Katsuhiro Otomo’s Akira, released in 1988, takes place in 2020. How closely does the 32-year-old depiction of today resemble today? In some ways, very close, says Sam Barsanti in the A.V. Club. One obvious example is that Tokyo was the host city for the 2020 Olympics. But there's more, especially in the "rising tensions in Neo-Tokyo between the haves and have-nots." From his essay:

As established over the course of the bike chase, there are rising tensions in Neo-Tokyo between the haves and have-nots—a conflict the film draws attention to with the bikers harassing a corporate office drone in a car and a wealthy couple who are literally sitting with their backs to what’s happening on the streets. There’s also a steadily growing protest happening at the same time as the biker duel, with a quick glimpse of a TV news report mentioning that a “skirmish has broken out between student protestors and riot police.” (Note the familiar lack of blame put on either party for starting the fight; TV news is apparently ineffectual in every reality.) In Akira, it’s legitimately unclear why the protest turns violent; one moment there’s a seemingly peaceful march, the next the protestors are flipping over militaristic police vehicles, while—in a moment of dark humor that is darker and less humorous now—a riot cop launches a tear gas canister directly into someone’s chest.

The scene is recognizable even if its causes don’t quite match our circumstances. In our world, protestors are marching against injustice and cops are jumping to lethal force.

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