The screenplay by Francis Ford Coppola and Edmund H. North depicts Patton as both megalomaniac and genius, occasionally even sympathetic. The film won several Oscars, including Best Picture, Best Director, Best Screenplay, and Best Actor for Scott, which he famously refused to accept. Max Davidson was a German-Jewish comedian whose films, made at the Hal Roach studio, typically caricatured established Jewish stereotypes of the day. By the time he made this film, his fifth as a director, Clint Eastwood was successfully synthesizing the talents of his two mentors, Sergio Leone and Don Siegel.
Charlton Heston portrays an astronaut who crashes on a strange planet where inarticulate humans are kept penned-up and creatures that look like oversized chimpanzees and talk like men and women run the world. Heston's life is in danger when ape leader Maurice Evans discovers he can speak, but sympathetic ape scientists Roddy McDowall and Kim Hunter risk their own safety by protecting him. Scripted by Michael Wilson and "Twilight Zone" creator Rod Serling, the film won a special Academy Award for John Chambers's simian makeup, and spawned four successful sequels and two TV series. Produced in 20 episodes, in a groundbreaking long-form motion-picture narrative structure, party backdrop hire the series starred Pearl White as a young and wealthy heiress whose ingenuity, self-reliance and pluck enable her to regularly outwit a guardian intent on stealing her fortune. The film became an international hit and spawned a succession of elaborate American adventure serial productions that persisted until the advent of regularly scheduled television programs in the 1950s. Although now regarded as a satirical cliché of the movie industry, "Perils of Pauline" in its day inspired a generation of women on the verge of gaining the right to vote in America by showing actress Pearl White performing her own stunts and overcoming a persistent male enemy.

Huston was no longer considered a pariah; he was decorated and made an honorary major. Fred Astaire, Cyd Charisse, Oscar Levant, Nanette Fabray and Jack Buchanan star in this sophisticated backstage toe-tapper directed by Vincente Minnelli, widely considered one of the greatest movie musicals of all time. Astaire plays a washed-up movie star (in reality he'd been a succesful performer for nearly 30 years) who tries his luck on Broadway, under the direction of irrepressible mad genius Buchanan. Musical highlights include "Dancing in the Dark" and "That's Entertainment" and Astaire's sexy Mickey Spillane spoof "The Girl Hunt" danced to perfection by Charisse. Fred Astaire would only make three more musicals after "The Band Wagon," before turning to a film and television career that included the occasional turn as a dramatic actor. When Richard the Lion-Hearted is captured and held for ransom, evil Prince John declares himself ruler of England and makes no attempt to secure Richard's safe return.
The winding streets and stunning vistas of San Francisco, backed by a superb Lalo Schifrin score, play a central role in British director Peter Yates' film renowned for its exhilarating 11-minute car chase, arguably the finest in cinema history. In one of his most famous roles, Steve McQueen stars as tough-guy police detective Frank Bullitt. The story, based on Robert L. Pike's crime novel "Mute Witness," begins with Bullitt assigned to a seemingly routine detail, protecting mafia informant Johnny Ross , who is scheduled to testify against his cronies before a Senate subcommittee. But when two hitmen ambush their secret location, fatally wounding Ross, things don't add up for Bullitt, so he decides to investigate the case on his own.
The African-American folk hero John Henry was probably based on an actual person who worked on the railroads around the 1870s. The legend began to appear in print in the early 20th century, but emerged early on as a popular folk song. Akin to other such rugged folk heroes as Paul Bunyan, John Henry is said to have worked as a "steel-driving man," hammering a steel drill into rock and earth to build tunnels and lay track. According to legend, his prowess was measured in a competition against a steam-powered hammer.

It is a great way to complement either classic and traditional or sleek and contemporary pieces. We know that our professional staff and years of experience will make your next event a huge success. Party Photobooth Hire in Sydney With Unlimited Photo Sessions We provide eye-catching photobooths for hire at a reasonable cost, that offers unlimited photo sessions. Get in touch with The Balloon Stylist to make your special event even more memorable with a custom balloon installation. Chandeliers, a lotus-modeled stage seater, floral frames, and decorations all worked together to provide the wedding guests with a fine taste of the traditional richness and ethnic vibrance.
You should always make arrangements for shelter, regardless of the weather forecasts, as you never know if weather conditions will change in Sydney. If you don’t have a suitable room, garage, pergola or carport, than you may want to consider a marquee. You don’t have to go all out for a small function, but simple shelter arrangements such as our pop up marquees can be a cost effective way to provide some good shelter with minimal effort. If you would rather do your own thing, we have speakers available for hire, DJ equipment, mixers and much more.

In one impassioned tirade, Beale incites viewers to shout "I'm as mad as hell, and I'm not going to take this anymore!" William Holden portrays the fading TV executive and Faye Dunaway is the cutthroat program director who'll do anything for ratings. Chayefsky's script won an Academy Award, as did best supporting actress Beatrice Straight, who plays Holden's wife. On screen for five minutes and two seconds, Straight's is the briefest performance ever to win an Oscar.
Universal spared no expense during production, converting more than 20 acres of a large California ranch into battlefields occupied by more than 2,000 ex-servicemen extras. It received an Academy Award as Best Picture and Milestone was honored as Best Director. We have balloons for all occasions, from private events to corporate functions and much more! We also provide a wide range of suitable decorations for small events to large scale productions. You can be assured knowing Sydney’s lead balloon stylist is looking after your event and creating a personalised service just for you. Browse our large range of venue decorations, including elegant stands, chairs, bollards, draping frames, wishing wells, party backdrop and other prop supplies.
Mel Brooks followed up his success with "Blazing Saddles" by directing and co-scripting (with the film's star Gene Wilder) this stylish spoof of the Universal Studios horror franchise. In addition to Wilder, Madeline Kahn also reteamed with Brooks following her unforgetable performance as Lili Von Shtupp in "Blazing Saddles." The director added Marty Feldman, Peter Boyle, Teri Garr and Kenneth Mars to the cast creating a formidable comedic ensemble. This is the feature film that made Canadian-born Mary Pickford, Hollywood's first movie superstar, a national icon and an international celebrity. The film is often credited with launching what was known as the "cult of Mary Pickford" in the early 20th century and was essential in shaping the actress' on-screen persona as a working-class heroine. The picture was so successful that it spawned a number of knockoffs and several remakes, including one by Pickford herself in 1922. The movie's director, Edwin S. Porter, was a former Edison cameraman who worked with Pickford on five of her earliest features.

The story of the sleeping princess Aurora, awakened by a kiss, already was widely known to theater audiences. But Disney transformed this timeless fable from the original Charles Perrault fairy tale ("The Sleeping Beauty of the Wood") and The Brothers Grimm ("Little Briar-Rose") by tweaking plot elements and characters , as well as with the film's magnificent score. Along with its vivid images and charming details, the film introduced movie audiences to one of Disney's most enduring villainesses — Maleficent . "Beauty" was the last of classic animated fairy-tale adaptations produced by Walt Disney, whose influence suffuses the film. This romantic comedy, one of director Ernst Lubitsch's most enduring works, takes place almost entirely within a store in Budapest shortly before World War I. James Stewart is the earnest, slightly awkward young manager; Margaret Sullavan is the novice clerk who gets under his skin.
Powerhouse producer David O. Selznick had just imported the "master of suspense" from his native England. Laurence Olivier stars as Maxim de Winter and Joan Fontaine in her breakthrough role co-stars as Maxim's new wife. However, it is two other women who dominate the film—the intimidating housekeeper Mrs. Danvers and the film's title woman, the deceased first Mrs. de Winter whose powerful shadow still hangs heavily over this great estate and all its inhabitants. Winner of the Oscar for best picture that year, "Rebecca" is stylish, suspenseful and a classic. Although noting that power ultimately corrupts the militants, Henry Louis Gates Jr. reminisced that he and fellow black students at Yale loved the film as a utopian fantasy that offered them a realistic path—infiltration, then transformation—for social change. Deafened by scarlet fever at the age of eight, Veditz was one of the first to make motion-picture recordings of American Sign Language.
Edwin S. Porter was an influential pioneer in the development of early American cinema and "Life of an American Fireman" provides a superb snapshot of how advanced U.S. filmmaking had become. Porter followed up several months later with "The Great Train Robbery." Ironically, "Life of an American Fireman" later became a controversial topic in American film historiography when a reedited, more modern version of the film using cross-cutting techniques was thought to be the original. Many years later, scholars helped disprove this misconception by reviewing the original paper print copyright deposit in the Library of Congress. "La Bamba" is a biopic of the life of rock star Ritchie Valens, rock's first Mexican-American superstar. Directed by Luis Valdez, "La Bamba" (the film draws its name from Valens' signature song) charts Valens' meteoric rise as a musician and his tragic death at age 17 in a 1959 plane crash, along with Buddy Holly and The Big Bopper. The film's success not only reinvigorated interest in Valens' brief but notable musical legacy, it also brought the title tune back to the charts 28 years after its first appearance.