-Ìåòêè

12 âåê 13 âåê 14 âåê 14-15 âåê 15 âåê 15-16 âåê 16 âåê 16-17 âåê 16-19 âåê 17 âåê 17-18 âåê 17-19 âåê 18 âåê 18-19 âåê 18-20 âåê 19 âåê 19-20 âåê 20 âåê john galliano Ìàñêè àêñåññóàðû àíãåëû àíãë. ÿç áàëåò áåëüå áóìàãà áóìàæíûå êóêëû âèäåî âèíòàæ âîåííûé êîñòþì âûøèâêà ãîëîâíûå óáîðû ãðàâþðû ãðàôèêà äåòñêèé êîñòþì äèíàñòèÿ ðîìàíîâûõ æèâîïèñü æóðíàëû çâîðûêèí çîíòèêè èãðóøêè èçî èêîíû èëëþñòðàöèè èñòîðè÷åñêèé êîñòþì èñòîðèÿ èñòîðèÿ àíãëèè èñòîðèÿ âåùåé èñòîðèÿ èñêóññòâà èñòîðèÿ êàñòþìà èñòîðèÿ êîñòþìà èñòîðèÿ ðîññèè èñòîðèÿ ôðàíöèè êàðòû êíèãè êîðîíû êîðñåò êîñòþì êîñòþì èç áóìàãè êîñòþìèðîâàííûé áàë 1903 ãîäà êðóæåâî êóêëû êóêëû àíòèêâàðíûå êóêëû êîñòþìèðîâàííûå êóêëû õóäîæåñòâåííûå ëåïêà ëè÷íîå ìàñêàðàä ìèôû ìê ìîäà ìîé ãîðîä ìóæñêîé êîñòþì ìóôòà ìóôòû íàðîäíûé êîñòþì íàöèîíàëüíûé êîñòþì íîâûé ãîä îáóâü îðíàìåíò ïðèâèâêè ïðè÷åñêè ðåêîíñòðóêöèÿ ðóññêèé íàðîäíûé êîñòþì ðóññêèé íàðîäíûé êîñòþì. ñâàäüáà ñêàçêè ññûëêè ñòèëü òåàòðàëüíûé êîñòþì òêàíè òðÿïî÷êè óêðàèíñêèé íàðîäíûé êîñòþì ô ñîëíöåâ ôàðôîð öâåò øàëü øëÿïêè ùåëêóí÷èê þâåëèðíûå óêðàøåíèÿ

 -Ïîèñê ïî äíåâíèêó

Ïîèñê ñîîáùåíèé â SPBmaks

 -Ïîäïèñêà ïî e-mail

 

 -Ñòàòèñòèêà

Ñòàòèñòèêà LiveInternet.ru: ïîêàçàíî êîëè÷åñòâî õèòîâ è ïîñåòèòåëåé
Ñîçäàí: 27.02.2009
Çàïèñåé:
Êîììåíòàðèåâ:
Íàïèñàíî: 3951


Èçóìðóäû è áðèëëèàíòû íà ïîðòðåòàõ è ìóçåÿõ

Ïîíåäåëüíèê, 09 ßíâàðÿ 2012 ã. 08:10 + â öèòàòíèê
Öèòàòà ñîîáùåíèÿ Áàéêàëî÷êà_10 Èçóìðóäû è áðèëëèàíòû íà ïîðòðåòàõ è ìóçåÿõ

 

 



   

Þâåëèðíûå èçäåëèÿ ñ èçóìðóäàìè ñ÷èòàþòñÿ ñàìûìè äîðîãèìè óêðàøåíèÿìè. Ìàòåðèàë ÷èñòîãî èçóìðóäíî-çåëåíîãî öâåòà îáû÷íî èìååò ìíîãî èçúÿíîâ. Ïîýòîìó áåçäåôåêòíûå, îãðàíåííûå êðèñòàëëû ìàññîé ñâûøå 5 êàðàò öåíÿòñÿ âûøå ðàâíîâåëèêèõ àëìàçîâ.



Èçóìðóä - ïðîèñõîäèò îò ïåðñèäñêîãî ñëîâà "çóììóðóä".  äðåâíåé Ðóñè èçâåñòåí ïîä íàçâàíèåì ñìàðàãä èëè èçìàðàãä. Îò ãðå÷åñêîãî "ñìàðàãäîñ" - äðàãîöåííûé êàìåíü.
Àíãëèéñêîå "emerald ïðîøëî ÷åðåç òàêèå èçìåíåííûå ôîðìû ëàòèíñêîãî, êàê smaragdus, esmeraude, emeraude è esmeralde. Ñîâðåìåííàÿ ôîðìà ñëîâà emerald (èçóìðóä) ïîÿâèëàñü â àíãëèéñêîì ÿçûêå ëèøü â XVI â.

-------------------ÈÇÓÌÐÓÄÛ---------------
==


Âîëüíàÿ êîïèÿ ïîðòðåòà Êîíñòàíòèíà Ñîìîâà.
Copy of Simonetta Vespucci (1453-76)
Konstantin Andreevic Somov


Èçóìðóäû îáû÷íî ïîäâåðãàþò ñòóïåí÷àòîé îãðàíêå, çà èñêëþ÷åíèåì êàìíåé, ïðåäíàçíà÷åííûõ äëÿ êîëåö; â ýòîì ñëó÷àå îãðàíêà èõ ÷àñòî áûâàåò áðèëëèàíòîâîé.
Èçóìðóäíûå êîïè ñóùåñòâîâàëè â Àðàâèéñêîé ïóñòûíå åùå â 2000 ã. äî í.ý.
Ïðèðîäíûå èçóìðóäû âûñîêîãî êà÷åñòâà î÷åíü ðåäêè. Èçóìðóäû èç Åãèïòà è Ðîññèè íå ìîãóò ñðàâíèòüñÿ ïî ñîâåðøåíñòâó îêðàñêè ñ êàìíÿìè, ïðîèñõîäÿùèìè èç Þæíîé Àìåðèêè. Ëó÷øèå èçóìðóäû â ìèðå ñ 1964 ã. äîáûâàþò â Êîëóìáèè.

-----------------Ïîðòðåòû---------------------
===========================================


Àð÷èìáîëüäî. Ãåðöîãèíÿ Ìàãäàëåíà.
1563 Archduchess Magdalena by Giuseppe Arcimboldi (Kunshistorisches Museum, Wien)
----------------

Ëåäè Åëåíà Ñíýéêáîðã
1569
Thought to be Lady Helena Snakenborg, Marchioness of Northampton by ? of British School (Tate Collection, London)
-------------------------------

Ãàíñ Ìàëåð. Àííà, êîðîëåâà Âåíãðèè-Áîãåìèè, æåíà Ôåðäèíàíäà 1.
MALER, Hans.Queen Anne of Hungary
German painter (b. ca. 1480, Ulm, d. ca. 1529, Schwaz)

==========================================


Ïðèíöåññà Åëèçàâåòà, ïîçæå êîðîëåâà Áîãåìèè.
Ðîáåðò Ïèê.
ca. 1606

Princess Elizabeth, later Queen of Bohemia, by Robert Peake (Metropolitan Museum)

================================

Ãàíñ Ãîëüáåéí
Äæåéí Ñåéìóð, æåíà Ãåíðèõà VIII
Porträt der Jane Seymour, Königin von England
Date 1536-1537

===========================

Òèöèàí. Èçàáåëëà Ïîðòóãàëüñêàÿ. Áðîøü ñ èçóìðóäîì.
Titian. Empress Isabella of Portugal
1548

1548 Empress Isabel by Titian (Prado) bodice, partlet, and necklace
----------------------------
Èçàáåëëà Âàëóà

Isabel Valois by Alonso Sánchez Coello (Leeds Art Gallery)

--------------------------

Lady Moretto da Brescia 1535

------------Çíàìåíèòûå èçóìðóäû----------------

 äðåâíèå âðåìåíà èçóìðóäû äîáûâàëèñü, ïðåèìóùåñòâåííî, â Åãèïòå. Èçóìðóä áûë ëþáèìûì êàìíåì Êëåîïàòðû. Ñ÷èòàåòñÿ, ÷òî èçóìðóäû îáîæàëà öàðèöà Ñàâñêàÿ. Ñðåäè ñâîèõ ñîêðîâèù öàðü Ñîëîìîí îñîáî âûäåëÿë èçóìðóä, íàäåëÿÿ åãî íåîáû÷íûìè ñâîéñòâàìè. Ó ðèìñêîãî èìïåðàòîðà Êëàâäèÿ Äðóçà Íåðîíà áûë áîëüøîé èçóìðóä, êîòîðûì îí ïîëüçîâàëñÿ êàê ìîíîêëåì, ñëåäÿ çà áîÿìè ãëàäèàòîðîâ, è ÷åðåç êîòîðûé îí íàáëþäàë ïîæàð ïîäîææåííîãî èì Ðèìà.

Ñóùåñòâóåò áèáëåéñêàÿ ëåãåíäà, ñîãëàñíî êîòîðîé Ñàòàíà ïðè åãî íèçâåðæåíèè â àä ïîòåðÿë èç ñâîåé êîðîíû îäèí èçóìðóä. Ýòîò èçóìðóä ïðåâðàòèëñÿ â ÷àøó, ïîäàðåííóþ öàðèöåé Ñàâñêîé öàðþ Ñîëîìîíó. ×àøåé ïîëüçîâàëñÿ Õðèñòîñ â ïîñëåäíþþ Ñâÿòóþ Âå÷åðþ. Èîñèô Àðèìàôåéñêèé ñîáðàë â ýòó ÷àøó ïî êàïëÿì êðîâü Õðèñòà, ðàñïÿòîãî íà êðåñòå, è ñòàë îñíîâàòåëåì îðäåíà Ñâÿòîãî Ãðààëÿ.

===================================

-------Èíôàíòà Èçàáåëëà. Ñàí÷åñ Êîýëëî-------------


Äî÷ü Ôèëèïïà II
ca. 1586
Isabel Clara Eugenia with Magdalena Ruiz by Coello studio (Colección Real/Prado)

--------------------------

1586ca. Isabella Clara Eugenia with Magdalena Ruiz by Coello studio (Colección Real/Prado)

Infanta Isabella Clara Eugenia (1566-1633), daughter of King Philip II.


-------------Ìóçåé Âèêòîðèè è Àëüáåðòà-----------
=====================================================

Pendant
ca. 1680-1700 (made)
Gold, set with table-cut emeralds, and hung with an emerald drop
--------------------------------------


Pendant
ca. 1650 (made

Pendant cross
1650-1700 (made)


Pendantca. 1700 (made)
Silver and gilded silver set with emeralds, rubies and rose- and table-cut diamonds, engraved

Pendant
ca. 1860 (made)
Enamelled gold set with rubies, table-cut diamonds and an emerald and hung with pearl

--------------------Åëèçàâåòà I -------------------
-------------------Queen Elizabeth I------------

====================Èçóìðóäû=======================


Åëèçàâåòà I â ïàðëàìåíòñêîì îäåÿíèè
Elizabeth I of England in Parliament Robes, Helmingham Hall, Stowmarket
Date Marcus Gheeraerts the Younger, "British School*
c. 1585-90

------------------"Pelican" Portrait---------------


Ïîðòðåò "Ïåëèêàí"
the "Pelican" Portrait, c. 1572
Queen Elizabeth I
Nicholas Hilliard
"The Pelican Portrait", c. 1575.
Attr. to Nicholas Hilliard.
© Walker Art Gallery, Liverpool Museums
Queen Elizabeth I
Nicholas Hilliard

Queen Elizabeth I,
c.1580.
Artist Unknown.
© The Royal Collection.

-------------Õóäîæíèê, àâòîð ---------------------


Nicholas Hilliard
Àíãëèéñêèé þâåëèð è àâòîð ïîðòðåòîâ Åëèçàâåòû.

--------------------Ôèãóðêè-------------------
===============================================

Hippocamp carring a woman, possibly a native American, Spanish late 16th c


British Museum
German or possibly Antwerp 16th c.


British Museum
Cleopatra, possibly English or French 19th c in Renaissance style.
---------------------------


Pendantca. 1600 (made)
Enamelled gold set with an emerald and rubies and hung with pearls


Pendant
late 16th century


Enamelled gold, set with pearls and an emerald
-----------------------------



 

 


 

=================================================

Ïîðòðåò ìàõàðàäæè
This painting in oil on canvas backed with card depicts HH the Maharaja Sir Sri Krishnaraja Bahadur, GCSI, GBE, ruler of Mysore, was done in 1906 by the artist K. Keshavayya in Mysore. The maharaja was born in 1884 and became ruler in 1895
Keshavayya, K. (made)
================================

Ñåðüãè ìàõàðàäæè,18 âåê
Pair of earrings depicting Maharaja Ranjit Singh (r.1799-1839) left and Prince Akbar Khan (d.1848) right.
Earrings with ivory miniatures, green stones claw-set (closed). Frame has six bosses of granulated work (bulbul) alternating with six cut emeralds.
Second half the 19th century (made)


Óêðàøåíèå äëÿ òþðáàíà
An emerald turban ornament, formerly in the treasury of the Nizam of Hyderabad.


----------Èðàí-Ñîêðîâèùà êîðîëåâñêîãî äîìà------------
------------The Iranian Crown Jewels--------------
=================================================

A necklace from the Imperial Collection of the Iranian crown jewels.





---------------------------------

Emerald Box
Over 100 huge emeralds
The Treasury of the Royal Jewels of Iran

Emerald box and cover
Mughal, India
circa 1635
The 103 perfectly matched emeralds are carved with stylized cypress

------------------Òóðöèÿ------------


Äâîðåö-ìóçåé Òîïêàïè, Ñòàìáóë Ñîêðîâèùíèöà Òîïêàïè èçâåñòíà ñâîèìè êîëóìáèéñêèìè èçóìðóäàìè. Ðóêîÿòêà êèíæàëà 18 âåêà óêðàøåíà òðåìÿ èçóìðóäàìè.  òîðöå ðóêîÿòêè — ÷àñû, ñ êðûøêîé èç ïëàñòèí÷àòîãî èçóìðóäà. Íîæíû — èç çîëîòà ñ öâåòàìè èç ýìàëè.

Gigantesco broche de esmerala y perlas del Tesoro del Imperio Otomano Topkapi palace museum, istanbul, turkey
http://www.bloganavazquez.com/tag/algunos-pelos-de...rofeta-mohamed-lihye-i-saadet/
-----------------Çíàìåíèòûå èçóìðóäû--------------
=============================================

«Èçóìðóäíûé áóääà» — âåñ 3600 êàðàò, íàéäåí â 1994 ãîäó íà Ìàäàãàñêàðå. Âïîñëåäñòâèè íà í¸ì âûðåçàëè ñòàòóýòêó Áóääû è íàçâàëè «Èçóìðóäíûì áóääîé» â ÷åñòü îäíîèì¸ííîãî õðàìà â Òàèëàíäå.


Èçóìðóä «Ìîãîë» — âåñ 217,8 êàðàò, ðàçìåð 5 õ 3,8 õ 3,5 ñì, íàéäåí â 1695 ãîäó. Íà îäíîé åãî ñòîðîíå âûãðàâèðîâàíû òåêñòû ìîëèòâ, íà äðóãîé — îðíàìåíòû öâåòîâ. Ýòîò ëåãåíäàðíûé èçóìðóä áûë êóïëåí íåèçâåñòíûì ëèöîì 28 ñåíòÿáðÿ 2001 ãîäà íà àóêöèîíå Êðèñòèñ çà 2,2 ìëí äîëëàðîâ.

---------------------

The Hooker emerald: this is a 75.47 carat, square, inclusion-free Colombian emerald that was originally the property of Abdul Hamid II, Sultan of the Ottoman Empire. The emerald was used by the sultan to decorate a belt buckle until it was purchased by Tiffany & Co in 1911 and was made into a brooch.

----------------------18 âåê---------------

«ÁÎËÜØÎÉ ÁÓÊÅÒ»
Áðèëëèàíòû, èçóìðóäû, çîëîòî, ñåðåáðî
16 õ 21 ñì
Îêîëî 1760 ã.

Ñëóæèë óêðàøåíèåì êîðñàæà ïàðàäíîãî ïëàòüÿ. Âïåðâûå îí óêðàñèë òóàëåò èìïåðàòðèöû Åëèçàâåòû Ïåòðîâíû.

 Ðîññèè ïåðâûé èçóìðóä íàøåë êðåñòüÿíèí Êîæåâíèêîâ â êîðíÿõ ïîâàëåííîãî áóðåé äåðåâà ó ðå÷êè Òîêîâîé íà Ñðåäíåì Óðàëå.

Íàèáîëåå êðóïíûé êðèñòàëë èçóìðóäà íàéäåí íà ðóäíèêå "×èâîð" â 1920 ã.; îí íîñèò íàçâàíèå "Ïàòðèöèÿ", âåñèò 632 êàðàòà è äåìîíñòðèðóåòñÿ â Àìåðèêàíñêîì ìóçåå åñòåñòâåííîé èñòîðèè â Íüþ-Éîðêå.

Ê íàèáîëåå âûäàþùèìñÿ îòíîñÿò ïÿòü îòáîðíûõ êàìíåé - "èñïàíñêèå" èëè "ïåðóàíñêèå" èçóìðóäû, êîòîðûå Ôåðíàíäî Êîðòåñ ïîäàðèë ñâîåé íåâåñòå, ïëåìÿííèöå ãåðöîãà Áåõàðñêîãî, è òåì ñàìûì ñìåðòåëüíî îáèäåë êîðîëåâó Èñïàíèè Èçàáåëëó, ìå÷òàâøóþ çàïîëó÷èòü èõ. Ýòè êàìíè áûëè óòåðÿíû â 1541 ãîäó. Âñå ïÿòü êàìíåé èìåëè ðàçëè÷íóþ è ïðè÷óäëèâóþ ôîðìó. Îäèí èç íèõ ïðåäñòàâëÿë ñîáîé êîëîêîë ñ ïðåêðàñíîé æåì÷óæèíîé. Âòîðîé èìåë ôîðìó ðîçû, à òðåòèé - ðîãà. ×åòâåðòîìó áûëà ïðèäàíà ôîðìà ðûáû ñ ãëàçàìè èç çîëîòà. Ïÿòûé - íàèáîëåå öåííûé è íàèáîëåå çàìå÷àòåëüíûé - èìåë ôîðìó êóáêà ñ íîæêîé èç çîëîòà; êðàé ÷àøè òàêæå áûë ñäåëàí èç çîëîòà.

Ó îäíîãî èç ïëåìåí ïåðóàíñêèõ èíäåéöåâ áûë áîëüøîé èçóìðóä â âèäå ñòðàóñîâà ÿéöà ïîä èìåíåì "Áîãèíè Èçóìðóäíîé". Ýòîò êàìåíü æðåöû ïîêàçûâàëè ïðîñòûì ëþäÿì òîëüêî â òîðæåñòâåííûå äíè. Èíäåéöû ïðèíîñèëè êàìíþ â äàð ìåëêèå èçóìðóäû - êàê áû "äî÷åðåé" ñâîåé áîãèíè. Èñïàíöû, çàâëàäåâ Ïåðó, íàøëè òîëüêî ìåëêèå êàìíè, à "Áîãèíè Èçóìðóäíîé", íåñìîòðÿ íà âñå óñèëèÿ, íå îáíàðóæèëè.
Ñåãîäíÿ îäèí èç ñàìûõ èçâåñòíûõ èçóìðóäîâ ìèðà - "Èçóìðóä ãåðöîãà Äåâîíøèðñêîãî" õðàíèòñÿ â Áðèòàíñêîì ìóçåå åñòåñòâåííîé èñòîðèè â Ëîíäîíå


---------------------Âåùè------------
=========================================


This Piece is worked out of a SINGLE Emerald cluster from Colombia and was built in Prague in 1641.
Weight of the Emerald only: 2680 Carats.
At Display in Vienna Museum of History and Arts


Emerald Unguentarium (Vessel) in the Imperial Treasury in Vienna
Hofuerg Treasury
Worlds largest Emerald.

//s51.radikal.ru/i133/1107/06/f359fbe846bd.jpg-------------------------------

Scent bottle
ca. 1820 (made)s, mounted in gold, set with emeralds, rubies and brilliant-cut diamonds


Ìîëèòâåííèê

Prayer book
Gold, with enamel and emeralds
Unknown
1623
----------------Êîðîáî÷êè è òàáàêåðêè----------------
=====================================================

Box
Coloured gold set with diamond, emeralds and rubies
Unknown
1770-80
-------------------------------

Carved bloodstone, gold, set emeralds and diamonds; some coloured, some with foil backing, and cut glass



The rustic scenes are in the style of the Flemish painter, David Teniers the Younger (1610-90), whose paintings were an extremely popular source of inspiration for enamel artists. Dutch painting was particularly fashionable in France in the mid-18th century.



The box was made to provide a setting for the earlier porcelain plaque, produced at Meissen around 1750.
Snuffbox
Meissen porcelain
1750


-----------------Êîðîëåâà Âèêòîðèÿ-------------------
------------------Queen Victoria--------------
==========================================

Ýòà áðîøü èìååò èíòåðåñíóþ èñòîðèþ, íà íåé ìîëîäàÿ êîðîëåâà Âèêòîðèÿ, ïî ïîðòðåòàì Thomas Sully 1838 ãîäà, ãäå îíà èçîáðàæåíà â äèàäåìå ñ èçóìðóäàìè.
Þâåëèð ïîëó÷èë ìåäàëü çà ýòè êàìåè íà Âñåìèðíîé Âûñòàâêå 1851 ãîäà.


Materials and Techniques:
Artist/Maker:
Lebas, Paul (cameo, carvers)


Çäåñü ðàçíàÿ ðàñêðàñêà â ðåïðîäóêöèÿõ, íî ñàìà äèàäåìà ñ èçóìðóäàìè:



 



--
LUBA.

//i018.radikal.ru/1107/15/8942b4074e11.jpg


 

 

  

 

 

 

  18.  .  . 

.   

    3

    . 

     

 

46.  47.    

  . 

. 

  . 

 

.  .   . .
//s41.radikal.ru/i093/1107/47/3964631f0fa1.jpg

 

Ìåòêè:  

 

Äîáàâèòü êîììåíòàðèé:
Òåêñò êîììåíòàðèÿ: ñìàéëèêè

Ïðîâåðêà îðôîãðàôèè: (íàéòè îøèáêè)

Ïðèêðåïèòü êàðòèíêó:

 Ïåðåâîäèòü URL â ññûëêó
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