The Coralarium is a 200-ton tidal building filled with sculptures, creating a partially submerged gallery in the Maldives.

British sculptor Jason deCaires Taylor has once again left his mark on the environment with a stunning new installation. Created for the Fairmont Maldives Sirru Fen Fushi, Coralarium is a semi-submerged art gallery filled with nearly 30 sculptures that will act as a habitat for coral and other marine species (via MyModernMet)

The Sculpture Coralarium is situated in the centre of the largest developed coral lagoon in the Maldives, on the island resort of Fairmont Sirru Fen Fushi. The artwork by Jason deCaires Taylor is a semi-submerged tidal gallery space that exhibits a series of sculptural artworks on the skyline, inter-tidal waterline and seabed. As world's first semi submerged tidal Art Gallery it is cube shaped, six metres tall, with its front facade submerged up to median tide of three metres. The design of the walls is based on natural coral structures and is porous to allow the tides, current and marine life to pass through and the structure to “breathe” within its location

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underwatersculpture.com

http://feedproxy.google.com/~r/Designcollector/~3/YpTjw1h98oU/coralarium-inter-tidal-museum-in-the-maldives

We are creating a New Visual Culture. We are the future.
We are the creators of a new visual culture. We are the future.

The mural «Д yen A Л И З М» (Dualism) has appeared on the inner wall of the WYNWOOD design hotel at the very heart of St. Petersburg. The artist’s lecture will take a place there on August 2, 2018.

Collaboration between POKRAS LAMPAS and the WYNWOOD design hotel is not accidental. Modern musicians and artists from all over the world stay here, fashionable St. Petersburg citizens go for breakfasts or brunches. The main sights of the city, clubs and bars, museums are just nearby.

“WYNWOOD hotel is located at the very heart of the city and is literally surrounded by the art.
Half of the rooms have a magnificent view of the Kazan Cathedral and the Griboyedov Canal,
and the second part of the rooms overlook the courtyard on the brandmauer (firewall) with a
typical for St. Petersburg “gray” view. So, there was an idea to turn this wall into an art object
and entrust its execution to the most famous street artist in Russia.”

Lampas’s work «Д yen A Л И З М» is a Manifesto, dedicated to the duality of the perception of contemporary art. Its text in two languages, helping the viewer to explore both differences between alphabets and cultural references in the forms of letters, and combining them into the context of calligraphy of the future. Dualism also reflects in the choice of color: the left part of the work is closer to the original range of the facade, while the right part is more contrast. Together they form the complete picture. The text itself is a Manifesto of Millennials with the values of past generations, made by borrowing the forms of letters from western and eastern, ancient and modern calligraphy. «Д yen A Л И З М» is the largest mural by Pokras Lampas in St.Petersburg — it covers an area of more than 250 square meters.

One of the most brightest representatives of contemporary calligraphy, the founder of a new artistic movement — Calligrafuturism – Pokras Lampas combines work on art projects around the world with exhibitions, street art performances and festivals. He creates large-scale compositions in the urban environment and interior, constantly experimenting with the forms and possibilities of fonts. In recent years Pokras Lampas was a member of the street art
projects, solo and group exhibitions in Russia, France, Germany, Italy, Portugal, China, South Korea and UAE, and among his clients you can find brands such as: Lamborghini, FENDI, Dries van Noten, Nike, Pirelli, Yves Saint Laurent and AlfaBank

www.pokraslampas.com

@pokraslampas

http://feedproxy.google.com/~r/Designcollector/~3/j6GMfjn-WHU/dualism-pokras-lampas

We are creating a New Visual Culture. We are the future.
We are the creators of a new visual culture. We are the future.

The mural «Д yen A Л И З М» (Dualism) has appeared on the inner wall of the WYNWOOD design hotel at the very heart of St. Petersburg. The artist’s lecture will take a place there on August 2, 2018.

Collaboration between POKRAS LAMPAS and the WYNWOOD design hotel is not accidental. Modern musicians and artists from all over the world stay here, fashionable St. Petersburg citizens go for breakfasts or brunches. The main sights of the city, clubs and bars, museums are just nearby.

“WYNWOOD hotel is located at the very heart of the city and is literally surrounded by the art.
Half of the rooms have a magnificent view of the Kazan Cathedral and the Griboyedov Canal,
and the second part of the rooms overlook the courtyard on the brandmauer (firewall) with a
typical for St. Petersburg “gray” view. So, there was an idea to turn this wall into an art object
and entrust its execution to the most famous street artist in Russia.”

Lampas’s work «Д yen A Л И З М» is a Manifesto, dedicated to the duality of the perception of contemporary art. Its text in two languages, helping the viewer to explore both differences between alphabets and cultural references in the forms of letters, and combining them into the context of calligraphy of the future. Dualism also reflects in the choice of color: the left part of the work is closer to the original range of the facade, while the right part is more contrast. Together they form the complete picture. The text itself is a Manifesto of Millennials with the values of past generations, made by borrowing the forms of letters from western and eastern, ancient and modern calligraphy. «Д yen A Л И З М» is the largest mural by Pokras Lampas in St.Petersburg — it covers an area of more than 250 square meters.

One of the most brightest representatives of contemporary calligraphy, the founder of a new artistic movement — Calligrafuturism – Pokras Lampas combines work on art projects around the world with exhibitions, street art performances and festivals. He creates large-scale compositions in the urban environment and interior, constantly experimenting with the forms and possibilities of fonts. In recent years Pokras Lampas was a member of the street art
projects, solo and group exhibitions in Russia, France, Germany, Italy, Portugal, China, South Korea and UAE, and among his clients you can find brands such as: Lamborghini, FENDI, Dries van Noten, Nike, Pirelli, Yves Saint Laurent and AlfaBank

www.pokraslampas.com

@pokraslampas

http://feedproxy.google.com/~r/Designcollector/~3/j6GMfjn-WHU/dualism-pokras-lampas

We are creating a New Visual Culture. We are the future.
We are the creators of a new visual culture. We are the future.

The mural «Д yen A Л И З М» (Dualism) has appeared on the inner wall of the WYNWOOD design hotel at the very heart of St. Petersburg. The artist’s lecture will take a place there on August 2, 2018.

Collaboration between POKRAS LAMPAS and the WYNWOOD design hotel is not accidental. Modern musicians and artists from all over the world stay here, fashionable St. Petersburg citizens go for breakfasts or brunches. The main sights of the city, clubs and bars, museums are just nearby.

“WYNWOOD hotel is located at the very heart of the city and is literally surrounded by the art.
Half of the rooms have a magnificent view of the Kazan Cathedral and the Griboyedov Canal,
and the second part of the rooms overlook the courtyard on the brandmauer (firewall) with a
typical for St. Petersburg “gray” view. So, there was an idea to turn this wall into an art object
and entrust its execution to the most famous street artist in Russia.”

Lampas’s work «Д yen A Л И З М» is a Manifesto, dedicated to the duality of the perception of contemporary art. Its text in two languages, helping the viewer to explore both differences between alphabets and cultural references in the forms of letters, and combining them into the context of calligraphy of the future. Dualism also reflects in the choice of color: the left part of the work is closer to the original range of the facade, while the right part is more contrast. Together they form the complete picture. The text itself is a Manifesto of Millennials with the values of past generations, made by borrowing the forms of letters from western and eastern, ancient and modern calligraphy. «Д yen A Л И З М» is the largest mural by Pokras Lampas in St.Petersburg — it covers an area of more than 250 square meters.

One of the most brightest representatives of contemporary calligraphy, the founder of a new artistic movement — Calligrafuturism – Pokras Lampas combines work on art projects around the world with exhibitions, street art performances and festivals. He creates large-scale compositions in the urban environment and interior, constantly experimenting with the forms and possibilities of fonts. In recent years Pokras Lampas was a member of the street art
projects, solo and group exhibitions in Russia, France, Germany, Italy, Portugal, China, South Korea and UAE, and among his clients you can find brands such as: Lamborghini, FENDI, Dries van Noten, Nike, Pirelli, Yves Saint Laurent and AlfaBank

www.pokraslampas.com

@pokraslampas

http://feedproxy.google.com/~r/Designcollector/~3/j6GMfjn-WHU/dualism-pokras-lampas

Saint-Petersburg-based designer Yaroslav Misonzhnikov shares his recent work - nixie-tube clocks on marble and wood platforms commissioned by Past Indicator brand.

All of their clocks have nixie tubes, that were popular in the USSR era. While working on the new design of the clock, Yaroslav was inspired by an architectural element — diamond-pointed rustication. The clock, that was named Saturn-5 is made of natural marble and is serially manufactured.

@misonzhnikov

http://feedproxy.google.com/~r/Designcollector/~3/3J_4j4UkOMA/pastindicator-yaroslav-misonzhnikov

Saint-Petersburg-based designer Yaroslav Misonzhnikov shares his recent work - nixie-tube clocks on marble and wood platforms commissioned by Past Indicator brand.

All of their clocks have nixie tubes, that were popular in the USSR era. While working on the new design of the clock, Yaroslav was inspired by an architectural element — diamond-pointed rustication. The clock, that was named Saturn-5 is made of natural marble and is serially manufactured.

@misonzhnikov

http://feedproxy.google.com/~r/Designcollector/~3/3J_4j4UkOMA/pastindicator-yaroslav-misonzhnikov

Saint-Petersburg-based designer Yaroslav Misonzhnikov shares his recent work - nixie-tube clocks on marble and wood platforms commissioned by Past Indicator brand.

All of their clocks have nixie tubes, that were popular in the USSR era. While working on the new design of the clock, Yaroslav was inspired by an architectural element — diamond-pointed rustication. The clock, that was named Saturn-5 is made of natural marble and is serially manufactured.

@misonzhnikov

http://feedproxy.google.com/~r/Designcollector/~3/3J_4j4UkOMA/pastindicator-yaroslav-misonzhnikov

We have been following Randy Cano since his appearance on internet art scene in 2016, featuring his experience in 3D. Since then Randy progressed with the motion video and became an Instagram sensation by creating morphing rubber portraits smashing one into another all around the mobile screens

A post shared by Randy Cano (@randy.cano) on Mar 12, 2016 at 2:55pm PST

A post shared by Randy Cano (@randy.cano) on Feb 17, 2017 at 6:01pm PST

A post shared by Randy Cano (@randy.cano) on Jun 4, 2018 at 9:38am PDT

A post shared by Randy Cano (@randy.cano) on May 4, 2017 at 8:20am PDT

A post shared by Randy Cano (@randy.cano) on Jun 14, 2017 at 5:19am PDT

A post shared by Randy Cano (@randy.cano) on Mar 15, 2018 at 10:00am PDT

@randy.cano

http://feedproxy.google.com/~r/Designcollector/~3/KVLisdhC_Ig/digital-works-of-randy-cano

We have been following Randy Cano since his appearance on internet art scene in 2016, featuring his experience in 3D. Since then Randy progressed with the motion video and became an Instagram sensation by creating morphing rubber portraits smashing one into another all around the mobile screens

A post shared by Randy Cano (@randy.cano) on Mar 12, 2016 at 2:55pm PST

A post shared by Randy Cano (@randy.cano) on Feb 17, 2017 at 6:01pm PST

A post shared by Randy Cano (@randy.cano) on Jun 4, 2018 at 9:38am PDT

A post shared by Randy Cano (@randy.cano) on May 4, 2017 at 8:20am PDT

A post shared by Randy Cano (@randy.cano) on Jun 14, 2017 at 5:19am PDT

A post shared by Randy Cano (@randy.cano) on Mar 15, 2018 at 10:00am PDT

@randy.cano

http://feedproxy.google.com/~r/Designcollector/~3/KVLisdhC_Ig/digital-works-of-randy-cano

We have been following Randy Cano since his appearance on internet art scene in 2016, featuring his experience in 3D. Since then Randy progressed with the motion video and became an Instagram sensation by creating morphing rubber portraits smashing one into another all around the mobile screens

A post shared by Randy Cano (@randy.cano) on Mar 12, 2016 at 2:55pm PST

A post shared by Randy Cano (@randy.cano) on Feb 17, 2017 at 6:01pm PST

A post shared by Randy Cano (@randy.cano) on Jun 4, 2018 at 9:38am PDT

A post shared by Randy Cano (@randy.cano) on May 4, 2017 at 8:20am PDT

A post shared by Randy Cano (@randy.cano) on Jun 14, 2017 at 5:19am PDT

A post shared by Randy Cano (@randy.cano) on Mar 15, 2018 at 10:00am PDT

@randy.cano

http://feedproxy.google.com/~r/Designcollector/~3/KVLisdhC_Ig/digital-works-of-randy-cano

“Beyond the sea a lover’s call,
Her footsteps stretched onward.
Along the horizon lays a man
Covered in thin skin.
A father left derelict under the lighthouse’s gaze.”

The second instalment of Toronto-based filmmaker Andrew De Zen’s 3-part series, created for Alaskan Tapes’ album, You Were Always An Island. Shot on 35mm to maximize the minimalist approach with the bolder, iconic imagery of a lone figure gazing out into the water.

“Those stories normally revolve around a tragic figure or event and so we wanted to lay it all out in front of us and strip things bare to its most simple, most reserved point. Becoming observers to something that is kept mysterious yet feels like it has deep roots in its own lore and history. The whole album has this ambient minimalist approach and the visuals needed to echo that feeling.”

@andrewdezen

Watch their first piece "Waiting"

http://feedproxy.google.com/~r/Designcollector/~3/XlxMpIIYDqc/skin-alaskan-tapes

“Beyond the sea a lover’s call,
Her footsteps stretched onward.
Along the horizon lays a man
Covered in thin skin.
A father left derelict under the lighthouse’s gaze.”

The second instalment of Toronto-based filmmaker Andrew De Zen’s 3-part series, created for Alaskan Tapes’ album, You Were Always An Island. Shot on 35mm to maximize the minimalist approach with the bolder, iconic imagery of a lone figure gazing out into the water.

“Those stories normally revolve around a tragic figure or event and so we wanted to lay it all out in front of us and strip things bare to its most simple, most reserved point. Becoming observers to something that is kept mysterious yet feels like it has deep roots in its own lore and history. The whole album has this ambient minimalist approach and the visuals needed to echo that feeling.”

@andrewdezen

Watch their first piece "Waiting"

http://feedproxy.google.com/~r/Designcollector/~3/XlxMpIIYDqc/skin-alaskan-tapes

The Earth was designed as per the Theory of Pluralism: Pluriverse.
The end results of the design are controversial.

It may well be that humanity has never witnessed and starred in such rapid transformation, development and progress in all its history. The struggle against nature has evolved into a fight against oneself and with each other. The questions, the inquiries and the issues have transformed.

Now we talk about totally different things. Not just only about technology, industry 4.0, artificial intelligence, new professions or new planets... But about our extinguishing free will. And in fact, about whether we even ever had free will. About reality and new realities. In the end, everything is data. And it is possible to calculate the process of smart data.

Pluriverse is a story that observes innovations throughout the history of humans. The character of the story delivers this process in a cause and effect situation. And eventually, questions reality as a non-human entity.

Pluriverse
Completed in 28 days, Pluriverse was displayed during the opening of Technology Summit and
the 6 minute story was told using real time motion capture technology.

503sqm indoor LED Screen

20 Outout Data-on Watch-out Media Server System

Direction, Animation, Design: BISEYLER New Media Works
Directors: B. Ece Okuyucu, G"okhan Okuyucu
Creative Director: Tiber Erg"ur
Project Director: Alican Yilmaz

Appreciate on Behance

http://feedproxy.google.com/~r/Designcollector/~3/fALCvEgBs0M/pluriverse

The Earth was designed as per the Theory of Pluralism: Pluriverse.
The end results of the design are controversial.

It may well be that humanity has never witnessed and starred in such rapid transformation, development and progress in all its history. The struggle against nature has evolved into a fight against oneself and with each other. The questions, the inquiries and the issues have transformed.

Now we talk about totally different things. Not just only about technology, industry 4.0, artificial intelligence, new professions or new planets... But about our extinguishing free will. And in fact, about whether we even ever had free will. About reality and new realities. In the end, everything is data. And it is possible to calculate the process of smart data.

Pluriverse is a story that observes innovations throughout the history of humans. The character of the story delivers this process in a cause and effect situation. And eventually, questions reality as a non-human entity.

Pluriverse
Completed in 28 days, Pluriverse was displayed during the opening of Technology Summit and
the 6 minute story was told using real time motion capture technology.

503sqm indoor LED Screen

20 Outout Data-on Watch-out Media Server System

Direction, Animation, Design: BISEYLER New Media Works
Directors: B. Ece Okuyucu, G"okhan Okuyucu
Creative Director: Tiber Erg"ur
Project Director: Alican Yilmaz

Appreciate on Behance

http://feedproxy.google.com/~r/Designcollector/~3/fALCvEgBs0M/pluriverse

Talented CG-artist from Istanbul, Tiber Ergur shares his latest works on Ello Creators Network

@tiberergur

http://feedproxy.google.com/~r/Designcollector/~3/7JrbLWxy1ro/tiber-ergur

Talented young artist Alycia Rainaud working under Malavida moniker known for her melting portraits series drown in a colourful flowers blast. Recently Alycia won our special edition of Digital Decade and is going to exhibit at FutureFest in London this week

One of the winner at "Future Selves", special edition of Digital Decade organised with FutureFest London and Ello Creators Network

Buy her works on Society6

@maalavidaa

http://feedproxy.google.com/~r/Designcollector/~3/9DXHUXi8Wvk/malavida-alycia-rainaud

Atlanta-based Young photography Essence Ransome caught our eye during the open call at Digital Decade this time. She easily passed through 20 jury members as a winner with her simple message for our “Future Selves” exhibition running tomorrow at FutureFest London

@eransome 

http://feedproxy.google.com/~r/Designcollector/~3/g_CO8PFzufo/essence-ransome-photography

Moscow-based graphic designer Kirill Sukhov practice his visual muscle by creating a glitch poster every day, a practical exercise that tune his skills on Ello dramatically

@suhow_k

http://feedproxy.google.com/~r/Designcollector/~3/zzsO8-5Qaj0/glitch-poster-a-day-by-kirill-sukhov

Leading UK "phygital" art and research studio Universal Everything continues its journey in Machine Learning exploring human-machine collaboration through performance and emerging technologies. The ongoing project Hype Cycle (previously)

These human-machine interactions from Universal Everything are inspired by the Hype Cycle trend graphs produced by Gartner Research, a valiant attempt to predict future expectations and disillusionments as new technologies come to market.

Creative Director: Matt Pyke
Animation: Joe Street
Sound Designer: Simon Pyke (Freefarm)
Senior Producer: Greg Povey
Motion Capture: Nick Dulake, Ursula Ankeny (Sheffield Hallam University)
Dancer: Tamar Draper
Choreographer: TC Howard

@universaleverything

http://feedproxy.google.com/~r/Designcollector/~3/zZOaatzk1v0/hype-cycle-smart-matter-by-universal-everything

A Report Of Connected Events is a branded content film directed by Mischa Rozema and produced by PostPanic. Celebrating the power of storytelling, it was commissioned by Nuna9 on behalf of their client, Liberty Global. Filmed in Paris, the piece explores iconic moments in film and television history, blurring the lines between our reality and some of our favourite stories.

@postpanic_picts

http://feedproxy.google.com/~r/Designcollector/~3/Pb4fAvNL1pc/a-report-of-connected-events