With Pat O'Brien, Nehemiah Persoff, and Joe E. Brown, who gets one of the best punch lines in American cinema. While W.C. Fields' talents are better suited for sound films — where his verbal jabs and asides still delight and astound — Fields also starred in some memorable silent films. Fields began his career as a vaudevillian juggler and that humor and dexterity shines through in "So's Your Old Man." The craziness is aided immeasurably through the deft comic touches of director Gregory LaCava. In the film, Fields plays inventor Samuel Bisbee, who is considered a vulgarian by the town's elite. His road to financial success takes many hilarious detours including a disastrous demo for potential investors, a bungled suicide attempt, a foray into his classic "golf game" routine and an inspired pantomime to a Spanish princess. James Whale's direction of the Jerome Kern-Oscar Hammerstein musical, which was based on an Edna Ferber novel, is brilliant, at times because of its boldness, at others because of its restraint.
The film's rich color cinematography that captures the lush countryside was nominated for an Academy Award. Since it first opened, "King Kong" has been an audience favorite, initially giving the troubled RKO much needed driving lessons st george area money to finance future projects. It has come to epitomize one of Hollywood's best attempts at horror fantasy. Layered with obvious moralizing, the story has taken on the significance of a modern folk tale.

George C. Scott portrays a beleaguered physician, a character far less in control than the five-star general he portrayed in "Patton" the year before. That earlier role had earned him a Best Actor Oscar, which he famously declined, and "The Hospital" earned him another nomination. Director Arthur Hiller toggles between comedy and tragedy, the real and the surreal to depict, in Chayefsky's words, "a microcosm for all the ills of contemporary society" and a vision of health care that looks frighteningly prescient.
During the silent era, women screenwriters, directors and producers often modified and poked fun at stereotypes of women that male filmmakers had drawn in harsher tones. The smiles of Loos' "virtuous vamp"—as embodied by Talmadge—lead to havoc in the office, but are not life-threatening, as were the hypnotizing stares of Theda Bara's iconic caricature that defined an earlier era. In this satire of male frailties, the knowing innocence of Loos' character captured the imagination of poet Vachel Lindsay, who deemed the film "a gem" and called Talmadge "a new sweetheart for America."

As one of the most popular and influential American films produced, "Gone With the Wind" remains possibly the definitive example of filmmaking in the Hollywood studio era. More than seven decades after its release, David O. Selznick's production coupled with Margaret Mitchell's best-selling story still has the power to enthrall audiences. A rich score by Max Steiner and top performances from Vivien Leigh, Olivia de Havilland, Hattie McDaniel and Clark Gable add to the film's indelibility. Written, directed, and produced by Charles Chaplin, "The Gold Rush" follows Chaplin's Lone Prospector on his adventures in the Klondike. Often considered one of Chaplin's greatest films, "The Gold Rush" features many now-famous sequences, including Chaplin's "Oceana Roll" dance and the scene in which the Lone Prospector and his fellow prospector, Big Jim McKay , are forced to eat a shoe to survive.
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When the Magic Mirror proclaims Snow White the fairest one of all, she must flee into the forest, where she befriends the lovable seven dwarfs. When the Queen tricks Snow White with an magic apple, only a kiss from her true love can save her. This stirring tale of a million-to-one-shot underdog has become part of the American psyche. According to legend, Sylvester Stallone, then a down-on-his-luck actor, hurriedly wrote a brilliant script after watching the Muhammad Ali/Chuck Wepner fight. Stallone shopped the script to studios, who loved the plot but not Stallone's take-it-or-leave-it demand that he star in the film.

A commercial failure initially, the film's popularity has grown steadily over the decades with subsequent re-releases and video sales. Released nearly 48 years ago, "The Exiles" remains one of the few non-stereotypical films that honestly depict Native Americans. With the perspective of a true outsider, filmmaker Kent MacKenzie captures the raw essence of a group of 20-something Native Americans who left reservation life in the 1950s to live among the decayed Victorian mansions of Los Angeles' Bunker Hill district.
It also provides a sympathetic yet clear-eyed portrait of a community assaulted by poverty and lack of opportunity, yet it manages to remain hopeful. A milestone in film history, "Kid Auto Races at Venice" features the debut of Charlie Chaplin's little tramp character as he continually disrupts a cameraman trying to film a soapbox derby car race. Often described as the one of the stranger, kinkier Westerns of all time, Nicholas Ray's film-noiresque "Johnny Guitar" possesses enough symbolism to keep a psychiatrist occupied for years and was a favorite film of French New Wave directors. "Johnny Guitar," filmed in the Trucolor process, also rates significance as one of a few Westerns featuring women as the main stars . Crawford is the owner of a gambling saloon in an isolated town waiting for the train lines to arrive so she can get rich; McCambridge plays her nemesis. Upon its release, Variety and The Hollywood Reporter panned "Johnny Guitar," but the film's reputation has soared over time.

John Henry won the race against "Inky-Poo," only to collapse and die, hammer in hand. Stop-motion animation pioneer George Pal created this short film after the NAACP and Ebony magazine criticized his offensively stereotyped Jasper series of cartoons. The magazine later praised "John Henry" as the first Hollywood film to feature African-American folklore in a positive light and to treat its characters with "dignity, imagination, poetry, and love." Highly popular during its time, the film was nominated for an Academy Award. While traveling in the Deep South, Virgil Tibbs , a black Philadelphia homicide detective, becomes unwittingly embroiled in the murder investigation of a prominent businessman when he is first accused of the crime and then asked to solve it. Finding the killer proves to be difficult, however, especially when his efforts are constantly thwarted by the bigoted town sheriff . Putting aside their differences and prejudices, they join forces in a desperate race against time to discover the shocking truth.
Charlton Heston stars as Moses and is joined by the likes of Yul Brynner, Edward G. Robinson, Anne Baxter, Yvonne DeCarlo and Debra Paget. The film's true star is its special effects, including the spectacular parting of the Red Sea, for which it won an Oscar. Rogers found a superlative vehicle for his homespun persona in this small town slice-of-life setting.
It was part of a wave of "social problem" films released during the 1910s on such subjects as drugs and alcohol, white slavery, immigrants and women's suffrage. Some were sensationalist attempts to exploit lurid topics, while others, like this film, were realistic exposés that championed social reform and demanded change. Shot partially in a working textile factory, "The Cry of the Children" was recognized by an influential critic of the time as "The boldest, most timely and most effective appeal for the stamping out of the cruelest of all social abuses." This powerful documentary by the Kentucky-based arts and education center Appalshop represents the finest in regional filmmaking, providing important understanding of the environmental and cultural history of the Appalachian region. The 1972 Buffalo Creek Flood Disaster, caused by the failure of a coal waste dam, killed more than 100 people and left thousands in West Virginia homeless.

Brooks makes the most of his everyman persona serving as Holly Hunter's romantic back-up plan while she pursues the handsome but vacuous Hurt. Against the backdrop of broadcast journalism , a grown-up romantic comedy plays out in a smart, savvy and fluff-free story whose humor is matched only by its honesty. At the heart of David Lean's antiheroic war epic about a band of British POWs forced to build a bridge in the wilds of Burma is the notion of men clinging to their sanity by clinging to military tradition. Lean elects to keep the musical score to a minimum and instead plays up tension with nature sounds punctuating the action. For many film critics and historians, "Bridge on the River Kwai" signals a shift in Lean's directorial style from simpler storytelling toward the more bloated epics that characterized his later career. Judy Holliday's sparkling lead performance as not-so-dumb "dumb blonde" Billie Dawn anchors this comedy classic based on Garson Kanin's play and directed for the screen by George Cukor.