ÕÓÄÎÆÍÈÊÈ ÊËÀÑÑÈÊÈ |
Äæîðäæ Ôîðñòåð (1817-1896) ìàñòåð íàòþðìîðòà âòîðîé ïîëîâèíû äåâÿòíàäöàòîãî âåêà. Ôîðñòåð òàëàíòëèâî èçîáðàæàë íþàíñû öâåòà è òåêñòóðû, ôðóêòîâ è öâåòîâ íà óðîâíå ýëåãàíòíîñòè. Åãî êàðòèíû áóêâàëüíî ïðàçäíèê äëÿ ãëàç, ïðåäñòàâëÿþò ÷èñòî âèçóàëüíûé âîñòîðã. Ðîäèëñÿ â Ãåðìàíèè, à â 1865 ãîäó Ôîðñòåð ïåðååõàë â Íüþ-Éîðê. Òàì îí íà÷àë âûñòàâëÿòüñÿ â National Academy of Design, the Brooklyn Art Association, the Boston Athenaeum è the Pennsylvania Academy of the Fine Arts. Åãî ðàáîòû ñåé÷àñ íàõîäÿòñÿ â Nelson-Atkins Museum of Art, the Columbus Museum of Art, and the Birmingham Museum of Art, ñðåäè äðóãèõ èçâåñòíûõ êîëëåêöèé.
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| Êîììåíòèðîâàòü | « Ïðåä. çàïèñü — Ê äíåâíèêó — Ñëåä. çàïèñü » | Ñòðàíèöû: [1] [Íîâûå] |