Ýäóàðä Àíñåí-Õîôìàí (Eduard Ansen-Hofmann), 1862-1955. Àâñòðèÿ |

Äåâà Ìàðèÿ ñ Ìëàäåíöåì Èèñóñîì (Maria with the infant Jesus)_70 õ 100_õ.,ì._×àñòíîå ñîáðàíèå
1884_Ïðèäâîðíàÿ àóäèåíöèÿ (Audience at Court)_27 õ 40_õîëñò íà êàðòîíå, ìàñëî_×àñòíîå ñîáðàíèå
1925-1930_Ïîðòðåò äàìû (Portrait of a Lady)_86 õ 72_õ.,ì._×àñòíîå ñîáðàíèå
Èñïîëíèòåëüíèöà òàíöà æèâîòà (Belly Dancer)_100 õ 71_õ.,ì._×àñòíîå ñîáðàíèå
Íåâîëüíè÷èé ðûíîê (Slave Market)_90 õ 124_õ.,ì._×àñòíîå ñîáðàí
Ïîõèùåíèå (The Abduction)_60.9 õ 91.4_õ.,ì._×àñòíîå ñîáðàíèå
Âå÷åðíèå ìå÷òû (Evening dreams)_81 õ 60.5_õ.,ì._×àñòíîå ñîáðàíèå
Âå÷åðíèå ìå÷òû (Evening dreams)_78.5 õ 59.5_õ.,ì._×àñòíîå ñîáðàíèå
Âå÷åðíèå ìå÷òû (Evening dreams)_100 õ 70_õ.,ì._×àñòíîå ñîáðàíèå
Íåðåèäû (Nereids)_70 õ 100_õ.,ì._×àñòíîå ñîáðàíèå
Íåðåèäû (Nereids)_75 õ 116_õ.,ì._×àñòíîå ñîáðàíèå
Îäàëèñêà (Odalisque)_100 õ 74_õ.,ì._×àñòíîå ñîáðàíèå
Ïåðåä çåðêàëîì (Before toilet mirror)_68.5 õ 55.5_õ.,ì._×àñòíîå ñîáðàíè
Ñàëîìåÿ (Salome)_100 õ 72.5_õ.,ì._×àñòíîå ñîáðàíèå
Ñïðàâåäëèâàÿ öåíà (Fair Trade)_89.5 õ 124.5_õ.,ì._×àñòíîå ñîáðàíèå
Îäàëèñêà (Odalisque)_89.5 õ 133.4_õ.,ì._×àñòíîå ñîáðàíèå
Íåâîëüíè÷èé ðûíîê (Slave Market)_61 õ 81_õ.,ì._×àñòíîå ñîáðàíèå
×üÿ äîáû÷à (A qui sera le butin)_90 õ 124_õ.,ì._×àñòíîå ñîáðàíèå
Âàêõàíàëèÿ (Bacchanalia)_97 õ 131.5_õ.,ì._×àñòíîå ñîáðàíèå
Âàêõàíàëèÿ (Bacchanalia)_101 õ 74_õ.,ì._×àñòíîå ñîáðàíèå
***

Ñåðèÿ ñîîáùåíèé "***Æàíðîâàÿ æèâîïèñü 2":
×àñòü 1 - Íèêîëà Ëàíêðå-ôðàíöóçñêèé õóäîæíèê æàíðà ðîêîêî.×àñòü 1.
×àñòü 2 - Íèêîëà Ëàíêðå-ôðàíöóçñêèé õóäîæíèê æàíðà ðîêîêî.×àñòü 2.
...
×àñòü 23 - ßêîá Ýììàíóýëü Ãàéññåð (Jakob Emanuel Gaisser), 1825-1899.Ãåðìàíèÿ
×àñòü 24 - Ýòòîðå Ñèìîíåòòè (Ettore Simonetti), 1857-1909. Èòàëèÿ
×àñòü 25 - Ýäóàðä Àíñåí-Õîôìàí (Eduard Ansen-Hofmann), 1862-1955. Àâñòðèÿ
| Ðóáðèêè: | Æàíðîâàÿ æèâîïèñü |
| Êîììåíòèðîâàòü | « Ïðåä. çàïèñü — Ê äíåâíèêó — Ñëåä. çàïèñü » | Ñòðàíèöû: [1] [Íîâûå] |