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25 HQ PHOTOS / 50MB / RS

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Candles  Clipart for Photoshop

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“Alarm” was created by MESAI (Warning: irritating Flash interface), an animation team from South Korea.

The short film tells the story of a young man and his hard fought struggles (against an evil alarm clock)  to stay in bed on a bright and sunny morning.

The film is hampered by a wafer-thin, excruciatingly paced storyline – but redeems itself with some top notch animation.

Alarm from Meteorix007 on Vimeo.

You can download the storyboards and a 720p HD version of the film at their site.

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80 UHQ RGB JPEG Images | 5700

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Imagine a job where you need to work only 10 days a year to make $100,000. A job that allows you to be a respected artist, a savvy craftsman, and a hip partygoer who hangs out with celebrities, superstars, and top models.

320 pages | RS | Uploading | Hotfile| Language: English | ISBN-10: 1598632264

Imagine a job where you need to work only 10 days a year to make $100,000. A job that allows you to be a respected artist, a savvy craftsman, and a hip partygoer who hangs out with celebrities, superstars, and top models. No need to wear a tie and suit. No corporate office hours, and no supervising department heads checking your time card. At your command explosions occur, cars crash, helicopters swoop, and you are expected to spend a million dollars in a week or two. This job exists. Its called a commercial director, the creative mind behind the production of a TV spot. While being a commercial director may be one of the coolest jobs in the world, its also one of the toughest jobs to get (and keep). The 30-Second Storyteller: The Art and Business of Directing Commercials teaches any filmmaker how to get work as a commercial director, how to navigate the pitfalls of production, and how to get clients to keep coming back to you for more. The book is not a textbook on directing  plenty of other books cover that. Rather, The 30-Second Storyteller focuses on directorial challenges specifically related to creating a TV spot  the techniques involved, the technologies of choice, and the obstacles that come between you and a successful career. It begins by teaching you how to get your foot in the door  creating a spec reel, picking a specialty, getting signed with a production company, and successfully bidding for projects. It then covers the production of a commercial from preproduction through the shoot, all the way to finishing in post-production. Examples from a real-world commercial are utilized throughout to illustrate concepts. The book concludes with advice on obtaining work abroad, and making the jump from commercials to features, as TV ads are a training ground for Hollywoods next blockbuster director. Filmmakers like Ridley Scott, Michael Bay, David Fincher, Jonathan Glazer, Tarsem and Zack Snyder have all gotten their start in commercials.

About the Author

Since earning a Bachelor of Fine Arts with Honors in Film from the prestigious Art Center College of Design, Thomas Richter has won dozens of awards for both commercials and short films, including the John Sayles Award for Best Narrative Short, the Silver Hugo Award for Best Campaign, and the ITVA Platinum Award for Media Excellence. Thomas has directed commercials for clients as diverse as Ford, Toyota, Infiniti, The San Francisco Giants, IKEA, and Coolboarders the videogame, among many others. Check out his work at

http://www.thomasrichter.net/.

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Jane Stadler, Screen Media: Analysing Film and Television

An introduction to film and television analysis for students that shows how to hone their powers of observation and provides the vocabulary they need to articulate what they see. Allen & Unwin Australia | ISBN: 1741754488 | 2009-01 | PDF | 390 pages | 3.3 МB

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High-definition video is today’s fastest-growing platform for video content, and it’s used by professionals and hobbyists alike. The demand to acquire, edit, and deliver HD content is always increasing. In HD Workflows with Final Cut Studio 2, Apple Certified Trainer Larry Jordan delves into the HD workflow. He provides a comprehensive explanation of what HD is, how to work with the many forms it comes in, and how to use the most common formats and codecs. This course is for anyone wishing to learn about HD—from distribution formats and transcoding to hardware requirements and editing in Final Cut Studio. The second half of the training teaches a variety of specific techniques and workflows for successfully handling high-definition video in Final Cut Pro. Exercise files accompany the course.

HomePage: http://www.lynda.com/home/DisplayCourse.aspx?lpk2=580

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PDF | 101 pages | 31.5 Mb | English

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