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 -Ñîîáùåñòâà

Ó÷àñòíèê ñîîáùåñòâ (Âñåãî â ñïèñêå: 1) Èñêóññòâî_çâóêà
×èòàòåëü ñîîáùåñòâ (Âñåãî â ñïèñêå: 1) Î_Ñàìîì_Èíòåðåñíîì

 -Ñòàòèñòèêà

Ñòàòèñòèêà LiveInternet.ru: ïîêàçàíî êîëè÷åñòâî õèòîâ è ïîñåòèòåëåé
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Ñàíäðî Áîòòè÷åëëè - Ïîðòðåò ýïîõè Ðåíåññàíñà \1\

Ñðåäà, 10 Èþëÿ 2019 ã. 19:14 + â öèòàòíèê
Öèòàòà ñîîáùåíèÿ lomovolga ce) - Ïîðòðåò ýïîõè Ðåíåññàíñà \1\

Ñàíäðî Áîòòè÷åëëè (Sandro Botticelli, 1445-1510, Floren

lomovolga

 

 

 

Ñ ôðàãìåíòà àâòîïîðòðåòà 1475 ãîäà íà íàñ ãëÿäèò ìîëîäîé ÷åëîâåê ñ ðûæåâàòîãî öâåòà âîëîñàìè.
Àëåññàíäðî Áîòòè÷åëëè åù¸ 30 ëåò. Íîñ ñ ãîðáèíêîé è ïðèñòàëüíûé âçãëÿä, ãîëîâà â ïîëóîáîðîòå, ïðîñòàÿ íàêèäêà íà ïëå÷å èç òêàíè – â òàêîì âèäå îí è ïðåäñòàåò ïåðåä íàìè, òîò æèâîïèñåö ýïîõè Âîçðîæäåíèÿ. Èñêóññòâî âå÷íî, æèçíü íåò.

 

Ñàíäðî Áîòòè÷åëëè
Ïîêëîíåíèå âîëõâîâ, ôðàãìåíò
îê1475 
Ãàëåðåÿ Óôôèöè, Ôëîðåíöèÿ
(Galleria degli Uffizi, Firenze).

Ñàíäðî Áîòòè÷åëëè
Ïîðòðåò ìîëîäîãî ÷åëîâåêà
1482-83. 41õ31
Íàöèîíàëüíàÿ ãàëåðåÿ èñêóññòâ, Âàøèíãòîí

Ñàíäðî Áîòòè÷åëëè (ìàñòåðñêàÿ)
Àëëåãîðè÷åñêèé ïîðòðåò æåíùèíû (Ñèìîíåòòà Âåñïó÷÷è)
58,5 õ 40,5
×àñòíàÿ êîëëåêöèÿ

Áîòòè÷åëëè áûë ãëóáîêî íåñ÷àñòëèâ è ñ÷àñòëèâ îäíîâðåìåííî. Áûë îí, ÷òî íàçûâàåòñÿ, íå îò ìèðà ñåãî. Ìå÷òàòåëüíî ïóãëèâ, àëîãè÷åí â ïîñòóïêàõ è ôàíòàñòè÷åí â ñóæäåíèÿõ. Âåðèë â îçàðåíèÿ è íå çàáîòèëñÿ î áîãàòñòâå. Íå ïîñòðîèë ñâîåãî äîìà, íå ñâèë ñåìüè. Íî îí áûë î÷åíü ñ÷àñòëèâ òåì, ÷òî óìåë çàïå÷àòëåâàòü â ñâîèõ êàðòèíàõ ïðîÿâëåíèÿ Êðàñîòû. Îí ïðåâðàùàë æèçíü â èñêóññòâî, è èñêóññòâî ñòàíîâèëîñü äëÿ íåãî ïîäëèííîé æèçíüþ

 

Ñàíäðî Áîòòè÷åëëè
Äæóëèàíî Ìåäè÷è
1478-80. 75.5x52.5
Íàöèîíàëüíàÿ ãàëåðåÿ èñêóññòâ, Âàøèíãòîí

Ñàíäðî Áîòòè÷åëëè 
Ïîðòðåò ìîëîäîãî ÷åëîâåêà ñ ìåäàëüîíîì
58,7 õ 39,4 
×àñòíàÿ êîëëåêöèÿ

Ñàíäðî Áîòòè÷åëëè
Ïîðòðåò Äàíòå
×àñòíàÿ êîëëåêöèÿ

Sandro Botticelli
Portrait of a young man with red cap
circa 1485
National Gallery of Art

Ñàíäðî Áîòòè÷åëëè 
Æåíñêèé ïîðòðåò
49,5 õ 35,6
×àñòíàÿ êîëëåêöèÿ

Ñàíäðî Áîòòè÷åëëè
Ïîðòðåò íåèçâåñòíîãî ñ ìåäàëüþ Êîçèìî Ìåäè÷è Ñòàðøåãî
1474-75. 51,5 õ 44
Ãàëåðåÿ Óôôèöè, Ôëîðåíöèÿ
(Galleria degli Uffizi, Firenze)

Ïîðòðåòû æåíùèí ðåäêî âñòðå÷àþòñÿ ó Ñàíäðî Áîòòè÷åëëè, íî îí âîñïåë è ïðîñëàâèë Ñèìîíåòòó Âåñïó÷÷è — æåíùèíó, çíàìåíèòóþ ñâîåé êðàñîòîé è ëþáîâüþ. Îíà áûëà âîçëþáëåííîé äðóãîãî ÷åëîâåêà — Äæóëèàíî Ìåäè÷è. Îíà — ñàìà Êðàñîòà, öàðèöà âñåìîãóùåãî èñêóññòâà. È îòòîãî ñ òàêîé áîëåçíåííîé ñòðàñòüþ ãðååò Áîòòè÷åëëè ðóêè ó ÷óæîãî êîñòðà. È îòòîãî ãîâîðèò î Ñèìîíåòòå Âåñïó÷÷è òî, ÷òî íèêîãäà åùå íå áûëî ñêàçàíî íè îá îäíîé æåíùèíå

 

Ñàíäðî Áîòòè÷åëëè
Ïîðòðåò æåíùèíû
îê1480. 82õ54
Øòåäåëåâñêèé õóäîæåñòâåííûé èíñòèòóò, Ôðàíêôóðò-íà-Ìàéíå

Ñàíäðî Áîòòè÷åëëè 
Ïîðòðåò Ëîðåíöî äå Ëîðåíöè
îê 1492 
Õóäîæåñòâåííûé ìóçåé, Ôèëàäåëüôèÿ

Ñàíäðî Áîòòè÷åëëè 
Ïîðòðåò æåíùèíû
Ïàëàööî Ïèòòè, Ôëîðåíöèÿ
(Palazzo Pitti, Firenze).

 Sandro Botticelli  (1445–1510)
Portrait of a Young Man, possibly Giuliano de' Medici
between 1465 and 1470

Ñàíäðî Áîòòè÷åëëè
Ôîìà Àêâèíñêèé
×àñòíàÿ êîëëåêöèÿ

Ñàíäðî Áîòòè÷åëëè
Ñèìîíåòòà Âåñïó÷÷è

Sandro Botticelli  (1445–1510)
or workshop
Portrait of a young man
between circa 1480 and circa 1485
oil on panel
Louvre Museum

Sandro Botticelli  (1445–1510)
or workshop
: Portrait of a young man
between circa 1480 and circa 1485
oil on panel
Louvre Museum

Florentine artist, circa 1480-85, close to Sandro Botticelli
PORTRAIT OF A YOUNG MAN, BUST LENGTH, IN A RED CAP
tempera on panel, in an engaged frame

Ñàíäðî Áîòòè÷åëëè (ïîñëåäîâàòåëü)
Ïîðòðåò äàìû â ïðîôèëü
Íàöèîíàëüíàÿ ãàëåðåÿ

Ñàíäðî Áîòòè÷åëëè (ïîñëåäîâàòåëü)
Àëëåãîðèÿ (îáðàòíàÿ ñòîðîíà ïîðòðåòà äàìû â ïðîôèëü)
Íàöèîíàëüíàÿ ãàëåðåÿ

Ñàíäðî Áîòòè÷åëëè
Ïîðòðåò ìîëîäîãî ÷åëîâåêà
îê1469. 51õ34 
Ïàëàööî Ïèòòè, Ôëîðåíöèÿ

Ñàíäðî Áîòòè÷åëëè
Ñâÿòàÿ Åêàòåðèíà (ïîðòðåò Åêàòåðèíû Ñôîðöà â îáðàçå åå ñâÿòîé ïîêðîâèòåëüíèöû)
îê1475. 53.2x37.8
Ëèíäåíàó ìóçåé, Àëüòåíáóðã

Ñàíäðî Áîòòè÷åëëè
Ìóæñêîé ïîðòðåò
1490-00, 57õ39
 Ëóâð,Ïàðèæ 

Ñàíäðî Áîòòè÷åëëè
Ìóæñêîé ïîðòðåò
1490-00, 57õ39
 Ëóâð,Ïàðèæ 

Sandro Botticelli  (1445–1510)
Head of a Saint
45.4 cm (õ 33.3 cm
Detroit Institute of Arts 

Sandro Botticelli  (1445–1510)
Head of a Saint
45.4 cm (õ 33.3 cm
Detroit Institute of Arts 

Ñàíäðî Áîòòè÷åëëè
Ïîêëîíåíèå âîëõâîâ, ôðàãìåíò
îê1475 
Ãàëåðåÿ Óôôèöè, Ôëîðåíöèÿ
(Galleria degli Uffizi, Firenze)

Ñàíäðî Áîòòè÷åëëè
Ïîðòðåò Äæóëèàíî äå Ìåäè÷è
îê1475. 54õ36
Àêàäåìèÿ Êàððàðà, Áåðãàìî
(Accademia Carrara, Bergamo)

Ñàíäðî Áîòòè÷åëëè 
Ïîðòðåò Ýñìåðàëüäû Áðàíäèíè
1470-75. 65,7 õ 41
Ìóçåé Âèêòîðèè è Àëüáåðòà, Ëîíäîí

Ñàíäðî Áîòòè÷åëëè 
Ïîðòðåò þíîøè
1480-85. 37õ28
Íàöèîíàëüíàÿ ãàëåðåÿ, Ëîíäîí
 (National Gallery, London).

Ñàíäðî Áîòòè÷åëëè
Ïîðòðåò ìîëîäîé æåíùèíû (Ñèìîíåòòà Âåñïó÷÷è)
1476-80. 47.5x35
Áåðëèíñêàÿ êàðòèííàÿ ãàëåðåÿ ñòàðûõ ìàñòåðîâ, Áåðëèí

Ñàíäðî Áîòòè÷åëëè
Ïîðòðåò ìîëîäîé æåíùèíû (Ñèìîíåòòà Âåñïó÷÷è)
1476-80. 47.5x35
Áåðëèíñêàÿ êàðòèííàÿ ãàëåðåÿ ñòàðûõ ìàñòåðîâ, Áåðëèí
(Gemäldegalerie, Berlin)

Ñàíäðî Áîòòè÷åëëè
Ìóæñêîé ïîðòðåò
îê1490. 49x35
×àñòíàÿ êîëëåêöèÿ

Sandro Botticelli, after 1829
Portrait Bust of a Young Man
The Art Institute of Chicago
 
 
Sandro Botticelli  (1445–1510)
Ritratto di Giovane Uomo
15th century
Sandro Botticelli  (1445–1510)
Male portrait
circa 1476
Museo Filangieri, Napoli
 

Ñàíäðî Áîòòè÷åëëè 
Ïîðòðåò ìîëîäîãî ÷åëîâåêà ñ ìåäàëüîíîì
58,7 õ 39,4 
×àñòíàÿ êîëëåêöèÿ

 
Ñàíäðî Áîòòè÷åëëè
Äæóëèàíî äå Ìåäè÷è
1478. 54x36
Áåðëèíñêàÿ êàðòèííàÿ ãàëåðåÿ ñòàðûõ ìàñòåðîâ, Áåðëèí
(Gemäldegalerie, Berlin)
 

Ñàíäðî Áîòòè÷åëëè
Äæóëèàíî äå Ìåäè÷è
1478. 54x36
Áåðëèíñêàÿ êàðòèííàÿ ãàëåðåÿ ñòàðûõ ìàñòåðîâ, Áåðëèí
(Gemäldegalerie, Berlin)

Ñàíäðî Áîòòè÷åëëè
Ñâÿòàÿ Åêàòåðèíà (ïîðòðåò Åêàòåðèíû Ñôîðöà â îáðàçå åå ñâÿòîé ïîêðîâèòåëüíèöû)
îê1475. 53.2x37.8
Ëèíäåíàó ìóçåé, Àëüòåíáóðã

Sandro Botticelli  (1445–1510)
Portrait de Jeune homme
15th century

 

Vasari
Portrait of Botticelli
1568

 

 

 

 

PART II (ÌÀÄÎÍÍÀ ÐÅÍÅÑÑÀÍÑÀ)

 

Ñåðèÿ ñîîáùåíèé "æèâîïèñü ñòàðûõ ìàñòåðîâ \10\ ":
×àñòü 1 - Ãàíñ Ìåìëèíã (Hans Memling, ca.1440-1494, Flanders) - Ïîðòðåòíàÿ æèâîïèñü Ñåâåðíîãî Âîçðîæäåíèÿ \1\
×àñòü 2 - Ôëàìàíäñêèé æèâîïèñåö Ãàíñ Ìåìëèíã (Hans Memling, ca.1440-1494, Flanders) - Ìàäîííà è ñâÿòûå \2\
...
×àñòü 10 - Ïàðìèäæàíèíî (Ôðàí÷åñêî Äæèðîëàìî Ìàööîëà) (Parmigianino, 1503-1540, Italian) - Ïîðòðåòíàÿ ãàëåðåÿ â æèâîïèñè è ðèñóíêå \1\
×àñòü 11 - Ïàðìèäæàíèíî (Ôðàí÷åñêî Äæèðîëàìî Ìàööîëà) (Parmigianino, 1503-1540, Italian) - Ìàäîííû ëèê ïðåêðàñíûé... \2\
×àñòü 12 - Ñàíäðî Áîòòè÷åëëè (Sandro Botticelli, 1445-1510, Florence) - Ïîðòðåò ýïîõè Ðåíåññàíñà \1\
×àñòü 13 - Ñàíäðî Áîòòè÷åëëè (Sandro Botticelli, 1445-1510, Florence) - Ìàäîííà Ðåíåññàíñà (tondo, frame) \2\
×àñòü 14 - Ñàíäðî Áîòòè÷åëëè (Sandro Botticelli, 1445-1510, Florence) - Ìàäîííà Ðåíåññàíñà \3\
×àñòü 15 - Ñàíäðî Áîòòè÷åëëè (Sandro Botticelli, 1445-1510, Florence) - Áèáëåéñêèé è ìèôîëîãè÷åñêèé ñþæåò \4\
×àñòü 16 - Ñàíäðî Áîòòè÷åëëè (Sandro Botticelli, 1445-1510, Florence) - Áèáëåéñêèé è ìèôîëîãè÷åñêèé ñþæåò \5\
Ðóáðèêè:  õóäîæåñòâà/ýïîõà Âîçðîæäåíèÿ

 

Äîáàâèòü êîììåíòàðèé:
Òåêñò êîììåíòàðèÿ: ñìàéëèêè

Ïðîâåðêà îðôîãðàôèè: (íàéòè îøèáêè)

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