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 LiveInternet.ru:
: 09.03.2010
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: (17), (9), (12), (3), (3), (25), (1), Fashion is passion(2), animals(7)
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, 06 2012 . 18:28 +
Enchanting_girl [ + !]

" " 2012

   



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, 26 2010 . 15:51 +
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, 26 2010 . 15:35 +
__ [ + !]

II

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Isabelle Yasmine Adjani
27.06.1955 - , (France)

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, 08 2010 . 11:01 +
affinity4you [ + !]

Hugh Laurie | 'House M.D.'



Hugh Laurie | 'House M.D.'





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, 10 2010 . 16:01 +
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- / Maya Deren - Experimental Films (1943-1985)



(19171961) ( ) 1922 . . . Creative Film Foundation .

http://ru.wikipedia.org/wiki/%D0%9C%D0%B0%D0%B9%D1%8F_%D0%94%D0%B5%D1%80%D0%B5%D0%BD
http://www.imdb.com/name/nm0220305/
http://www.sensesofcinema.com/contents/directors/02/deren.html

:
* 1943 Meshes of the Afternoon / ( . ).
* 1944 Witchs Cradle / ( . ).
* 1944 At Land / .
* 1945 A Study in Choreography for Camera / .
* 1946 Ritual in Transfigured Time / .
* 1948 Meditation on Violence / .
* 1958 The Very Eye of Night / ( -).
* 1985 Divine Horsemen: The Living Gods of Haiti / : (19471954, , ).

:
* Invocation: Maya Deren, Jo Ann Kaplan (1987)
* In The Mirror of Maya Deren, Martina Kudlacek (2002)

/ /
/ / Meshes of the Afternoon (1943)

: Meshes of the Afternoon.
: 1943.
: Maya Deren.
: Alexander Hammid, Maya Deren.
: / .
: .
: 13:28 .
: ().
: , , . .

, , , ( ). - , - , .
:
The film repeats a number of circular psychologically symbolic images and has been deemed "culturally significant" by the Library of Congress.

Meshes of the Afternoon is a short experimental film directed by husband and wife team, Maya Deren and Alexander Hammid with devastating psychological problems. The film's narrative is circular, and repeats a number of psychologically symbolic images, including a flower on a long driveway, a key falling, a door unlocked, a knife in a loaf of bread, a mysterious Grim Reaper-like cloaked figure with a mirror for a face, a phone off the hook and an ocean.



:
http://video.google.com/videoplay?docid=4002812108...=Meshes+of+the+Afternoon&hl=en

:
http://rapidshare.com/files/79526189/Meshes_of_the_Afternoon.part01.rar
http://rapidshare.com/files/79525567/Meshes_of_the_Afternoon.part02.rar

Video: XVID 512x384 23.98fps 1431Kbps
Audio: MPEG Audio Layer 3 48000Hz mono 105Kbps
Size: 149MB

http://www.imdb.com/title/tt0036154/
http://en.wikipedia.org/wiki/Meshes_of_the_Afternoon

Witchs Cradle / (1944)

: Witch's Cradle.
: 1944.
: Maya Deren.
: Marcel Duchamp.
: / .
: .
: 11:46 .
: ().
: .
:
This film was never finished.

Witch's Cradle, a choreographed set of movements between the figure (played by Duchamp) and the camera. The film was intended to be an exploration of the magical qualities of objects in Peggy Guggenheim's Art of this Century Gallery, a space where Duchamp also exhibited. Witch's Cradle remains unfinished, the film recalling Duchamp's difficulty with completion. Duchamp's Large Glass or The Bride Stripped Bare By Her Bachelors, Even (1915-23) collected dust in his studio for seven years until it was shattered in transit. Duchamp celebrated the accident as the final element allowing the art to be considered complete.



:
http://rapidshare.com/files/79926320/Witch_s_Cradle.part1.rar
http://rapidshare.com/files/79919626/Witch_s_Cradle.part2.rar

Video: XVID 608x448 29.97fps 2041Kbps
Size: 172MB

http://www.imdb.com/title/tt0178109/

At Land / (1944)

: At Land.
: 1944.
: Maya Deren.
: John Cage, Maya Deren, Alexander Hammid.
: / .
: .
: 14:44 .
: ().
: .
:
A dream comes true.

Deren's second experimental film, At Land, reinforces her interest in the juxtaposition of anachronistic spaces and introduces a critique of social rituals. This film begins by reversing the natural rhythm with images of waves breaking and descending back into the sea. Starring again, Deren is seen climbing up a dead tree trunk on the beach, magically emerging onto a table where a formal dinner party is in progress. This 'civilized' world ignores Deren as she crawls along their dinner table. By depicting herself as invisible to the diners, Deren highlights the myopia of the guests. The dinner sequence in At Land ends with an enchanted chess game. A pawn falls from the table and descends back into the dead wood on the beach, it falls over rocks, into the water and is washed away over the waterfalls. Chasing the pawn, Deren is restored to her original landscape.



:
http://rapidshare.com/files/79913113/At_Land.part1.rar
http://rapidshare.com/files/79906870/At_Land.part2.rar

Video: XVID 512x384 23.98fps 1617Kbps
Size: 170MB

http://www.imdb.com/title/tt0036618/

A Study in Choreography for Camera / (1945)

: A Study in Choreography for Camera.
: 1945.
: Maya Deren.
: Talley Beatty.
: / .
: .
: 02:13 .
: ().
: - .
:
Exercise Piece with a Dancer.

Maya Deren's A Study in Choreography for Camera is an acknowledged classic of the avant-garde dance/trance film. More than 20 years after Maya Deren died in 1961, Anthology Film Archives in New York began to distribute the 15 minutes of outtakes that survive of the four-minute film, in order to demonstrate not only "how she did it" but to provide an object lesson in economy of editing.



:
http://rapidshare.com/files/79927491/A_Study_in_Choreography_for_Camera.rar

Video: XVID 512x384 23.98fps 1076Kbps
Size: 17MB

http://www.imdb.com/title/tt0124148/

Ritual in Transfigured Time / (1946)

: Ritual in Transfigured Time.
: 1946.
: Maya Deren.
: Maya Deren, Rita Christiani.
: / .
: .
: 14:27 .
: ().
: .
:
Surreal Narrative with Dance Choreography.

Ritual In Transfigured Time silently follows Rita Christiani's perspective as she enters an apartment to find Maya Deren immersed in the ritual of unwinding wool from a loom. Deren includes another expression of the external invading the internal with a strange wind that surrounds and entrances her as she becomes transported by the ritual. Ritual in Transfigured Time links the looming ritual with the ritual of the social greeting. Christiani enters a party, meets and greets, moving throughout the crowd like a dancer. Her movements become increasingly expressive and fluid, the ritual becomes a performance. Key themes in this film are the dread of rejection and the contrasting freedom of expression in the abandonment to the ritual.



:
http://rapidshare.com/files/79896304/Ritual_in_Transfigured_Time.part1.rar
http://rapidshare.com/files/79888704/Ritual_in_Transfigured_Time.part2.rar

Video: XVID 512x384 23.98fps 1255Kbps
Size: 130MB

http://www.imdb.com/title/tt0038885/

Meditation on Violence / (1948)

: Meditation on Violence.
: 1948.
: Maya Deren.
: Chao Li Chi.
: / .
: .
: 12:25 .
: ().
: , .
:
The setting with the low walls and river views is located in a private area of The Cloisters museum.

In Meditation on Violence Deren's camera is motivated by the movement of the performer, Chao Li Chi. This film is marked by a lack of dynamism and mobility that we have come to expect from Deren's camera. It also obscures the distinction between violence and beauty. The shadows on the white wall behind Chi amplify the movement of the Wu Tang ritual. In Meditation on Violence Deren experiments with film time, reversing the film part way through producing a loop. Exhibited forwards and then backwards, the difference in the Wu Tang movements is almost imperceptible.



:
http://rapidshare.com/files/79886331/Meditation_on_Violence.part1.rar
http://rapidshare.com/files/79879725/Meditation_on_Violence.part2.rar

Video: XVID 512x384 23.98fps 1623Kbps
Audio: MPEG Audio Layer 3 48000Hz mono 91Kbps
Size: 153MB

http://www.imdb.com/title/tt0040578/

The Very Eye of Night / (1958)

: The Very Eye of Night.
: 1958.
: Maya Deren, Harrison Starr III.
: Metropolitan Opera Ballet School.
: / .
: .
: 15:01 .
: ().
: .
:
Prioritizing enchantment over interpretation, The Very Eye of Night proved to be Deren's most controversial and misunderstood film.

The Very Eye of Night was a collaboration with the Metropolitan Opera Ballet School. The film was beset by problems in its production and carried with it a heavy weight of expectation. A shimmering constellation of stars established the background for negative images of figures resembling Greek Gods superimposed on and magically transported along the milky way. Deren called it her 'ballet of night', an ethereal dance within a nocturnal space that focused on the spectacle rather than the narrative. Ito collaborated on the soundtrack using tone blocks and bells, recalling the trance rhythm of Meshes of the Afternoon.



:
http://rapidshare.com/files/79902888/The_Very_Eye_of_Night.rar

Video: XVID 512x384 23.98fps 631Kbps
Audio: MPEG Audio Layer 3 48000Hz mono 101Kbps
Size: 80MB



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