Àíãëèéñêèé æèâîïèñåö Óèëüÿì Ýòòè (William Etty), 1787-1849. |


Æåíùèíà ñ ìóõîé (Woman With A Fly)

Âîäîíîñ (The water-carrier)
Öâåòî÷íèöà (The Flower Girl)

Ïîðòðåò ïîýòåññû Ýëèçû Êóê (Portrait Of Miss Eliza Cook (1818-1889), Poetess)

Ïîðòðåò ìèññ Ýëèçàáåò Ïîòòñ

Àâòîïîðòðåò (Self-Portrait)

Óèëüÿì Ýòòè (àíãë. WilliamEtty; 10 ìàðòà1787, Éîðê — 13 íîÿáðÿ1849, òàì æå) — àíãëèéñêèé æèâîïèñåö. Èçâåñòåí êàê âûäàþùèéñÿ êîëîðèñò. Ãëàâíîé òåìîé åãî òâîð÷åñòâà ñòàëà îáíàæ¸ííàÿ íàòóðà.
Ðîäèëñÿ â ìíîãîäåòíîé ñåìüå ìåëüíèêà, ñ ðàííåãî äåòñòâà ïðîÿâèë èíòåðåñ ê æèâîïèñè.  ñîîòâåòñòâèè ñ ïîæåëàíèÿìè îòöà, Ýòòè â òå÷åíèå 7 ëåò îáó÷àëñÿ ó ãðàâåðà â Õàëëå. Ýòòè íà÷àë ñâî¸ îáó÷åíèå, ñîçäàâàÿ íàáðîñêè ïåéçàæåé, êîïèðóÿ ðàçëè÷íûå èçîáðàæåíèÿ, ðèñóíêè ïå÷àòíûõ èçäàíèé è ïðî÷åå.  1806 ãîäó ïî ïðèãëàøåíèþ äÿäè, êîòîðûé ïîääåðæèâàë åãî ñòðåìëåíèå èçó÷àòü æèâîïèñü, ïðèåõàë â Ëîíäîí, à â 1807 ãîäó ïîñòóïèë â Êîðîëåâñêóþ àêàäåìèþ õóäîæåñòâ, ãäå åãî íàñòàâíèêîì ñòàë Ãåíðè Ôþçåëè.  1811 ãîäó ïîñëå ìíîãèõ ïîïûòîê íà ñòåíå òàëàíòëèâûõ ó÷åíèêîâ Àêàäåìèè ïîÿâèëàñü êàðòèíà ìîëîäîãî Óèëüÿìà Ýòòè «Òåëåìàõ, ñïàñàþùèé Àíòèîïó».
Áîëüøîå âëèÿíèå íà Óèëüÿìà Ýòòè â òå ãîäû îêàçàë õóäîæíèê Òîìàñ Ëîóðåíñ, â äîìå êîòîðîãî Ýòòè æèë âî âðåìÿ ó÷¸áû â Ëîíäîíå.
 1816 ãîäó Ýòòè íåíàäîëãî ïîñåòèë Ïàðèæ è Ôëîðåíöèþ.
 1820 åãî «Èñêàòåëè êîðàëëîâ», ïîêàçàííûå â Êîðîëåâñêîé Àêàäåìèè, ïðèâëåêëè áîëüøîå âíèìàíèå. Åù¸ áîëüøèé óñïåõ áûë ó êàðòèíû «Ïðèáûòèå Êëåîïàòðû â Êèëèêèþ», ïîêàçàííîé â ñëåäóþùåì ãîäó.
 1822 îí îòïðàâèëñÿ â Èòàëèþ, ãäå áîëüøóþ ÷àñòü âðåìåíè ïðîâ¸ë â Âåíåöèè, èçó÷àÿ ñòàðûõ âåíåöèàíñêèõ ìàñòåðîâ (òàêèõ êàê Òèöèàí, Òèíòîðåòòî, Âåðîíåçå) è ïðèîáðåòàÿ îïûò îáðàùåíèÿ ñ öâåòîì.
 1840 è â 1841 Ýòòè ñîâåðøèë ïàëîìíè÷åñòâî â Íèäåðëàíäû äëÿ èçó÷åíèÿ êàðòèí ãîëëàíäñêèõ õóäîæíèêîâ, â òîì ÷èñëå è Ðóáåíñà â öåðêâÿõ è îáùåñòâåííûõ ãàëåðåÿõ ýòîé ñòðàíû.


Èôèãåíèÿ , ïî Ðåéíîëüäñó (Iphigenia, after Sir Joshua Reynolds)

Ìèññ Ìýðè Àðàáåëëà Äæåé (Miss Mary Arabella Jay)_

Âåíåðà è Àìóð (Venus and Cupid)

Ýòþä ïàâëèíà äëÿ Ñóäà Ïàðèñà (Study of a Peacock for The Judgement of Paris)
Ýòþä íåãðèòåíêà (Study of a Black Boy)

Âàêõàíêà (A Bacchante)

Ëåæàùàÿ îáíàæåííàÿ â ïåéçàæå (Reclining female Nude in a Landscape)

Îêíî â Âåíåöèè âî âðåìÿ ôåñòèâàëÿ (Window in Venice, during a Festa)

Ïîäãîòîâêà ê áàëó-ìàñêàðàäó (Ïîðòðåòû Øàðëîòòû è Ìýðè Óèëüÿìñ-Óèíí) (Preparing for a Fancy Dress Ball. Portraits de Charlotte et Mary Williams-Wynn)

Îáíàæåííàÿ (Female nude)

Ëþòíèñò (The Lute Player)
Òóàëåò Âåíåðû (The Toilet of Venus)

Êóïàëüùèöà (The Bather)

Êóïàëüùèöà (The Bather)

Êóïàëüùèöà (The Bather)

Ëåäà è ëåáåäü (Leda and the swan)

Ëåæàùàÿ îáíàæåííàÿ (Reclining Female Nude)

Ëåæàùàÿ îáíàæåííàÿ (Reclining Female Nude)

Íèìôà ñ óäî÷êîé (Nymphs Angling)

Íèìôà, òàíöóþùàÿ ñ ôàâíîì (Nymph with fawn dancing)

Ìîëîäàÿ æåíùèíà, ñèäÿùàÿ íà êðàñíîé ïîäóøêå (A young woman seated on a red cushion)

Ãðåçû (Daydreams)
Äàëèëà ïåðåä ñëåïûì Ñàìñîíîì (Delilah before the Blinded Samson)

Äâå êóïàëüùèöû (Two bathers)

Âåíåðà è Àìóð (Venus and Cupid)
Ïîõèùåíèå ñàáèíÿíîê, ïî Ðóáåíñó (The Rape of the Sabine Women, after Rubens)

Þíîñòü íà íîñó, Óäîâîëüñòâèå çà êîðìèëîì (Youth on the Prow, Pleasure at the Helm)
Ëåñíàÿ ñåìüÿ (A Family of the Forest)

Äóýò (The Duet)

Ïåðñåé è Àíäðîìåäà (Perseus and Andromeda)

Ñâÿòàÿ Ìàðèÿ Ìàãäàëèíà (Saint Mary Magdalene)

Ýòþä äëÿ âÿçàëüùèöû (Ìýðè Ýíí Ïåðäîí)

Ïîðòðåò äåòåé Âóä (Portrait of the Wood Children)

Òðè ãðàöèè (The Three Graces)_

Òðè ãðàöèè (The Three Graces)
http://vechnost7.blogspot.de/2015/08/william-etty-1787-1849-1.html
http://vechnost7.blogspot.de/2015/08/william-etty-1787-1849-2.html
http://vechnost7.blogspot.de/2015/08/william-etty-1787-1849-3.html

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