Rubens (1577–1640)
Ìàðêèçà Áðèãèäà Ñïèíîëà Äîðèà


Æåíñêèé ïîðòðåò 17 âåêà.


Filippo Indoni (1842 – 1908)
Ìå÷òû î ëþáâè (detail)


Entourage de Pieter Coecke van Aelst
AELST 1502 - 1550 BRUXELLES
VIERGE À L'ENFANT
CIRCLE OF PIETER COECKE VAN AELST ; VIRGIN AND CHILD ; OIL ON PANEL
Huile sur panneau


Edward Poynter (1836–1919)
Ëåñáèÿ ñ âîðîáûøêîì


Jean-Baptiste Santerre (French, 1658 - 1717)
Æåíñêèé ïîðòðåò (detail)


Studio of Elisabeth-Louise Vigée Le Brun PARIS 1755 - 1842
PORTRAIT OF QUEEN MARIE-ANTOINETTE,
HALF LENGTH, WEARING AN ELABORATE SILK-GAUZE CAP, SEATED AT A DESK WITH A BOOK IN HAND (detail)


Entourage du Maître au Perroquet
ACTIF Ã ANVERS 1525 - 1550
VIERGE À L'ENFANT
CIRCLE OF THE MASTER OF THE PARROT ; THE HOLY FAMILY ;
OIL ON PANEL


J. Kahrer
Ïîðòðåò äàìû â çîëîòîì áîííåòå (detail)


Ñèíüîðåëëè, Ëóêà (îê1445-1523)
Ñâÿòûå Åâñòàõèé, Ìàðèÿ Ìàãäàëèíà è Èåðîíèì
îê1491. 146x75


Giusto, XIX-XX,
Æåíñêèé ïîðòðåò (detail)


Jean-Baptiste Greuze (French, 1725-1805)
Ïîðòðåò ìîëîäîé äåâóøêè (detail)


Ìàñòåð 1499
Áëàãîñëîâëÿþùèé Õðèñòîñ â ïðîôèëü


Emile Munier (1840-1895)
ÊÎÐÌËÅÍÈÅ ÃÎËÓÁÅÉ


Friedrich von Amerling (1803-1887)
Elise Kreuzberg (detail)


Ìàñòåð Àíòâåðïåíñêîãî òðèïòèõà Ìàðèè
Ìàäîííà ñ Ìëàäåíöåì, àðõàíãåëîì Ìèõàèëîì è äîíàòîðîì


Achille Beltrame (1871-1945)
Äåâóøêà ñ öâåòàìè (detail)


Ìàñòåð Àíòâåðïåíñêîãî òðèïòèõà Ìàðèè
Ìàäîííà ñ Ìëàäåíöåì, àðõàíãåëîì Ìèõàèëîì è äîíàòîðîì


William Adolphe Bouguereau (1825–1905)
Ïåðâàÿ ëàñêà


Tiziano Vecellio (îê. 1488–1576)
Ðîæäåíèå Âåíåðû


Hugues Merle (1823–1881)
ÌÀÒÅÐÈÍÑÊÀß ÏÐÈÂßÇÀÍÍÎÑÒÜ


Hugues Merle (1823–1881)
ÌÀÒÅÐÈÍÑÊÀß ÏÐÈÂßÇÀÍÍÎÑÒÜ


Ñèíüîðåëëè, Ëóêà (îê1445-1523)
Ñâÿòûå Åâñòàõèé, Ìàðèÿ Ìàãäàëèíà è Èåðîíèì
îê1491. 146x75


A Kitchenmaid, in the background Jesus in the house of Mary and Martha,
1620-25
. Close to works by Pieter Aertsen,
103 x 72 cm


Empress Elizabeth of Austria (detail)
by Franz Xaver Winterhalter 1860


Ìàñòåð Àíòâåðïåíñêîãî òðèïòèõà Ìàðèè
Ìàäîííà ñ Ìëàäåíöåì, àðõàíãåëîì Ìèõàèëîì è äîíàòîðîì


Jean-Léon Gérôme
, Black Bashi-Bazouk (Detail), 1869


Joachim Wtewael
His wife, Christina Wtewael van Halen (1568-1629),
1601


Paulus Moreelse


Ïàóëþñ Ìîðåëüñå
Ïàñòóøêà


Angelica Kauffmann (Swiss Neoclassical Painter, 1741-1807)
A Sybil (detail)


Frederic Leighton (830-1896).


Nicholas Stocade Van Helt (1614-1669)
Äèàíà - îõîòíèöà


Circle of Elisabeth Vigée-LeBrun (French, 1755-1842)
RITRATTO DI MISS FULLER (detail)


Paul van Somer (1576/1578–1622)
Ýëèçàáåò, ãðàôèíÿ Êåëëè

Ñåðèÿ ñîîáùåíèé "Ëèöà ïðåêðàñíûå ÷åðòû \1\":
×àñòü 1 - Look beautiful eyes. Parts Of The Old Masters. \1\
×àñòü 2 - Details by Sir Anthony van Dyck (Àíòîíèñ âàí Äåéê, Flemish painter, 1599–1641) \5\
...
×àñòü 25 - Ëèöà ïðåêðàñíûå ÷åðòû...| Details of painting (face and eyes) \14\
×àñòü 26 - Ëèöà ïðåêðàñíûå ÷åðòû...| Details of painting (face and eyes) \15\
×àñòü 27 - Ëèöà ïðåêðàñíûå ÷åðòû...| Details of painting (face and eyes) \16\
×àñòü 28 - Êîðíåëèñ ßíñåíñ âàí ʸëåí (Cornelis Jonson van Ceulen, 1593-1661, British-Dutch) | Ëèöà ïðåêðàñíûå ÷åðòû (details) \3\
×àñòü 29 - Ëèöà ïðåêðàñíûå ÷åðòû... | Details of painting (face and eyes) \17\
...
×àñòü 32 - Ëèöà ïðåêðàñíûå ÷åðòû... | Ìàäîííà è ñâÿòûå â ñîáðàíèè æèâîïèñè Ãàëåðåè Áîðãåçå (Galleria Borghese, Roma) \3\
×àñòü 33 - Ëèöà ïðåêðàñíûå ÷åðòû... | Ìàäîííà è ñâÿòûå â ñîáðàíèè æèâîïèñè Ãàëåðåè Áîðãåçå (Galleria Borghese, Roma) \4\
×àñòü 34 - Ëèöà ïðåêðàñíûå ÷åðòû | Ñîáðàíèå æèâîïèñè Ãàëåðåè Áîðãåçå (Galleria Borghese, Roma) \7\
| Ðóáðèêè: | Ìèð èñêóññòâà./Èçîáðàçèòåëüíîå èñêóññòâî. |
| Êîììåíòèðîâàòü | « Ïðåä. çàïèñü — Ê äíåâíèêó — Ñëåä. çàïèñü » | Ñòðàíèöû: [1] [Íîâûå] |