: worldprivatehouses.blogspot.com
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(Big Dig House)
As a prototype for future Big Dig architecture, the structural system for this house is comprised of steel and concrete from Boston's Big Dig, utilizing over 600,000 lbs of salvaged materials. Although similar to a pre-fab system, subtle spatial arrangements were designed from highway components. Most importantly, the house demonstrates an untapped potential for the public realm: with strategic front-end planning, much needed community programs including schools, libraries, and housing could be constructed whenever infrastructure is deconstructed, saving valuable resources, embodied energy, and taxpayer dollars.
The Wohlfahrt-Laymann dwelling is situated in a relatively exclusive residential area in the Taunus outside Frankfurt am Main. The original house, an archetypal wooden "simple country cottage", was built in the 1930s and the initial idea was to replace it with a larger house. However, after a detailed inspection of the site and the quality of this very picturesque, traditional home, it was decided to use the existing building as a starting point for further planning.
A new shell was built around the house thus creating a new interior and intermediate space. The position of the shell and its distance at different points from the "inner" house is dictated by the functional requirements of the ground plan structure. The inner house is broken open at points where light or space are required for the interior - these light or room extensions are projected onto the outer shell in the form of "light connections" or "space connections" and transferred to it as perforations. The roof of the inner house has been removed and the attic rooms are extended upwards with vertical spacing connections. Inner-, outer-, intermediate- and un-rooms of manifold and sometimes curious variations are generated. Complex and seemingly simple rooms alternate with each other.
Paradoxes occur in the Wohlfahrt-Laymann house, where an apparently normal reality becomes distorted and a simple, traditional country cottage becomes as a dream of cosmopolitan density in the suburbs.
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- (The "Transformable" House)
- (The "Transformable" House), , , "" , "", . . , . As one approaches from the 200-foot-long driveway, the house appears as a refined element in the midst of the clearing, sets off a ripple effect of diverse textures, and evolves into a metaphor of the forest."
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The shingle beach at Dungeness is a ghost town of battered shacks and boats. For a dozen miles the beach has given Kent a straight edge, but here it curls round the headland and slips past the mountainous nuclear power station that broods over the marshes. Before this dogleg is a bungalow sheathed in black rubber.
With its pitched roof and chimney it cuts a perfect house-shaped silhouette out of the scenery. Next to it, its opposite in every sense, is a 1950s Airstream caravan, one aluminium curve from beginning to end.
"I've always had a slightly spooky feeling here that house, for instance, is full of worms," says the architect of the rubber house, Simon Conder, pointing to the bait and tackle shop across the road. It takes a rugged type to make a home in this exposed and slightly post-apocalyptic spot, or an eye for unusual beauty the filmmaker Derek Jarman's cottage is a few hundred yards away. The couple that owns the rubber house concede that Dungeness is not everyone's idea of the rural idyll, but it reminded them of one of their favourite places, the California desert. "There are very few places in England where the horizon is that open and that far away," says one of the owners, and whereas in London she is dogged by lung problems, here she can breathe.
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Twenty-five years have passed since the Rubik's Cube was a marketing meteor, but as a metaphor, it still has force for Monica Ponce de Leon. Each year, at Harvards Graduate School of Design (GSD), she teaches a studio named for the maddening puzzle, which offers an important lesson: When a volume's exterior is truly linked to its interior, getting the outside right may require tireless manipulation of the inside.
Ponce de Leon and Nader Tehrani, her GSD colleague and partner in the Boston firm Office dA, have created a house that demonstrates that challenge. The typical American approach to home design, in which each new space adds a new volume, held no appeal for them. "This house," says Ponce de Leon, "is the opposite of sprawl."
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(Las Arenas)
Rain almost never falls on the Peruvian coast just south of Lima, the northernmost stretch of one of the driest spots on earth: the Atacama Desert. In this arid landscape, barren mountains and sandy cliffs hover above the Pacific. Beneath a vast, glaring sky, the startlingly empty, alien terrainwith not so much as a cactus on the groundmakes anything built here look like a brusque intrusion. Still, gated communities crowd this inhospitable coast, as Limeños buy up dusty plots to build weekend escapes at the beach. In one such development, Las Arenas, 60 miles south of the capital, architect Javier Artadi has created a house of pure, Minimal, almost simplistic formscarved-out, white concrete boxesthat belie a complex attitude toward the setting."
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(Kessler Residence)
Traditional, romantic, and nostalgic are terms that come to mind when describing the architecture of the town of (Chevy Chase, Maryland, USA) just a few miles outside of Washington, D.C. But one particular house on a typical street in this town belies its clapboard façade and pitched roof. Architect Robert Gurney, FAIA, principal of his Alexandria, Virginia-based namesake firm, has designed a home that seamlessly fits the neighborhood as well as his own Modern aesthetic and that of his clients'.
But that's the least of the surprises you'll find in this house. This 3,800-square-foot home employs universal design techniques from the basement to the third attic floor, all aspects of which are neither obvious nor institutional. "One of the Kesslers' twin daughters has cerebral palsy and uses either a walker, crutches, or a cane to get around," says Gurney. "The Kesslers wanted her to have complete access to all parts of the house, and that's what we've done. But the way we've done it means that you may not notice unless it"
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- (Bar House)
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(Loftcube)
It seems like a spaceship on top of a building. These mobile living units, placed on flat roofs by helicopters or cranes and connected to the building's utilities, offer additional living space in big cities. Utopian loftcube living envisages self-contained rooftop communities, a new way of life with a view and privacy, tranquillity and freedom compared to the condensed living spaces and speeded-up everyday metropolitan existence.
The house, devised by the German designer Werner Aisslinger, is extraordinarily compact: The loft cube is made up of an open-space where living, dining and cooking takes place, it has a separated sleeping area and a bath. True luxury is incorporated when a swimming pool is installed in the roof, complete with landscaped terrace where you feel transported away to another world in the middle of the urban metropolis. You have nothing but views of open skies and a personal world that offers respite from the hectic and stressful world below.
Inspired by such projects as the Futuro House, a UFO shaped dwelling designed by Finnish architect Matti Suuronen in 1968, initially for use as a ski-cabin or holiday home. The idea behind the design reflects the optimism of the sixties. At the time people believed technology could solve all problems for the human race. The ideal was of a new era, a space-age, where everybody would have more leisure time to spend on holidays away from home. Like the Loft Cube of today it was so lightweight, it was easily transportable by helicopter.
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(All Terrain Cabin)
We thought people all over the world should have a chance to see what Canadians get up to when they turn their heads to design, technology, and other imaginative persuits. The All Terrain Cabin (ATC) was dreamed up to send Canadian design on a world tour of International Design Forums, Consumer Home and Interior Design Shows, Environmental Conferences, and Special Events, as well as more casual visits to small towns, open spaces, and the downtown cores of major urban centres.
For that purpose, we designed a small home, a cabin, using the standard ISO shipping container as the basis for the structure and outfitting it totally with Canadian Design and Technology*. The result is as smart as it is efficient, suitable for a family of four and a pet to live off the grid in comfort and contemporary style. It travels by train, truck, ship, airplane or helicopter, folded up and indistinguishable from any ordinary shipping container. Once it arrives, it unfolds rapidly to 480sf of self-contained, sophisticated living space with all the comforts of home.
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- (Case House)
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