C. S. Lewis Till We Have Faces (1956) |
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: c. s. lewis |
Poppy Z. Brite Exquisite Corpse (1996) |
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: poppy z. brite |
Fay Weldon The Life Force (1992) |
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: fay weldon |
Bel Kaufman Up the Down Staircase (1965) |
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: bel kaufman |
Bernard Shaw Heartbreak House (1913-19) |
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: bernard shaw |
Par Lagerkvist Ahasverus dod (1960) |
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Anne Rice Interview with the Vampire (1973) |
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: anne rice |
Jhonen Vasquez Squee! |
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Dear mister or missuz God.
Hi. Umm... I heard some people talking about you on television... So... I thougt, maybe, you could help me. Umm... I have some money.
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-- I'm glad you showed up, Shmee. You make all the bad things go away.
-- Go away? Oh, little man, you're a little off on that one. See, I don't get rid of all those nigtmare things... I absorb them. Just think of me as your own personal trauma-sponge.
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Honey, if your brain is what made you dress like this, it's the last thing you should bother protecting.
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I am in Los Angeles. I cannot remember being quite so unhappy geographically since that one time I was on Mars and the mask of my space suit cracked and my head imploded.
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Twitching crackbaby! This is just awful! I need a break. Maybe take a walk or fire a deathray at the earth. Yeah, I think I'll do the deathray thing.
: jhonen vasquez |
Louis Aragon Une vague de reves (1924) |
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I am no longer the bicycle of my senses, a grindstone honing memories and encounters.
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And then I grasp chance within me, I grasp all of a sudden how I surpass myself: I am chance, and having formed this proposition I laugh at the thought of all human activity. This would certainly be a glorious moment to die, this certainly is the moment when the ones who simply leave one day with a clear gaze do kill themselves.
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Yet sometimes such a visitor, influenced by fashion, would lay claim to Idealism himself. Then it would become apparent that what I had before me was yet another shame-faced realist, like so many well-meaning men these days... By abandoning the commonplace notion of reality for the concept of reality within they believe they have made a great leap forward - but their idol, the Noumenon, has been exposed as a very mediocre piece of plaster. Nothing can make people like this understand the true nature of reality, that it is just an experience like any other, that the essence of things is not at all linked to their reality, that there are other experiences that the mind can embrace which are equally fundamental such as chance, illusion, the fantastic, dreams. These different types of experience are brought together and reconciled in one genre, Surreality.
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Absolute nominalism was dazzlingly exemplified in surrealism and it gradually dawned on us that the mental substance described above was, in fact, vocabulary itself. There is no thought outside words: the whole surrealist experience evidences this proposition.
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Surreality, the state where these concepts are fused by the mind, is the shared horizon of religion, magic, poetry, dreaming, madness, intoxication and this fluttering honeysuckle, puny little life, that you believe capable of colonizing the heavens for us.
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: louis aragon |
Robert Bloch Yours Truly, Jack the Ripper (1991) |
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: robert bloch |
Paul Di Filippo The Steampunk Trilogy (1995) |
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: paul di filippo |
Virginia Woolf A Haunted House and Other Short Stories (1944) |
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: virginia woolf |
Sylvia Brinton Perera Descent to the Goddess (1981) |
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Unfortunately, all too many modern women have not been nurtured by the mother in the firs place. Instead, they have grown up in the difficult home of abstract, collective authority--"cut off at the ankles from earth," as one woman put it--full of superego shoulds and ougts. Or they have relation to the identified with the father and and their patriarchal culture, thus alienating themselves from their own feminine ground and their personal mother, whom they have often seen as weak or irrelevant.
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It is precisely a woman who has a poor relation to the mother, the one through whom the Self archetype first constellates, who tends to find her fulfillment through the father or the male beloved.
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Constricted, the joy of feminine has been disintegrated as mere frivolity; her joyful lust demeaned as whorishness, or sentimentalized and materialized.
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Too often there is no distinction felt between the unmothered woman's need for the mother and her need for a male partnership. Perhaps because so many women were nourished by the patriarchal animus of the caretaker, or because they found their brothers and fathers warmer or more valuable, they continue to seek strength and mothering from men and their own animus, even devaluing feminine nurturance when it is available for themselves.
Ereshkigal's stake feels the anti-receptive emptiness of the feminine with feminine yang strength. It fills the eternally empty womb mouth, and gives a woman her own wholeness, so that the woman is not merely dependent on male or child, but can be unto herself as a full and separate individual.
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Our culture has clearly discouraged women from claiming impersonal feminine potency. The concept is considered monstrous; thus women are encouraged to be docile and to "relate with Eros" to sadistic paternal animus figures, rather than to claim their own equally sadistic-assertive power.
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: sylvia brinton perera |
Richard Farina Been Down So Long It Looks Like Up to Me (1966) |
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: richard farina |
Bernard Werber LEncyclopedie Du Savoir Relatif Et Absolu (1993) |
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: bernard werber |
Nick Cave The Death of Bunny Munro (2009) |
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: nick cave |
Paul A. Toth Fishnet (2005) |
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: . paul a. toth |
Peter Straub Ghost Story (1979) |
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: peter straub |
(1912) |
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Friedrich Durrenmatt Der Verdacht (1953) |
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: friedrich durrenmatt |