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Kyiv. Lavra Pecherskaya - Lavra Nebesnaya

Lavra Pecherskaya nebesnaya krasa.Foto Paul Lashkevich_ 05.Mar.2007_ 082.JPGLavra Pecherskaya.All Saints Bell.Foto Paul Lashkevich_14.June.2007_049.JPGLavra Pecherskaya.Lavra Nebesnaya Bell.Foto Paul Lashkevich_20.Sept.2008_DSC08039.JPG

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, 23 2011 . 23:09 +
affinity4you [ + !]

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(. Temple Expiatori de la Sagrada Familia), (Sagrada Familia) , (Antonio Gaudi). , 1882 .


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, 23 2011 . 23:03 +
Tor-Vic [ + !]



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, 23 2011 . 23:00 +
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.3431020_chast_prodymannogo_plana (160x120, 4Kb)



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Let's Call God Allah

, 23 2011 . 05:18 +

Let's Call God Allah



http://www.youtube.com/watch?v=GU4tJs-RcBs

djohnsto77, : 20.08.2007

FOX and Friends discusses the suggestion by a Dutch bishop that Christians start calling God 'Allah'.
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god allah fox Friends Jonathan Morris christian muslim islam religion
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YouTube

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, 21 2011 . 00:25 +
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, 20 2011 . 20:43 +
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, 19 2011 . 15:43 +
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«One of the most striking circumstances in connection with Egyptian magic was the use of what has come to be known as «names of power». The savage fancies that there is a very substantial bond between a man and his name — that, in fact, magic maybe may be wrought on a man just as easily through his name as through the possession of his hair or nails. Among the ancient Celts there was universal believe not only that the name was a part of the man, but that it was that part of him which is termed the «soul». We find the use of these «names of power» extremely common all over the East, also Australia, Abyssinia, Chile, North America. To return to Egypt, we find that many Egyptians received two names — the «great» name and the «little» name, or the «true» name and the «good» name; the latter was that made public, but the «true» name was most carefully concealed. A good illustration of the power possible to the wielder of the name is found in the legend of the manner in which Isis succeeded in procuring his secret name from Ra.
Isis, weary of the world of mortals, determined to enter that of the Gods, and to this end made up her mind to worm his secret name from the almighty Ra. This name was known to no mortal, and no even to any God but himself. By this name Ra grown old, and, like many others venerable persona, he often permitted the saliva to flow from the corners of his mouth. Some of his fell to the earth, and Isis, mixing it with the soil, kneaded it into the shape of a serpent, and cunningly laid it in the path traversed by the great god every day. Bursting upon the world in his effulgence, and attended by the entire pantheon, he was astounded when the serpent, rising from its coil, stung him. He cried aloud with pain, and, in answer to the agitated questions of his inferior divinities, was silent. The poison swiftly overcame him, and a great ague seized him. He called all the gods come that their healing words might make him well, and with them came Isis, who cunningly inquired what ailed him. He related the incident of the serpent to her, and added that he was suffering the greatest agony. «Then», said Isis, «tell me thy name, Divine Father, for the man shall live who is called by his name». Ra attempted a compromise by stating that he was «Khepera» in the morning, «Ra» at noon, and «Atem» in the evening; but the poison worked more fearfully within him than before, and he could no longer walk. Isis conjured him to tell her his name in order that he might live; so, hid-ing himself from all the other gods, he acquainted her with his hidden title. When it was revealed Isis immediately banished the poison from his veins, and he became whole again. The speech of Ra, «I consent that Isis shall search into me and that my name shall pass from my breast into hears», would seem to show that not only was the power of the god inextricably bound up with his real name, but that it was suppose to be lodged in an almost physical sense, somewhere in his breast, whence it could be extricated and transferred with all its supernatural powers to the breast of another. What Isis was able to do was aspired to by every Egyptian magician, who left no stone unturned to accomplish this end. Because the man who knows the most great name of God can, by the mere utterance of it, kill the living, raise the dead, and perform most marvelous miracles».[1]
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«Rhea (the sky-goddess) was the wife of Helios (Ra). She was, however, beloved by Cronos, who's affection she returned. When Ra discovered his wife's infidelity he was wrathful indeed, and pronounced a curse upon her, saying that her child should not be born in any month or in any year. Now the curse of Ra the mighty could not be turned aside, for (because) Ra was the chief of all the gods. In her distress Nut called upon the god Thoth (the Greek Hermes), who also loved her. Thoth knew that the curse of Ra must be fulfilled, yet by very cunning stratagem he found a way out of the difficulty. He went to Silene, the moon-goddess, whose light rivaled that of the sun herself, and challenged her to a game of tables. The stakes on both sides were light, but Silene staked some of her light, the seventieth part of each of her illuminations, and lost. Thus it came about that her light wanes and dwindles at certain periods, so that she is no longer the rival of the sun. From the light, which he had won from the moon-goddess Thoth made five days which he added to the year (at that time consisting of three hundred and sixty days) in such wise that they belonged neither to the preceding nor to the following year, nor to any month. On these five days Nut was delivered of her five children. Osiris was born on the first day, Horus on the second, Set on the third, Isis on the fourth and Nephthys on the fifth. (another versions give a children of Nut as: Osiris, Isis, Set, Nephthys and Anubis)».[3]
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«Everything which the texts of all periods record concerning Osiris goes to show that he was an indigenous god of North-east Af-rica, and that his home and origin were possibly Libyan. In any case, we may take it that Osiris was genuinely African in origin and that he was indigenous to the soil of the Dark Continent».[4]
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[1] «The Myth of Ancient Egypt» by Lewis Spence. George G. Harrap&CO.LTD. London 1915.
[2] « », 2., 2:7.
[3] «The Myth of Ancient Egypt» by Lewis Spence. George G. Harrap&CO.LTD. London 1915, Chapter IV: «The Cult of Osiris», page 64.
[4] «The Myth of Ancient Egypt» by Lewis Spence. George G. Harrap&CO.LTD. London 1915, Chapter IV: «The Cult of Osiris», page 64.
[5] «- », , 3, 192-193 . 
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, 19 2011 . 15:38 +
AmAyfaar [ + !]

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, ѣ

, 13 2011 . 18:17 +

, ѣ



http://www.youtube.com/watch?v=0YoaiC02kkI&feature=channel_video_title

toofunkyniki, : 01.12.2010

- ѫ ѫ ѣ - , ѣ - ѣ

one macedonian bulgarian song - moma v zandani (~ a lass in chains), performed by djina stoeva
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moma zandani djina stoeva ѣ macedonian bulgarian folklore ѫ
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YouTube

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The MAGIC Of Bulgarian Voices & music - Gospodi Pomiloi (Lord, Have Mercy) Angelite

, 13 2011 . 16:30 +

The MAGIC Of Bulgarian Voices & music - Gospodi Pomiloi (Lord, Have Mercy) Angelite



http://www.youtube.com/watch?v=zghx4AUWWjw

bulgad, : 11.06.2011

Angelite - The Bulgarian choir is among the most .renowned ensembles in the categories of "worldmusic" and "folklore." The women's choir has performed practically everywhere: on the Red Square in Moscow, at the award ceremony of the Nobel Peace Prize in Stockholm and at the Vatican. The cryptic, mysterious, perhaps even somewhat mystical quality that characterises the choir's sound arises primarily from the singers' preference for a second voice which is maintained a slight interval to the leading melody. This results in a kind of nearly-dissonant friction as well as a great radiant power, as of an unfolded colour spectrum: The singers' voices fan out into a colourfully glowing sound palette that plays with overtone resonance. As a result, "Angelite" offers something that goes far beyond common folk music: It is the artful and skilful enhancement of traditional elements to form a style which - despite its a great affinity with the folklore of Bulgaria - can be considered a category of its own. On the one hand it possesses an "authentic" sound, i.e. preserves the heritage; on the other hand it has advanced into the sphere of art music.
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choir Bulgaria gold treasure GRAMMY divine God Eurovision music video estate Mystery beauty folklore world song winner cool Japanese Sakura golden spray Absolutely fantastic angelite The Power of the Human Voice best women's Bulgarian Voices amazing awards gospel
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