The couple separated, but soon afterward Castaneda adopted C.J., the son Runyan had had with another man.
Парочка разошлась, но вскоре КК усыновил сына Риньяны от другого мужичины.
( инафига - ?)
And, for seven years, he worked on the manuscript that was to become “The Teachings of Don Juan.”) В течении 7 лет
(заветное число,чо) КК рукопишет "Уроки дон Жуана".
“The Teachings” begins with a young man named Carlos being introduced at an Arizona bus stop to don Juan, an old Yaqui Indian whom he’s told “is very learned about plants.”
"Уроки" начинаются незатейливо - паренёк с именем Карлос знакомится на автобусной остановке с дон Жуаном - индейцем преклонных годов из племени "яки" - о котором он(паренёк с именем Карлос) сообщает - "весьма знакомый с травкой".
Carlos tries to persuade the reluctant don Juan to teach him about peyote. Eventually he relents, allowing Carlos to ingest the sacred cactus buds. Carlos sees a transparent black dog, which, don Juan later tells him, is Mescalito, a powerful supernatural being. His appearance is a sign that Carlos is “the chosen one” who’s been picked to receive “the teachings.” “The Teachings” is largely a dialogue between don Juan, the master, and Carlos, the student, punctuated by the ingestion of carefully prepared mixtures of herbs and mushrooms. Carlos has strange experiences that, in spite of don Juan’s admonitions, he continues to think of as hallucinations. In one instance, Carlos turns into a crow and flies. Afterward, an argument ensues: Is there such a thing as objective reality? Or is reality just perceptions and different, equally valid ways of describing them? Toward the book’s end, Carlos again encounters Mescalito, whom he now accepts as real, not a hallucination. In “The Teachings,” Castaneda tried to follow the conventions of anthropology by appending a 50-page “structural analysis.” According to Runyan, his goal was to become a psychedelic scholar along the lines of Aldous Huxley. He’d become disillusioned with another hero, Timothy Leary, who supposedly mocked Castaneda when they met at a party, earning his lifelong enmity. In 1967, he took his manuscript to professor Meighan. Castaneda was disappointed when Meighan told him it would work better as a trade book than as a scholarly monograph. But following Meighan’s instructions, Castaneda took his manuscript to the University of California Press’ office in Powell Library, where he showed it to Jim Quebec. The editor was impressed but had doubts about its authenticity. Inundated by good reports from the UCLA anthropology department, according to Runyan, Quebec was convinced and “The Teachings” was published in the spring of 1968. Runyan wrote that “the University of California Press, fully cognizant that a nation of drug-infatuated students was out there, moved it into California bookstores with a vengeance.” Sales exceeded all expectations, and Quebec soon introduced Castaneda to Ned Brown, an agent whose clients included Jackie Collins. Brown then put Castaneda in touch with Michael Korda, Simon and Schuster’s new editor in chief. In his memoir, “Another Life,” Korda recounts their first meeting. Korda was told to wait in a hotel parking lot. “A neat Volvo pulled up in front of me, and the driver waved me in,” Korda writes. “He was a robust, broad-chested, muscular man, with a swarthy complexion, dark eyes, black curly hair cut short, and a grin as merry as Friar Tuck’s … I had seldom, if ever, liked anybody so much so quickly … It wasn’t so much what Castaneda had to say as his presence — a kind of charm that was partly subtle intelligence, partly a real affection for people, and partly a kind of innocence, not of the naive kind but of the kind one likes to suppose saints, holy men, prophets and gurus have.” The next morning, Korda set about buying the rights to “The Teachings.” Under his new editor’s guidance, Castaneda published his next three books in quick succession. In “A Separate Reality,” published in 1971, Carlos returns to Mexico to give don Juan a copy of his new book. Don Juan declines the gift, suggesting he’d use it as toilet paper. A new cycle of apprenticeship begins, in which don Juan tries to teach Carlos how to “see.” New characters appear, most importantly don Juan’s friend and fellow sorcerer don Genaro. In “A Separate Reality” and the two books that follow, “Journey to Ixtlan” and “Tales of Power,” numerous new concepts are introduced, including “becoming inaccessible,” “erasing personal history” and “stopping the world.” There are also displays of magic. Don Genaro is at one moment standing next to Carlos; at the next, he’s on top of a mountain. Don Juan uses unseen powers to help Carlos start his stalled car. And he tries to show him how to be a warrior — a being who, like an enlightened Buddhist, has eliminated the ego, but who, in a more Nietzschean vein, knows he’s superior to regular humans, who lead wasted, pointless lives. Don Juan also tries to teach Carlos how to enter the world of dreams, the “separate reality,” also referred to as the “nagual,” a Spanish word taken from the Aztecs. (Later, Castaneda would shift the word’s meaning, making it stand not only for the separate reality but also for a shaman, like don Juan and, eventually, Castaneda himself.) [/COLOR]
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