Áåç çàãîëîâêà |

Denis Etcheverry "Ãîëîâîêðóæåíèå", 1903
Ïî¸ò Kang Hye-Jung, Êîðåÿ

Francesco Hayez "Ïîöåëóé" (äåòàëü), 1859

Luděk Marold "Ïîöåëóé", 1895

Ýìèëü Ïüåð Metzmacher

Ôëîðàí Âèëëåìñ

Êíóò Ekvall "Ïðåäëîæåíèå", 1880

François Brunery

Ôðåäåðèê Soulacroix "Ïîöåëóé êàâàëåðà"
Pierre-Auguste Cot "Âðåìÿ âåñíû", 1873

Ãèéîì Seignac "Îáúÿòèÿ Ïüåðî"

JUAN PABLO SALINAS Y TERUEL

Jules Girardet
Ïî¸ò íàðîäíàÿ àðòèñòêà Ðîññèè Àííà Íåòðåáêî

Ôðàí÷åñêî Hayez "Ïîöåëóé", 1859

Âàí äåð Êåðêõîâåí

Èîñèô Wencker "Ïîä áåñåäêîé", 1874

Óèëüÿì Ãåíðè Ôèñê "Ñåêðåò"

Àëüôðåä Ýëìîð "Ñöåíà ñ äâóìÿ äæåíòëüìåíàìè â Âåðîíå"

Auguste Serrure "An Amorous Advance”

Auguste Toulmouche

Ìèêëîø Áàðàáàø "Ôëèðò", 1841

Giuseppe Mazza "Ïîöåëóé ðûöàðÿ"

Daniel Hernández Morillo
Ïî¸ò íàðîäíàÿ àðòèñòêà ÑÑÑÐ Íàäåæäà Îáóõîâà

Óèëüÿì Äàéñ "Ôðàí÷åñêà äà Ðèìèíè"", 1837

A.HÜBNER "Ãàëàíòíàÿ ñöåíà"

Charles Joseph Fråderic Soulacroix

Gerolamo Induno

Æàí Îíîðå Ôðàãîíàð "Ïîöåëóé óêðàäêîé", 1780

Norbert Goeneutte

Franz Lefler "Áðàê ïî ëþáâè"

Franz von Persoglia

Pietro Bouvier "Ìèðíûé äîãîâîð"

Jehan Georges Vibert

Henri Pierre Picou "Ðîìåî è Äæóëüåòòà"

Adelaide Salles-Wagner "Ëþáîâíîå ñâèäàíèå"

Àíäåðñ Öîðí "Îáúÿòèÿ"

Theodoros Ralli "Ïîöåëóé", 1887
Ïî¸ò Àäåëèíà Ïàòòè

Friedrich Paul Thumann "Êóïèäîí è Ïñèõåÿ"

Camille Felix Bellanger "Èäèëèÿ" (Äàôíèñ è Õëîÿ)

Louis Leopold Boilly "L'Amant Constant"

Louis Rolland Trinquesse "Êëÿòâà â ëþáâè"

Íåèçâåñòíûé àâòîð "Renaissance Lovers", 19 âåê

Àäîëüô Àëåêñàíäð Lesrel "Ôëèðò íà ãëàâíîé ïëîùàäè ãîðîäà", 1873

Valentine Cameron Prinsep "Óâèäèìñÿ"

Antonio Gisbert "Love Sick"

Auguste Toulmouche "Ïîöåëóé"

Charles Joseph Frederick Soulacroix

Emanuel Gottlieb Leutze "Ïîöåëóé"

Giacomo Burgonetto "Ôëèðò"

William Simson "Gil Blas Courting A Lady", 1840
Ïî¸ò Äèíà Äóðáèí

Þëèé Êðîíáåðã "Ðîìåî è Äæóëüåòòà íà áàëêîíå", 1886

Sir Frank Dicksee "Ïàîëî è Ôðàí÷åñêà"

Auguste Mansfeld, 1864

Óèëüÿì Àðòóð Áðåéêñïèð "Íî÷íûå ñîáëàçíû"

Talbot Hughes "A Secret Assignation"

C. de Blay "Ìîëîäàÿ äåâóøêà ïðè ó÷àñòèè êîìïàíüîíêè òàéíî äà¸ò ðîçó ëþáîâíèêó", 1865

ßêîá Ýìàíóýëü Gaisser "Ëþáîâíàÿ âñòðå÷à, ïðåðâàííàÿ ãóâåðíàíòêîé"

Ôðàí÷åñêî Brunery "Ïîöåëóé"

Josef Jindrich Loukota

Æàí Îíîðå Ôðàãîíàð "Âûèãðàííûé ïîöåëóé"

Ôåäåðèêî Àíäðåîòòè "Êðàñèâûé æåíèõ"

Äæåéìñ Ëèíòîí Dromgole "Ïðåäëîæåíèå"

Luigi Bianchi "Ãàëàíòíàÿ ñöåíà"

Æîðæ Ïèêàð "Ðîìàíòèêà ïîä öâåòóùèìè äåðåâüÿìè"

Ðîí Õèêñ "Êàôå, ïîöåëóé"

Andre Kohn "Ïîöåëóé"

Àíäåðñ Öîðí "Â Àëüãàìáðà ïàðêå"

Giuseppe Palanti "Ïîöåëóé"

Mariano Alonso-Perez

Luca Postiglione "Ñëàäêèå ìå÷òû"

Gaston La Touche "Îáúÿòèÿ"

Ôåäåðèêî Àíäðåîòòè "Indiscretion"

Auguste Serrure "Ïîöåëóé"

Àëîèñ Ãåíðèõ Priechenfried "Ïðåäëîæåíèå"

Pierre Utin "Óêðàäåííûé ïîöåëóé"

Fritz Quidenus "A Clandestine Embrace"
Âñå èëëþñòðàöèè âçÿòû èç îòêðûòûõ èñòî÷íèêîâ â èíòåðíåòå
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