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Or the ES-1 is a slide holder, which with the right lens, practically takes care of all of this, very conveniently. There is benefit of having the slide physically connected to the lens - there is no video camera shake. The ES-1 does this. Otherwise, simply using a brief wood board, with a 1/4"-20 UNC screw (routine stuff in any North American hardware store) to hold the electronic camera at one end with its tripod socket, and holding the slide holder in front of the lens (among them with a brief slot for adjustable sliding distance to set focus distance to the slide), must work well.

BR-5 step-down, 2. K 5 ring, 3. ES-1 This Nikon 60 mm f/2.8 D AF macro lens has to do with $500, and there are other similar lenses. One person commented that they leased a macro lens for $40 to do the job cheaply. It does seem a great idea to get your slide mounting/lighting setup primarily exercised before you rent the lens.

There is now a newer 60 mm AF/S lens, and a Nikon 40 mm AF/S DX macro lens, both of which have much shorter working range in front of the lens, and ought to work (on a DX video camera) with no additional spacers. The ES-1 attachés to a 52 mm filter thread, so it needs to fit any brand of DSLR.

There are naturally other similar thread adapters much more economical. The ES-1 copy accessory is generally an empty tube or spacer. It is 2 telescoping tubes in fact, with a one inch length adjustment. It telescopes to hold the slide from in between 45 mm to 68 mm in front of the lens filter thread.

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The macro lens does all of the optical work. DX electronic cameras: (APS-C, 1.5 x crop element) The ES-1 is designed for a full frame video camera using the Nikon 55 mm f/2.8 macro lens. The problem is that for today's DX digital SLR with the 1.5 x or 1.6 x lens crop element, the 35 mm slide is half again larger than the DX sensing unit.

The 1.5 x crop sensing unit now requires a smaller sized image, more like a 0.67 recreation size (which is 1:1.5), to fit the larger slide onto the smaller sensing unit. That requires a longer operating distance in front of the lens. However the ES-1 does not change that far, which indicates that the cropped sensor body (1.5 x or 1.6 x crop aspect) requires an extra spacer in front of the lens so the ES-1 can be changed to hold the slide further out in front, to appear as the smaller 0.67 size, so it will not be cropped excessively.

Instead, this is speaking of a simple tube about 20 mm long, with 52 mm threads on both ends, that goes in between the 60 mm lens and the ES-1, to extend the ES-1, to hold the slide a little further out, to attain more far-off focus on the DX body.

So I used the K 5 tube revealed (only the one K 5 threaded tube, and NOT the remainder of the extension set), which works great with the ES-1 on DX with a 60 http://juliuskjaj293.trexgame.net/17-superstars-we...ransfer-slides-to-digital-team mm D lens. The K 5 tube is a simple aluminum tube, 20 mm long, with 52 https://www.washingtonpost.com/newssearch/?query=slides to digital mm filter threads at each end, and this usage puts it between the lens and the ES-1.

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The ES-1 telescopes nearly an inch (24 mm), however 60 mm on a DX body needs this much more (and the telescoping still permits change). Discovering that additional extension for a cropped sensing unit body is the problem. See more about the Different situations: Several Nikon users tell me that a Nikon 40 mm f/2.8 G DX macro lens works well with the ES-1 without additional extension or adapter ring (it is a DX lens).

My 60 mm Nikon AF Micro Nikkor f 2.8 D lens requires a Transferring Slides to Digital 20 mm extra spacer (added in between lens and ES-1) to cover the full slide frame on the Nikon 1.5 x DX DSLR. http://edition.cnn.com/search/?text=slides to digital KEEP IN MIND: Mine mentioned here is the older 60 mm D lens. However the more recent 60 mm AF-S lens is stated to have a shorter working distance in front of the lens at 1:1 (50 mm brand-new lens vs 71 mm old lens).

An old Nikon 55 mm f/3.5 macro lens on the DX video camera needs about 10 mm extension. These do 1:2, requiring their own extension tube (behind the lens) to reach 1:1. However just 1:1.5 is needed to do slide copies on DX, and instead, 10 mm extension (in front of lens) reduces the evident slide size to offer that.

I have not seen this lens, however it is said to have a 90 mm working range at 1:1, so this sounds comfortably right for slides at 1.6 x crop. A longer macro lens (like 105 mm) can of course copy slides, however utilizing the ES-1 with them appears less reasonable (needs substantial extra extension, however not difficult).

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See the Nikon ES-1 instruction sheet. Full frame (FX) cams: The Nikon ES-1 was developed for complete frame film bodies to copy installed slides at 1:1 with a 55 mm macro lens. The ES-1 guideline sheet also includes the 60 mm f/2.8 D lens, specifying it gives 0.96 to 1.0 recreation with the BR-5 mounting ring on a complete frame video camera.

At right is using a complete frame D 800 with 60 mm D lens utilizing the ES-1 at its maximum extension (alone, with just the BR-5). It needs less extension for a more detailed bigger cropped view, however this longer 60 mm lens can not focus closer than 1:1. This existing view seems really functional if you crop every one a little (which you most likely desire to do anyhow, in many cases).