Ìåòðîïîëèòåí-ìóçåé.Íüþ-Éîðê |

Antonio Canova Reclining Naiad.
Ìóçåé Ìåòðîïîëèòåí íàõîäèòñÿ â ÑØÀ. Çäåñü âûñòàâëåíà ïîñòîÿííàÿ êîëëåêöèÿ â 17 îòäåëàõ, ñîñòîÿùàÿ èç áîëåå äâóõ ìèëëèîíîâ ïðîèçâåäåíèé èñêóññòâà. Ìåòðîïîëèòåí, èçâåñòåí êàê õóäîæåñòâåííûé ìóçåé Íüþ-Éîðêà. Îñíîâàí ìóçåé â 1870 ãîäó. Ôîðìèðîâàíèå ôîíäîâ ïðîèñõîäèëî çà ñ÷åò äàðîâ è ïîæåðòâîâàíèé, êàê áîãàòûõ ïðîìûøëåííèêîâ, òàê è ñêðîìíûõ êîëëåêöèîíåðîâ – ëþáèòåëåé.  ìóçåå êðóïíåéøåå ñîáðàíèå åâðîïåéñêèõ ìàñòåðîâ æèâîïèñè, íàñ÷èòûâàþùåå áîëåå 3000 õóäîæåñòâåííûõ ïîëîòåí.
Èç-çà íåäîñòàòî÷íîãî ôèíàíñèðîâàíèÿ äëÿ ìóçåÿ çàêàçûâàëèñü êîïèè èçâåñòíûõ øåäåâðîâ.  1901 ãîäó Äæåéêîáñ Ðîäæåðñ çàâåùàë ìóçåþ 4,5 ìëí. äîëëàðîâ äëÿ ïðèîáðåòåíèÿ “ðåäêèõ è âûñîêîõóäîæåñòâåííûõ ïðîèçâåäåíèé èñêóññòâà” Åãî ïðèìåðó ïîñëåäîâàëè èçâåñòíûå è ñîñòîÿòåëüíûå ñîáèðàòåëè.

 1887 Êýòðèí Ëîðèëàðä Âóëô (1828-1887) áûëî çàâåùåíî ìóçåþ 143 êàðòèíû ñîâðåìåííûõ õóäîæíèêîâ è äåíåæíûå ñðåäñòâà, íà êîòîðûå áûëè ïðèîáðåòåíû êàðòèíû Î.Ðåíóàðà Ìàäàì Øàðïàíòüå ñ äåòüìè (1879), Ô.Ãîéè Áîé áûêîâ, Ý.Äåëàêðóà Ïîõèùåíèå Ðåâåêêè (1846), Î.Äîìüå Äîí Êèõîò.
Ýðâèí Äýâèñ â 1889 ãîäó ïîäàðèë ìóçåþ ïåðâûå â ìóçåÿõ Àìåðèêè êàðòèíû èìïðåññèîíèñòîâ, íàïðèìåð, Ý.Ìàíå Æåíùèíà ñ ïîïóãàåì (1866).
Ê íà÷àëó XX â. ìóçåé îáëàäàë áîãàòîé è ðàçíîîáðàçíîé êîëëåêöèåé ïðîèçâåäåíèé èñêóññòâà.  1914 ïî çàâåùàíèþ Áåíäæàìåíà Àëòìàíà (1840-1913) â ìóçåé ïîñòóïèëà êðàéíå ðàçíîðîäíàÿ êîëëåêöèÿ, êîòîðàÿ ïî åãî âîëå äîëæíà áûëà ýêñïîíèðîâàòüñÿ êàê åäèíîå öåëîå, íàðóøàÿ ïðàâèëà ýêñïîçèöèè. Äî ñèõ ïîð âõîäÿùèå â êîëëåêöèþ âîñòî÷íûå êîâðû, ñêóëüïòóðà ýïîõè Ðåíåññàíñà, êèòàéñêèé ôàðôîð, è ïîëîòíà Äþðåðà, Ðåìáðàíäòà, Òèöèàíà, Âåëàñêåñà, Âåðìåðà ýêñïîíèðóþòñÿ âìåñòå.

Fragments of a marble statue of the Diadoumenos.

Gian Lorenzo Bernini.

Guillaume Coustou the Elder Samuel Bernard (1651–1739).

Spinario

Bacchante and Infant Faun

Hercules and Antaeus

Franz Xaver Messerschmidt A Hypocrite and a Slanderer

Augustin Pajou Fidelity, the Mother of Constant Love

Virgin and Child Andrea della Robbia

The Children of Jacob H. Schiff

Marble sarcophagus with the Triumph of Dionysos and the Seasons

Corpus from a crucifix.

Lorenzo Bartolini The Demidoff Table.Ñòîë ñ àìóðàìè.

Jean-Louis Lemoyne La Crainte des Traits de l'Amour

Latona and Her Children, Apollo and Diana
. 
Augustus Saint-Gaudens.

Jean-Baptiste Stouf The Composer André-Ernest-Modeste Grétry.

Larkin Goldsmith Mead Venezia

Harlequin Family.

Saint Catherine of Alexandria Saint Catherine of Alexandria

Louis XV (1710–1774), King of France.

Marble portrait bust of the emperor Gaius, known as Caligula

Hercules and the Erymanthian Boar.

Hercules and the Nemean Lion.

Saint Ignatius Loyola with an Angel Holding a Book Inscribed with the Motto of the Society of Jesus.

Plaque with the Descent from the Cross.

Jean-Louis Lemoyne La Crainte des Traits de l'Amour

Marble Statue Group of the Three Graces

Antonio Canova Perseus with the Head of Medusa

Cristoforo Solari.
Ñåðèÿ ñîîáùåíèé "ìóçåè":
×àñòü 1 - Îêíî â Ëóâð
×àñòü 2 - Âåðñàëüñêèé äâîðåö
...
×àñòü 15 - Áðèòàíñêàÿ Íàöèîíàëüíàÿ ãàëåðåÿ (National Gallery, London)
×àñòü 16 - Ñàìûå êðàñèâûå õðàìû ìèðà
×àñòü 17 - Ìåòðîïîëèòåí-ìóçåé.Íüþ-Éîðê
×àñòü 18 - Ìèêåëàíäæåëî Êàðàâàäæî â ãàëåðåå Áîðãåçå
×àñòü 19 - Ìóçåé Ïðàäî
...
×àñòü 22 - Ñàäîâûå äâîðöû Ëþäâèãñáóðãñêîé ðåçèäåíöèè
×àñòü 23 - Ãàëåðåÿ êîðîëåâû (The Queen's Gallery) – ÷àñòü Áóêèíãåìñêîãî äâîðöà. ×àñòü 3
×àñòü 24 - Oäíà èç ñàìûõ êðàñèâûõ óñàäåá - Hillwood
| Ðóáðèêè: | èñêóññòâî/èçîáðàçèòåëüíîå èñêóññòâî |
| Êîììåíòèðîâàòü | « Ïðåä. çàïèñü — Ê äíåâíèêó — Ñëåä. çàïèñü » | Ñòðàíèöû: [1] [Íîâûå] |