http://www.liveinternet.ru/users/_zhaman_/post/ LiveInternet / LiveInternet.ru hourly 1 ru _Zhaman_ http://av.li.ru/767/1519767_8860165.jpg http://www.liveinternet.ru/users/_zhaman_/ я теперь хочу куда-нибудь поехать на рождественские праздники)]]> ]]> _Zhaman_, Да,выпендриваются они! Вот реально,что тут в этих линиях картины Адам можно увидеть? Это просто линии! А они тут разводят демагогию, что это значит,какой глубокий смысл! Лучшеб работать пошли=)
Модно же сейчас,какой нибудь неведомой хуетой увлекаться...илитистом становишься в миг=)]]>
was made by aggressively throwing and pouring bright red paint directly from the tin onto a large rectangular piece of sacking fixed to the wall, evoking associations of splattered and dripping blood. Nitsch made other paintings in the series by pouring paint onto the floor, or by rolling his body in it. He often used red paint and blood in his performances, which were highly ritualistic and often violent, invoking extreme emotional and psychological states.]]>
n the summer of 1967, Morris began to purchase rectangular sheets of industrial felt and cut into them with a series of straight lines. When suspended, the strips of felt would tumble from their own weight. Morris wanted to question the fixed geometric shapes of Minimalist sculpture and the way Minimalism imposed order on materials. As he wrote in his essay ‘Anti-Form’, the alternative was to let materials determine their own shape. This meant relinquishing control of the final appearance: each time this work is displayed, its precise arrangement will change.]]>
Suspended precariously from a gallery wall, the metal framework contrasts with the painted backdrop. The volume and weight of the object is countered by the flatness of the surface. Kounellis seems to visualise his own artistic progression from two-dimensional painting to the employment of unconventional sculptural forms by referencing techniques that have become central to his career.]]>
The vertical strips in his paintings may relate to certain traditions that present God and man as a single beam of light. The name Adam, which in the Old Testament was given to the first man, derives from the Hebrew word adamah (earth), but is also close to adom, (red) and dam (blood). The relationship between brown and red in this painting may therefore symbolise man's intimacy with the earth.

И Ева:

he vast expanse of unmodulated red paint in this work is both absorbing and disorienting. It is interrupted by a single, narrow band of purple running the length of the right-hand edge. This 'zip' generates a tension throughout the canvas between presence and blankness, solidity and fragility. Its verticality also echoes the position of the viewer, helping to fulfil Newman's concern that 'the onlooker in front of my painting knows that he's there'.]]> Alexis_Machine, круто! ты сейчас где?]]>