-Ðóáðèêè

 -Ïîèñê ïî äíåâíèêó

Ïîèñê ñîîáùåíèé â Ôåëèêñ-51


Áåç çàãîëîâêà

Âîñêðåñåíüå, 02 Àïðåëÿ 2017 ã. 14:23 + â öèòàòíèê
Öèòàòà ñîîáùåíèÿ ustava51 Èëëþñòðàöèè ê ëþáèìûì ìóçûêàëüíûì ïðîèçâåäåíèÿì | Ëóèäæè Àðäèòè "Il bacio" (Ïîöåëóé)


Denis Etcheverry "Ãîëîâîêðóæåíèå", 1903

Ïî¸ò Kang Hye-Jung, Êîðåÿ


Francesco Hayez "Ïîöåëóé" (äåòàëü), 1859


Luděk Marold "Ïîöåëóé", 1895


Ýìèëü Ïüåð Metzmacher


Ôëîðàí Âèëëåìñ


Êíóò Ekvall "Ïðåäëîæåíèå", 1880


François Brunery


Ôðåäåðèê Soulacroix "Ïîöåëóé êàâàëåðà"

Pierre-Auguste Cot "Âðåìÿ âåñíû", 1873


Ãèéîì Seignac "Îáúÿòèÿ Ïüåðî"


JUAN PABLO SALINAS Y TERUEL


Jules Girardet

Ïî¸ò íàðîäíàÿ àðòèñòêà Ðîññèè Àííà Íåòðåáêî






Ôðàí÷åñêî Hayez "Ïîöåëóé", 1859


Âàí äåð Êåðêõîâåí


Èîñèô Wencker "Ïîä áåñåäêîé", 1874


Óèëüÿì Ãåíðè Ôèñê "Ñåêðåò"


Àëüôðåä Ýëìîð "Ñöåíà ñ äâóìÿ äæåíòëüìåíàìè â Âåðîíå"


Auguste Serrure "An Amorous Advance”


Auguste Toulmouche


Ìèêëîø Áàðàáàø "Ôëèðò", 1841


Giuseppe Mazza "Ïîöåëóé ðûöàðÿ"


Daniel Hernández Morillo

Ïî¸ò íàðîäíàÿ àðòèñòêà ÑÑÑÐ Íàäåæäà Îáóõîâà






Óèëüÿì Äàéñ "Ôðàí÷åñêà äà Ðèìèíè"", 1837


A.HÜBNER "Ãàëàíòíàÿ ñöåíà"


Charles Joseph Fråderic Soulacroix


Gerolamo Induno


Æàí Îíîðå Ôðàãîíàð "Ïîöåëóé óêðàäêîé", 1780


Norbert Goeneutte


Franz Lefler "Áðàê ïî ëþáâè"


Franz von Persoglia


Pietro Bouvier "Ìèðíûé äîãîâîð"


Jehan Georges Vibert


Henri Pierre Picou "Ðîìåî è Äæóëüåòòà"


Adelaide Salles-Wagner "Ëþáîâíîå ñâèäàíèå"


Àíäåðñ Öîðí "Îáúÿòèÿ"


Theodoros Ralli "Ïîöåëóé", 1887

Ïî¸ò Àäåëèíà Ïàòòè






Friedrich Paul Thumann "Êóïèäîí è Ïñèõåÿ"


Camille Felix Bellanger "Èäèëèÿ" (Äàôíèñ è Õëîÿ)


Louis Leopold Boilly "L'Amant Constant"


Louis Rolland Trinquesse "Êëÿòâà â ëþáâè"


Íåèçâåñòíûé àâòîð "Renaissance Lovers", 19 âåê


Àäîëüô Àëåêñàíäð Lesrel "Ôëèðò íà ãëàâíîé ïëîùàäè ãîðîäà", 1873


Valentine Cameron Prinsep "Óâèäèìñÿ"


Antonio Gisbert "Love Sick"


Auguste Toulmouche "Ïîöåëóé"


Charles Joseph Frederick Soulacroix


Emanuel Gottlieb Leutze "Ïîöåëóé"


Giacomo Burgonetto "Ôëèðò"


William Simson "Gil Blas Courting A Lady", 1840

Ïî¸ò Äèíà Äóðáèí





Þëèé Êðîíáåðã "Ðîìåî è Äæóëüåòòà íà áàëêîíå", 1886


Sir Frank Dicksee "Ïàîëî è Ôðàí÷åñêà"


Auguste Mansfeld, 1864


Óèëüÿì Àðòóð Áðåéêñïèð "Íî÷íûå ñîáëàçíû"


Talbot Hughes "A Secret Assignation"


C. de Blay "Ìîëîäàÿ äåâóøêà ïðè ó÷àñòèè êîìïàíüîíêè òàéíî äà¸ò ðîçó ëþáîâíèêó", 1865


ßêîá Ýìàíóýëü Gaisser "Ëþáîâíàÿ âñòðå÷à, ïðåðâàííàÿ ãóâåðíàíòêîé"


Ôðàí÷åñêî Brunery "Ïîöåëóé"


Josef Jindrich Loukota


Æàí Îíîðå Ôðàãîíàð "Âûèãðàííûé ïîöåëóé"


Ôåäåðèêî Àíäðåîòòè "Êðàñèâûé æåíèõ"


Äæåéìñ Ëèíòîí Dromgole "Ïðåäëîæåíèå"


Luigi Bianchi "Ãàëàíòíàÿ ñöåíà"


Æîðæ Ïèêàð "Ðîìàíòèêà ïîä öâåòóùèìè äåðåâüÿìè"


Ðîí Õèêñ "Êàôå, ïîöåëóé"


Andre Kohn "Ïîöåëóé"


Àíäåðñ Öîðí "Â Àëüãàìáðà ïàðêå"


Giuseppe Palanti "Ïîöåëóé"


Mariano Alonso-Perez


Luca Postiglione "Ñëàäêèå ìå÷òû"


Gaston La Touche "Îáúÿòèÿ"


Ôåäåðèêî Àíäðåîòòè "Indiscretion"


Auguste Serrure "Ïîöåëóé"


Àëîèñ Ãåíðèõ Priechenfried "Ïðåäëîæåíèå"


Pierre Utin "Óêðàäåííûé ïîöåëóé"


Fritz Quidenus "A Clandestine Embrace"


Âñå èëëþñòðàöèè âçÿòû èç îòêðûòûõ èñòî÷íèêîâ â èíòåðíåòå

 

Ðóáðèêè:  Æàíðîâàÿ æèâîïèñü

 

Äîáàâèòü êîììåíòàðèé:
Òåêñò êîììåíòàðèÿ: ñìàéëèêè

Ïðîâåðêà îðôîãðàôèè: (íàéòè îøèáêè)

Ïðèêðåïèòü êàðòèíêó:

 Ïåðåâîäèòü URL â ññûëêó
 Ïîäïèñàòüñÿ íà êîììåíòàðèè
 Ïîäïèñàòü êàðòèíêó