lomovolga

 

 

 George Glover

"The Five Senses: Touch"
by George Glover (1630)

 

"The Five Senses: Hearing"
by George Glover (1630)

 

"The Five Senses: Sight"
by George Glover (1630)

 

The Five Senses: Taste"
by George Glover (1630)

 

The Five Senses: Smell"
by George Glover (1630)

 

"The Seven Deadly Sins: Pride"
by George Glover (1630)

 

"The Seven Deadly Sins: Wrath"
by George Glover (1630) 

 

"The Seven Deadly Sins: Gluttony"
by George Glover (1630)

 

"The Seven Deadly Sins: Lust"
by George Glover (1630)

 

The Seven Deadly Sins: Covetness (or Greed)"
by George Glover (1630)

 

"The Seven Deadly Sins: Sloth"
by George Glover (1630)
- "Fye on the Slothfull dame, whylst Shee Sleepes fast, And Snortes her tyme out, All thinges runne to wast, Better it weare, A man had worne the willowe, Than have A wife, still leaning on A Pillowe"

 

"The Seven Deadly Sins: Envy"
by George Glover (1630)

 

"The Seven Liberal Arts: Arithmetic"
by George Glover (1625-1635)
- "Thy depth ARITHMETICK there's none can knowe, Since from bare one, Such Countles numbers growe, Which multiply'de, to Infinites it comes, making base counters, Stand for Goulden Summes."

 

"The Seven Liberal Arts: Astronomy"
by George Glover (1625-1635)
- "Starrs motions, with their [indistinct], which fixt, which wander weare first observed, by ANAXIMANDER. But Some, whylst they theire fates from thence Inquire have Stumbling falne And fayld of their desire."

 

"The Seven Liberal Arts: Grammar"
by George Glover (1625-1635)
"GRAMMER of all the liberall Artes takes place, from whome, the other Six, derive theire race, In GREECE, PROMETHEUS taught her first to Spell, but CRATES (in ROME) after, to Speake well."

 

"The Seven Liberal Arts: Rhetoric"
by George Glover (1625-1635)
- "RHETORICK, in Schooles, and [indistinct] of Court profest, now (more than ever) growne into request (With Profits both the lawyer, and Devine) TYSIAS devis'd, and CORAX did refine"

 

"The Seven Liberal Arts: Dialects"
by George Glover (1625-1635)
- "LOGICK's a Subtle lasse, and apt to wrangle, to urge, force, wrest, to Argue, and Intangle; Of nimble Aprehension, and t'is Sedd, CLEANTHES her begott, CRISPPUS bredd."

 

"The Seven Liberal Arts: Music"
by George Glover (1625-1635)
- "MUSICK amongst the Spheares first heard to Sound was heere on earth, by one TERPANDER found. But of all kinds that heart, or care rejoyce, none Sweeter, than that Echoathe from the voyce."

 

"The Nine Woeman Worthys: Penthisilaea"
by George Glover (1630)
- "PENTHISILAEA from cold SCITHEA brought, A thowsand Mayds to TROY, with PYRRHUS fought In Single duell, And had long the Best, But fell at length, by multitudes opprest." - In Greek mythology, she was the Queen of the Amazons during the Trojan War.

 

"The Nine Woeman Worthys: Artimetia"
by George Glover (1630)
- "This mighty CARIAN Queene (belov'd and fear'd), After that brave Tombe, ore her husband reard, The PERSEANS (entring GREECE), to Sea, persu'de, And in a Navall fight, XERXES Subdu'de."

 

"The Fowre Complexions: Phlegmatic"
by George Glover (1630) -

 

"The Nine Woeman Worthys: Hester"
by George Glover (1630)
- "Queene HESTER, when proude HAMMANS Stimulation, Had plotted and prevail'd t'extirpe her nation Ransom'd them all from Slaughter, caus'd him dye Upon a Gibbit, fifty Cubitts heigh." - Reference to the Biblical Queen Esther

 

"The Nine Woeman Worthys: Zenobia"
by George Glover (1630)
- "Bellona lyke, this rare PALMIRIAN Queene, To front the Romans potent hoast was Seene, Who honored, and much grac't expyr'd in ROME, for whome, AURELLIAN rear'd A marble Toombe"

 

"The Fowre Complexions: Sanguine"
by George Glover (1630) 

 

Johan Bara

"The Five Senses: Taste"
by Johan Bara (1600)

 

"The Five Senses: Sight"
by Johan Bara (1600)

 

"The Five Senses: Smell"
by Johan Bara (1600)

 

"The Five Senses: Feeling"
by Johan Bara (1600)

 

Jean Leblond 

"The Times of Day: Night"
by Jean Leblond (1605-1666)

 

"The Four Seasons: Autumn"
by Jean Leblond (1605-1666)

 

"The Times of Day: Evening"
by Jean Leblond (1605-1666)

 

 

"The Four Seasons: Spring"
by Jean Leblond (1605-1666)

 

"The Times of Day: Morning"
by Jean Leblond (1605-1666)

 

"The Four Seasons: Winter"
by Jean Leblond (1605-1666)

 

"The Times of Day: Midday"
by Jean Leblond (1605-1666)

 

 

"Geometry"
by Jean Leblond (1636)
- One of a set that focuses on the Seven Liberal Arts, but only this one was posted on the blog where I found it.

 

"The Four Seasons: Summer"
by Jean Leblond (1605-1666)

 

William Marshall

"Woman with Flower Basket"
by William Marshall (1617-1649)

 

"The Elements: Fire"
by William Marshall (1617-1649)

 

"The Elements: Water"
by William Marshall (1617-1649)

 

Jean Mariette 

"The Elements: Water"
by Jean Mariette (1660-1742)

 

"The Elements: Earth"
by Jean Mariette (1660-1742)

 

"The Elements: Fire"
by Jean Mariette (1660-1742)

 

"The Elements: Air"
by Jean Mariette (1660-1742)

 

Francis Cleyn 

 

"The Seven Liberal Arts: Astronomy"
by Francis Cleyn (1645)

 

 

"The Seven Liberal Arts: Grammar"
by Francis Cleyn (1645)

 

"The Seven Liberal Arts: Dialects"
by Francis Cleyn (1645)

 

 

"The Seven Liberal Arts: Rhetoric"
by Francis Cleyn (1645)

 

"The Seven Liberal Arts: Music"
by Francis Cleyn (1645)

"The Seven Liberal Arts: Geometry"
by Francis Cleyn (1645)

 

"The Four Seasons Autumn"
by Paul van Somer II (1670s)

 

La Hollandoise sur les patins
after Cornelis Dusart (Dutch artist, 1660-1704)

 

Dance le Ballet 

 

Venus 1770.

 

Faune 1770.

 

Chinois 1770.

 

Chinoise 1770.

 

Fury opera costume from the 'Gallerie des Modes et Costumes Français' (18th century).

 

Africain 1770.

 

Furie 1770.

 

Thetis – c.1775 – dans des Fragmens d'Operas.

 

Apollon 1770.

 

Paysanne Galante – 1779 – on fait usage de cet habit dans le Ballet de la Provencale, et dans plusieurs Ballet du même genre.

 

Neptune 1770.

 

Reine des sylphes.

 

Sultane 1770.

 

Demon 1770.

 

Silphe – 1779 – dans le Ballet des Elements.

 

Sylphide 1770.

 

Paysan Galant – 1779 – habit en usage dans plusiers Ballets.

 

Paysanne gallante 1770.

 

Médea 1770.

 

Idamé 1770.

 

Habits des nymphes de la suite d'Orithie du balet du Triomphe de l'Amour. Costume by Jean Berain Père: a young woman wearing a feathered turban and embroidered jacket and skirt, dancing – c.1681.

 

Vanitas

Print made by Jacob de Gheyn II
1595-1596

 

Published by Hendrik Goltzius
1594 (circa)
Vanitas; allegory of transience; a putti, whole-length, blowing bubbles and astride a skull; at left, a vase of flowers and at right a smoking urn

 

After Marten de Vos.1590 (c.)

 

Published by Hieronymus Cock
1550 (circa)
Vanitas; a large skull and a sleeping putto in an architectural framework
Etching

 

Print made by Crispijn de Passe the elder
After Marten de Vos
1600 (circa)

 

Drawn by Jacob de Gheyn II
1599

 

Attributed to Jacob Hoefnagel
(1542 – 1601)

 

 Lucas van Leyden
1519 (circa)

 

After Leonardo da Vinci
After Bernardino Luini
1770
Two female half-length figures, one draped in the dress of a nun, the other dressed in rich clothes holding a flower; after Luini.
1770

 

Print made by Angelo Campanella
After Leonardo da Vinci
1760-1811

 

Vanitas vanitatum et omnia vanitas
After Abraham Bloemaert
Print made by Jan Saenredam
Date
1600 

 

After Abraham Bloemaert
1608
Allegory on Vanitas. A young woman in rich attire reclines holding a jar, a peacock at left, on a table at right bags of coins and a chest, a richly decorated vessel and plate in foreground; after Abraham Bloemaert. 1608
Engraving

 

After Abraham Bloemaert
1611
Allegory on Vanitas. A young woman in rich attire blowing soap bubbles, on a table at right a crown, piles of coins, chains and various richly decorated precious vessels; after Abraham Bloemaert. 1611
Engraving

 

After Jacob de Gheyn II
Print made by Andries Jacobsz.
Date
1610-1620 (circa)
Vanitas with Death and a maiden; a richly attired woman at her toilet-table; behind her stands Death holding an hour-glass; on the table is a jewellery box and a bag of coins
Engraving

 

Vélins
Print made by Schelte Adamsz. Bolswert
After Peter Paul Rubens
1600-1659
St Mary Magdalene finely attired, half-length to left, tearing a pearl necklace from her neck, several beauty products in front of her; unsigned; after Rubens
Engraving

 

Vanitas vanitatem et omnia vanitas (Vanity of vanities, all is vanity)
Print made by Anonymous
After David Vinckboons
Date
1620

 

After Johann Georg Kreutzfelder
1671 (c.)

 

After Joseph Christ
Print made by Johann Elias Haid
1770s
Interior with an elegantly dressed young man and an old man holding a book in the background; allegorical representation of a vanitas-theme; after Joseph Christ. c.1770s
Mezzotint

 

Print made by Johann Elias Haid
After Godfried Schalcken
1770s
Interior with an elegantly dressed young woman seated at a table, her hand resting on a casket; an old woman in the background to right; allegorical representation of a vanitas-theme; after Schalken. c.1770s

 

Vanitas Vanitatis
After Godfried Schalcken
Print made by Robert Williams
1680-1704 (c)
Young winged 

 

Print made by Giovanni Folo
After Leonardo da Vinci (formerly attributed to)
After Bernardino Luini
1812 (circa)

 

 

 

 

Серия сообщений "Гравюры, рисунки \3\":
Часть 1 - Николя де Лармессен (Nicolas de Larmessin, 1632–1694) - Августейшие изображения всех королей Франции от Фарамонда до Людовика XIV \1\
Часть 2 - Николя де Лармессен (Nicolas de Larmessin, 1632–1694) - Августейшие изображения всех королей Франции от Фарамонда до Людовика XIV \2\
...
Часть 25 - Старинный пейзаж в гравюре и рисунке европейских художников XVII-XIX вв. (Sotheby's auction) \213\
Часть 26 - Старинный пейзаж в гравюре и рисунке европейских художников XVII-XIX вв. \214\
Часть 27 - В коллекцию гравюр и принтов - George Glover "The Five Senses" \ "Dance le Ballet" \ "Vanitas"