Ñàíäðî Áîòòè÷åëëè - Ïîðòðåò ýïîõè Ðåíåññàíñà \1\ |


Ñ ôðàãìåíòà àâòîïîðòðåòà 1475 ãîäà íà íàñ ãëÿäèò ìîëîäîé ÷åëîâåê ñ ðûæåâàòîãî öâåòà âîëîñàìè.
Àëåññàíäðî Áîòòè÷åëëè åù¸ 30 ëåò. Íîñ ñ ãîðáèíêîé è ïðèñòàëüíûé âçãëÿä, ãîëîâà â ïîëóîáîðîòå, ïðîñòàÿ íàêèäêà íà ïëå÷å èç òêàíè – â òàêîì âèäå îí è ïðåäñòàåò ïåðåä íàìè, òîò æèâîïèñåö ýïîõè Âîçðîæäåíèÿ. Èñêóññòâî âå÷íî, æèçíü íåò.

Ñàíäðî Áîòòè÷åëëè
Ïîêëîíåíèå âîëõâîâ, ôðàãìåíò
îê1475
Ãàëåðåÿ Óôôèöè, Ôëîðåíöèÿ
(Galleria degli Uffizi, Firenze).


Ñàíäðî Áîòòè÷åëëè
Ïîðòðåò ìîëîäîãî ÷åëîâåêà
1482-83. 41õ31
Íàöèîíàëüíàÿ ãàëåðåÿ èñêóññòâ, Âàøèíãòîí


Ñàíäðî Áîòòè÷åëëè (ìàñòåðñêàÿ)
Àëëåãîðè÷åñêèé ïîðòðåò æåíùèíû (Ñèìîíåòòà Âåñïó÷÷è)
58,5 õ 40,5
×àñòíàÿ êîëëåêöèÿ

Áîòòè÷åëëè áûë ãëóáîêî íåñ÷àñòëèâ è ñ÷àñòëèâ îäíîâðåìåííî. Áûë îí, ÷òî íàçûâàåòñÿ, íå îò ìèðà ñåãî. Ìå÷òàòåëüíî ïóãëèâ, àëîãè÷åí â ïîñòóïêàõ è ôàíòàñòè÷åí â ñóæäåíèÿõ. Âåðèë â îçàðåíèÿ è íå çàáîòèëñÿ î áîãàòñòâå. Íå ïîñòðîèë ñâîåãî äîìà, íå ñâèë ñåìüè. Íî îí áûë î÷åíü ñ÷àñòëèâ òåì, ÷òî óìåë çàïå÷àòëåâàòü â ñâîèõ êàðòèíàõ ïðîÿâëåíèÿ Êðàñîòû. Îí ïðåâðàùàë æèçíü â èñêóññòâî, è èñêóññòâî ñòàíîâèëîñü äëÿ íåãî ïîäëèííîé æèçíüþ

Ñàíäðî Áîòòè÷åëëè
Äæóëèàíî Ìåäè÷è
1478-80. 75.5x52.5
Íàöèîíàëüíàÿ ãàëåðåÿ èñêóññòâ, Âàøèíãòîí


Ñàíäðî Áîòòè÷åëëè
Ïîðòðåò ìîëîäîãî ÷åëîâåêà ñ ìåäàëüîíîì
58,7 õ 39,4
×àñòíàÿ êîëëåêöèÿ


Ñàíäðî Áîòòè÷åëëè
Ïîðòðåò Äàíòå
×àñòíàÿ êîëëåêöèÿ


Sandro Botticelli
Portrait of a young man with red cap
circa 1485
National Gallery of Art


Ñàíäðî Áîòòè÷åëëè
Æåíñêèé ïîðòðåò
49,5 õ 35,6
×àñòíàÿ êîëëåêöèÿ


Ñàíäðî Áîòòè÷åëëè
Ïîðòðåò íåèçâåñòíîãî ñ ìåäàëüþ Êîçèìî Ìåäè÷è Ñòàðøåãî
1474-75. 51,5 õ 44
Ãàëåðåÿ Óôôèöè, Ôëîðåíöèÿ
(Galleria degli Uffizi, Firenze)

Ïîðòðåòû æåíùèí ðåäêî âñòðå÷àþòñÿ ó Ñàíäðî Áîòòè÷åëëè, íî îí âîñïåë è ïðîñëàâèë Ñèìîíåòòó Âåñïó÷÷è — æåíùèíó, çíàìåíèòóþ ñâîåé êðàñîòîé è ëþáîâüþ. Îíà áûëà âîçëþáëåííîé äðóãîãî ÷åëîâåêà — Äæóëèàíî Ìåäè÷è. Îíà — ñàìà Êðàñîòà, öàðèöà âñåìîãóùåãî èñêóññòâà. È îòòîãî ñ òàêîé áîëåçíåííîé ñòðàñòüþ ãðååò Áîòòè÷åëëè ðóêè ó ÷óæîãî êîñòðà. È îòòîãî ãîâîðèò î Ñèìîíåòòå Âåñïó÷÷è òî, ÷òî íèêîãäà åùå íå áûëî ñêàçàíî íè îá îäíîé æåíùèíå

Ñàíäðî Áîòòè÷åëëè
Ïîðòðåò æåíùèíû
îê1480. 82õ54
Øòåäåëåâñêèé õóäîæåñòâåííûé èíñòèòóò, Ôðàíêôóðò-íà-Ìàéíå


Ñàíäðî Áîòòè÷åëëè
Ïîðòðåò Ëîðåíöî äå Ëîðåíöè
îê 1492
Õóäîæåñòâåííûé ìóçåé, Ôèëàäåëüôèÿ


Ñàíäðî Áîòòè÷åëëè
Ïîðòðåò æåíùèíû
Ïàëàööî Ïèòòè, Ôëîðåíöèÿ
(Palazzo Pitti, Firenze).


Sandro Botticelli (1445–1510)
Portrait of a Young Man, possibly Giuliano de' Medici
between 1465 and 1470


Ñàíäðî Áîòòè÷åëëè
Ôîìà Àêâèíñêèé
×àñòíàÿ êîëëåêöèÿ


Ñàíäðî Áîòòè÷åëëè
Ñèìîíåòòà Âåñïó÷÷è


Sandro Botticelli (1445–1510)
or workshop
Portrait of a young man
between circa 1480 and circa 1485
oil on panel
Louvre Museum


Sandro Botticelli (1445–1510)
or workshop
: Portrait of a young man
between circa 1480 and circa 1485
oil on panel
Louvre Museum


Florentine artist, circa 1480-85, close to Sandro Botticelli
PORTRAIT OF A YOUNG MAN, BUST LENGTH, IN A RED CAP
tempera on panel, in an engaged frame


Ñàíäðî Áîòòè÷åëëè (ïîñëåäîâàòåëü)
Ïîðòðåò äàìû â ïðîôèëü
Íàöèîíàëüíàÿ ãàëåðåÿ


Ñàíäðî Áîòòè÷åëëè (ïîñëåäîâàòåëü)
Àëëåãîðèÿ (îáðàòíàÿ ñòîðîíà ïîðòðåòà äàìû â ïðîôèëü)
Íàöèîíàëüíàÿ ãàëåðåÿ


Ñàíäðî Áîòòè÷åëëè
Ïîðòðåò ìîëîäîãî ÷åëîâåêà
îê1469. 51õ34
Ïàëàööî Ïèòòè, Ôëîðåíöèÿ


Ñàíäðî Áîòòè÷åëëè
Ñâÿòàÿ Åêàòåðèíà (ïîðòðåò Åêàòåðèíû Ñôîðöà â îáðàçå åå ñâÿòîé ïîêðîâèòåëüíèöû)
îê1475. 53.2x37.8
Ëèíäåíàó ìóçåé, Àëüòåíáóðã


Ñàíäðî Áîòòè÷åëëè
Ìóæñêîé ïîðòðåò
1490-00, 57õ39
Ëóâð,Ïàðèæ


Ñàíäðî Áîòòè÷åëëè
Ìóæñêîé ïîðòðåò
1490-00, 57õ39
Ëóâð,Ïàðèæ


Sandro Botticelli (1445–1510)
Head of a Saint
45.4 cm (õ 33.3 cm
Detroit Institute of Arts


Sandro Botticelli (1445–1510)
Head of a Saint
45.4 cm (õ 33.3 cm
Detroit Institute of Arts


Ñàíäðî Áîòòè÷åëëè
Ïîêëîíåíèå âîëõâîâ, ôðàãìåíò
îê1475
Ãàëåðåÿ Óôôèöè, Ôëîðåíöèÿ
(Galleria degli Uffizi, Firenze)


Ñàíäðî Áîòòè÷åëëè
Ïîðòðåò Äæóëèàíî äå Ìåäè÷è
îê1475. 54õ36
Àêàäåìèÿ Êàððàðà, Áåðãàìî
(Accademia Carrara, Bergamo)


Ñàíäðî Áîòòè÷åëëè
Ïîðòðåò Ýñìåðàëüäû Áðàíäèíè
1470-75. 65,7 õ 41
Ìóçåé Âèêòîðèè è Àëüáåðòà, Ëîíäîí


Ñàíäðî Áîòòè÷åëëè
Ïîðòðåò þíîøè
1480-85. 37õ28
Íàöèîíàëüíàÿ ãàëåðåÿ, Ëîíäîí
(National Gallery, London).


Ñàíäðî Áîòòè÷åëëè
Ïîðòðåò ìîëîäîé æåíùèíû (Ñèìîíåòòà Âåñïó÷÷è)
1476-80. 47.5x35
Áåðëèíñêàÿ êàðòèííàÿ ãàëåðåÿ ñòàðûõ ìàñòåðîâ, Áåðëèí


Ñàíäðî Áîòòè÷åëëè
Ïîðòðåò ìîëîäîé æåíùèíû (Ñèìîíåòòà Âåñïó÷÷è)
1476-80. 47.5x35
Áåðëèíñêàÿ êàðòèííàÿ ãàëåðåÿ ñòàðûõ ìàñòåðîâ, Áåðëèí
(Gemäldegalerie, Berlin)


Ñàíäðî Áîòòè÷åëëè
Ìóæñêîé ïîðòðåò
îê1490. 49x35
×àñòíàÿ êîëëåêöèÿ








Ñàíäðî Áîòòè÷åëëè
Ïîðòðåò ìîëîäîãî ÷åëîâåêà ñ ìåäàëüîíîì
58,7 õ 39,4
×àñòíàÿ êîëëåêöèÿ




Ñàíäðî Áîòòè÷åëëè
Äæóëèàíî äå Ìåäè÷è
1478. 54x36
Áåðëèíñêàÿ êàðòèííàÿ ãàëåðåÿ ñòàðûõ ìàñòåðîâ, Áåðëèí
(Gemäldegalerie, Berlin)


Ñàíäðî Áîòòè÷åëëè
Ñâÿòàÿ Åêàòåðèíà (ïîðòðåò Åêàòåðèíû Ñôîðöà â îáðàçå åå ñâÿòîé ïîêðîâèòåëüíèöû)
îê1475. 53.2x37.8
Ëèíäåíàó ìóçåé, Àëüòåíáóðã


Sandro Botticelli (1445–1510)
Portrait de Jeune homme
15th century


Vasari
Portrait of Botticelli
1568


Ñåðèÿ ñîîáùåíèé "æèâîïèñü ñòàðûõ ìàñòåðîâ \10\ ":
×àñòü 1 - Ãàíñ Ìåìëèíã (Hans Memling, ca.1440-1494, Flanders) - Ïîðòðåòíàÿ æèâîïèñü Ñåâåðíîãî Âîçðîæäåíèÿ \1\
×àñòü 2 - Ôëàìàíäñêèé æèâîïèñåö Ãàíñ Ìåìëèíã (Hans Memling, ca.1440-1494, Flanders) - Ìàäîííà è ñâÿòûå \2\
...
×àñòü 10 - Ïàðìèäæàíèíî (Ôðàí÷åñêî Äæèðîëàìî Ìàööîëà) (Parmigianino, 1503-1540, Italian) - Ïîðòðåòíàÿ ãàëåðåÿ â æèâîïèñè è ðèñóíêå \1\
×àñòü 11 - Ïàðìèäæàíèíî (Ôðàí÷åñêî Äæèðîëàìî Ìàööîëà) (Parmigianino, 1503-1540, Italian) - Ìàäîííû ëèê ïðåêðàñíûé... \2\
×àñòü 12 - Ñàíäðî Áîòòè÷åëëè (Sandro Botticelli, 1445-1510, Florence) - Ïîðòðåò ýïîõè Ðåíåññàíñà \1\
×àñòü 13 - Ñàíäðî Áîòòè÷åëëè (Sandro Botticelli, 1445-1510, Florence) - Ìàäîííà Ðåíåññàíñà (tondo, frame) \2\
×àñòü 14 - Ñàíäðî Áîòòè÷åëëè (Sandro Botticelli, 1445-1510, Florence) - Ìàäîííà Ðåíåññàíñà \3\
×àñòü 15 - Ñàíäðî Áîòòè÷åëëè (Sandro Botticelli, 1445-1510, Florence) - Áèáëåéñêèé è ìèôîëîãè÷åñêèé ñþæåò \4\
×àñòü 16 - Ñàíäðî Áîòòè÷åëëè (Sandro Botticelli, 1445-1510, Florence) - Áèáëåéñêèé è ìèôîëîãè÷åñêèé ñþæåò \5\
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