Charles, Prince of Wales (later Charles I). Vellum. Oval, 2 5/8 in (6.7cm) high.
Author Isaac Oliver
Date 1615(1615)
Elizabeth, Queen of Bohemia, by Michiel Jansz. van Miereveldt (died 1641). See source website for additional information.
Date c. 1623
GHEERAERTS, Marcus the Younger
Portrait of Lady Anne Ruhout
1631
Oil on canvas, 126 x 102 cm
Groeninge Museum, Bruges
DYCK, Sir Anthony van
Portrait of a Noble Genoese Lady
1621-27
Oil on canvas, 239 x 170 cm
Musée du Louvre, Paris
GONZÁLEZ Y SERRANO, Bartolomé
Portrait of Margarita Aldobrandini, Duchess of Parma
1610-23
Oil on canvas, 155 x 112 cm
The Hermitage, St. Petersburg
MIEREVELD, Michiel Jansz. van
Portrait of a Woman
1628
Oil on panel, 67 x 56 cm
Wallace Collection, London
POURBUS, Frans the Younger
Archdukes Albert and Isabella
-
Oil on oak panel, 60 x 42 cm (each)
Groeninge Museum, Bruges
POURBUS, Frans the Younger
Portrait of an Italian Lady
1600-09
Oil on canvas, 47 x 36 cm
Pinacoteca Malaspina, Pavia
Other works by the artist...
POURBUS, Frans the Younger
Portrait of Margaret of Savoy, Duchess of Mantua
1608
Oil on canvas, 207 x 116 cm
The Hermitage, St. Petersburg
Other works by the artist...
POURBUS, Frans the Younger
Portrait of Isabella Clara Eugenia of Austria with her Dwarf
c. 1599
Oil on canvas, 217 x 130 cm
Royal Collection, Hampton Court
XIII 1613 , , . , , , . . , , , , , . . , .
1534 .
. , .
XVII , . , , , , , , , , , .
XVIII , , . , . . , , .
--------------- --------------------------
Portret Anna de Looper, Abraham Rombouts, 1627 Portret Anna de Looper, Abraham Rombouts, 1627
MIEREVELD, Michiel Jansz. van
Portrait of a Young Woman
1630
Oil on panel, 70 x 58 cm
Kunsthistorisches Museum, Vienna
Elisabeth of France, Queen of Spain, eldest daughter of King Henry IV. of France and Maria de Medici, first Wife of King Philip IV of Spain, oil on canvas, Staatliche Kunsthalle Karlsruhe
Date c. 1615
Author Frans Pourbus the Younger
Anthony van Dyck (1599(1599)1641(1641))
um 1630
Porträt der Marie-Louise de Tassis
Catherine Killigrew, Lady Jermyn, oil on panel
Date 1614(1614)
Source Scanned from Karen Hearn, ed. Dynasties: Painting in Tudor and Jacobean England 1530-1630.
Author Marcus Gheeaerts the Younger
unknow, probably 17th century
Author Marcus Gheeraerts
POURBUS, Frans the Younger
Portrait of a Frenchman
1610-22
Oil on canvas, 61 x 53,3 cm
Art Gallery, New South Wales
---------------------------------------------
A double portrait of Charles I and Henrietta Maria, with Henrietta Maria handing a laurel wreath to the king. 17th century. Coques, Gonzales
Kaiser Ferdinand III. (1608-1657), Brustbild
Frans Luycx
DYCK, Sir Anthony van
Portrait of the Princes Palatine Charles-Louis I and his Brother Robert
1637
Oil on canvas, 132 x 152 cm
Musée du Louvre, Paris
HALS, Frans
Portrait of a Woman Holding a Fan
c. 1640
Oil on canvas, 79,8 x 59 cm
National Gallery, London
------------------------- ----------------------
Collar
Place of origin:Honiton (probably, made)
Date:1630-1640 (made)
Lacemaking developed in England during the 16th century in response to the growth in personal wealth and to changes in fashionable dress. By 1600, bobbin lace was being made domestically throughout the country and professional centres had been established in London, the West Country and the Midlands. The lace for this collar was probably professionally made.
Lace ensemble
Place of origin:England (made)
Devon (probably, made)
Date:ca. 1635 (made)
Place of origin: : Vienna (made) ()
Date: : 1879 (designed) 1879 ( )
Place of origin: : Belgium (made) ()
Date: : 1630s (made) 1630- ()
mid 17th century (made) 17-
---------------- -------------------
Detail from a painting of The Marquise d'Aigurandes by F. Drouais, 1759
Sophie Philippine Elisabeth Justine de France, dite Madame Sophie (1734-1782)
Year 1748(1748)
Technique Oil on canvas
Musée national du Château et des Trianons
Russian Grand princess Catharina Aleksejevna 16 years old (future Catherine II of Russia, called the Great)
german painter Georg Christoph Grooth
State Hermitage Museum, St-Peterburg, Russia
Date 1745(1745)
Jean-Marc Nattier (1685(1685)1766(1766))
Victoire Louise Marie Thérèse de France, dite Madame Victoire (1733-1799)
Year 1748(1748) Musée national du Château et des Trianons
Jean-Marc Nattier (1685(1685)1766(1766))
Louise-Marie de France, dite Madame Louise (1737-1787)
Year 1748
DROUAIS, François-Hubert
Madame de Pompadour
1763-64
Oil on canvas, 217 x 157 cm
National Gallery, London
Alexander Roslin (1718(1718)1793(1793))
John Jennings Esq., his Brother and Sister-in-Law
Year 1769
early 17th century (made) 17 ()
Cutwork and needle lace Cutwork
early 17th century (made) 17 ()
Cutwork and needle lace Cutwork
()
Date: : 1620-1640
, 1886. Poor Clares,
- .
Biblia
Biblia , , 1886
This is a piece of Irish needle lace. It has a distinctive flat style and an 18th-century pattern, although it actually dates from about 1886.
Border
Unknown
ca. 1886
----------------------
Set of flounces-
Place of origin:Bayeux (made)
Date:1867 (made)
---------------------
England (made)
second half 19th century (made) 19
England (made)
Date: : second half 19th century (made) 19
This set of bed hangings was made for the marriage in 1875 of Queen Natalie, the daughter of a Russian colonel, to Milan IV, King of Serbia.
Burano Lace School
ca. 1880 C. 1880
, 1872. The Venetian lagoon froze and the communities dependent on fishing were badly affected. , . The school revived the skill that had made Venice the major producer of needle lace in the 16th and 17th centuries. , 16- 17- .
Flounce
Place of origin:Burano (made)
Date:1880s (made)
.
The market for all qualities of lace grew in the mid 19th century. 19 . Handmade lace was a status symbol that demonstrated wealth and position. , . In the 1850s and 1860s people began to spend large quantities on luxury lace as they had done in the 18th century. 1850 1860 , 18 . Silk lace and embroidered nets were fashionable in the early years of the 19th century. 19- . Manufacturers made great efforts to improve and expand the industry to meet demand. . By the mid 1840s, Brussels was again the leading centre for fashion lace. 1840- . Handmade net remained fashionable until the 1850s, when this piece was made.
Stole
Burano Lace School
ca. 1900
--------------------------- ------------------
Shawl . .
Place of origin:Chantilly (probably, made)
Date:1860-1870 (made)
Artist/Maker:Unknown
Materials and Techniques:Silk bobbin lace
Shawl . .
Place of origin:Chantilly (probably, made)
Date:1860-1870 (made)
Christening cap
Place of origin:Belgium (lace, made)
England (assembled)
Date:1650-1700 (made)
Flounce Bobbin lace worked in linen thread
Place of origin:Brussels (city) (made)
Date:ca. 1740 (made)
Flounce Bobbin lace worked in linen thread
Place of origin:Brussels (city) (made)
Date:ca. 1740 (made)
1730-1750
: Bobbin lace
1730-1750
: Bobbin lace
old picture , unknown people who made this piece for the Queen Maria Hendrikka of the belgians; Royal Collection ca. 1878
Apron
Place of origin:Brussels (city) (made)
Date:mid 18th century (made)
==================================
.
Place of origin:London (made)
Date:ca. 1690 (made)
Artist/Maker:Gibbons, Grinling (maker)
Materials and Techniques:Limewood, with raised and openwork carving
- . : Internet Explorer 6, Fire Fox 1.5, Opera 9.5, Safari 3.1.1 JavaScript. 
^_^
Html-. , 
. :) .
- "Empire" Goodgame Empire.
, . 
