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360° panorama by Brandon Ore. Click the image to open the interactive version.
The famous Balanced Rock atop Moore's Knob in Hanging Rock State Park, North Carolina.
360° panorama by Patricia M"uller. Click the image to open the interactive version.
Willich Moltkeplatz Alte Villen am Willicher Moltkeplatz. Hinter dem Spielplatz sieht man auch noch das Geb"aude des alten Bahnhofs. Old villas on the Moltkeplatz in Willich. Behind the children's playground you also can see the building of the former railway station.
360° panorama by Santiago Ribas - 360portugal. Click the image to open the interactive version.
In the parish of Ferreira is one of the gems of the heritage of the Terras de Sousa, the Ferreira Monastery. With a strong influence, in the Middle Ages, on the settlement and agricultural and cultural development of the region, the Romanesque Church of S. Pedro de Ferreira that has reached our days is an impressive testimony of 12th century architecture. In it you can find influences as diverse as those of the school of Zamora, evident in the portico; from the school of Coimbra, visible in the capitals and, still, from a local school, with parallels to Unh~ao, in the beautiful stonework of the two side doors. The Church is of impressive strength and robustness, of a single nave, with buttresses attached outside and inside. It has an exterior nartex with a bell tower that, although from a later period, articulates harmoniously with the construction of the century. XII. The entrance porch is made up of five arches with simple columns and profusely worked capitals. Main Chapel: This is the sacred space of the church (Sanctuarium). Burial in this space, or as close as possible, was a guarantee of salvation. Hence they use the exterior spaces as a cemetery, in this case the Atrio next to the axial portal. The chancel is divided into two spaces practically the same width, one covered with a spherical vault of 5 panels, and the other of a rectangular plan with a vault of a cradle. The walls are organized in two registers, the upper one with blind arches with rounded archivolts in the intervals between cracks, the lower one with edicules or niches with half orange dome, creating depth and a luminous game that animates the space and the nobilita, taking straight into account the liturgical and ritualistic value of ousia.
360° panorama by Santiago Ribas - 360portugal. Click the image to open the interactive version.
In the parish of Ferreira is one of the gems of the heritage of the Terras de Sousa, the Ferreira Monastery. With a strong influence, in the Middle Ages, on the settlement and agricultural and cultural development of the region, the Romanesque Church of S. Pedro de Ferreira that has reached our days is an impressive testimony of 12th century architecture. In it you can find influences as diverse as those of the school of Zamora, evident in the portico; from the school of Coimbra, visible in the capitals and, still, from a local school, with parallels to Unh~ao, in the beautiful stonework of the two side doors. The Church is of impressive strength and robustness, of a single nave, with buttresses attached outside and inside. It has an exterior nartex with a bell tower that, although from a later period, articulates harmoniously with the construction of the century. XII. The entrance porch is made up of five arches with simple columns and profusely worked capitals. Triumphal Arch: Inside its triumphal arch of great height, with two smooth archivolts without decoration topped by friezes (mitraic arch, in triangle, differs from the broken Gothic arch)
360° panorama by Santiago Ribas - 360portugal. Click the image to open the interactive version.
In the parish of Ferreira is one of the gems of the heritage of the Terras de Sousa, the Ferreira Monastery. With a strong influence, in the Middle Ages, on the settlement and agricultural and cultural development of the region, the Romanesque Church of S. Pedro de Ferreira that has reached our days is an impressive testimony of 12th century architecture. In it you can find influences as diverse as those of the school of Zamora, evident in the portico; from the school of Coimbra, visible in the capitals and, still, from a local school, with parallels to Unh~ao, in the beautiful stonework of the two side doors. The Church is of impressive strength and robustness, of a single nave, with buttresses attached outside and inside. It has an exterior nartex with a bell tower that, although from a later period, articulates harmoniously with the construction of the century. XII. The entrance porch is made up of five arches with simple columns and profusely worked capitals. Nave: The nave has a harmonic design with half pilasters marking rhythmic sections. The baptismal font is from 1496-1503 (reign of D. Manuel I), and has the arms of the Bishop of the Diocese D.Diogo de Sousa. Inside, its triumphal arch of great height, with two smooth archivolts without decoration topped by friezes (mitraic arch, in a triangle, differs from the broken Gothic arch).
360° panorama by Santiago Ribas - 360portugal. Click the image to open the interactive version.
In the parish of Ferreira is one of the gems of the heritage of the Terras de Sousa, the Ferreira Monastery. With a strong influence, in the Middle Ages, on the settlement and agricultural and cultural development of the region, the Romanesque Church of S. Pedro de Ferreira that has reached our days is an impressive testimony of 12th century architecture. In it you can find influences as diverse as those of the school of Zamora, evident in the portico; from the school of Coimbra, visible in the capitals and, still, from a local school, with parallels to Unh~ao, in the beautiful stonework of the two side doors. The Church is of impressive strength and robustness, of a single nave, with buttresses attached outside and inside. It has an exterior nartex with a bell tower that, although from a later period, articulates harmoniously with the construction of the century. XII. The entrance porch is made up of five arches with simple columns and profusely worked capitals. Axial Portal: An important feature of this axial portal is the geometric decoration of the 5 archivolts, with perforated scrolls, similar to the archivolts of the Porta del Bispo of the cathedral of Zamora, and the main portal of the church of Santiago del Burgo de Zamora.
360° panorama by Luis Davilla. Click the image to open the interactive version.
El Pilar chapelle of the Cathedral. santiago de compostela. galicia. spain
360° panorama by Luis Davilla. Click the image to open the interactive version.
monastery of san marti~no pinario. santiago de compostela. galicia. spain
360° panorama by Luis Davilla. Click the image to open the interactive version.
Hospital of the Reyes Catolicos or National Parador Hotel Courtyard. Obradoiro square. Santiago de Compostela. Galicia. Spain
360° panorama by Luis Davilla. Click the image to open the interactive version.
Hospital of the Reyes Catolicos or National Parador Hotel Courtyard. Obradoiro Square. Santiago de Compostela. Galicia. Spain
360° panorama by Santiago Ribas - 360portugal. Click the image to open the interactive version.
On the south side, the 15th-century cloister with a square floor plan, with four porch wings, communicating with the various convent buildings, crossed by arcades of perfect round over imposts and faceted columns based on a wall; granite floors and wooden roofs; in the center there is a garden, where several graves appear and, in the wings, stonework in deposit.
360° panorama by Santiago Ribas - 360portugal. Click the image to open the interactive version.
Religious, Romanesque and Gothic architecture. Benedictine monastery composed of a church and a rural area on the left side, which extends through the yard, where the entrance is located. Founded in the 9th century, according to the opinion of some researchers, or at the end of the 10th century (985), according to records from that time, it would have been a basilica dedicated to Saint Peter (Monasterio Sancti Petri de Ceti), occupied by Benedictine monks. At the end of the 11th century, the monastery was rebuilt by order of Goncalo Oveques. At the end of the 13th century and the beginning of the 14th century the church underwent a major remodeling, including changes in the nave's size, reconstruction of the chancel and alteration of the building's facade. The current cloister, the tower and other elements of the complex are the result of the restoration work carried out in the 15th century. The monastery was occupied by members of the Order of S~ao Bento until the 16th century, when D. Jo~ao III transferred the ownership of the building to the Royal College of Graca de Coimbra (Gracianos).
360° panorama by Santiago Ribas - 360portugal. Click the image to open the interactive version.
At the base of the tower, with communication to the church, through a broken arch of an exterior arch and decorated, the funerary chapel of D. Goncalo Oveques, with a vault of warhead based on corbels decorated by vegetal elements
360° panorama by Santiago Ribas - 360portugal. Click the image to open the interactive version.
Religious, Romanesque and Gothic architecture. Benedictine monastery composed of a church and a rural area on the left side, which extends through the yard, where the entrance is located. Founded in the 9th century, according to the opinion of some researchers, or at the end of the 10th century (985), according to records from that time, it would have been a basilica dedicated to Saint Peter (Monasterio Sancti Petri de Ceti), occupied by Benedictine monks. At the end of the 11th century, the monastery was rebuilt by order of Goncalo Oveques. At the end of the 13th century and the beginning of the 14th century the church underwent a major remodeling, including changes in the nave's size, reconstruction of the chancel and alteration of the building's facade. The current cloister, the tower and other elements of the complex are the result of the restoration work carried out in the 15th century. The monastery was occupied by members of the Order of S~ao Bento until the 16th century, when D. Jo~ao III transferred the ownership of the building to the Royal College of Graca de Coimbra (Gracianos).