A fun and easy way to join the band! Mouth harps have a few basic parts that can be found in most versions. First you have the frame, which is rigid and holds the arms and reed. The reed is positioned between the arms of the mouth harp and has a trigger mechanism at the end of the reed. The flexibility of the reed held between the rigid frame and gives it the capability of being plucked and vibrate; this vibration produces the sounds. These sounds are amplified when the mouth harp is held between the lips and can distort the sounds produced by the vocal cords, depending on the shape of the mouth and tongue.
First the term untuned is a bit of a misnomer. The instrument still has a tune, but this tune does not correspond exactly to any note on the western scale. Tuned instruments are usually more expensive since the craftsmen will have to take extra time to work on the instrument until it matches the desired musical key, while untuned jawharps can just be made and they'll have whatever tuning come's from their natural shape. If you plan to play your jawharp in a band with other tuned instruments, get a jawharp that is tuned to whatever key most of your songs are in. The untuned jawharp can be considered a bit more of a solo instrument, or to be played with light percussive background. Because the jawharp is not tuned to the western scale, it can clash and cause dissonance when played with other instruments that are tuned.
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The small country of Kirghizstan sent a fairly large contingent to Rauland, including a young, male interpreter who spoke excellent English and had a wonderful sense of humor (kidding Trбn Quang Hai from the stage to the delight of the audience). Their performances featured lots of Khomus playing and very colorful costumes. Their table featured many non-musical items and some crude looking but very playable Jews Harps. Their cases rivaled their instruments for attention.
The Jew's Harp is actually native to many other parts of Europe, Asia, and Oceania (except for Australia). And with the exception of Eskimo tradition, no evidence (so far) suggests this instrument existed in North and South America or Africa prior to its introduction by European traders.
High-tech drowns the world in a melting pot of cultures. In this feast of miscellany, authenticity often plays a role as wallflower. When reason dances, the magic disappears. In that circom- stance there is a need for music that gets the soul in touch again with primal nature as the breeding ground of life. This brings us to the revival of a tiny, long forgotten musical instrument: the Jew's harp, also known as jaw harp, trump or (in Germany) Maultrommel.
An outstanding yakut khomusist Spiridon Spiridonovich Shishigin was born on the 1-st of August in 1950, in Tabaga village Megino-Кangalasskiy nomad camp. He is a school director in Pokrovsk village. Spiridon Spiridonovich developed his skills of playing khomus since childhood. So he achieved great level of playing, and now he is one of "virtuosos of the world" - the winners of the competition, which took place during the second international congress of khomus music. A member of a board of directors of International center of khomus (jew's harp) music. Let me represent an interview of this great musician.
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