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Interviewing would not come naturally to me. I am shy. I don't know what to do with my palms when i speak to people at parties. And if I am being completely trustworthy, I do not a lot care for meeting new individuals. That's why as a filmmaker and freelance radio producer I have to try exhausting to make myself a better interviewer. So when i listen to some of my favorite radio exhibits and podcasts, I am half listening just to study. How do the individuals who make the stuff I like get great tape?
My worst fear is coming away from an interview and not getting sufficient stuff — or sufficient good things — to make a narrative. Sean Cole is a producer at This American Life. He's labored for Radiolab, 99% Invisible, and APM's Market. I'm a giant fan and am all the time making mental notes after i hear his stories.
He seems to get nice tape from people. He talks again, he challenges his interviewees in plain language, makes them giggle. He sounds like a pure born interviewer. Seems he is also had to work exhausting to hone his craft. We just lately sat down at Gloria Espresso Bar here in Toronto to speak about interviewing whereas cameras rolled. You may watch it below, however in your convenience (and presumably to extend Website positioning for CBC) I've broken down some of the interesting tidbits into some suggestions below.
Press on and will you by no means come back from an interview empty handed again. An interview is not a binary alternate: question, answer, question, answer. An interview is extra like a wave it's important to ride alongside. It swells up and crashes and also you must be always adjusting. It is equal components terrifying and thrilling. To increase this already stretched surfing metaphor — the trick is to always be adjusting your footing and anticipating what the wave is doing.
The term 'making good tape' vs. Sean got from Brooke Gladstone, co-host and editor of On the Media. He says at first it may sound crass or borderline unethical, however the idea is that you can't go into an interview being simply a passive observer hoping the radio gods smile upon you.
A talented interviewer has be prepared and use methods coax things out of an interviewee. For me, it is a reminder that you are there to do a job, not simply to talk. I mean, be friendly and respectful — however you need to put in work if you wish to make something nice. To a rookie producer, the impulse is just to level your mic and passively doc what's occurring. Of course that approach you'll come back with mountains of tape and also you won't even have a story there. The trick is visualize the way you ideally see the story going from what you already know and write a line of query that will get you there.
What sort of story is it? What sort of tape would fill that story? Image the perfect tape and work backwards to make a query that can tee that up. You could also be pondering, 'isn't this cheating? Aren't I imposing what I believe the story ought to be? Planning an interview is like planning a highway trip.
You plan a route earlier than you leave and know the place you are going but when you really hit the highway you get in traffic and take a detour or there's construction or you discover a more scenic route. The road map is simply so you realize your vacation spot and how one can get there if every part goes completely — which it by no means does. It must be the same with your line of questions.
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