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Выбрана рубрика short stories.


Другие рубрики в этом дневнике: video(15), trout's stories(9), studies(24), sound(9), plays(1), pictures(51), phrases(48), photos(48), novels(24), interviews(15), essays(18), about & around(41)

While Mortals Sleep

Дневник

Четверг, 17 Февраля 2011 г. 11:52 + в цитатник
verbava (vonnegut) все записи автора Материала на еще один сборник рассказов Курта Воннегута собрали издатели и неравнодушные – и это уже третья книга писателя, вышедшая посмертно. Правда, они появляются довольно тихо (по крайней мере, две последние; эссеистика из «Armageddon in Retrospect», появившейся в 2008 году, уже по своей тематике требовала большой громкости обсуждений): писатель рассказов не жег, издавать их не запрещал, похоронить вместе с собой не просил... Да и рассказы – это далеко не такой случай, как случайно найденный неоконченный роман.
Впрочем, среди четырнадцати текстов «Look at the Birdie» почти не было невнятных – будем надеяться, что и в случае с «While Mortals Sleep», где шестнадцать рассказов, результат получился не хуже (ну и, конечно, иллюстрации самого Вонегута – всегда праздник). А пока – небольшой отзыв на книгу из «Washington Post».

Book review: "While Mortals Sleep" by Kurt Vonnegut
By William Sheehan
Tuesday, February 15, 2011


The late Kurt Vonnegut was one of the great humanist voices of the 20th century. A former prisoner of war and a witness to the firebombing of Dresden in 1945, he was also a profoundly pessimistic man with a bleak worldview fueled by what he described as "disgust with civilization." Paradoxically, though, the general tenor of his fiction was neither bleak nor bitter. It was humane, consistently funny and filled with rueful, hard-earned wisdom.

As readers of "God Bless You, Mr. Rosewater" will remember, he famously advocated kindness in all human dealings and was fond of quoting a remark made by his like-minded son, Mark, author of "The Eden Express": "We are here to help each other through this thing, whatever it is."

Since his death in 2007, Vonnegut has, to our great good fortune, remained a persistent literary presence. To date, three volumes of previously unpublished early writings have appeared, and they have all been uniquely valuable. The first, "Armageddon in Retrospect" (2008), is largely notable for the title story, which gave hints of the idiosyncratic style that would eventually emerge, and for "Wailing Shall Be in All Streets," an earnest, angry nonfiction account of the bombing of Dresden. Next came "Look at the Birdie" (2009), 14 vivid, often comic slices of life in postwar America.

Now we have "While Mortals Sleep," which contains 16 stories, numerous sui-generis illustrations by the author himself and an introduction by Dave Eggers that is a model of its kind: smart, sympathetic and scrupulous in its assessment both of the stories at hand and of Vonnegut's overall place in American culture.

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Рубрики:  about & around
short stories

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Confido

Дневник

Четверг, 05 Августа 2010 г. 12:52 + в цитатник
verbava (vonnegut) все записи автора
Confido

by Kurt Vonnegut (from Look at the Birdie)


The Summer had died peacefully in its sleep, and Autumn, as soft-spoken executrix, was locking life up safely until Spring came to claim it. At one with this sad, sweet allegory outside the kitchen window of her small home was Ellen Bowers, who, early in the morning, was preparing Tuesday breakfast for her husband, Henry. Henry was gasping and dancing and slapping himself in a cold shower on the other side of a thin wall.

Ellen was a fair and tiny woman, in her early thirties, plainly mercurial and bright, though dressed in a dowdy housecoat. In almost any event she would have loved life, but she loved it now with an overwhelming emotion that was like the throbbing amen of a church organ, for she could tell herself this morning that her husband, in addition to being good, would soon be rich and famous.

She hadn’t expected it, had seldom dreamed of it, had been content with inexpensive possessions and small adventures of the spirit, like thinking about autumn, that cost nothing at all. Henry was not a moneymaker. That had been the understanding.

He was an easily satisfied tinker, a maker and mender who had a touch close to magic with materials and machines. But his miracles had all been small ones as he went about his job as a laboratory assistant at the Accousti-gem Corporation, a manufacturer of hearing aids. Henry was valued by his employers, but the price they paid for him was not great. A high price, Ellen and Henry had agreed amiably, probably wasn’t called for, since being paid at all for puttering was an honor and a luxury of sorts. And that was that.

Or that had seemed to be that, Ellen reflected, for on the kitchen table lay a small tin box, a wire, and an earphone, like a hearing aid, a creation, in its own modern way, as marvelous as Niagara Falls or the Sphinx. Henry had made it in secret during his lunch hours, and had brought it home the night before. Just before bedtime, Ellen had been inspired to give the box a name, an appealing combination of confidant and household pet—Confido.

“What is it every person really wants, more than food almost?” Henry had asked coyly, showing her Confido for the first time. He was a tall, rustic man, ordinarily as shy as a woods creature. But something had changed him, made him fiery and loud. “What is it?”

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Рубрики:  short stories

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А кто я теперь?

Дневник

Пятница, 26 Марта 2010 г. 11:59 + в цитатник
verbava (vonnegut) все записи автора
А кто я теперь?

Курт Воннегут


«Клуб Парика и Маски» — наш любительский театральный кружок в Северном Кроуфорде — единогласно решил поставить этой весной «Трамвай „Желание“ Теннесси Уильямса. Дорис Сойер у нас всегда была за режиссера, но на этот раз заявила, что ничего не получится — у нее серьезно больна мать.

Вот и вышло, что эту руководящую должность навязали мне, хотя до сих пор мне приходилось руководить только рабочими, устанавливающими комбинированные алюминиевые рамы со ставнями, которые я продавал.

Конечно, я поставил кое-какие условия, когда брался за режиссерскую работу, и самое главное, что Гарри Нэш — единственный стоящий актер в нашем кружке — взял ту роль, которую в кино играл Марлон Брандо. Когда распределяли роли, Гарри отсутствовал, и я не знал, возьмется он за эту роль или нет. Он вообще никогда не приходил на наши собрания. Стеснялся. Не то чтобы он пропускал собрания из-за каких-то там дел. Женат он не был и вообще с женщинами не знался — да и среди мужчин у него друзей не было. Просто он избегал всяких сборищ по одной причине: он не мог двух слов связать без готового текста.

Так что пришлось мне на другой день тащиться в скобяную лавку Миллера — Гарри у него работает продавцом — и просить его согласия. По дороге я заглянул на телефонную станцию — они мне прислали счет за разговор с Гонолулу, а я в жизни своей не звонил в Гонолулу.

Там я и увидел эту красавицу в первый раз. Она сидела за окошечком. И она мне объяснила, что телефонная компания поставила машину-автомат для выписывания счетов, но пока эту машину не отладили как следует и она что-то пошаливает. Она приехала недавно — привезла эту машину и должна была обучить местных девушек с ней управляться.

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Рубрики:  short stories

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Who Am I This Time?

Дневник

Четверг, 25 Марта 2010 г. 10:18 + в цитатник
verbava (vonnegut) все записи автора
Who Am I This Time?

by Kurt Vonnegut


The North Crawford Mask and Wig Club, an amateur theatrical society I belong to, voted to do Tennessee Williams's A Streetcar Named Desire for the spring play. Doris Sawyer, who always directs, said she couldn't direct this time because her mother was so sick. And she said the club ought to develop some other directors anyway, because she couldn't live forever, even though she'd made it safely to seventy-four.
So I got stuck with the directing job, even though the only thing I'd ever directed before was the installation of combination aluminum storm windows and screens I'd sold. That's what I am, a salesman of storm windows and doors, and here and there a bathtub enclosure. As far as acting goes, the highest rank I ever held on stage was either butler or policeman, whichever's higher.
I made a lot of conditions before I took the directing job, and the biggest one was that Harry Nash, the only real actor the club has, had to take the Marlon Brando part in the play. To give you an idea of how versatile Harry is, inside of one year he was Captain Queeg in The Caine Mutiny Court Martial, then Abe Lincoln in Abe Lincoln in Illinois and then the young architect in The Moon is Blue. The year after that, Harry Nash was Henry the Eighth in Anne of the Thousand Days and Doc in Come Back Little Sheba, and I was after him for Marlon Brando in A Streetcar Named Desire. Harry wasn't at the meeting to say whether he'd take the part or not. He never came to meetings. He was too shy. He didn't stay away from meetings because he had something else to do. He wasn't married, didn't go out with women—didn't have any close men friends either. He stayed away from all kinds of gatherings because he never could think of anything to say or do without a script.
So I had to go down to Miller's Hardware Store, where Harry was a clerk, the next day and ask him if he'd take the part. I stopped off at the telephone company to complain about a bill I'd gotten for a call to Honolulu, I'd never called Honolulu in my life.
And there was this beautiful girl I'd never seen before behind the counter at the phone company, and she explained that the company had put in an automatic billing machine and that the machine didn't have all the bugs out of it yet. It made mistakes. "Not only did I not call Honolulu," I told her, "I don't think anybody in North Crawford ever has or will."
So she took the charge off the bill, and I asked her if she was from around North Crawford. She said no. She said she just came with the new billing machine to teach local girls how to take care of it. After that, she said, she would go with some other machine to someplace else. "Well," I said, "as long as people have to come along with the machines, I guess we're all right."
"What?" she said.
"When machines start delivering themselves," I said, "I guess that's when the people better start really worrying."
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Readers get slim pickings off Vonnegut's scratch pad

Дневник

Среда, 27 Января 2010 г. 11:43 + в цитатник
verbava (vonnegut) все записи автора
Readers get slim pickings off Vonnegut's scratch pad
by Ed Taylor
Buffalo News, Dec 27, 2009
via findarticles.com


"And so it goes," Kurt Vonnegut might serenely say in assessing this book that bears his name. Or he might storm through literary Valhalla, where he has dwelt since April 2007, railing about what's being done in his name downstairs, back on Earth.

Either way, given the coruscating satirical voice that he wielded in his prime, he would probably not be indifferent to the zombie- like post-mortem careers of famous musical and literary artists, and the lurching undead existence in which they still produce "product" via record company or publisher peddling of gristly scraps from gnawed bones. "Look at the Birdie," officially "unpublished short fiction," is actually designer ephemera, like a T-shirt with a Gucci logo.

Vonnegut is an iconic author beloved by many, one whose whimsical, humane, comic but righteously angry novels and story collections such as "Slaughterhouse 5," "Breakfast of Champions," "Cat's Cradle," "Sirens of Titan" and "God Bless You, Mr. Rosewater" were well reviewed and massively popular from the 1960s to the 1980s. Like Jack Kerouac's work in the 1950s, Vonnegut's books became bibles for a generation of readers, books that transcended "literature."

Vonnegut's mordant work toggled among realism, science fiction and fable, and his combination of faux-naive voice and imaginative critique of authority, war, greed, human arrogance and capitalism inspired literary descendants such as Douglas Adams with his massively popular "Hitchhiker's Guide" books. Quoted in the book's foreword by Authors Guild and PEN board member and Vonnegut friend Sidney Offit, critic John Leonard said that Vonnegut, "like Abe Lincoln and Mark Twain, is always being funny when he's not being depressed." Offit himself sums up his friend: "Few writers in the history of literature have achieved such a fusion of the human comedy with the tragedies of human folly."

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Рубрики:  about & around
short stories

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Thanasphere

Дневник

Четверг, 21 Января 2010 г. 09:31 + в цитатник
verbava (vonnegut) все записи автора
Thanasphere

by Kurt Vonnegut


At noon, Wednesday, July 26th, windowpanes in the small mountain towns of Sevier County, Tennessee, were rattled by the shock and faint thunder of a distant explosion rolling down the northwest slopes of the Great Smokies. The explosion came from the general direction of the closely guarded Air Force experimental station in the forest ten miles northwest of Elkmont.
Said the Air Force Office of Public Information, "No comment." That evening, amateur astronomers in Omaha, Nebraska, and Glen-wood, Iowa, reported independently that a speck had crossed the face of the full moon at 9:57 p.m. There was a flurry of excitement on the news wires. Astronomers at the major North American observatories denied that they had seen it.
They lied.
In Boston, on the morning of Thursday, July 27th, an enterprising newsman sought out Dr. Bernard Groszinger, youthful rocket consultant for the Air Force. "Is it possible that what crossed the moon was a spaceship?" the newsman asked.
Dr. Groszinger laughed at the question. "My own opinion is that we're beginning another cycle of flying-saucer scares," he said. "This time everyone's seeing spaceships between us and the moon. You can tell your readers this, my friend: No rocket ship will leave the earth for at least another twenty years."
He lied.
He knew a great deal more than he was saying, but somewhat less than he himself thought. He did not believe in ghosts, for instance - and had yet to learn of the Thanasphere.
Dr. Groszinger rested his long legs on his cluttered desktop, and watched his secretary conduct the disappointed newsman through the locked door, past the armed guards. He lit a cigarette and tried to relax before going back into the stale air and tension of the radio room. IS YOUR SAFE LOCKED? asked a sign on the wall, tacked there by a diligent security officer. The sign annoyed him. Security officers, security regulations only served to slow his work, to make him think about things he had no time to think about.
The secret papers in the safe weren't secrets. They said what had been known for centuries: Given fundamental physics, it follows that a projectile fired into space in direction x, at y miles per hour, will travel in the arc z. Dr. Groszinger modified the equation: Given fundamental physics and one billion dollars.
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Little Drops of Water

Дневник

Среда, 02 Декабря 2009 г. 10:23 + в цитатник
verbava (vonnegut) все записи автора
Kurt Vonnegut
Little Drops of Water


Now Larry’s gone.

We bachelors are lonely people. If I weren’t damn lonely from time to time, I wouldn’t have been a friend of Larry Whiteman, the baritone. Not friend, but companion, meaning I spent time with him, whether I liked him particularly or not. As bachelors get older, I find, they get less and less selective about where they get their companionship—and, like everything else in their lives, friends become a habit, and probably a part of a routine. For instance, while Larry’s monstrous conceit and vanity turned my stomach, I’d been dropping in to see him off and on for years. And when I come to analyze what off and on means, I realize that I saw Larry every Tuesday between five and six in the afternoon. If, on the witness stand, someone were to ask me where I was on the evening of Friday, such and such a date, I would only have to figure out where I would be on the coming Friday to tell him where I had probably been on the Friday he was talking about.

Let me add quickly that I like women, but am a bachelor by choice. While bachelors are lonely people, I’m convinced that married men are lonely people with dependents.

When I say I like women, I can name names, and perhaps, along with the plea of habit, account for my association with Larry in terms of them. There was Edith Vranken, the Schenectady brewer’s daughter who wanted to sing; Janice Gurnee, the Indianapolis hardware merchant’s daughter who wanted to sing; Beatrix Werner, the Milwaukee consulting engineer’s daughter who wanted to sing; and Ellen Sparks, the Buffalo wholesale grocer’s daughter who wanted to sing.

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Капли воды

Дневник

Вторник, 01 Декабря 2009 г. 10:40 + в цитатник
verbava (vonnegut) все записи автора
Курт Воннегут
Капли воды
via KeryA


Вот и нет больше Ларри.
Мы, холостяки, одинокие люди. Не будь я иногда чертовски одинок, не стал бы дружить с Ларри Уайтменом, баритоном. Вернее, приятельствовать - мы просто проводили вместе время, и не важно даже, нравился он мне особо или нет. Я думаю, по мере того, как холостяки стареют, они все меньше выбирают, с кем им общаться - и, как все остальное в их жизни, друзья становятся привычкой или даже частью рутины. Хотя жуткая напыщенность и тщеславие Ларри выводили меня из себя, я уже много лет время от времени к нему заглядывал. Когда я говорю время от времени, я имею в виду, что видел Ларри каждый четверг между пятью и шестью часами вечера. Если бы в суде меня спросили под присягой, где я находился в пятницу такого-то числа, мне надо было бы только вспомнить, что я собираюсь делать в следующую пятницу, чтобы ответить.

Тут надо добавить, что я люблю женщин, а холостяцкая жизнь -мой сознательный выбор. Пусть холостяки одиноки, но женатые – я убежден – всего лишь одинокие люди с иждивенцами.

Говоря про любовь к женщинам, я могу назвать их по именам и, возможно, способен с их помощью описать свои отношения с Ларри. Эдит Вранкен, дочь пивовара из Шенектеди, которая хотела петь; Дженис Гёрни, дочь продавца инструментов из Индианаполиса, которая хотела петь; Беатрис Вернер, дочь инженера-консультанта из Милуоки, которая хотела петь; и Элен Спаркс, дочь оптового торговца бакалеей из Буффало, которая хотела петь.

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Harrison Bergeron

Дневник

Пятница, 13 Ноября 2009 г. 12:16 + в цитатник
verbava (vonnegut) все записи автора
Harrison Bergeron

by Kurt Vonnegut (1961)


THE YEAR WAS 2081, and everybody was finally equal. They weren’t only equal before God and the law. They were equal every which way. Nobody was smarter than anybody else. Nobody was better looking than anybody else. Nobody was stronger or quicker than anybody else. All this equality was due to the 211th, 212th, and 213th Amendments to the Constitution, and to the unceasing vigilance of agents of the United States Handicapper General.

Some things about living still weren’t quite right, though. April, for instance, still drove people crazy by not being springtime. And it was in that clammy month that the H-G men took George and Hazel Bergeron’s fourteen-year-old son, Harrison, away.

It was tragic, all right, but George and Hazel couldn’t think about it very hard. Hazel had a perfectly average intelligence, which meant she couldn’t think about anything except in short bursts. And George, while his intelligence was way above normal, had a little mental handicap radio in his ear. He was required by law to wear it at all times. It was tuned to a government transmitter. Every twenty seconds or so, the transmitter would send out some sharp noise to keep people like George from taking unfair advantage of their brains.

George and Hazel were watching television. There were tears on Hazel’s cheeks, but she’d forgotten for the moment what they were about.

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Библиография - сборники рассказов

Дневник

Пятница, 02 Октября 2009 г. 10:57 + в цитатник
verbava (vonnegut) все записи автора Canary in a Cathouse (1961) - short stories
Welcome to the Monkey House (1968) - short stories
Bagombo Snuff Box (1999) - short stories
God Bless You, Dr. Kevorkian (1999) - fictional interviews
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