Stieg Larsson Flickan som lekte med elden (2006) |
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: Stieg Larsson |
Peter Ackroyd Hawksmoor (1985) |
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: Peter Ackroyd |
Michel Faber The Courage Consort (2002) |
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: Michel Faber |
Northrop Frye Creation and Recreation (1980) |
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The cultural aura, or whatever it is, that insulates us from nature consists of words, and the verbal part of it is what i call a mythology, or the total structure of human creation conveyed by words, with literature at its centre. Such a mythology belongs to the mirror, not to the window. It is designed to draw a circumference around human society and reflect its concerns, not to look directly at the nature outside.
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A glance out of the window of an aeroplane, to the patterns of the landscape or city lights below, will tell us why this is the century of Kandinsky and not that of Constable or Ruysdael; more important, it will also tell us that the space for us has become a set of coordinated points: we do not live in a centered space any more, but have to create our own centres.
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It has been said that those who do not learn history are condemned to repeat it: this means very little, because we are all in the position of voters in a Canadian election, condemned to repeat history anyway whether we learn it or not. But those who refuse to confront their own real past, in whatever form, are condemning themselves to die without having been born.
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I sometimes wonder whether the work of creation in a society is really effective if it meets no social resistance at all. <...> One applauds the tolerance, except the public is so seldom tolerant about anything unless it has become indifferent to it as well. A world where arts are totally tolerated might easily become a world in which they were merely decorative, and evoked no sense of challenge to repression at all.
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There is a much deeper level on which the arts form part of our heritage of freedom, and where inner repression by the individual and external repression in society makes them constantly felt. That is why totalitarian societies, for example, find themselves unable either to tolerate the arts or to generate new forms of them.
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: Northrop Frye |
Joe Clifford Faust Boddekker's Demons (1997) |
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: Joe Clifford Faust |
David Lodge Home Truths (1999) |
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: David Lodge |
Dubravka Ugrešić Zabranjeno čitanje (2001) |
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: Dubravka Ugrešić |
Christopher Buckley Thank You for Smoking (1994) |
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: Christopher Buckley |
David Gilmour The Film Club (2007) |
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Michel Faber The Hundred and Ninety-Nine Steps (2001) |
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: Michel Faber |
Frank McCourt Angela's Ashes (1996) |
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: Frank McCourt |
(1929) |
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Michael Frayn Spies (2002) |
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: Michael Frayn |
China Miéville King Rat (1998) |
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: China Miéville |
Don DeLillo White Noise (1985) |
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: Don DeLillo |
Joe Clifford Faust Ferman's Devils (1996) |
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: Joe Clifford Faust |
Cormac McCarthy No Country for Old Men (2005) |
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: Cormac McCarthy |
Joe Hill Horns (2010) |
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: Joe Hill |
Joseph Campbell The Hero with a Thousand Faces (1949) |
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: Joseph Campbell |
Anne B. Ragde Berlinerpoplene (2004) |
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: Anne B. Ragde . |