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Мода времён Marie Antoinette

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Мода времён Marie Antoinette

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263171lxlble1hnk (385x20, 1Kb) 1912 reprint version of a 1780 Fashion Plate263171lxlble1hnk (385x20, 1Kb) Deshabille de taffetas blanc, 1779Robe de Cour, 1779 Palla Corte nel 1785: costumi di Marie Antoniette, Conti di Provenza e conte di Artois. Creato da Boquet, conservato in collezione Deveria, pubblicato il Magasin Pittoresque, Parigi, 1843 Archivio Fotografico - 15269989Reproduction of a German engraving of the late 18th century.Reproduction of a 18th-century German engraving. Circassienne with a colored ground, with bands of painted fabric and a little band of pleated gauze around it; the petticoat is of another color, and the trim of the petticoat matches that of the gown. The coiffure is a hat à la Grenade. (1780). A Most Beguiling Accomplishment: Galerie des ModesYoung Lady coiffed with an English hat called a chapeau à la Turque, trimmed with flowers and gauze; she is dressed in a Polonaise of gauze striped with silver on a ground of pink taffeta, as is the petticoat. (1779). A Most Beguiling Accomplishment: Galerie des Modes"Young Lady in a Polonaise of indienne, trimmed with gauze, and coiffed with an English hat trimmed with flowers and a black lace.  She holds a bichon under her arm. (1778)"1778. Blue dress with nice trimming. France.A Most Beguiling Accomplishment: Galerie des Modes, 11e Cahier, 6e Figure (1778). Caption & long description translated by @Cassidy. "Ball dress, the bodice and petticoat pulled up with tassels, the sides of the same color: the underpetticoat* is another color. The sleeves are covered with a poufed trim with pearls; the trim of the underskirt is decorated with a flower garland; all the trims are a light gauze. Very large coiffure with plumes... The bodice and petticoat are of the same stuff..."

French, 1780. Designed by Pierre-Thomas LeClerc. Jeune Dame en robe à la Polonnoise garnie de gaze, conduisant un enfant en matelot à manches retroussées.French, 1780 Designed by Pierre-Thomas LeClerc. Jeune femme vêtue d'un caraco à la Polonoise de toile vermichelle, bordé d'une bande étroite: le juppon bordé d'une bande large d'etoffe fond blanc à guirlandes de fleurs.1780 Jeune-Dame en robe à la Polonoise de taffetas garnie à plat de bandes d'une autre couleur; elle est coeffée d'un mouchoir à bordures découpées, ajusté avec gout et bordé de fleurs.

Robe à la Turque, the same explained in the twenty-seventh Book p. 159; it is here shown in profile or three-quarter view. (1780). A Most Beguiling Accomplishment: Galerie des Modes

Robe à l'Anglaise, the bodice laced in the back, the skirt is tucked up,* the sleeves of a color different from that of the Gown, the whole edged with a very narrow ribbon of any desired color. (1784). A Most Beguiling Accomplishment: Galerie des ModesChildren's dress in the new taste. (1780). A Most Beguiling Accomplishment: Galerie des ModesGalerie des Modes, 8e Cahier, 1ere Figure. Antique French fashion plate. A Most Beguiling AccomplishmentA Most Beguiling Accomplishment: Galerie des Modes, 7e Cahier, 1ere Figure (1778). Caption & long description translated by @Cassidy. "Woman in a Polonaise Gown of striped taffeta, trimmed with gauze, retying her garter and allowing the sight of her lovely leg... Current Polonaise, or frock-coat Polonaise, very comfortable for the morning and the country. This stylish, sprightly, and informal Dress is fastened with a ribbon*; it should be pulled up very high, and is made only of light stuff..."Galerie des Modes: Bourgeoise with her daughter, 1778Galerie des Modes, 7e Cahier, 2e Figure: Winter polonaise with pockets and hood, 1778Cassidy: A Most Beguiling Accomplishment: Galerie des Modes, 10e Cahier, 1e Figure: "Young Woman in a Circassienne of puce Italian gauze, with a petticoat of the same gauze covering another pink petticoat trimmed on the bottom with gauze pinned with a blue ribbon attached with Flowers and tassels and bouillonné gauze, and with manchettes of filet lace. Coiffed with a Hat en coquille, decorated with Flowers and Feathers. (1778)" See blog post for translation of entire description.Galerie des Modes, 13e Cahier, 1e Figure. Antique French fashion plate. A Most Beguiling AccomplishmentCourt dress, Gallerie des Modes, 1787.Gallerie des Modes et Costumes Français. 40e Cahier des Costumes Français, 30e Suite d'Habillemens à la mode en 1782. qq.234 "Deshabillé à l'Anglaise de tafetas..." French, 1782 Designed by Pierre-Thomas LeClerc, French, about 1740–after 1799 Engraved by Nicolas Dupin, French Publisher Esnauts et Rapilly, French, 18th century And we thought the 18th century French were saucy! Just look what they thought of the English!Gallerie des Modes et Costumes Français. 41e Cahier (bis) des Costumes Français, 36e suittes d'Habillemens à la mode en 1784. Pour servir de supplément au 6e Cahier des Coeffures. xx.261 "Chemise à la Reine..." French, 1784 Designed by Pierre-Thomas LeClerc, French, about 1740–after 1799 Engraved by Nicolas Dupin, French Publisher Esnauts et Rapilly, French, 18th century Paris, France Hand-colored engraving on laid paper Accession Number 44.1575Gallerie des Modes et Costumes Français. 28e Cahier de Costumes Français, 22e Suite d'Habillemens à la mode en 1780. dd.164 "Autre Lévite..." French, 1780 Designed by Pierre-Thomas LeClerc, French, about 1740–after 1799 Engraved by Charles Emmanuel Jean Baptiste Patas, French, 1744–1802 Publisher Esnauts et Rapilly, French, 18th century (Robe a la Turque)Gallerie des Modes et Costumes Français. 12e. Cahier des Costumes Français, 6e Suite d'Habillemens à la mode en 1778. M.69 "Les Délassemens du Bois de Boulogne. Robe de taffetas..." French, 1778 Designed by Pierre-Thomas LeClerc, French, about 1740–after 1799 Engraved by Nicolas Dupin, French Publisher Esnauts et Rapilly, French, 18th century France DIMENSIONS MEDIUM OR TECHNIQUE Hand-colored engraving on laid paper CLASSIFICATION Prints ACCESSION NUMBER 44.13341784 Jeune Dame en Bergere séduisante, en Chapeau galant posé sur un Bonnet à la Païsanne et couronne par un Ruban au Globe, dans le moment où par le moïen de sa Lorgnette, elle en suit un en l'Air, lancé par son Amant dont le Portrait est a son Bras.Gallerie des Modes et Costumes Français. 1er cahier de grandes robes d'etiquette de cour de la France faisant suite aux costumes français. ooo.359 "Habit de Cour..." French, 1787 Designed by Saint Aubin, Engraved by Nicolas Dupin, French Publisher Esnauts et Rapilly, French, 18th century Paris, France DIMENSIONS 32.4 x 24.1 cm (12 3/4 x 9 1/2 in.) MEDIUM OR TECHNIQUE Hand-colored engraving on laid paper CLASSIFICATION Prints ACCESSION NUMBER 44.16841787 Jeune femme se préservant des mauvaise exhalaisons: elle est vêtue d'une rodingotte à l'Anglaise et coeffée d'un bonnet à la matineuse.

1784 Robe à l'Anglaise garnie à plis plats bordé d'un frisé de Mousseline, des tresses et boutons pareilles à la Robe; Chapeau garnie d'une toque de gaze négligemment ajusté avec un ruban.1780 Jeune-Dame en robe à la Polonoise de taffetas garnie à plat de bandes d'une autre couleur; elle est coeffée d'un mouchoir à bordures découpées, ajusté avec gout et bordé de fleurs.1782 Jeune Dame répétant une danse elle est vétue d'un Lévite du matin Carmelite, la Garniture pareille, le Colet frisé de mousseline à grand ourlet, jupon de soie rose pâle garni de même, Ceinture blanche dont les franges sont de couleur.The Bird of Paradise, 1781Color lithograph of the late 18th century depicting scenes of music-making: French.A Most Beguiling Accomplishment: Galerie des Modes, 35e Cahier, 1ere FigureColor lithograph of the late 18th century: French.A Most Beguiling Accomplishment: Galerie des Modes, 17e Cahier, 1ere FigureGallerie des Modes et Costumes Français. 48e Cahier de Costumes Français, 42e Suite d'Habillemens à la mode en 1785. ddd.301 "Grande Coeffure et ajustement..." aris, France DIMENSIONS 38.7 x 25.4 cm (15 1/4 x 10 in.) MEDIUM OR TECHNIQUE Hand-colored engraving on laid paper CLASSIFICATION Prints ACCESSION NUMBER 44.1635Gallerie des Modes et Costumes Français. 41e Cahier (bis) des Costumes Français, 36e Suite d'Habillemens à la mode en 1784. Pour servir de supplément au 6e Cahier des Coeffures. xx.265 "Robe vraiment a l'Anglaise..." Paris, France DIMENSIONS 38.7 x 25.4 cm (15 1/4 x 10 in.) MEDIUM OR TECHNIQUE Hand-colored engraving on laid paper CLASSIFICATION Prints ACCESSION NUMBER 44.1579

from <a href=/thesumofallcrafts.blogspot.com/2010/09/18th-century-fashion.html" target="_blank">http://thesumofallcrafts.blogspot.com/2010/09/18th-century-fashion.html no source" src="http://media-cache-ak0.pinimg.com/736x/66/fc/ad/66fcadb21ab21ef80e457bdf0d191207.jpg" style="height:1006px;width:632px;margin:0 auto;padding:40px 0px;" />Gallerie des Modes et Costumes Français. 36e Cahier des Costumes Français, 28e Suite d'Habillemens à la mode en 1781. 1er Cahier pour le 3e Volume. mm.207 "Les Enfans de Mgr. Le Comte d'Artois..."Big Hats And High HairBig Hats And High Hair

Big Hats And High HairBig Hats And High Hair

1780Marie Antoinette printable Lady In Honor Marie Antoinette, after Moreau Le Jeune, 1777

Dress of Rosine in the Barber of Seville; costume invented for the theater of the City of Lyon in 1775 by P. N. Sarrazin, Costumer to Their Royal Highnesses the Princes, Brothers of the King. (1779)1782 French Fashion PlateLittle Mistress in a soft Lilac Gown trimmed with gauze, in the promenade of the Royal Palace. (1778)Grande robe with open bodice, trimmed with a medium parement: it is of pink taffeta. The parement of unpleated gauze, framed with a straight band of gathered gauze, is cut obliquely by ribbons en turban* and garlands of flowers, forming angles with the "turbans"; each angle provides a home for two ribbon bows.The volant is draped in five places.Triple manchettesHair à la Dauphine: two curls on the side, two curls en crochet,* holding a dolphin's tail; this hairstyle is surmounted with a pinched ribbon placed en barriere, holding a diamond rose and crossed by a row of pearls.  The chignon is in a knight's cross, from which escapes a curl à la Sultaine which descends to the throat, where it ends.Demi-polonaise, or polonaise à la liberté.  It is a diminutive version of the bottom part of the gowns that Court Ladies, obligated by etiquette to be seen in public in the morning, adopted long ago, which made a rather happy addition to the new fashions. The demi-polonaise consists of a petticoat, to which is attached the bottom of the polonaise, or simply a polonaise tail pulled up as usual; it is as comfortable as it is pretty, has the double advantage of making one appear fully dressed.Galerie des Modes, 7e Cahier, 5e Figure: Marchande des modes, 1778A Most Beguiling Accomplishment: Galerie des Modes, 7e Cahier, 3e Figure (1778). Caption & long description translated by @Cassidy. " Little Mistress in a Polonaise Gown of painted linen trimmed with muslin, reading a letter... Polonaise, open over the chest and closed in the middle of the waist, with wings that are developed in the front and a tail that blooms in the back.* As the polonaise allows the sight of the chest in its brilliance, if you desire to excite curiosity you will require..."A Most Beguiling Accomplishment: Galerie des Modes, 11e Cahier, 6e Figure (1778). Caption & long description translated by @Cassidy. "Ball dress, the bodice and petticoat pulled up with tassels, the sides of the same color: the underpetticoat* is another color. The sleeves are covered with a poufed trim with pearls; the trim of the underskirt is decorated with a flower garland; all the trims are a light gauze. Very large coiffure with plumes... The bodice and petticoat are of the same stuff..."A Most Beguiling Accomplishment: Galerie des Modes, 11e Cahier, 5e Figure (1778). Caption & long description translated by @Cassidy. "Young middle class woman dressed in a Polonaise with an embroidered Indian muslin apron. She is wearing a half-négligée cap called 'the Queen's Lever'... Coupé polonaise: this gowns are made like ordinary polonaises; they are only different in the petticoat, which must be without a volant or trim, but a vast apron serves as a veil and entirely covers the front..."1778. Pink polonaise dress.A Most Beguiling Accomplishment: Galerie des Modes, 8e Cahier, 4e Figure (1778). Caption & long description translated by @Cassidy. "Young Lady wearing a round cap with a 'sleepyhead' kerchief, a Ribbon tied in a bow, a Polonaise, and a white mantelet... Plump and young lady taking the fresh air in the morning: she is dressed in a 'flourishing tail' or 'rounded rump' Polonaise* with very expansive wings, the whole trimmed with wide bands of gathered linen. These polonaises, much more ample..."

Marie Antoinette from "Galerie des Modes"c1774 French Fashion Plate1779 French Fashion Plate1779 French Fashion Platec1778 French Fashion Platec1778 French Fashion Plate1778 French Fashion Plate - Back View1776 French Fashion Plate - Back View1787 Pierrot French Fashion Plate - back viewTwo ladies in the newest dress : from drawings taken at Ranelagh, May 1775. The Lady's Magazine, London, 1775. Lewis Walpole Library Digital Collectionc. 1779 Marie Thérèse Charlotte of France and her governess, Victoire Armande Josèphe de Rohan, princesse de Guéméné, by Jean Pierre Julien Dupin after Pierre Thomas Le Clerc (Bibliothèque nationale de France - Paris France)Marie Antoinette after Elisabeth-Louise Vigee-Lebrun (Chateau Compiegne, Compiegne)Genteel woman at her toilette, folding a letter. (1778)Gallerie des Modes, 1778A Morning Visit - or the Fashionable Dresses for the Year 1777, Mezzotint

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