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Jean Fouquet /Grandes Chroniques de France |
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1. «le Livre d' Ecriture» (Writing book: Specimens of German cursive, fraktur, italic and roman scripts.) Joachim Bendel, 1575:
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Sir William Jardine. |
Sir William Jardine, 7th Baronet Born 23 February 1800(1800-02-23) Edinburgh, Scotland Died 21 November 1874(1874-11-21) (aged 74) Sandown, Isle of Wight, England Citizenship United Kingdom of Great Britain and Ireland Nationality Scottish Alma mater Edinburgh University Known for Natural history Painting by Sir William Jardine, 1833 Sir William Jardine, 7th Baronet of Applegirth, Dumfriesshire (23 February 1800, Edinburgh to 21 November 1874, Sandown, Isle of Wight) was a Scottish naturalist.[1][2] Jardine made natural history available to all levels of Victorian society by editing and issuing the hugely popular forty volumes of The Naturalist's Library (1833-1843). The 40 volumes is divided into four main sections: Ornithology (14 volumes), Mammalia (13 volumes), Entomology (7 volumes), and Ichthyology (6 volumes); each prepared by a leading naturalist. James Duncan wrote the insect volumes. The artists responsible for the illustrations included Edward Lear. The work was published in Edinburgh by W.H Lizars. The frontispiece is a portrait of Latreille Jardine's other publications included an edition of Gilbert White's Natural History of Selborne which re-established White's reputation, Illustrations of Ornithology (1825-43), and an affordable edition of Alexander Wilson's Birds of America. Jardine was the author of a number of bird species, alone or in conjunction with his friend Prideaux John Selby
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Jessie Willcox Smith . . .4 |
Jessie Willcox Smith in 1917 Born September 6, 1863(1863-09-06) Philadelphia, Pennsylvania, U.S. Died May 3, 1935(1935-05-03) (aged 71) Philadelphia, Pennsylvania, U.S. Field Illustration Jessie Willcox Smith (September 6, 1863 May 3, 1935) was a United States illustrator famous for her work in magazines such as Ladies Home Journal and for her illustrations for children's books. Born in the Mount Airy neighborhood of Philadelphia, Pennsylvania, in 1884 Smith attended the School of Design for Women (which is now Moore College of Art & Design)[1] and later studied at the Pennsylvania Academy of the Fine Arts under Thomas Eakins in Philadelphia, graduating in 1888. A year later, she started working in the production department of the Ladies' Home Journal, for five years. She left to take classes under Howard Pyle, first at Drexel and then at the Brandywine School. She was a prolific contributor to books and magazines during the late nineteenth and early twentieth centuries, illustrating stories and articles for clients such as Century, Collier's Weekly, Leslie's Weekly, Harper's, McClure's, Scribners, and the Ladies' Home Journal. Smith may be most well known for her covers on Good Housekeeping, which she painted from December 1917 through March 1933. She also painted posters and portraits. Her twelve illustrations for Charles Kingsley's The Water-Babies (1916) are also well known. On Smith's death, she bequeathed the original works to the Library of Congress' "Cabinet of American Illustration" collection. (A thirteenth illustration remains in a private collection.) Smith was close friends with the artists Elizabeth Shippen Green and Violet Oakley, who also studied with Pyle. Her papers are deposited in the collection of the Pennsylvania Academy of the Fine Arts. [edit]
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