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Studio of Hermann tom Ring (Münster 1521-1597)
Portrait of a gentleman, possibly of the Ratold family, half-length, in a black doublet,
oil on panel
20¾ x 16? in. (53.7 x 42.9 cm.)

Portrait of Conyers d'Arcy, 1st Earl of Holderness (1599-1689),
1625
oil on canvas
36 1/8 x 30¼ in. (91.8 X 76.8 cm.

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English School, 16th Century
Portrait of a young girl from the Prescott or Hewitt family, three-quarter-length, in a red dress with lace ruff and gold chains, a carnation in her right hand

Florentine School, c. 1600
Portrait of Filippo di Francesco I de' Medici
oil on canvas
46 x 31 in. (116.8 x 78.8 cm.

Jacob van Loo
SLUIS 1614 - 1670 PARIS
PORTRAIT OF A BOY, FULL LENGTH, IN PINK SILK PLAYING WITH TWO PUPPIES
oil on canvas, 153 by 115.5 cm.;

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Жан-Батист Моннуайе (Jean-Baptiste Monnoyer, 12 января 1636 - 20 февраля 1699) - франко-фламандский художник, специализирующийся на написании цветочных натюрмортов.

Jean-Baptiste Monnoyer
and
Antoine Monnoyer, 1690-1699,
Still Life with Flowers, Fruits, a Parrot, and a Monkey,
oil on canvas
Portland Art Museum - Portland, Oregon

Jean-Baptiste Monnoyer
LILLE 1636 - 1699 LONDON
STILL LIFE OF FLOWERS IN A BASKET
oil on canvas
24 3/4  by 39 1/4  in.; 62.9 by 99.7 cm.

Учился в Антверпене, но стал членом Академии в Париже в 1665 году и работал для Людовика XIV. Поссорившись с сыном Антуаном, также  работавшем в стиле цветочного натюрморта, который позволил себе изменить некоторые из работ отца , MONNOYER Jean-Baptiste  в порыве раздражения  отправился в Лондон в 1685. Там он работал для герцога Монтегю  и остался в Лондоне до своей смерти.

Attributed to Jean-Baptiste Monnoyer
LILLE 1636 - 1699 LONDON
STILL LIFE OF VARIEGATED CARNATIONS AND OTHER FLOWERS ON A LEDGE
oil on canvas
13 by 16 1/4 in.; 33 by 41.3 cm.

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Follower of Jean-Baptiste Monnoyer
A STILL LIFE WITH ROSES, TULIPS, IRISSES, POPPY ANEMONES, AURICULA, HYACINTHS AND OTHER FLOWERS, ALL IN A TERRACOTTA SCULPTED VASE, ON A STONE LEDGE
oil on canvas, unframed
107.5 by 92 cm.

Anne Vallayer-Coster (Paris 1744-1818)
Parsnips, a loaf of bread, eggs and a bottle on a stone ledge
1774)
oil on canvas, unframed
15 1/8 x 18¼ in. (38.5 x 46.3 cm.)

Aelbert Cuyp (Dordrecht 1620-1691)
A cockerel and three hens in a landscape: a fragment
signed 'A: cuijp' (lower left)
oil on panel

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Nathaniel Caspary, after Jan Gossaert, called Mabuse
Group portrait of the children of King Christian III of Denmark (1503-1559),
 'K: HENRY. VII. THREE OF HIS CHILDREN. HANS HOLBEIN. P. ORIGINAL. 1495. HENRY. ARTHUR. MARGARET.'
oil on canvas
13½ x 15¾ in. (34.3 x 40 cm.)

Sir Peter Lely
SOEST 1618 - 1680 LONDON
DOUBLE PORTRAIT OF HENRY HYDE, VISCOUNT CORNBURY, LATER 2ND EARL OF CLARENDON (1688–1709) AND HIS WIFE, THEODOSIA CAPEL, VISCOUNTESS CORNBURY
oil on canvas 143 x 181.5 cm.
 

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Follower of Ottmar Elliger
Parrot tulips, narcissi, convolvulus and other flowers, with a Red Admiral butterfly, a beetle and other insects
oil on panel
15 1/8 x 10 7/8 in. (38.4 x 27.6 cm.)

Maria Geertruida Snabilie (Haarlem 1776-1838)
Tulips, roses, peonies and other flowers in a vase on a stone ledge
signed with initials and dated 'B.S. 1838' (lower right)
oil on panel
60.5 x 46.5 cm.
Painted in 1838.

Workshop of Hendrick van Balen (Antwerp 1575-1632)
The Crowning of the Virgin, surrounded by a garland of flowers held by putti

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Lucas Gassel (Helmond c.1495/1500-c.1570 Brussels)
A panoramic river landscape with Judah and Tamar
oil on panel 45.7 x 63.4 cm

Luca Carlevarijs
UDINE 1663 - 1730 VENICE
RIVER LANDSCAPE WITH A CAPRICCIO VIEW OF THE PONTE ROTTO, ROME
oil on canvas
103.8 by 176.5 cm.

Hendrick Cornelisz. van Vliet
DELFT 1611/12 - 1675
INTERIOR OF THE OUDE KERK AT DELFT
  1662
oil on canvas 95 by 85 cm.

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English School, late 17th Century
Portrait of King Richard III (1452-1485)
oil on panel
23 1/8 x 17 ¼ in. (58.7 x 43.7 cm.)

Follower of Scipione Pulzone
Portrait of a lady
oil on panel, unframed
13 1/8 x 9 7/8 in. (33.2 x 25.1 cm.)

English School, late 16th Century
Portrait of Henry Stanley, 4th Earl of Derby, K.G. (1531-1593)
oil on panel
24 x 19 ½ in. (61 x 49.5 cm.)

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William Marlow
LONDON 1740 - 1813
VIEW OF SAINT PETER'S, ROME
oil on canvas
35 5/8  by 49 3/4  in.; 90.5 by 126.4 cm.

Aert van der Neer
AMSTERDAM CIRCA 1603/4 - 1677
FROZEN RIVER AT SUNSET
signed with the double monogram by the fencepost left of center: AV  DN
oil on oak panel
18 1/4  by 27 5/8  in.; 46.2 by 70.2 cm. 

Circle of Paul Bril
THE REST ON THE FLIGHT INTO EGYPT
oil on copper
23.5 by 29.5 cm.; 9 1/4 by 11 5/8 in.
Read Condition Report Read Conditio

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Pieter Coecke van Aelst the Elder and Workshop
AELST 1502 - 1550 BRUSSELS
A TRIPTYCH: THE ADORATION OF THE MAGI; WITH SAINT JOSEPH (LEFT WING) AND BALTHAZAR (RIGHT WING)
oil on oak panel

  Jan Provoost (1462–1525/1529)
Triptych with the Virgin and Child (centre panel), St John the Evangelist (inner left wing) and Mary Magdalen (inner right wing)
between 1505 and 1525
oil on panel
Mauritshuis

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Josefa de Ayala e Cabrera, called Josefa de Óbidos
SEVILLE 1630 - 1684 ÓBIDOS
THE PENITENT MAGDALENE COMFORTED BY ANGELS
signed and dated lower left: (Jo)sepha em obidos 167(9)
oil on copper
13 3/8  by 16 5/8  in.; 34 by 42.2 cm.

Adriaen Isenbrant
BRUGES CIRCA 1485 - 1551
THE FLIGHT INTO EGYPT
oil on panel
27 1/4  by 33 5/8  in.; 69.2 by 85.4 cm.

Follower of Francisco de Zurbarán
SAINTS AGATHA, LUCY AND APOLLONIA
oil on canvas
57 by 52 1/4  in.; 145 by 134 cm.

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Balthasar van der Ast
MIDDELBURG 1593/94 - 1657 DELFT
A CROWN IMPERIAL LILY, TULIPS, IRISES, ROSES, CARNATIONS, AQUILEGIA, FRITILLARIES AND OTHER FLOWERS IN A SCULPTED URN, WITH SEASHELLS ON A STONE LEDGE, A LIZARD, A CATERPILLAR, RED ADMIRALS, A DRAGONFLY AND A BEE, A CURTAIN DRAPED ABOVE

David de Coninck
ANTWERP CIRCA 1644 - IN OR AFTER 1701 BRUSSELS
A PEACOCK, TURKEY, RABBITS, AND COCKEREL IN A LANDSCAPE
oil on canvas
52 1/4  by 37 1/2  in.; 133 by 93.5 cm.

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Follower of Marcellus Coffermans
MADONNA AND CHILD
inscribed along the lower margin in a painted relief: ET TV SANCTE PVER TVQZ O PVRISSIMA MATER, DELICIÆ ET VERÆ VIRGINITATIS AMOR
oil on canvas
107 by 76 cm.; 42 1/8 by 29 7/8 in.

Antonello de Saliba
MESSINA CIRCA 1466 - CIRCA 1535
MADONNA ADORING THE CHILD
tempera and oil on panel
26 3/4  by 19 1/2  in.; 67.9 by 49.5 cm.

Ambrosius Benson
LOMBARDY (?) LATE 15TH CENTURY - BEFORE 1550 BRUGES
MADONNA AND CHILD
oil on panel
5 3/4  by 5 3/4  in.; 14.5 by 14.5 cm.

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Pier Francesco Cittadini
MILAN 1616 - 1681 BOLOGNA
STILL LIFE OF FRUIT ON A TABLE WITH AN ARCHITECTURAL SETTING BEYOND
oil on canvas
50 by 63 in.; 127 by 160 cm.

Jan Fyt
ANTWERP 1611 - 1661
GAMEPIECE WITH A HARE AND VARIOUS WILD BIRDS, A CAT APPROACHING FROM THE RIGHT
signed and dated lower right:  Joannes. FYT./.1644.
oil on panel
23 3/4  by 34 1/2  in.; 60.3 by 87.7 cm.

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Антверпенская школа
(Antwerp School), 1530-1540
Дама с книгой, возможно,Мария Магдалина
(A Lady Leafing Through A Book, Possibly Mary Magdalene)
30.3 х 23_д.,м.
Частное собрание

 Unknown
English School
Portrait of a Gentleman wearing a slashed doublet and a blackwork collar.
circa 1590
oil on panel 48.2 cm х 38.4 cm

Antwerp School, c. 1520
Mary Magdalene
oil on oak panel, unframed
19 ¾ x 14 1/8 in. (50.2 x 35.7 cm.

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Якоб Фердинанд Вут (Jacob Ferdinand Voet, Antwerp 1639-1689 Paris) - фламандский художник-портретист 17 века.

Диана Габриела де Тианж Манчини
(Diane Gabrielle de Thianges Mancini, bust-length, in an ochre silk dress with flowers in her hair)
74 х 63_х.,м.
Частное собрание

В истории искусства Вут был незаслуженно забыт, пока в 1930 году Чарльз Стерлинг не принялся исследовать несколько портретов, ранее приписываемых художнику Laurent Fauchier. Затем искусствовед Pierre Bautier начал изучать жизнь и работы Якоба Фердинанда Вута.

Королева Швеции Кристины
(Queen Christina of Sweden)
1670-1675_67.3 х 54.6_х.,м.
Эдинбург, Национальная галерея Шотландии

О раннем периоде жизни мастера из Антверпена мало что известно; вероятно, он прибыл в Рим в 1663 году через Францию и быстро сумел стать  желанным портретистом для папского окружения и римской аристократии. Он также пользовался покровительством шведской королевы Кристины, которая в то время проживала в Риме, написал ее портрет и портрет ее друга кардинала Azzolino.

Кардинал Децио Аццолини
(Cardinal Decio Azzolini)
119 х 96.7_х.,м.
Берлин, Картинная галерея старых мастеров

Некоторые англичане, которые приезжали в Рим в качестве туристов, также поручали Вуту рисовать их портреты. Для картинных галерей римских дворцов Вут писал портреты красавиц и кардиналов.

Jacob Ferdinand Voet (Antwerp 1639-1689 Paris)
and
attributed to Mario Nuzzi, called Mario dei Fiori (Rome 1603-1673)
Портрет дамы
(Portrait of a lady, traditionally identified as a member of the Colonna family) (совм с Марио Нуцци)
38.5 x 30.5 медь, масло
Частное собрание

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Jan Hendrik Verheijen
UTRECHT 1778 - 1846
UTRECHT: THE MARKET SQUARE AND CATHEDRAL
oil on panel
43.5 by 56 cm.; 17 1/8  by 22 in.

Anthonie de Lorme
TOURNAI CIRCA 1610 - 1673 ROTTERDAM
THE INTERIOR OF A RENAISSANCE STYLE CHURCH
signed and dated lower left: A. de Lorme 163(?)2
oil on panel
35 by 49 in.; 89 by 125 cm.

Johannes Huibert Prins
THE HAGUE 1737 - 1806 UTRECHT
LANDSCAPE WITH A BRICK HOUSE AND A HORSECART ALONGSIDE A CANAL
indistinctly signed in monogram lower right: JHP
oil on canvas
26.5 by 31 cm.; 10 1/2  by 12 1/4  in.

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Пол ван Сомер (с 1576-1621), также известный как Паулюс ван Сомер, фламандский художник, который прибыл в Англию из Антверпена во время правления короля Джеймса I и стал одним из ведущих живописцев королевского двора.

Paul van Somer I (1576/1578–1622)
Portrait of a young Lady
circa 1620
oil on panel
Denver Art Museum

Attributed to Paul van Somer
  Boy Aged 13 in a Red Jacket,
1620.

Paul van Somer I (1576/1578–1622)
George Villiers, 1st Duke of Buckingham
1576/1621
Oil on wood 87 x h74.9 cm
Museum of Fine Arts

Он написал ряд портретов Джеймса и его супруги королевы Дании Анны, а также таких знатных людей, как Людовик Стюарт, Джордж Вильерс, 1-й герцог Бэкингем, граф Леннокс, Элизабет Стэнли, графиня Хантингдонская и леди Анна Клиффорд. Он иногда обозначается как "Paul van Somer I", чтобы отличить его от гравера с тем же именем, который был активным в Англии между 1670 и 1694.

Circle of SOMER, PAUL VAN (1576 - 1621)
Portrait of a lady in a lace collar.
Oil on panel. 64 x 49.5 cm.
Private collection, Switzerland.

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Pieter Brueghel the Younger
BRUSSELS 1564 - 1637/8 ANTWERP
WINTER LANDSCAPE WITH SKATERS
signed lower left: P BREVGHEL
oil on oak panel
40.9 x 56.5 cm.; 16 1/8  x 22 1/4  in.

Johann Jacob Koller
ZÜRICH 1746 - 1798 AMSTERDAM
AMSTERDAM, A VIEW OF THE SPUI WITH, ON THE LEFT, THE NIEUWEZIJDS VOORBURGWAL AND THE ENTRANCE OF THE BEGIJNHOF WITH THE TOWER OF THE ENGELSE KERK, THE BRIDGE OF THE KALVERSTRAAT, AND THE TOWER OF THE ZUIDERKERK BEYOND

Jan van de Cappelle
AMSTERDAM 1625/26 - 1679
A CALM SEA
signed with monogram lower left: IVC
oil on oak panel backed with another panel
45.5 x 65.5 cm.; 17 3/4  x 25 3/4  in.