Æàí-Ëåîí Æåðîì (Jean-Lon Gerome), 1824-1904. Ôðàíöèÿ.×àñòü 1. |

1846_Ïåòóøèíûé áîé (Jeunes Grecs faisant battre des coqs)_143 õ 204_õ.,ì._Ïàðèæ, ìóçåé ä'Îðñý
1855_Âåê Àâãóñòà, ðîæäåíèå Õðèñòà (Siecle d'Auguste Naissance de N.S. Jesus Christ)_620 õ 1015_õ.,ì._Ïàðèæ, ìóçåé Îðñý
1859_Ñëàâà Öåçàðþ. Èäóùèå íà ñìåðòü ïðèâåòñòâóþò òåáÿ (Ave Caesar! Morituri te salutant)_93.1 õ 145.4_õ.,ì._Íüþ-Õåéâåí, Ãàëåðåÿ Éåëüñêîãî óíèâåðñèòåòà
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1859-1867_Óáèéñòâî Öåçàðÿ (The Death of Caesar)_85.5 õ 145.5_õ.,ì._Áàëòèìîð, Õóäîæåñòâåííûé ìóçåé Óîëòåðñà
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1848_Ïîðòðåò Àðìàíà Æåðîìà (Portrait of Armand Gerome)_50.2 õ 43.8_õ.,ì._Ëîíäîí, Íàöèîíàëüíàÿ ãàëåðåÿ
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Íàïèñàííàÿ èì â 1855 êàðòèíà «Âåê Àâãóñòà», ñ ôèãóðàìè â íàòóðàëüíóþ âåëè÷èíó, ìîæåò ðàññìàòðèâàòüñÿ òîëüêî êàê íåóäà÷íàÿ ýêñêóðñèÿ â îáëàñòü èñòîðè÷åñêîé æèâîïèñè â ñòðîãîì ñìûñëå ñëîâà. Íåñðàâíåííî áîëüøèé óñïåõ èìåëè «Ðóññêèå ñîëäàòû-ïåñåëüíèêè» — ñöåíà, íàïèñàííàÿ ïî ýòþäàì, ñäåëàííûì âî âðåìÿ ïîåçäêè Æåðîìà, â 1854, ÷åðåç Ðîññèþ â Ìîëäàâèþ.
1850-1855_Íî÷ü (La nuit)_76 õ 46_õ.,ì._Ïàðèæ, ìóçåé ä'Îðñý
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1852_Äàôíèñ è Õëîÿ (Daphnis and Chloe)_212.1 õ 155.9_õ.,ì._Òàðá, Ìóçåé Ìåññè
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1848_Ìàäîííà ñ Ìëàäåíöåì è þíûì Èîàííîì Êðåñòèòåëåì (La Vierge, L'Enfant Jesus et Saint Jean Baptiste)_108 õ 75_õ.,ì._×àñòíîå ñîáðàíèå
1852_×åòûðå ÷àñòè ñâåòà, ïðåäñòàâëÿþùèå ñâîþ ïðîäóêöèþ íà ïåðâîé ìåæäóíàðîäíîé âûñòàâêå â Ëîíäîíå â 1851 ã (The Four Corners)_55 õ 310_õ.,ì._Ïàðèæ, Ìóçåé ä'Îðñý)
1852_×åòûðå ÷àñòè ñâåòà, ïðåäñòàâëÿþùèå ñâîþ ïðîäóêöèþ íà ïåðâîé ìåæäóíàðîäíîé âûñòàâêå â Ëîíäîíå â 1851 ã (The Four Corners)_55 õ 310_õ.,ì._Ïàðèæ, Ìóçåé ä'Îðñý)
1852_×åòûðå ÷àñòè ñâåòà, ïðåäñòàâëÿþùèå ñâîþ ïðîäóêöèþ íà ïåðâîé ìåæäóíàðîäíîé âûñòàâêå â Ëîíäîíå â 1851 ã (The Four Corners)_55 õ 310_õ.,ì._Ïàðèæ, Ìóçåé ä'Îðñý)
1852_×åòûðå ÷àñòè ñâåòà, ïðåäñòàâëÿþùèå ñâîþ ïðîäóêöèþ íà ïåðâîé ìåæäóíàðîäíîé âûñòàâêå â Ëîíäîíå â 1851 ã (The Four Corners)_55 õ 310_õ.,ì._Ïàðèæ, Ìóçåé ä'Îðñý)
1852_×åòûðå ÷àñòè ñâåòà, ïðåäñòàâëÿþùèå ñâîþ ïðîäóêöèþ íà ïåðâîé ìåæäóíàðîäíîé âûñòàâêå â Ëîíäîíå â 1851 ã (The Four Corners)_55 õ 310_õ.,ì._Ïàðèæ, Ìóçåé ä'Îðñý)
1852_×åòûðå ÷àñòè ñâåòà, ïðåäñòàâëÿþùèå ñâîþ ïðîäóêöèþ íà ïåðâîé ìåæäóíàðîäíîé âûñòàâêå â Ëîíäîíå â 1851 ã (The Four Corners)_55 õ 310_õ.,ì._Ïàðèæ, Ìóçåé ä'Îðñý)
1855-1865_Êàçíü ìàðøàëà Íåÿ (The Execution of Marshal Ney)_65.2 õ 104.2_õ.,ì._Øåôôèëä, Ãîðîäñêèå ãàëåðåè è ìóçåè
1857_Êîëîññ Ìåìíîíà (The Colossus Of Memnon)_65 õ 81_õ.,ì._×àñòíîå ñîáðàíèå
1857_Îàçèñ (Oasis)_65.1 õ 82_õ.,ì._Áîñòîí, Ìóçåé èçîáðàçèòåëüíûõ èñêóññòâ
1857_Ôèâàíñêàÿ ðàâíèíà, Âåðõíèé Åãèïåò (Plain of Thebes, Upper Egypt)_76 õ 131_õ.,ì._Íàíò, Õóäîæåñòâåííûé ìóçåé
1857-1859_Äóýëü ïîñëå ìàñêàðàäà (The Duel After the Masquerade)_39.1 õ 56.3_õ.,ì._Áàëòèìîð, Õóäîæåñòâåííûé ìóçåé Óîëòåðñà
1859 (îê)_Öàðü Êàíäàâë ïîêàçûâàåò ñâîþ êðàñàâèöó-ñóïðóãó Ãèãåñó (King Candaules)_67 õ 100.1_õ.,ì._Ïóýðòî-Ðèêî, Ìóçåé Ïîíñå
1848_Àíàêðåîí, Âàêõ è Êóïèäîí_134 õ 203_Òóëóçà, Ìóçåé Àâãóñòèíöåâ
1851_Íèìôà ñ ïðèñòàþùèìè ê íåé ïóòòè (A Young Nymph Teased By Putti)_40.6 õ 30.5_õ.,ì._×àñòíîå ñîáðàíèå
1851_×åðíàÿ ïàíòåðà ïðåñëåäóåò ñòàäî îëåíåé (Black Panther Stalking a Herd of Deer)_52.4 õ 74_õ.,ì._Áîñòîí, Ìóçåé èçîáðàçèòåëüíûõ èñêóññòâ
1853_Âàêõàíêà (La Bacchante)_47.5 õ 47.5_õ.,ì._Íàíò, Ìóçåé èñêóññòâ
1856_Êîëîññû Ìåìíîíà (Àìåíõîòåïà III) (Memnon and Sesostris)_35 õ 49_õ.,ì._×àñòíîå ñîáðàíèå
1850-1855_Ñàìîïîæåðòâîâàíèå Ìàðêà Êóðöèÿ (The Leap of Marcus Curtius)_53.3 õ 76.2_õ.,ì._Íîðòãåìïòîí, Õóäîæåñòâåííûé ìóçåé
1860_Äèîãåí (Diogenes)_74.5 õ 101_õ.,ì._Áàëòèìîð, Õóäîæåñòâåííûé ìóçåé Óîëòåðñà
1867_Èåðóñàëèì (Jerusalem)_82 õ 144_õ.,ì._Ïàðèæ, ìóçåé ä'Îðñý
1861_Çàêëþ÷åííûé (The Prisoner)_45 õ 78_ä.,ì._Íàíò, Õóäîæåñòâåííûé ìóçåé
1861_Ôðèíà ïåðåä àðåîïàãîì (Phryne Before the Jury)_80 õ 128_õ.,ì._Ãàìáóðã, Êóíñòõàëëå
1863_Ãåíåðàë Áîíàïàðò ñî ñâîèì øòàáîì â Åãèïòå (Napoleon in Egypt)_21 õ 33_ä.,ì._Ñàíêò-Ïåòåðáóðã, Ýðìèòàæ
1863-1883_Ïîñëåäíÿÿ ìîëèòâà õðèñòèàíñêèõ ìó÷åíèêîâ (The Christian Martyrs' Last Prayer)_87.9 õ 150.1_õ.,ì._Áàëòèìîð, Õóäîæåñòâåííûé ìóçåé Óîëòåðñà
1865_Ñèðèéñêèé ïàñòóõ (Syrian shepherd)_46 õ 83_õ.,ì._×àñòíîå ñîáðàíèå
1867 (äî)_Â ïóñòûíå (On the Desert)_21 õ 26.8_ä.,ì._Áàëòèìîð, Õóäîæåñòâåííûé ìóçåé Óîëòåðñà
1867_Àðíî ñ äâóìÿ óèïïåòàìè (Arnaut with Two Whippets Dogs)_35 õ 25_õ.,ì._×àñòíîå ñîáðàíèå
1867-1868_Ýäèï (Áîíàïàðò ïåðåä Ñôèíêñîì) (Oedipus (Bonaparte Before the Sphinx))_92,7 x 137_õ.,ì._Õåðñò Õàóñ, Ñàí-Ñèìåîí, Êàëèôîðíèÿ
1868_Ïîþùèé áàøèáàçóê (Bashi-Bazouk Singing)_46.3 õ 66_õ.,ì._Áàëòèìîð, Õóäîæåñòâåííûé ìóçåé Óîëòåðñà
1869 (îê)_Áàøèáóçóê (Bashi-Bazouk)_26 õ 21.6_õ.,ì._Íüþ-Éîðê, Ìóçåé Ìåòðîïîëèòåí
1869 (îê)_Òåìíîêîæèé áàøèáóçóê (Black Bashi Bazouk)_80 õ 66_õ.,ì._Íüþ-Éîðê, Ìåòðîïîëèòåí
1881_Ñîáà÷üÿ êîíóðà, âîåííîïëåííûé â Ðèìå (Cave Canem, Prisoner of War in Rome)_109 õ 91_õ.,ì._Âåçóëü, Ìóçåé Æîðæà Ãàððå
http://vechnost7.blogspot.ru/2015/10/jean-leon-gerome-1824-1904-2.html

Ñåðèÿ ñîîáùåíèé "***Âîñòî÷íûå ìîòèâû":
×àñòü 1 - Äðóãîé ìèð...äðóãèå íðàâû...ñîâåðøåííî äðóãîé ìåíòàëèòåò..
×àñòü 2 - Ñòàìáóë íà àêâàðåëÿõ ãðàôà Àìàäåî Ïðåöèîçè
...
×àñòü 17 - Òåîäîðîñ Ðàëëèñ (Theodore Jacques Ralli), 1852 - 1909. Ãðåöèÿ
×àñòü 18 - Îòòî Ïèëíè (Otto Pilny), 866-1936. Øâåéöàðèÿ - Âîñòî÷íàÿ ýêçîòèêà
×àñòü 19 - Æàí-Ëåîí Æåðîì (Jean-Lon Gerome), 1824-1904. Ôðàíöèÿ.×àñòü 1.
×àñòü 20 - Æàí-Ëåîí Æåðîì (Jean-Lon Gerome), 1824-1904. Ôðàíöèÿ.×àñòü 2.
×àñòü 21 - Æàí-Ëåîí Æåðîì (Jean-Lon Gerome), 1824-1904. Ôðàíöèÿ.×àñòü 3.
Ñåðèÿ ñîîáùåíèé "***Æàíðîâàÿ æèâîïèñü 2":
×àñòü 1 - ÆàíðîâîÂèêòîðèàíñêîå... Philip Richard Morris (British, 1833-1902) ïîä âëèÿíèåì ïðåðàôàýëèòîâ.
×àñòü 2 - Ôðàíñóà Áóøå (1703-1770)-ïåðâûé æèâîïèñåö êîðîëÿ.×àñòü 1.
...
×àñòü 37 - Ìàðèàíî Àëîíñî Ïåðåñ (1857- 1930) è Êàðëîñ Àëîíñî Ïåðåñ (1881-1914) Èñïàíèÿ.
×àñòü 38 - Ýæåí Äåëàêðóà (1798-1863)-ôðàíöóçñêèé æèâîïèñåö è ãðàôèê.
×àñòü 39 - Æàí-Ëåîí Æåðîì (Jean-Lon Gerome), 1824-1904. Ôðàíöèÿ.×àñòü 1.
×àñòü 40 - Æàí-Ëåîí Æåðîì (Jean-Lon Gerome), 1824-1904. Ôðàíöèÿ.×àñòü 2.
×àñòü 41 - Æàí-Ëåîí Æåðîì (Jean-Lon Gerome), 1824-1904. Ôðàíöèÿ.×àñòü 3.
×àñòü 42 - Õîñå Ãàëüåãîñ-è-Àðíîñà (Jose Gallegos y Arnosa), 1857-1917. Èñïàíèÿ - Èòàëèÿ
| Ðóáðèêè: | Æàíðîâàÿ æèâîïèñü |
| Êîììåíòèðîâàòü | « Ïðåä. çàïèñü — Ê äíåâíèêó — Ñëåä. çàïèñü » | Ñòðàíèöû: [1] [Íîâûå] |